Pratica di Shadowing: Louis C.K. Monologue - SNL - Impara a parlare inglese con YouTube

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Ladies and gentlemen, Louis C.K.
⏸ In Pausa
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Ladies and gentlemen, Louis C.K.
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Thank you.
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Thank you very much.
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Thank you very much.
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Oh, stop.
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I...
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Hi.
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It's a little early for that.
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Well, thank you very much for being here.
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This is the 40th year of this show's existence,
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and this is the finale,
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so I'm very honored, honestly,
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to be asked to host it.
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So thanks, and I'm glad you guys are here.
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Um, yeah, it's fine.
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Anyway, uh...
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I-I was born in 1967,
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and so I grew up in the 70s.
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So I'm not racist.
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However...
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I do have mild racism.
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It's the best I could do coming out of the 70s,
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because that was a very racist decade.
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People said racist things all the time, and nobody got offended.
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The only time somebody got offended if you said something racist in the 70s,
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is when they would then say,
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like, hey, you interrupted me.
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I was saying something racist.
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Why did you...?
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But...
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So I have mild racism.
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It's benign.
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It's not aggressive.
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It's not even negative racism.
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It's mild racism.
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I'll give you an example, okay?
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Like, see, like, if I go to a pizza place I've never been to before,
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and it's run by four black women,
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I'll go, like, uh, hmm.
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See, it's very mild.
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It's extremely mild racism.
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I'll notice that.
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Yeah.
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You don't usually see that,
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four black women running a pizza place.
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Unless it's called four black girls pizza or something like that.
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Like, that's the whole point of the place.
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It's mild.
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Here's another example of mild racism.
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If I say I'm in a hospital,
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and the doctor comes in to treat me,
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and the doctor's from China or India,
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I'll think, well, good, good.
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Good, more of that.
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Why not?
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It's very mild racism.
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Here's another example.
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If I'm in a gas station late at night and a young man comes in wearing a hooded sweatshirt,
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if he's white, I'll think, oh, he's an athlete.
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If he's black, unless he has a big smile on his face,
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then I become mildly racist,
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and this is what I think.
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I think, that's fine.
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Everything's fine.
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Nothing's gonna happen.
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No, of course I'm fine.
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Why did I even think that for a second?
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This is because I was raised in the 70s.
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The 70s were a very different time.
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The 70s, everything was different in the 70s than it is now,
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except the Middle East.
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It's exactly the same.
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It's exactly the same as it was in the 70s.
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It's been the same fights, and you know what?
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It's boring now.
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That's the worst part of it.
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When I was a kid,
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we were like, ugh, but you can't go like this for,
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like, a thousand years.
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After a while, when you fight,
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people don't care, because when you're just both,
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you just keep fighting, everybody's like, those guys are dicks.
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They just fight.
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That's what it's like.
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You know, like, I have two kids, and they fight sometimes.
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And when they first start fighting, I get concerned.
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I go in their room,
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I'm like, hey, what's going on?
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What's wrong?
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Why are we having some feelings?
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Can we.. can we listen to each other, please?
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Can we please just listen to each other?
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Okay, you go first, and then she goes, she's like...
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Hmm, yeah, that sounds hard.
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Okay, okay, thank you.
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Thank you.
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Okay, now you.
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Because I like this one a little more, so I'm gonna...
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And they work it out.
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You help them work it out.
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But if they keep fighting, you stop doing that.
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After a while, you just go in the room and you just go, Hey!
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Just shut up!
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Fuck you!
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You're both wrong!
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Because he won't stop fighting.
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You're in a family.
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There's other people in this family,
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and you're being a couple of selfish little bitches that won't fix anything.
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You share a room, and we can't afford another room,
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so just deal with it.
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Somehow this has to do with Israel and Palestine.
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I don't know exactly.
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I don't remember how it was.
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And it's because my kids are like Israel and Palestine.
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And I'm like America.
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The little ones like Palestine,
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because she always gets screwed.
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She gets the worst deal.
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She's like, she threw a rock at my face.
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I'm like, you're fine.
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Look, you have a great life.
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You take a rock to the face once in a while, you're fine.
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The older one is like Israel.
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She's like, Israel, she comes up to me,
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she burnt all my dolls.
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I'm like, look, I can't do anything about it right now.
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Your sister is crazy.
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Please don't make me talk to her.
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I'll work it out, you and me, okay?
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We'll go out.
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I'll buy you a really cool missile,
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and you do whatever you...
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Whatever you do with it.
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Totally up to you.
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The 70s were very different.
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In the 70s, there was a child molester that lived in my hometown.
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And it wasn't a big deal.
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It wasn't like, we caught a child molester.
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It was just like, yeah,
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that's the house where the child molester lives.
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He lives where, hey, kids,
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don't be stupid or you'll get molested.
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Just stay away from the child molester house.
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I know, because he did something to me when I was your age.
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So just stay away from the child molester house.
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We really did.
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We had a town child molester.
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His name was Jean Baptiste.
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It's a true story.
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And he liked teenage boys.
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That's when you would find out,
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because I was a teenage boy.
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He didn't like me.
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I felt a little bad.
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Like, no, not you.
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He wasn't into me.
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But he would drive up next to teenage boys,
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and he'd say, uh, hello,
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would you like to go to McDonald's?
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And you're like, no. And he's like,
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why you don't like McDonald's?
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And then you're trapped, because,
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of course, everybody liked McDonald's.
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It was the 70s.
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And then I had one friend who used to get in the car.
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He'd be like, sure, I'll go.
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And he'd get in the car.
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He'd go to McDonald's and eat a burger,
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and then he'd say, see ya,
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and he'd just take off.
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And Jean-Baptiste was like, He was like,
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I cannot get the exact same child.
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And he foiled again.
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But he'd always try, maybe this time...
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because child molesters are very tenacious people.
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They love molesting childs.
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It's crazy.
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It's like their favorite thing.
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I mean, when you...
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It's so crazy, because when you consider the risk in being a child molester,
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speaking not of even the damage you're doing,
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But the risk, there is no worse life available to a human than being a caught child molester.
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And yet they still do it!
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Which from, you can only really surmise that it must be really good.
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I mean, from their point of view,
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from their, not ours, but from their point of view,
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it must be amazing for them to risk so much.
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Be- How do you think I feel?
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This is my last show, probably.
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Because...
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Look, I can't key into it,
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because I love mountains bars.
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I love mountains bars.
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It's my favorite thing, right?
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But there's a limit.
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I mean, I-I can't even eat a mountains bar and do something else at the same time.
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That's how much I love them.
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Like, if I'm eating a mountains bar,
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I can't read the paper like, Mmm.
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Mmm.
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I have to just sit there with it in my mouth and go,
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Why is this so good?
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I love this so much.
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And because they are delicious.
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And yet, if somebody said to me,
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if you eat another Moundsboro,
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you'll go to jail and everybody will hate you,
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I would stop eating them.
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Because they do taste delicious,
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but they don't taste as good as a young boy does and shouldn't.
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To a child molester, not to me.
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Not to us, because we're all awesome.
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All right, we did it.
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We got through it.
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We got a great show tonight!
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Brianna is here!
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So stick around and we'll be right back!
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We are two wild and crazy guys!
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And you're hot!
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Swing!
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I can see Russia from my house!
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New York's hottest club is...
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40 seasons, one app.
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Bye.

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Informazioni su questa Lezione

In questa lezione, ci concentreremo sulla pratica dell'inglese parlato attraverso il monologo di Louis C.K. durante il programma SNL. Analizzeremo come utilizzare tecniche di shadowspeak e shadowing in inglese per migliorare la nostra pronuncia e comprensione. Attraverso l'ascolto e la ripetizione, imparerai a riconoscere il ritornello umoristico e il tono colloquiale tipici della commedia, permettendoti di immergerti nel linguaggio vivace e naturale degli anglofoni.

Vocabolario e Frasi Chiave

  • racist - razzista
  • mild - lieve
  • honored - onorato
  • decade - decennio
  • offended - offeso
  • pizza place - pizzeria
  • example - esempio

Consigli per la Pratica

Quando pratichi il shadow speech con questo video, inizia ascoltando attentamente il monologo. Prendi nota del ritmo e del tono di Louis C.K., che è sia giocoso che diretto. Ecco alcuni suggerimenti per rendere la tua pratica più efficace:

  • Ritmo e Velocità: La velocità del monologo può variare, quindi inizia ascoltando a una velocità più lenta se necessario. Usa le opzioni di riproduzione del video per regolare la velocità.
  • Ripetizione: Dopo aver ascoltato una frase, pausa e ripeti immediatamente. Questo ti aiuterà a assimilare la pronuncia e il ritornello comico.
  • Focalizzati sulle Emozioni: Nota come l'umorismo è supportato dalla modulazione della voce. Questo aspetto è cruciale durante la pratica del shadowspeak per trasmettere correttamente il messaggio.
  • Email e Pausa: Fai delle pause per riflettere su frasi complesse; questo ti permetterà di non solo ripetere meccanicamente, ma di comprendere anche il significato.

Incoraggia la tua crescita linguistica attraverso l'uso del shadowing site per praticare ulteriormente. Sperimentare con il shadowing in inglese ti porterà a nuovi livelli di competenza e fluidità.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

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