Практика Shadowing: Sabrina Carpenter Reveals Her Songwriting Secrets with Eric Vetro | Meet your Maestro | BBC Maestro - Изучайте разговорный английский с YouTube
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Your songs are so personal.
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Your songs are so personal.
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I mean, you really take personal,
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right, things out of your life.
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Yeah, too personal.
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No, but, no, but, which I just loved,
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loved all along, going back,
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even like, Sue Me, which was so brilliant.
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Do you have any tips or,
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like, songwriting, little things that have helped you along the way that maybe someone has imparted to you?
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I think I've really learned that there is no how-to,
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There is no manual, except your own instincts are your best friend.
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And I know it sounds like an easy sort of,
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I guess, piece of advice,
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but I've sort of really started to realize that in the last few years of trusting my gut,
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trusting my instincts.
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I just feel so great when I've accomplished,
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like, being able to put a experience or a feeling into words,
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because for most of our life,
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we're sort of dealing and battling with these emotions and feelings that we don't understand.
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So when I'm able to sort of sit down and think about something and think about the things that make it wrong,
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think about the things that make it right,
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I try not to write from a perspective of like,
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I'm right about everything.
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I try to write it from a perspective of like,
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I might be stupid and I might be making the worst decision of my life,
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but I just have to accept that.
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And you know, and then other songs,
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it's you can point a finger and that's okay,
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but it's just important to remain true to your own voice.
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I think especially now, I don't know how you feel about this,
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but I feel like it's really easy right now to sort of like look at everyone else
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and what everyone else is doing.
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And I sort of grew up with this mentality being sort
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of put into my head by different like record executives when I was younger of like,
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if this is what's working for other people,
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then you need to do that.
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And I don't think that that's true.
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I think that you should do whatever feels the most authentic to you.
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And if that means getting online and getting in front of a camera
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and making videos and promoting your promoting your work then that's one thing
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and if not then then you don't have to do that and there's other ways to find
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ways to be creative
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and to also share your work without it kind of i think uh making you feel like you're being something
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that you're not so that's something i'm still learning right now even
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but i'm very fortunate to you know have been doing this for a
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while before social media kind of got to the point that it's at now.
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It can be like a blessing,
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it can be a curse.
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But I think with songwriting,
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I write everything down and that's something that I will always do for the rest of my life.
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Whether that's in a notebook,
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whether that's voice memos and in super inconvenient places,
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I'm just constantly documenting even thoughts that feel unnecessary or thoughts
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that feel not useful because they always guide me to the place
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that gives me the idea that I would have never had if I didn't just write down this other stupid little thought.
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So yeah, I would say that.
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But it makes sense because it's you.
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It is really an extension of who you really are as a person.
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You're not trying to become somebody else.
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Which then starts raising some eyebrows because people are like,
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so you're just like super horny or like, what's your brand?
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I'm like, no, it's not that.
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It's not that.
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But it's an extension.
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Like my sense of humor is a part of everything I do.
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And I think that started to trickle down.
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I hate trickle down.
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I hate when people say trickle down,
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but that is what I'm trying to say.
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It's a part of it,
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yeah, and it leads you to the thing that you really do want to say or need to know.
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I've also experienced so many times writing other better songs in the midst of writing one song.
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Of like, I'm writing something and I go,
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oh, I really love this line and I really want to put it in this song,
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but it doesn't really fit this song.
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But maybe that's a whole other song.
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And then I end up writing that whole other song and
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that was the song that spoke so much more truer to my actual emotions than the one I was writing.
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But I do try to like finish songs regardless of if I think they're good or not.
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Just even to have like a thing to look back on and kind of a reference point.
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But that's such an interesting point that you bring up.
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Like every thought, there's no like unnecessary thoughts.
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They're all useful yeah
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and it can lead you to the really important ones I have a question
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which no songwriter likes everybody hates this question
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and nobody knows how to answer it
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but I'm just gonna ask anyway is there out of all of your songs
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that you've written do you have a couple favorites
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that for you either that you they're your favorite songs or that you love performing for a certain reason?
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So a lot of them are probably more recent songs
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because they're just definitely more in tune with where I'm at in my life right now
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but I think a song that kind of started
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that feeling for me was a song from my last album it was called
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Because I Like The Boy and it was funny because
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that line of the title was just this thing I kept saying all like over
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and over again when people would ask me about a specific situation in my life
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and I was like yeah isn't it funny it's all because I like the boy and then I was I was like,
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wait, that's like, that's kind of what I'm trying to say, like in total.
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And then it's so nice to be able to,
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I start the song painting like a very visual picture
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and then getting into like another facet of this situation in my life.
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And it just felt like the first time I was able to really kind of sum something up in a circle
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without ever having to speak on it ever again.
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But that song and then something I just put out,
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I think sonically is something that I love so much,
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It's called Please, Please, Please.
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And thank you.
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She loves it.
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Thanks guys.
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I love the applause.
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It's so nice.
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It's so sweet.
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No, I was so, so excited when I wrote that song
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because it felt like a fraction of me that I had been waiting to not only write,
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but to put out and then perform.
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And then it just, it makes me
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so excited for the rest of the project
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because it feels very in line with all the music I grew up listening to that I love,
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but also very much myself.
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And that song was obviously based on real life events.
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Then that song is triggered.
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I think I texted you,
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like, I was doing a lesson with Charlie Puth,
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and he's like, by the way,
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that song, I know you know Sabrina really well.
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Will you tell it?
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That song is unbelievable.
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It's so great.
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And then Omar said it, Omar Apollo.
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Like, everybody kept bringing it up.
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Oh, that's nice.
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People really get that, oh,
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wow, this is so great.
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Not that the others aren't,
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but they're, everyone's like, really,
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no, but I mean, really bringing it up.
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Like, usually people don't bring up my other students to me.
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Like, why would they?
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They're there for their own lesson.
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Yeah.
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But so many people have been bringing it up.
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And I told you, so many people have such good will about everything you're doing,
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because everyone's like, oh, she deserves everything,
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like when you're on SNL.
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Oh, my God, finally, she's on SNL.
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She really belongs on SNL.
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And you made the most of that moment, by the way.
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I did, I did.
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You made the most of that moment ever.
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No, but that's so great.
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But once again, that shows who you are,
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that you didn't just go,
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oh, okay, I'm doing SNL.
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Puff, puff, of course I am.
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Yeah, I'm really popular.
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I don't smoke, by the way.
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Yeah, but I mean, like...
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I hypothetically smoke a lot.
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Yeah, you didn't take it for granted and said,
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okay, I'm just going to do this because I can do it.
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I'm Sabrina Carpenter.
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You, like, really did a great job and took it seriously.
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I think what's so interesting is,
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like, I've been doing this for such a long time,
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but I'm doing some of these things for the first time in my life right now,
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ten years, like, down the line.
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So for me, I'm like, this is so exciting.
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This is my first time on SNOT.
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I've wanted to do this my whole life.
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Things like that.
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I mean, Coachella was also a big one for me.
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So no half-assing it when it comes to,
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you know, things that I've always dreamt of.
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And it's interesting though, because I think you start to,
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you do, when there's a lot of things happening at once,
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it can be hard to remind yourself how exciting things are,
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or just to take in the moment.
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I'm actually actively trying to remind myself this right now, even this morning.
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I was talking to my friend about it,
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of like, this is, you know,
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it's okay to just pause,
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look at what's in front of you.
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You don't have to think 10 years down the line.
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You don't have to think a month down the line and you just be present and enjoy it.
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So yeah, I'm still learning how to do that.
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Yeah.
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But that's nice.
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Tell Charlie thank you.
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Oh, I will.
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В данном видео Сабрина Карпентер делится своими секретами написания песен в разговоре с Эриком Ветро. Она рассказывает о том, как её личный опыт и эмоции влияют на её творчество. Сабрина подчеркивает важность доверия к своим инстинктам и выражения своих чувств через слова. Важно отметить, что современные реалии социальных медиа усложняют творческий процесс, что делает её советы особенно актуальными для тех, кто стремится "учить английский с YouTube" и развивать свои навыки.
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- “Я стараюсь доверять своим инстинктам.” – отражает важность самоверности.
- “Можно указать на кого-то, и это нормально.” – указывает на право выражать критику.
- “Я пишу всё, что чувствую.” – акцентирует внимание на важности записи мыслей.
- “Вы должны делать то, что ощущаете настоящим.” – советует быть искренним и аутентичным в творчестве.
- “Это может быть благословением или проклятием.” – говорит о двойственности социальных медиа для художника.
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