Shadowing-Übung: ‘Better Call Saul’ Is the Most Well-Written Show on Television | The Watch Podcast | The Ringer - Englisch Sprechen Lernen mit YouTube
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Better Call Saul is the best written show on television.
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Better Call Saul is the best written show on television.
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I was good, Kim.
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Why?
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Because it doesn't really have to play by the rules that most prestige TV shows play by.
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Its creators wrote those rules.
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Better Call Saul is one of the rare acts of franchise storytelling that feels on a level with the original.
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You think about it, how many sequels or prequels ever reach the same heights as the story they are building off of?
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Godfather 2?
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Empire Strikes Back?
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It's a really short list.
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Breaking Bad was part of a generation of prestige television shows that broke our brains.
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Somewhere along the line, it felt like all the best shows became obsessed with their own mortality,
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and all the conversation around those shows were about how they would end and how they would feel once they were done.
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Saul does not have that problem.
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Sure, there are some lingering questions.
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What happens to Kim Wexler?
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What happens to Nacho?
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Does Gene make it out of Nebraska alive?
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But by and large, we know what happens.
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We just don't know how.
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How is where Peter Gould and Vince Gilligan,
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the creators of Better Call Saul, make their bones.
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If you think of it in basic journalism school terms,
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a show is responsible for who,
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what, when, where, why, and how.
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Saul is almost entirely concerned with how.
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The end point of the show is known,
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so Saul can indulge in a level of detail that most other stories would breeze by.
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Most shows have moments where characters simply tell you who they are or who they want to be,
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because they need to make sure the audience understands the stakes and knows the direction.
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We're not bad people.
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But we did a bad thing.
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We already know all that stuff with Better Call Saul.
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It's a show about process.
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Yes, of Jimmy becoming Saul,
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but it's really about how enormous moments in life are consequences of seemingly minor decisions and actions.
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In the Breaking Bad past,
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those actions could be harrowing.
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Think about a sequence from Breaking Bad like the opening of Box Cutter from the beginning of season four.
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We learn so much more about who and what Gus is
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by watching him get dressed in that infamous orange jumpsuit while Walt pleads for his life
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than we would have if he had given a classic villain speech.
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We could listen to him talk about how he will stop at nothing to get what he wants,
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or we can watch him kill his own henchman Victor in front of Walt, Jesse, and Mike.
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Better Call Saul's actions may feel a little bit more pedestrian,
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but they say just as much about the characters.
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Just think about one of the best episodes of Saul, Season 4's Cushada.
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With Huell facing serious jail time,
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Jimmy goes on a bus trip from ABQ to Huell's hometown in Louisiana,
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enlisting his fellow riders to help with a postcard campaign to compel the judge to be more lenient with his bodyguard sentencing.
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We learn so much more about the lengths that Jimmy will go
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and the ways he can game the system to get what he wants.
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He will never go straight at a problem.
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He always looks for a shortcut,
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even if that takes him across state lines.
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When you're telling a story largely through process and action,
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where the action is mail fraud or the construction of a super lab for the cooking of meth,
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you can allow themes to emerge over time rather than be explicitly stated with dialogue.
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When Breaking Bad was breaking big,
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there was an off-repeated Vince Gilligan quote that served as the show's elevator pitch.
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Mr. Chips to Scarface.
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We were going to follow the sharp descent of a family man who becomes a drug lord.
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Saul doesn't have a convenient tagline,
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but there is an idea emerging from the show,
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and it's one about reinvention and adaptation.
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The characters on Saul that we know move forward into the Breaking Bad world are the ones who adapt,
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whether they change their names,
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the side of the law they work on,
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or the people that they work for and with.
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We're talking about Mike, Saul, and Gus, of course.
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It's a cop-turned-bagman, a Mr. Fix-It for a drug dealer,
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a drug dealer turned respectable businessman who really is still a drug dealer,
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and a lawyer who is so certain of who he needs to become,
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he changes his name into a catchphrase.
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It's all good, man.
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The people who have real connections in the world are the ones at risk.
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Nacho is doing what he can to protect his father,
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and Kim is doing what she can to save the Jimmy she loves from becoming the Saul she is repelled by.
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And why is she repelled?
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Because she knows exactly how effective that Saul can be.
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Better Call Saul is a show that stays within the lines,
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but colors in those lines beautifully.
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And you can see that in the smallest of moments,
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the kind any other show would skip by.
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Take this brief shot in the second episode of season five, 50% off.
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Kim is trying to organize her in Jimmy's closet and contending with the influx of garish Saul Goodman outfits.
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But of course, what she is really doing is realizing
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that there is less and less space for Kim Wexler in Jimmy's new life as Saul.
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And you can see that feeling just below the surface in almost every interaction that the two have.
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Even when they're having a renaissance moment in the house they are looking to buy,
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Kim knows they are just pretending,
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just running another con, and the con is the normal life that they could have together,
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living on the level.
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She can't have that with Jimmy.
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When it comes to the underworld side of things,
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Better Call Saul is able to invert crime show tropes with subtlety and humor.
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We have already been through multiple seasons learning about the ins and outs of the Salamanca and Fring crime networks.
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Walt and Jesse served as audience avatars pulling us deeper and deeper into the dark world of meth cooking and distribution.
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In Saul, the audience avatars are people like Lalo Salamanca.
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He is the detective of the show,
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basically Saul's answer for Breaking Bad's Hank.
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He is always asking to be shown how things work,
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where things are, who is doing those things.
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In 50% Off, when Nacho pulls off his daring extraction of the remaining drugs in Mouse's apartment,
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Lalo watches like a kid checking out a movie.
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The car windshield is his screen,
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and he munches on what looks like popcorn, enjoying the show.
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It is a brilliant inversion of the usual fish-out-of-water cliche.
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We're only two episodes into season five of Better Call Saul,
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and you could already teach a class on screenwriting using just Magic Man and 50% off.
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This is how you tell a story.
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We know that Better Call Saul is coming to an end with season six,
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but don't think about how they'll land the plane just yet.
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Enjoy this perfect show while it's still in flight.
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We'll see you guys next time.
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Kontext & Hintergrund
Im Video wird die Serie „Better Call Saul“ als eine der bestgeschriebenen Fernsehsendungen beschrieben. Der Sprecher hebt hervor, dass die Erzählweise und die Charakterentwicklung in der Serie auf einem hohen Niveau sind, da sie sich nicht an die traditionellen Regeln des Fernsehens halten müssen. Die Schöpfer der Serie haben diese Regeln selbst aufgestellt, wodurch die Geschichte der Charaktere, insbesondere von Jimmy McGill und seiner Transformation zu Saul Goodman, in einem neuartigen Licht erscheint. Die Analyse des Sprechers bietet wertvolle Einblicke in die Kunst des Geschichtenerzählens, die auch für Englischlernende von Bedeutung sein kann, um die Feinheiten der Sprache zu verstehen und sprechen zu üben.
Top 5 Phrasen für die tägliche Kommunikation
- „What happens to Kim Wexler?“ – Diese Frage zeigt Neugier und Interesse an anderen Personen und deren Schicksal.
- „We just don’t know how.“ – Diese Phrase vermittelt Unsicherheit und fordert zur Diskussion auf.
- „It’s a show about process.“ – Hier wird der Fokus auf den Verlauf von Ereignissen gelegt, was für Diskussionen über Abläufe nützlich ist.
- „We already know all that stuff.“ – Diese Aussage kann verwendet werden, um Ungeduld oder Vertrautheit auszudrücken.
- „Let’s help with a postcard campaign.“ – Ein Beispiel für gemeinschaftliches Handeln oder Initiativen.
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Um die Fähigkeiten im Englisch sprechen üben, insbesondere durch shadowspeak, zu verbessern, folgen Sie dieser Anleitung:
- Schritt 1: Hören Sie sich den Clip aufmerksam an. Achten Sie auf den Tonfall und die Betonung des Sprechers.
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Indem Sie diesen Prozess des shadowspeaks verfolgen, können Sie Ihre Fähigkeiten im Englisch sprechen nachhaltig verbessern und ein besseres Verständnis für die komplexen Nuancen der Sprache entwickeln.
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Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.
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