Pratica di Shadowing: Anne of Green Gables 3 | Anne & Gilbert | Stories for Kids | Bedtime Stories - Impara a parlare inglese con YouTube

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Little Fox Anne of Green Gables.
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Little Fox Anne of Green Gables.
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Chapter 3.
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Marilla Makes Up Her Mind.
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I've decided to enjoy this drive,
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Anne said to Marilla on the way to Mrs. Spencer's house.
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I've learned you can nearly always enjoy something if you try hard.
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I'm not going to think about going back to the orphanage.
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I'm just going to think about the drive.
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Oh, look, there's a wild rose.
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She went on.
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Isn't it lovely?
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Wouldn't it be nice if roses could talk?
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And isn't pink the most bewitching color in the world?
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I love it, but I can't wear it.
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Red-headed people can't wear pink.
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Do you know anybody whose hair color changed when they grew up?
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No, said Marilla wearily.
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And I don't think your hair color will change either.
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Well, that's another hope gone.
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My life is a graveyard of buried hopes.
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That's a sentence I read in a book once.
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I say it to comfort myself when I'm disappointed.
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How does it comfort you? asked Marilla, surprised.
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Why, because it sounds so nice and romantic,
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as if I were a heroine in a book.
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If you're going to keep talking,
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you should tell me something about yourself, said Marilla.
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Can I make it up?
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Anne asked.
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It'll be much more interesting.
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No, I don't want any stories.
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Just stick to the facts.
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Where were you born, and how old are you? asked Marilla sternly.
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I was eleven last March, said Anne and I was born in Nova Scotia.
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My father and mother were both high school teachers.
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They were very poor and lived in a tiny yellow house.
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I was born in that house.
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Mrs. Thomas said I was an ugly baby,
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scrawny and thin, but that my mother thought I was perfectly beautiful.
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She died of fever when I was only three months old,
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and soon after, my father died from fever too.
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So I was an orphan and nobody knew what to do with me.
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Father and mother had both come from places far away and had no relatives around.
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Finally, Mrs. Thomas took me in,
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even though she was poor and her husband was a drunk.
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I lived with them until I was eight years old.
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I helped look after the children,
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and it was hard work.
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Then Mr. Thomas was killed when he fell under a train.
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After that, I lived with the Hammonds, who had eight children.
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She had twins three times.
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I like babies, but twins three times is too much.
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I got so tired carrying them around.
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I lived with the Hammonds for two years,
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and then Mr. Hammond died.
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I had to go to the orphanage because the Hammonds didn't want me any longer either.
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It was too crowded in their house.
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Did you ever go to school?
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Marilla asked.
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A little bit, answered Anne.
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I can read well, and I know lots of poetry.
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Don't you just love poetry?
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Were those women, Mrs. Thomas and Mrs. Hammond,
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good to you?" asked Marilla, looking at Anne carefully.
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Uh.. um...
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stammered Anne, blushing with embarrassment.
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They tried to be good to me.
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I'm sure they meant to be good.
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Marilla asked no more questions.
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She suddenly felt pity for Anne,
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who hadn't had much love in her short life.
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Soon they arrived at Mrs. Spencer's house.
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Well, Mrs. Spencer exclaimed, you're the last folks I expected.
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How are you, Anne?
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All right, said Anne without smiling.
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Mrs. Spencer, began Marilla, I'm sorry,
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but there's been a mistake.
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We told the orphanage we wanted a boy.
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Oh, Mrs. Spencer said.
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That's too bad.
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I'm very sorry.
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I'm sorry, too, said Marilla.
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Can we send the child back?
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The orphanage will take her, won't they?
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I suppose so, said Mrs. Spencer thoughtfully.
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But wait a minute.
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Mrs. Blewett was here yesterday.
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She told me she would like a little girl.
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Marilla was not very pleased to hear this.
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Mrs. Blewett had a terrible temper and did not treat servant girls well.
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Look, there's Mrs. Blewett now, said Mrs. Spencer.
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A thin-faced, frowning woman came over to the house.
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How lucky.
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She can take Anne now.
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Mrs. Spencer explained the mistake to Mrs. Blewett.
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Mrs. Blewett looked Anne over from head to toe.
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How old are you and what's your name? she demanded.
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My name is Anne Shirley and I'm 11 years old, Anne replied.
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You're too thin, but you're wiry.
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snapped Mrs. Blewett.
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The wiry ones are the best.
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You'll be a good girl and work hard.
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All right, Miss Cuthbert, she said to Marilla.
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I'll take her home now.
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I don't know, Marilla said slowly.
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Matthew and I haven't decided what to do yet.
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If we decide not to keep Anne,
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I'll send her over tomorrow.
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All right, said Mrs. Blewett ungraciously.
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At Marilla's words, Anne's eyes grew bright like stars.
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Can I really stay at Green Gables? she whispered to Marilla.
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We'll decide tonight, said Marilla crossly.
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But you heard me.
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You might go to Mrs. Blewett.
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She needs you more than Matthew and I do.
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Oh, send me to the orphanage instead.
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Mrs. Blewett looks like a monster, said Anne.
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Anne Shirley, don't talk like that, Marilla scolded.
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Go and sit quietly and be a good girl.
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I'll be anything you want if you will keep me, pleaded Anne.
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Later, Marilla told Matthew about Anne's history and the trip to Mrs. Spencer's house.
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I wouldn't give a dog to Mrs. Blewett, said Matthew.
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I don't like Mrs. Blewett's style either, admitted Marilla.
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Since you want to keep the girl,
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I suppose she can stay.
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I've never brought up a child, especially a girl.
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I'll probably make a mess of it,
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but I'll do my best.
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Matthew's shy face glowed with delight.
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Marilla, I hoped you would change your mind.
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She's such an interesting little thing.
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Yes, well, don't interfere, Matthew, Marilla said.
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I won't tell Anne tonight because she'll be so excited she won't sleep.
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An old maid might not know much about raising children,
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but neither does an old bachelor.
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Goodness knows what will come of it.

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Informazioni su questa lezione

In questa lezione, gli studenti possono migliorare le proprie abilità linguistiche praticando l'inglese attraverso la storia di Anne di Green Gables. Attraverso il dialogo tra Anne e Marilla, gli allievi avranno l'opportunità di ascoltare e ripetere frasi che esprimono emozioni, storie personali e descrizioni. Questo esercizio non solo aiuterà gli studenti a migliorare la loro pronuncia, ma fornirà anche un contesto culturale interessante attraverso il quale apprendere nuove parole e frasi. L’obiettivo è rendere l'apprendimento divertente e coinvolgente, incoraggiando la pratica costante.

Vocabolario e frasi chiave

  • to enjoy - godere
  • orphanage - orfanotrofio
  • wild rose - rosa selvatica
  • graveyard of buried hopes - cimitero di speranze sepolte
  • heroine - eroina
  • high school teachers - insegnanti delle scuole superiori
  • skinny - magro
  • tiny yellow house - piccola casa gialla

Consigli per la pratica

Quando pratichi l'inglese usando il shadowing con questa lezione, prestare particolare attenzione alla velocità e al tono dei parlanti. La voce di Anne è vivace e curiosa, quindi cerca di imitare il suo entusiasmo mentre ripeti le frasi. Concentrati sulle emozioni trasmesse attraverso il dialogo; questo ti aiuterà a rendere le tue espressioni più naturali e coinvolgenti.

Utilizza la tecnica del shadow speak per assorbire non solo le parole, ma anche le intonazioni e i ritmi. Inizia a praticare a una velocità più lenta e, man mano che ti senti più sicuro, prova ad aumentare la velocità per adattarti a quella del video. Questo sarà particolarmente utile per migliorare la tua comprensione dell’inglese parlato in modo fluido.

Non dimenticare di utilizzare fonti di shadowing come il nostro shadowing site, dove puoi approfondire la tua pratica con altri materiali. Praticare con imparare l'inglese con youtube offre l'opportunità di esplorare vari contenuti e stili di comunicazione, rendendo l'apprendimento un'attività continua e gratificante.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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