Pratica di Shadowing: ⚔️ FULL EPISODE: Hall of Egress ⚔️ | Adventure Time | Cartoon Network - Impara a parlare inglese con YouTube
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[ OWL HOOTS ] [ SCREECHES ] ♪ ADVENTURE TIME ♪ COME ON, GRAB YOUR FRIENDS ♪ WE'LL GO TO VERY DISTANT LANDS ♪ ♪ WITH JAKE THE DOG AND FINN THE HUMAN ♪ ♪ THE FUN WILL NEVER END ♪ IT'S ADVENTURE TIME [ JAKE PANTING ] REMEMBER LAST TIME WE WERE OUT THIS WAY?
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[ OWL HOOTS ] [ SCREECHES ] ♪ ADVENTURE TIME ♪ COME ON, GRAB YOUR FRIENDS ♪ WE'LL GO TO VERY DISTANT LANDS ♪ ♪ WITH JAKE THE DOG AND FINN THE HUMAN ♪ ♪ THE FUN WILL NEVER END ♪ IT'S ADVENTURE TIME [ JAKE PANTING ] REMEMBER LAST TIME WE WERE OUT THIS WAY?
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IT WAS RIGHT AFTER YOU MESSED THINGS ALL UP WITH FLAME PRINCESS.
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[ CHUCKLES ] YEAH, THAT SUCKED.
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BUT THEN WE FOUND THE DUNGEON TRAIN, REMEMBER?
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THAT WAS AWESOME.
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NO. IT WASN'T.
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SURE IT WAS.
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ANYWAY, FLAMBO'S BROTHER'S MAP SAYS THE WEIRD CAVE SHOULD BE, LIKE, RIGHT OVER...
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AH! IT'S RIGHT HERE.
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[ CHUCKLES ] COME ON, JAKE.
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OKAY, HOLD ON, LET ME GET OUT MY SIDEWALK CHALK.
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I WANT TO WRITE ALL OVER THE WALLS IN THERE.
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[ Echoing ] WHAT?
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YOU CAN'T USE THAT STUFF IN HERE.
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THIS IS LIKE AN ANCIENT, SACRED TEMPLE.
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[ SLAM! ] OH, WELL, NOW, THAT'S JUST GREAT.
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YOU DON'T PUT TRAPS IN THE FOYER!
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THE FOYER IS A SAFE SPACE.
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MAN, NOT EVEN JAKE COULD SMASH THROUGH THIS MESS.
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BUT MAYBE THERE'S A BACK DOOR OR SOMETHING.
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UH-OH -- OPTIONS.
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BETTER LEAVE A LITTLE TRAIL IN CASE I GET LOST...
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BREAD-CRUMB STYLE. [ CHUCKLES ] PLUS, FOR IF JAKE GETS IN AND TRIES TO TRACK ME DOWN.
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TOO BAD I DON'T STILL HAVE THAT SIDEWALK CHAAAAAHHHHHH-- OOF!
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[ GROANS ] OKAY, WELL, SCRATCH THAT.
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NOW I REALLY HOPE THERE'S ANOTHER WAY OUT.
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HALL OF... EGRESS.
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EGRESS. EGRESS.
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WHAT'S "EGRESS" MEAN?
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"EXIT." EGRESS MEANS EXIT!
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[ GRUNTS ] [ PANTING ] [ SHUDDERS ] OKAY.
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[ GRUNTING ] [ SIGHS ] [ GRUNTS ] YAAAAAAAH!
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GREAT. WHAT AM I SUPPOSED TO DO NOW?
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[ INHALES DEEPLY ] [ SIGHS ] WAIT.
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HEY. HEY, I JUST SMASHED YOU.
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I-- AHH. MAGIC DOOR.
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OKAY. RIGHT. BUT IF I...
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AHH? WELL DONE, FINN. YOU SOLVED THE MAGIC DOOR.
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THAT OUGHT TO HAVE DONE IT.
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AND... OH. I GUESS THIS DOOR'S JUST TOO TRICKY FOR ME.
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GUESS I BETTER GIVE UP, RIGHT?
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WRONG. WRONG!
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LET'S TRY THAT AGAIN.
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HMM. IT'S SMOOTH LIKE METAL.
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FLOOR'S SMOOTH TOO.
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OH! WHAT HAVE WE HERE?
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AN ERRANT THREAD!
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[ CHUCKLES ] IT MUST LEAD BACK OUT...
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BREAD CRUMB STY-- [ TRAP DOOR OPENS ] OOF!
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TRAP DOOR? [ GRUNTS ] [ TINK! ] YOW!
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SPIKE TRAP.
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BETTER HEAD BACK AND REGROUP.
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FIENDISH. ANYWAY... DON'T LET'S DO THAT AGAIN.
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AND RIGHT... THEN STRAIGHT...
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AND...HEY NOW.
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HOLD THE PHONE.
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THERE SHOULD BE A LEFT TURN HERE.
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LETTERS? "E"...
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"G"... EGRESS! IT SPELLS "EGRESS!" [ CHUCKLES ] THIS WAY!
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AND HERE'S ANOTHER ONE.
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AND ANOTHER.
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[ CHUCKLES ] [ TRAP DOOR OPENS ] WAH! OW!
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OKAY, SO...
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EVERY MAP I MAKE IS WRONG.
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ALL THE EXIT SIGNS LED TO TRAPS.
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PLUS THE BRAILLE, THE HIEROGLYPHICS, AND THE TAPE RECORDER MESSAGE TOO.
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IT'S ALMOST LIKE THE MAZE IS TRYING TO TELL ME SOMETHING.
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SOMETHING CONFUSING.
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WHATEVER! WHO NEEDS YOU ANYWAY, WITH YOUR STUPID SIGNS AND MESSAGES?
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I'M FINN MERTENS, YA HEARD?
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AND I DON'T NEED NO NOTHING!
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WATCH ME. [ INHALES DEEPLY ] BABABABABABABABABABABABABABA...
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BA BA BA BA BA BA...
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[ SIGHS ] Jake: FINN?
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[ Singsong voice ] FINN!
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JAKE! [ LAUGHS ] JAKE, I'M COMING!
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FINN? WHERE ARE YA, BUDDY?
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[ GRUNTS ] JAKE!
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[ SUCKING TEETH ] THAT'S A LITTLE DISAPPOINTING. STILL, THOUGH.
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I'M IN THE HOMESTRETCH HERE.
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[ BABBLES ] [ GRUNTS ] JAKE!
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FINN! HEY, THERE YOU ARE.
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YEAH. [ CHUCKLES ] SORRY TO POP UP, THEN DISAPPEAR AGAIN LIKE THAT.
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AGAIN? YOU JUST GOT HERE, SON.
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I DID? SHOOT, MAN.
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THIS CAVE HAS GOT ME STRAIGHT SCRAMBLED UP AND DOWN.
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WHAT CAVE? WHAT? OH. UH-OH.
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WELL? WELL, I FOLLOWED YOUR MAP, BUT THERE'S JUST A BUNCH OF GRASS HERE.
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WHAT?! LET ME SEE!
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DANG IT. [ BABBLES ] SO, YEAH.
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EVERYTHING I DID TO TRY TO MAKE SENSE OF THE MAZE OR TO PLAY IT SAFE TOTALLY BACKFIRED.
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BUT WHEN I GOT FED UP, AND STARTED JUST CHARGING IN WILLY-NILLY, I WAS ABLE TO GET TO THE END AND FIND YOU.
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AND THEN THE WHOLE THING DISAPPEARED.
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BUT I WONDER HOW COME I DON'T REMEMBER ANY OF IT.
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I DON'T KNOW.
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I'M JUST HOPING, MAYBE IF I SLEEP IT OFF, MAYBE I'LL BE BETTER IN THE MORNING.
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OKAY, WELL... GOOD NIGHT, BUDDY.
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[ SMOOCHES ] THANKS, JAKE. GOOD NIGHT.
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BMO: ARE YOU AWAKE?
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YES. ARE YOU GONNA OPEN YOUR EYES NOW?
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MAYBE. ARE YOU SCARED?
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NO. THEN DO IT.
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[ GULPS ] ON THREE.
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ONE... ONE...
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TWO... TWO...
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THREE! [ SCREAMS ] Jake: SO... BEEN ALMOST A MONTH NOW.
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WHAT DO YA THINK? YOU WANNA TRY OPENING 'EM?
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IT'S A BEAUTIFUL DAY.
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PLUS, I NEED SOMEONE TO TELL ME IF THIS HAT LOOKS COOL.
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MAN, I TOLD YOU...
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[ PLAYS NOTES ] IF I OPEN 'EM NOW IT'LL JUST BE THE SAME.
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I GOT TO WAIT TILL SOMETHING'S DIFFERENT.
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YEAH. THAT MAKES SENSE, I GUESS.
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SO, UM, I GOT YOU A LITTLE SOMETHING.
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A LITTLE PRESENT.
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WOW, THANKS, MAN!
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YOU'RE REALLY GONNA THANK ME.
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GOTCHA! NOOO!
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YEAH, YOU'VE DONE IT, LIKE, 30 TIMES NOW.
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YAAHH! YAAHH!
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YAAHH! YAAHH!
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IT'S LIKE PROGRAMMED INTO YOUR DNA OR SOMETHING.
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[ CHUCKLES ] WELL, SHOOT, MAN.
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IF I WANNA DO IT THAT BAD, IT MUST BE KINDA RIGHT, RIGHT?
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[ SIGHS ] LOOK AT IT FROM WHERE I'M SITTING.
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ALL THIS FUNKY PIZZAZZ THAT ONLY YOU CAN SEE -- THAT'S LIKE THE LITERAL DEFINITION OF A HALLUCINATION.
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EITHER ALL THAT STUFF IS A DREAM, OR LIKE, I'M A DREAM -- AND I AIN'T NO DREAM, YA HEARD?
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YEAH, I KNOW. I HEARD.
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IT'S JUST THAT, WELL...
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HYAH! OPEN UP!
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[ SIGHS ] OH, JAKE.
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I KNOW YOU MEAN WELL, BUT I GUESS I GOT TO SEE THIS ONE THROUGH ON MY OWN.
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[ SIGHS ] I'LL SEE YOU AROUND, BUDDY.
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[ PANTING ] [ GRUNTS ] HUH?
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[ BREATHING HEAVILY ] [ SLURPING ] HUH? WHAT THE...?
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[ GASPS ] HOW LONG HAS THIS BEEN GOING ON?
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SOMEONE'S APT TO TRACK ME DOWN...
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BREAD-CRUMB STYLE.
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E.G. JAKE. CAN'T LET HIM CATCH ME.
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NO MORE THREADS TO FOLLOW.
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NO MORE EGRESS.
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[ GRUNTING ] [ SNORING ] [ GNAWING ] [ SPITS ] MM. IT'S COOL IN HERE.
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AIN'T NOTHING WRONG WITH THAT.
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DEEP TOO. THAT'S GOOD.
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AIN'T NOBODY GONNA BE LOOKING FOR ME DOWN -- UGH!
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WAH! EGRESS! EGRESS! EGRESS! EGRESS!
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EEG... BMO: SOMETHING'S DIFFERENT.
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[ BREATHES DEEPLY ] [ BIRDS CHIRP ] Girl: HURRY, FINN.
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AT THE SEASHELL'S CENTER LIES THE CORNUCOPIA'S SMALLEST DOOR.
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[ RUMBLING ] WHOA! [ LAUGHS ] THAT MUST HAVE BEEN SOME CAVE!
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[ LAUGHS ] NO COMMENT!
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♪ COME ALONG WITH ME ♪ AND THE BUTTERFLIES AND BEES
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Contestuale e Sfondo
Il video "Hall of Egress" di Adventure Time presenta due protagonisti, Jake e Finn, che si avventurano in un antico tempio. Questo contesto fantastico e avventuroso serve non solo a intrattenere, ma anche a introdurre un linguaggio colloquiale e situazioni quotidiane che possono risultare utili per gli studenti di inglese. Attraverso dialoghi vivaci e situazioni comiche, gli spettatori possono apprendere nuove espressioni e migliorare la loro comprensione della lingua inglese.
Le 5 Frasi Principali per la Comunicazione Quotidiana
- “Come on, grab your friends!” - Un invito a unirsi, utile in molte situazioni sociali.
- “What’s ‘egress’ mean?” - Domande comuni e importanti per chiarire significati.
- “This is like an ancient, sacred temple.” - Frasi descrittive utili per arricchire il proprio vocabolario.
- “Maybe there’s a back door or something.” - Espressioni che indicano la ricerca di alternative, importanti nel problem solving.
- “I guess I better give up, right? Wrong!” - Un modo colloquiale per esprimere determinazione e auto-motivazione.
Guida Passo-Passo per il Shadowing
Per affrontare le sfide di questo video e migliorare la pronuncia inglese, puoi seguire questi passi pratici per la pratica di shadowing:
- Ascolta attentamente: Guarda il video per la prima volta senza preoccuparsi di prendere appunti. Concentrati sui suoni e sul ritmo del discorso.
- Identifica le frasi chiave: Rivedi il transcript e sottolinea le frasi che ti colpiscono di più; queste saranno il tuo punto di partenza per il shadow speech.
- Pratica il shadowing: Ritorna al video e prova a ripetere le frasi seguendo il ritmo dei personaggi. Questo aiuterà a migliorare la tua pronuncia in inglese.
- Registrati: Fai delle registrazioni mentre pratichi il shadowing. Ascolta le registrazioni per notare miglioramenti e aree di miglioramento.
- Incorpora nuove parole: Usa le espressioni apprese in conversazioni quotidiane per aumentare la tua confidenza e familiarità con la lingua.
Attraverso questi passi, potrai non solo divertirti con Adventure Time, ma anche approfondire le tue competenze linguistiche e migliorare drasticamente la tua pratica di conversazione in inglese.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.
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