تدريب Shadowing: British Accent Shadowing | The Portrait of a Lady by Henry James | British Accent Practice (C1–C2) - تعلم التحدث بالإنجليزية مع YouTube
C2
Hello and welcome to British Accent Shadowing.
160 جمل
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Hello and welcome to British Accent Shadowing.
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I'm Ashley Howard, a UK voice coach,
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and among many things I help people with standard southern British English.
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Today we're working with an extract from The Portrait of a Lady by Henry James,
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one of the great classics of English literature.
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This passage sits around C1 to C2 level,
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meaning the language is advanced with complex sentence structures and nuanced vocabulary.
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Texts like this are ideal for developing a natural British accent,
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strengthening connected speech and refining your sense of rhythm and phrasing.
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I'll read the passage once at a natural pace,
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then we'll go through it line by line so you can shadow and repeat after me,
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helping you build fluency, clarity and confidence in spoken English.
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You can also download the free PDF of today's passage with vocabulary notes using the link in the description below.
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Let's begin.
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Under certain circumstances, there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea.
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There are circumstances in which,
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whether you partake of the tea or not ,
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the situation is in itself delightful.
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Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime.
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The implements of the little feast had been disposed upon the lawn of an old English country house,
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in what I should call the perfect middle of a splendid summer afternoon.
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Part of the afternoon had waned,
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but much of it was left,
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and what was left was of the finest and rarest quality.
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Real dusk would not arrive for many hours,
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but the flood of summer light had begun to ebb,
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the air had grown mellow,
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the shadows were long upon the smooth, dense turf.
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They lengthened slowly, however, and the scene expressed that sense of leisure still to come,
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which is perhaps the chief source of one's enjoyment of such a scene at such an hour.
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From five o'clock to eight is on certain occasions a little eternity,
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but on such an occasion as this,
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the interval could be only an eternity of pleasure.
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The persons concerned in it were taking their pleasure quietly,
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and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned.
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The shadows on the perfect lawn were straight and angular.
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They were the shadows of an old man sitting in a deep wicker chair near the low table on
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which the tea had been served,
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and of two younger men strolling to and fro in desultory talk in front of him.
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The old man had his cup in his hand.
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It was an unusually large cup of a different pattern from the rest of the set,
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and painted in brilliant colours.
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He disposed of its contents with much circumspection,
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holding it for a long time close to his chin,
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with his face turned to the house.
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His companions had either finished their tea or were indifferent to their privilege.
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They smoked cigarettes as they continued to stroll.
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One of them, from time to time,
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as he passed, looked with a certain attention at the elder man,
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who, unconscious of observation, rested his eyes upon the rich red front of his dwelling.
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The house that rose beyond the lawn was a structure to repay such consideration,
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and was the most characteristic object in the particularly English picture I have attempted to sketch.
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Now copy after me.
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Before we continue, check out my British accent training books,
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12 hours of audio accessible on your phone,
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thousands of practice words and sentences,
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and over 300 pages covering every vowel and consonant and aspect of intonation.
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There is a link in the description and in the pinned comment.
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Under certain circumstances, there are few hours in life more agreeable than the hour
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dedicated to the ceremony known as afternoon tea.
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There are circumstances in which,
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whether you partake of the tea or not some people of course never do,
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the situation is in itself delightful.
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Those that I have in mind in beginning to unfold this simple history
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offered an admirable setting to an innocent pastime.
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The implements of the little feast
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had been disposed upon the lawn of an old
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English country house in what I should call the perfect middle
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of a splendid summer afternoon.
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Part of the afternoon had waned,
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but much of it was left.
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and what was left was of the finest and rarest quality.
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Real dusk would not arrive for many hours,
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but the flood of summer light had begun to ebb.
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The air had grown mellow.
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The shadows were long upon the smooth, dense turf.
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They lengthened slowly, however,
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and the scene expressed that sense of leisure still to come,
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which is perhaps the chief source of one's enjoyment of such a scene at such an hour.
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from five o'clock to eight is on certain occasions a little eternity.
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But on such an occasion as this,
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the interval could be only an eternity of pleasure.
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The persons concerned in it were taking their pleasure quietly and they were not of the sex which is supposed
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to furnish the regular votaries of the ceremony I have mentioned.
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The shadows on the perfect lawn were straight and angular.
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They were the shadows of an old man
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sitting in a deep wicker chair near the low table on
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which the tea had been served.
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and of two younger men strolling to
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and fro in desultory talk in front of him.
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The old man had his cup in his hand.
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It was an unusually large cup of a different pattern from the rest of the set,
93
and painted in brilliant colours.
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He disposed of its contents with much circumspection,
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holding it for a long time close to his chin,
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with his face turned to the house.
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His companions had either finished their tea or were indifferent to their privilege.
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They smoked cigarettes as they continued to stroll.
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One of them, from time to time,
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as he passed, looked with a certain attention at the elder man who, unconscious of observation,
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rested his eyes upon the rich red front of his dwelling,
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The house
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that rose beyond the lawn was a structure to repay such consideration
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and It was the most characteristic
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object in the particularly English picture I have attempted to sketch.
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Now speak with me at the same time.
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If you're really serious about speaking this way,
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you need to check out my 12-week pronunciation roadmap course,
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a step-by-step programme with expert coaching and easy practice routines to speak with a clear,
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contemporary standard British accent.
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The link is in the description below.
112
Under certain circumstances, there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea.
113
There are circumstances in which,
114
whether you partake of the tea or not ,
115
the situation is in itself delightful.
116
Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime.
117
The implements of the little feast had been disposed upon the lawn of an old English country house,
118
in what I should call the perfect middle of a splendid summer afternoon.
119
Part of the afternoon had waned,
120
but much of it was left,
121
and what was left was of the finest and rarest quality.
122
Real dusk would not arrive for many hours,
123
but the flood of summer light had begun to ebb,
124
the air had grown mellow,
125
the shadows were long upon the smooth dense turf.
126
They lengthened slowly, however, and the scene expressed that sense of leisure still to come,
127
which is perhaps the chief source of one's enjoyment of such a scene at such an hour.
128
From five o'clock to eight is on certain occasions a little eternity,
129
but on such an occasion as this the interval could be only an eternity of pleasure.
130
The persons concerned in it were taking their pleasure quietly,
131
and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned.
132
The shadows on the perfect lawn were straight and angular.
133
They were the shadows of an old man sitting in a deep wicker chair near the low table on
134
which the tea had been served,
135
and of two younger men strolling to and fro in desultory talk in front of him him.
136
The old man had his cup in his hand.
137
It was an unusually large cup of a different pattern from the rest of the set,
138
and painted in brilliant colours.
139
He disposed of its contents with much circumspection,
140
holding it for a long time close to his chin,
141
with his face turned to the house.
142
His companions had either finished their tea or were indifferent to their privilege.
143
They smoked cigarettes as they continued to stroll.
144
One of them, from time to time,
145
as he passed, looked with a certain attention at the elder man who,
146
unconscious of observation, rested his eyes upon the rich red front of his dwelling.
147
The house that rose beyond the lawn was a structure to repay such consideration,
148
and as the most characteristic object in the particularly English picture I have attempted to sketch.
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Great work today!
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Shadowing a literary passage, like The Portrait of a Lady,
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is a powerful way to develop rhythm,
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stress patterns and expressive flow of British English.
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Regular practice like this helps you move from careful pronunciation to natural, confident speech.
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If this session helped you,
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please subscribe – it really supports the channel and helps more learners discover these lessons.
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And if you'd like more episodes more often,
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you can also join as a channel member using the link in the description.
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Your support makes it possible for me to keep creating these resources.
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Thanks for watching, and I'll see you in the next British Accent Shadowing Session.
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Thank you.
تنزيل التطبيق
تقييم بالذكاء الاصطناعي لكل جملة تنطقها
TRENDING
الأكثر شعبية
حول هذا الدرس
في هذا الدرس، ستمارس تحسين النطق باللغة الإنجليزية من خلال تقنية الظل الصوتي، حيث سنستخدم مقتطفات من رواية "بورتريه ليدي" لـ هنري جيمس. هذا النص يناسب المتعلمين على مستوى C1 إلى C2، مما يجعله مثالياً لتطوير shadow speech وفهم العبارة والإيقاع. ستستمع إليّ وأنا أقرأ النص بشكلٍ طبيعي، ثم سنقوم بمراجعته سطرًا بسطر لتتمكن من تكرار كل جملة. هذه الطريقة سوف تساعدك في تعزيز الطلاقة والثقة عند ممارسة المحادثة الإنجليزية.
المفردات والعبارات الرئيسية
- afternoon tea - الشاي بعد الظهر
- marvelous setting - إعداد رائع
- delightful - ممتع
- mellow air - هواء مريح
- leisure - ترفيه
- eternity of pleasure - أبدية من المتعة
- companions - أصدقاء
- observing - مراقبة
نصائح للممارسة
عند استخدام تقنية الظل الصوتي، من المهم التركيز على السرعة والنغمة أثناء التكرار. حاول أن تحاكي طريقة النطق والإيقاع الخاصة بي. اقرأ بصوت عالٍ، واضبط وتعابير وجهك كما لو كنت تتحدث مع شخص آخر. يمكنك أيضًا استخدام تطبيقات اليوتيوب لتعلم الإنجليزية التي تحتوي على دروس مشابهة، لتشعر بتحسن أكبر. خصص وقتًا لمراجعة المقاطع بدقة، واستمع جيدًا لكيفية تواصل الشخصيات في المقطع. احرص على تكرار العبارة بعد كل سطر للحصول على انسيابية أفضل، وابقَ وثيق الصلة بالنص الأصلي لتحقيق أفضل النتائج في تحسين النطق باللغة الإنجليزية.
ما هي تقنية التظليل الصوتي؟
التظليل الصوتي (Shadowing) تقنية تعلم لغة مدعومة علمياً، طُورت أصلاً لتدريب المترجمين الفوريين المحترفين. الطريقة بسيطة لكنها قوية: تستمع لصوت إنجليزي أصلي وتكرره فوراً بصوت عالٍ — كظل يتبع المتحدث بتأخير 1-2 ثانية. تُظهر الأبحاث تحسناً كبيراً في دقة النطق والتنغيم والإيقاع وربط الأصوات والاستماع والطلاقة.
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