Shadowing-Übung: Louis C.K. Monologue - SNL - Englisch Sprechen Lernen mit YouTube
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Ladies and gentlemen, Louis C.K.
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Ladies and gentlemen, Louis C.K.
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Thank you.
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Thank you very much.
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Thank you very much.
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Oh, stop.
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I...
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Hi.
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It's a little early for that.
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Well, thank you very much for being here.
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This is the 40th year of this show's existence,
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and this is the finale,
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so I'm very honored, honestly,
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to be asked to host it.
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So thanks, and I'm glad you guys are here.
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Um, yeah, it's fine.
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Anyway, uh...
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I-I was born in 1967,
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and so I grew up in the 70s.
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So I'm not racist.
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However...
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I do have mild racism.
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It's the best I could do coming out of the 70s,
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because that was a very racist decade.
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People said racist things all the time, and nobody got offended.
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The only time somebody got offended if you said something racist in the 70s,
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is when they would then say,
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like, hey, you interrupted me.
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I was saying something racist.
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Why did you...?
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But...
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So I have mild racism.
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It's benign.
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It's not aggressive.
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It's not even negative racism.
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It's mild racism.
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I'll give you an example, okay?
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Like, see, like, if I go to a pizza place I've never been to before,
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and it's run by four black women,
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I'll go, like, uh, hmm.
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See, it's very mild.
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It's extremely mild racism.
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I'll notice that.
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Yeah.
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You don't usually see that,
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four black women running a pizza place.
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Unless it's called four black girls pizza or something like that.
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Like, that's the whole point of the place.
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It's mild.
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Here's another example of mild racism.
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If I say I'm in a hospital,
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and the doctor comes in to treat me,
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and the doctor's from China or India,
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I'll think, well, good, good.
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Good, more of that.
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Why not?
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It's very mild racism.
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Here's another example.
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If I'm in a gas station late at night and a young man comes in wearing a hooded sweatshirt,
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if he's white, I'll think, oh, he's an athlete.
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If he's black, unless he has a big smile on his face,
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then I become mildly racist,
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and this is what I think.
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I think, that's fine.
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Everything's fine.
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Nothing's gonna happen.
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No, of course I'm fine.
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Why did I even think that for a second?
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This is because I was raised in the 70s.
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The 70s were a very different time.
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The 70s, everything was different in the 70s than it is now,
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except the Middle East.
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It's exactly the same.
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It's exactly the same as it was in the 70s.
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It's been the same fights, and you know what?
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It's boring now.
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That's the worst part of it.
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When I was a kid,
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we were like, ugh, but you can't go like this for,
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like, a thousand years.
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After a while, when you fight,
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people don't care, because when you're just both,
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you just keep fighting, everybody's like, those guys are dicks.
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They just fight.
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That's what it's like.
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You know, like, I have two kids, and they fight sometimes.
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And when they first start fighting, I get concerned.
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I go in their room,
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I'm like, hey, what's going on?
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What's wrong?
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Why are we having some feelings?
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Can we.. can we listen to each other, please?
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Can we please just listen to each other?
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Okay, you go first, and then she goes, she's like...
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Hmm, yeah, that sounds hard.
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Okay, okay, thank you.
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Thank you.
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Okay, now you.
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Because I like this one a little more, so I'm gonna...
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And they work it out.
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You help them work it out.
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But if they keep fighting, you stop doing that.
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After a while, you just go in the room and you just go, Hey!
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Just shut up!
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Fuck you!
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You're both wrong!
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Because he won't stop fighting.
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You're in a family.
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There's other people in this family,
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and you're being a couple of selfish little bitches that won't fix anything.
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You share a room, and we can't afford another room,
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so just deal with it.
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Somehow this has to do with Israel and Palestine.
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I don't know exactly.
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I don't remember how it was.
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And it's because my kids are like Israel and Palestine.
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And I'm like America.
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The little ones like Palestine,
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because she always gets screwed.
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She gets the worst deal.
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She's like, she threw a rock at my face.
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I'm like, you're fine.
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Look, you have a great life.
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You take a rock to the face once in a while, you're fine.
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The older one is like Israel.
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She's like, Israel, she comes up to me,
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she burnt all my dolls.
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I'm like, look, I can't do anything about it right now.
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Your sister is crazy.
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Please don't make me talk to her.
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I'll work it out, you and me, okay?
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We'll go out.
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I'll buy you a really cool missile,
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and you do whatever you...
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Whatever you do with it.
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Totally up to you.
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The 70s were very different.
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In the 70s, there was a child molester that lived in my hometown.
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And it wasn't a big deal.
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It wasn't like, we caught a child molester.
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It was just like, yeah,
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that's the house where the child molester lives.
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He lives where, hey, kids,
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don't be stupid or you'll get molested.
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Just stay away from the child molester house.
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I know, because he did something to me when I was your age.
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So just stay away from the child molester house.
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We really did.
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We had a town child molester.
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His name was Jean Baptiste.
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It's a true story.
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And he liked teenage boys.
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That's when you would find out,
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because I was a teenage boy.
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He didn't like me.
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I felt a little bad.
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Like, no, not you.
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He wasn't into me.
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But he would drive up next to teenage boys,
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and he'd say, uh, hello,
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would you like to go to McDonald's?
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And you're like, no. And he's like,
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why you don't like McDonald's?
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And then you're trapped, because,
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of course, everybody liked McDonald's.
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It was the 70s.
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And then I had one friend who used to get in the car.
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He'd be like, sure, I'll go.
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And he'd get in the car.
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He'd go to McDonald's and eat a burger,
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and then he'd say, see ya,
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and he'd just take off.
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And Jean-Baptiste was like, He was like,
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I cannot get the exact same child.
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And he foiled again.
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But he'd always try, maybe this time...
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because child molesters are very tenacious people.
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They love molesting childs.
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It's crazy.
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It's like their favorite thing.
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I mean, when you...
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It's so crazy, because when you consider the risk in being a child molester,
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speaking not of even the damage you're doing,
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But the risk, there is no worse life available to a human than being a caught child molester.
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And yet they still do it!
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Which from, you can only really surmise that it must be really good.
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I mean, from their point of view,
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from their, not ours, but from their point of view,
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it must be amazing for them to risk so much.
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Be- How do you think I feel?
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This is my last show, probably.
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Because...
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Look, I can't key into it,
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because I love mountains bars.
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I love mountains bars.
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It's my favorite thing, right?
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But there's a limit.
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I mean, I-I can't even eat a mountains bar and do something else at the same time.
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That's how much I love them.
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Like, if I'm eating a mountains bar,
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I can't read the paper like, Mmm.
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Mmm.
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I have to just sit there with it in my mouth and go,
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Why is this so good?
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I love this so much.
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And because they are delicious.
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And yet, if somebody said to me,
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if you eat another Moundsboro,
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you'll go to jail and everybody will hate you,
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I would stop eating them.
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Because they do taste delicious,
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but they don't taste as good as a young boy does and shouldn't.
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To a child molester, not to me.
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Not to us, because we're all awesome.
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All right, we did it.
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We got through it.
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We got a great show tonight!
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Brianna is here!
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So stick around and we'll be right back!
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We are two wild and crazy guys!
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And you're hot!
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Swing!
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I can see Russia from my house!
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New York's hottest club is...
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40 seasons, one app.
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Bye.
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Kontext & Hintergrund
In diesem Monolog von Louis C.K., der als Gastgeber der Abschlussfolge von "Saturday Night Live" auftritt, spricht er über seine Erziehung in den 70er Jahren und reflektiert auf humorvolle Weise über soziale Themen, darunter Rassismus. Obwohl er betont, dass er kein aggressiver Rassist ist, nutzt er Beispiele, um seine "milden" rassistischen Gedanken darzustellen. Diese Art des Humors bietet nicht nur Unterhaltung, sondern auch eine Möglichkeit, über persönliche Ansichten und gesellschaftliche Normen nachzudenken. Der Dialog vermittelt einen einzigartigen Blick auf die Herausforderungen und die Komplexität der zwischenmenschlichen Kommunikation.
Top 5 Phrasen für die tägliche Kommunikation
- „Danke, dass Sie hier sind.“ - Eine freundliche Begrüßung, die Wertschätzung zeigt.
- „Es ist ein wenig früh dafür.“ - Eine charmante Art, eine Situation aufzulockern.
- „Ich bin in den 70ern aufgewachsen.“ - Eine Möglichkeit, den eigenen Hintergrund hervorzuheben.
- „Ich habe milden Rassismus.“ - Eine ernsthafte, aber humorvolle Selbstreflexion, die zum Nachdenken anregt.
- „Ist das nicht seltsam?“ - Eine Phrase, die verwendet wird, um auf die Absurdität einer Situation hinzuweisen.
Schritt-für-Schritt Shadowing-Leitfaden
Um mit dem Shadowing von Louis C.K.s Monolog zu beginnen, befolgen Sie diese Schritte:
- Ansehen des Videos: Schauen Sie sich den Monolog zunächst ohne Untertitel an, um ein Gefühl für den Rhythmus und den Tonfall des Sprechers zu bekommen.
- Zuhören und Wiederholen: Spielen Sie den Monolog ab und pausieren Sie nach jeder Phrase. Versuchen Sie, die Sätze in Ihrem eigenen Tempo nachzusprechen. Dies fördert das Englisch Shadowing und hilft Ihnen, die Aussprache zu perfektionieren.
- Wortschatz aufbauen: Notieren Sie sich neue Wörter oder Phrasen, die Ihnen unbekannt sind, und recherchieren Sie deren Bedeutung. Verwenden Sie diese Phrasen in Ihren eigenen Sätzen.
- Schattensprechen üben: Versuchen Sie, dem Sprecher in Echtzeit zu folgen, indem Sie seine Worte zeitlich genau wiedergeben. Dies verbessert nicht nur Ihre Sprachfähigkeiten, sondern auch Ihr Hörverständnis.
- Reflexion: Nach dem Üben sollten Sie darüber nachdenken, wie Louis C.K. Humor und ernste Themen verbindet. Überlegen Sie, wie Sie ähnliche Techniken in Ihrer eigenen Kommunikation anwenden können.
Durch das shadow speak und die Anwendung des shadowspeaks Stils in Ihren täglichen Übungen können Sie Ihre Fähigkeiten im Englisch lernen mit YouTube erheblich verbessern.
Was ist die Shadowing-Technik?
Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.
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