Shadowing-Übung: FL Studio 25 • Trap Drum Patterns for Beginners - Englisch Sprechen Lernen mit Video

Trap beat drum patterns for be -giners.

Hello and welcome to Busyworksbeats .com.

I need you guys to smash that like button.

That S was not long enough.

If you don't know me, I'm Game from BusyworksBeats .com.

We train over a million producers around the world.

Some of them are going to work with Drake, Kanye West, Post Malone, Ariana Grande, French Montana, Young, Doug Poloji, Trippie Red, J.

Cole, Kendrick Lamar, Lil Baby, Glorilla.

They've won Grammys, won Platinum Plex.

In this video...

I'm going to show you the trap drum patterns you could use right inside of FL Studio or other DAWs.

And once you understand how fun it is and how simple it is, you could apply this to your own unique style.

Alright, so the cool bonus for today for you guys tuning in

to watch is I'm going to give you guys my go -to drum kit, which is basically eight of the top sounds I found out of like 70 or 70, 700 gigs of sounds.

These are my eight top sounds, okay?

So this first one is like a kick 808.

Next thing, we have like a rim shot snare.

Here's like a go -to snare.

There's a hi -hat for you guys, a hard snare, super hard snare, a punchy kick for you guys, and a laser that I like a lot.

And also the spins 808.

Okay, so firstly, let's talk about just simple kick and snare patterns.

So whenever I'm working inside of FL Studio, the first thing I'll do is I'll open a sound from what's called the browser.

little folder icon and then i have my sounds imported into fl studio you could just drag

and drop a folder into the browser and it will add it to your sound collection here So these are downloaded sounds, these are not stock sounds.

Firstly, we're going to right -click here and open a new channel.

This will basically add the sound to our channel rack.

The channel rack is where we add sounds and where we create drum patterns.

Okay, so we're going to click this button to open the channel rack.

The simplest starting point in my opinion is if I just make a click way over here to the right, and then we're going to right click and fill each two steps.

This is basically going to be a metronome for your beat.

Let's go to song mode and just left click and add it into the playlist.

So I'll usually do this for about four bars or two bars at the minimum.

Okay, so this is really two bars at double time.

We don't need to get complicated.

We're 140 BPM.

So we're really in double time.

This is not normal BPM.

And then just hit space bar on song mode to hear your hi -hats.

So it should just be a steady little hi -hat all the way through.

So consider this almost like the metronome for your beat.

So nextly, let's go to a different pattern.

So let's just left click here scroll to a different pattern.

The reason I produce my drums on different patterns is because I want to create change -ups over time.

So I'll usually separate the hi -hats and the kick in the snare.

So nextly, let's focus in on our snare.

So let's say we want this, this Metro Boomin' Snare.

Let's right click, open up a new channel.

Okay, let's hit, Let's highlight these sounds here.

And if you want these sounds, just go to BusyWorksBeats .com.

It's free to join.

Click on where it says free downloads, and then you'll have access to my go -to sounds.

okay so let's highlight these sounds let's get in the habit of highlighting these in the channel rack

and hitting ctrl l this will send the sounds to the mixer

and label them for you where you can adjust the volume the panning

and everything else and other effects

so next what i like to do is go to song mode left click

and add in a snare so notice i'm producing in the playlist

and not in the channel rack this is going to help me understand the puzzle pieces of the beat

so let's go to pattern two here and we're going to count we're going to turn the metronome on this

a three and seven.

So every time the metronome hits, let me turn off the hi -hat.

You guys hear that sound?

You can right click to change out your sound by the way.

you Okay, I keep mine on pulse because it's faster.

So it's one, two, three, four, five, six, seven.

So the snare for trap drums is on the three and the seven count.

So it's one, two, three, four, five, six, seven, eight.

Okay, so that's where the snare goes.

Now let's turn our hi -hats back on.

So really simple.

Let's find a little lightweight snare.

And we're going to use this as a ghost snare.

So let's right click and open this up.

So here's where we get into more intermediate to advanced concepts.

Let's hit control L.

Send that to the mixer.

So now I want to bounce.

So how do you create a bounce?

It's trecillo.

Trecillo.

trecillo

so it goes trecillo trecillo trecillo trecillo it's not triplets triplets

is one two three one two three one two three one two three Tresillo is tre -si -yo, tre -si -yo.

Basically, they're equidistant notes.

So Trecio, once you understand this bounce, you'll understand almost every genre.

And I'm going to do this video for other genres just to show you how ubiquitous Trecio is.

So basically what we're going to do is one, two, snare, four, three, C, snare.

One, two, snare, four, three, C, snare.

Okay, so let's add that in.

One, two, three, four, three, C.

That's the bounce.

Now let me show you guys syncopation real quick.

I'm not going to make this a super long lecture here, each four steps instead of two.

Your beat is gonna sound stiff as a mug.

And that's because the hi -hats are not on the syncopated areas.

So basically what we can do is offset this hi -hat.

Because it just hits when the metronome hits.

That's called the beat, like a heartbeat.

the bounce comes from the in -between, okay, called the syncopation.

100

So if I simply hit, control shift and use my left

101

and right arrows I can move this over to the end

102

so it's one and two and three one and two

103

and three and four and five and six and seven

104

and eight and one two and three four and five

105

and six and seven and eight and now the beat feels like it's bouncing

106

because we put the hi -hats from the one two three four to the end

107

so now it's one and two and three and four

108

and five and six and seven eight and nine okay so now there's the bounce

109

So that's where bounce comes from is syncopation and also trecillo.

110

So let's right click, fill each two steps.

111

Okay, so now you guys know where bounce comes from.

112

There's actually like a scientific definition of bounce.

113

Okay, now we're going to add some kicks.

114

Now here's where we kind of switch into different sub -genres of trap.

115

Some people use the 808 as a kick, some people use the kick as a kick.

116

So let's just start with a regular kick.

117

Let's right click, open up a new channel.

118

Remember hit control L, get in the habit of doing that.

119

let's go to the song mode here let's drag a blank pattern in

120

and now let's start drawing in this kick

121

so i want to go three seal

122

so it's boom three c oh boom three c oh boom

123

three c oh boom three c oh boom three c oh boom see how that's you know

124

that can carry the beat if i wanted to just repeat that over and over again

125

Let's highlight this.

126

Let's hit control B to latch paste.

127

Let's turn off the metronome.

128

Okay, so let's say it gets a little repetitive.

129

Let's go here to pattern the end pattern here.

130

Let's click in the top left.

131

Let's go to make unique.

132

What this does is it duplicates the pattern to a new pattern so that we can make a change to it.

133

So now I want this pattern for the kick to be like a little bit different than the rest.

134

Let's go inside the pattern with the channel rack here.

135

And let's figure out what we can do.

136

We can add more trecio.

137

We can add ghost notes.

138

So let's hear this in context.

139

I'm going to hit control left click so I can solo just the end area here.

140

So now I'm going to add more bounce by adding more trecio.

141

So now it's going to go trecio. So let's go trecio.

142

Trecio.

143

Trecio.

144

But it appears as a double kick, but really this is just trecio meaning another trecio.

145

guys another little technique you can go to the graph editor

146

here anytime you have back -to -back kicks this is a cool technique especially for 808s

147

Go to your velocity here and just turn it down a little bit.

148

So now we have, I call these ghost kicks.

149

It's like a stepping stone, like one, two, one, two, three, four, one, two, one, two.

150

It kind of guides the ear.

151

Okay, let's hear this all together.

152

Now I can just, you know, play keys on my keyboard.

153

I'm not going to sit here and make a whole beat for you guys, but.

154

You know what?

155

I got to turn my keyboard on.

156

That would help.

157

All right, we got the keyboard loaded up.

158

So now I'm going to record in a melody.

159

You guys don't need to memorize this part because this is going beyond the scope of a drum pattern.

160

Let's record in a simple melody.

161

Let's do like D minor.

162

Something like that.

163

Very basic.

164

Okay.

165

all right

166

so you guys will get the project files for free uh

167

just go to get into busyworksbeats .com look at the free Downloads and look for the trap folder under the FL Studio.

168

So let's just call this piano.

169

Now, you know, I'm not going to get into everything about everything, but in my...

170

You know, my original process of how I create beats, I have a system that has four components to it.

171

And I'm not going to sit here and explain everything about everything here.

172

But basically, the drums are the rhythm to your beat.

173

It's like the heartbeat.

174

And what we just added is a chord.

175

So that's the harmony section.

176

Plus we added what's called a top line.

177

But really, we just added a harmony section with rhythm.

178

So this is harmony plus rhythm.

179

And once you understand these four components, it'll make so much more sense.

180

So basically, everything has what we call a top line layer.

181

This is your memorable melody.

182

And again, I would make a whole beat here, but we don't want to waste time.

183

Then you have a harmony section.

184

And then you have what's called contrast.

185

This is where your bass goes, where your 808s.

186

And then you have rhythm.

187

So now I know, what is the beat missing?

188

The beat is missing a contrast layer, a .k .a the bass, and we could add a top line here.

189

Okay, so now I'm knowing which puzzle pieces I'm actually missing.

190

so that we don't overfill the beat.

191

Now really this piano also has contrast in it, so it's harmony, contrast, and rhythm.

192

Okay, so it's really three things in one.

193

We can also consider that a top line, but I don't want to get into the weeds about everything.

194

So let's just assume we have everything.

195

uh let's go and find us an 808

196

so let's go over to our go to kit let's find the spins 808 let's right click

197

and open a new channel now here's where people tend to draw notes in but for me i like to record

198

the actual 808 pattern by hand.

199

It just gives me a more lively sound.

200

Okay, so let's hit Control L.

201

And all we need to do is just find the root note because every 808 is different.

202

They're not all tuned to middle C.

203

So we just need to find that root note for D.

204

Right here.

205

And I just need to figure out which octave I want to be in.

206

So if you can't hear your 808, simply just go to pre -computed effects and just turn it up a little bit.

207

I have to decide do I want to be up here with it or down here.

208

So let's be down there.

209

Let's record and it's going to go boom.

210

Or I might omit some notes.

211

So it's boom.

212

crazy you know i'll probably switch it up over time let's record this in

213

so notice how i like jumped around a little bit that's

214

because once you understand how to create baselines you can be a little bit more freeform Okay, so here's the 808 that we just recorded.

215

Let's double click in here.

216

Let's hit Alt +Q to quantize.

217

Now, Let's just hit Alt -Q.

218

I don't want to explain so much here.

219

And what it does is it locks it to your template.

220

Okay.

221

So let's hear what we have so far.

222

So let's identify the Trecio just to show you guys how repetitive Trecio is.

223

We have three Tresillos here.

224

So notice at the end I went, I did all these different notes.

225

That's because I want the ear to not get bored of hearing the same pattern.

226

And I'm letting the ear know, hey, we're about to move into something different.

227

There's no rules for this.

228

It's just...

229

based on however you guys like to do stuff.

230

Now, I'm not going to force a bunch of stylistic stuff like slides, but I'll show you how to create an 808 slide and how to do hi -hat rolls real quick.

231

So let's say I want to go up an octave here.

232

and then down an octave.

233

Let's double click on where we want to slide to, double click on the note, and then click the slide icon.

234

So now we're going to slide from this note all the way down to this note in that amount of time.

235

Again, this beat doesn't need slides.

236

I'm just showing you guys how to create a slide.

237

So I'll pull it up an octave so you can hear.

238

Again, this beat and the style doesn't need a slide.

239

So don't force it.

240

But let's say you want a hi -hat roll.

241

So let's go double click to find our hi -hats.

242

To create hi -hat rolls, we have to be in what's called the piano roll.

243

Most of the time or if you want to do like more of a metro booming style, it's more of a stutter than a hi -hat roll

244

But a long story short and we're gonna go one two three two two three four one two three All right,

245

this is that little bounce

246

So let's right click here

247

and it's gonna be on a roll one two three did

248

it up one two three two three did it one two three good one Let's highlight it,

249

right click the note in the way, hit control L.

250

It will elongate the note to out.

251

One, two, three, one, two.

252

So let's highlight this, hit control L.

253

Next, let's hit Ctrl +Shift to highlight all the notes we want to slide and hit Alt +U to chop them up.

254

I learned that from Chop Squad DJ.

255

Shout out to him.

256

Now, normally we don't play kicks and 808s at the same time, so I'm going to turn off the kick just for a second.

257

Let the 808 kind of breathe.

258

Now let's bring in the kick.

259

Now again, I'm not trying to show you guys everything about everything here because the video would be too long.

260

So let's just add a soft clipper for now.

261

Let's push the volume in with the knee cue.

262

Okay, so let's just add one more thing.

263

We're making a beat at this point.

264

So let's just add like a top line expression.

265

and we're going to do that at the end of the bars So I don't know why I just randomly stopped, but...

266

I'm glad it stopped anyway because that's all we needed.

267

So now let's hear this one time through.

268

And again, we just made this beat in like five minutes.

269

Now somebody might ask, "Okay, how do you arrange this?" Well, this is getting into a different video.

270

Hopefully I remember to link it below my "How to Turn 8 Bars Into a Full Song" video.

271

Basically, you look at the four components that you have, okay?

272

The piano is doing a contrast, so let's just take out the 808.

273

And let's let the kick breathe.

274

See how there's different ways to rearrange these puzzle pieces.

275

I don't want to sit here and spend too much time here today.

276

I just want to thank you guys for being loyal to get these project files.

277

And remember you guys get my go -to sounds for Trap.

278

Just go to busyworksbeats .com, sign up for absolutely free, and then go to where it says free downloads and that's where you can access this go -to kit.

279

It's under the sounds tab.

280

And it should say GoToSounds.

281

All right, guys.

282

Share with a friend.

283

Peace.

✨ Empfohlenes Video

160 Sätze

3 Things I Practice Everyday - Drum Lesson

University StudentsBusiness English+1

52 Sätze

The Complete Beginners Guide to Adobe Photoshop | FREE Course | Course overview & breakdown

University StudentsBusiness English+1

47 Sätze

Metro Boomin on Producing Hits, Working With Future, Migos, Post Malone & More | Billboard Cover

University StudentsBusiness English+1

172 Sätze

How to Create Your Own HABIT TRACKER | Step-by-Step Tutorial for Beginners | Google Sheets

University StudentsBusiness English+1

104 Sätze

BULKING

University StudentsBusiness English+2

174 Sätze

WHAT'S ON MY iPAD 2025 | fav apps, cozy games, planning & digital art

University StudentsBusiness English+2

222 Sätze

How To Contract TO BE | Australian Pronunciation Lesson

University StudentsBusiness English+2

186 Sätze

Learn Java in 14 Minutes (seriously)

University StudentsBusiness English+1

155 Sätze

Every Trading Strategy Explained in 12 Minutes

University StudentsBusiness English+1

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

Shadowing-Technik: die vollständige Schritt-für-Schritt-Anleitung lesen →

Shadowing-Übung: FL Studio 25 • Trap Drum Patterns for Beginners - Englisch Sprechen Lernen mit Video

3 Things I Practice Everyday - Drum Lesson

The Complete Beginners Guide to Adobe Photoshop | FREE Course | Course overview & breakdown

Arturia MiniLab 37 mk3 & Memory V: First Look

Master n8n Triggers in 20 Minutes – Automate Anything

Basic Engineering tools

Metro Boomin on Producing Hits, Working With Future, Migos, Post Malone & More | Billboard Cover

How to Create Your Own HABIT TRACKER | Step-by-Step Tutorial for Beginners | Google Sheets

BULKING

WHAT'S ON MY iPAD 2025 | fav apps, cozy games, planning & digital art

How To Contract TO BE | Australian Pronunciation Lesson

Learn Java in 14 Minutes (seriously)

Every Trading Strategy Explained in 12 Minutes

Warum mit diesem Video das Sprechen üben?

Grammatik & Ausdrücke im Kontext

Häufige Aussprachefallen

Was ist die Shadowing-Technik?