쉐도잉 연습: Ocean Vuong Tells Oprah What It Means to Live Only Once - YouTube로 영어 말하기 배우기
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That's how the book begins.
186 문장
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That's how the book begins.
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The hardest thing in the world is to live only once.
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Yeah.
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Well, in a sense, you know,
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the idea of YOLO, you only live once,
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has been really destructive to our world.
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You know, corporations think they only have one life to harvest the most profit out of the environment
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and therefore harm the environment.
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You know, we're told again and again,
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no regrets, just seize the day.
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and it's very self-centered in a way.
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But I think another way to think about you only live once is what
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if you only have one chance to live with care,
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consideration, a sense of obligation to each other?
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And it's not even like this,
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you know, goody, woo-woo, selflessness,
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but it actually makes your life much better when you live with the obligation that you owe each other everything.
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both strangers and family and your environment and your community.
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And so I wanted to just change the meaning of YOLO.
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And as a poet, I love that one phrase could have double meaning.
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You can approach it that if you only have one life,
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what if you didn't just grab everything you can in the candy store,
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leaving it a total catastrophe in your wake?
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But what if you did it so that other people can also inhabit that space and you can improve it?
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And, you know, our culture often thinks that's silly, that's childish, right?
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It's too wholesome and earnest.
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But I think earnestness is an incredible, courageous thing.
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I respect it immensely in the people I meet and the students I have.
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If you're earnest and sincere,
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it's the most greatest truth because it means that you're willing to risk vulnerability and ridicule.
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You're willing to be wrong and come off silly because you believe in everything.
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I think it's okay to believe in everything.
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It's okay to believe that if you have this one life,
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you should try to make it better for other people.
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Children just have that.
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It's not a question to them.
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But as you get older,
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we start to be more fearful of that because we think that if I believe in goodness too much,
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then I've fallen for something.
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I've been duped.
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I've been stymied into believing goodness.
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And sometimes it's really hard.
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There are days where I can't do it.
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But that's my North Star.
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And that's why I started the book with that North Star,
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is that the hardest thing is to live only once.
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So make it count and make it count for others as well.
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Thank you, Prashida.
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When you started the book,
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did you start it with high story?
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Because I've talked to authors,
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they start in the middle.
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Wally Lamb told me he started,
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you know, this much is true.
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He started it in the middle because he had the idea for the twins.
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Where did it start for you?
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It started with landscape.
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It started with the town.
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I write by hand.
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So I wrote this the day after the election in 2020.
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When the results were coming in,
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it was kind of chaotic.
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No one knew what was the results were.
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And I said, all right,
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I'm gonna rent a room.
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I live in Western Massachusetts.
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I'm gonna rent a little cabin and just go away.
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And when I come back,
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hopefully we'll know what's happening.
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But it got more and more convoluted,
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as you remember from that election.
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Yeah.
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And no one knew where the country was going to be headed,
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who was going to head it.
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And I turned off all the radios and TV.
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I went to this cabin.
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I started writing by hand.
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And I spent nine pages writing about the towns in the Connecticut River Valley that sustained me,
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that I grew up in.
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Because I wanted to really think,
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like, what is my America?
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What is America?
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and I want to really sink in to the town as a character, as description.
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I wanted to really love it in all of its difficulty to just present it and not go on with a plot.
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So it started with space.
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It started with land and the history of land because land is tied to history.
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And at the end of the day,
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I think I write historical fiction,
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not in the sense of a period piece,
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but I write fiction that has history involved in it,
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and land is a part of history.
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Yeah, this is on page three where you're just scribing the natural area,
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and you say, Look how the birches,
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blackened all night by starlings,
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shatter when dawn's first sparks touch their beaks.
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I went, holy Jesus, who is this guy?
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When dawn's first shadow touches their beaks,
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It felt like we were right there watching them disperse, right?
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Well, the sentence is a linear technology.
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So it's a kind of a track.
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And what you do as an author is that you're asking a reader for their trust to say,
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just stay with me in this track.
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Because it's a big leap of faith.
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It's almost like when you're riding on a roller coaster, it's one track.
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And as an author, you have to say,
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well, let's just come with me and we're going to zoom in on something
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that people often drive past and don't think about.
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And so the book is a wonderful opportunity to recalibrate value systems,
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to create a different hierarchy of values.
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And let's just stay on these starlings and love this landscape because it's so brutal,
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because it's so fruitful to the communities that live it.
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And also, what is America?
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You know, I was haunted by that.
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I don't know what next week is going to look like,
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but I know that this landscape in all of its paradoxes has sustained my imagination
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and I want it to be true to its history.
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Wow.
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Crystal is here.
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I hear the small town setting of this story.
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Really, you connected with this?
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Very much so.
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Thank you so much, Ocean,
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for giving us this book.
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It was incredible.
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I loved it.
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Thank you.
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So I know that this is set in New England,
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but it felt like East Gladness could be any small town really suspended in time.
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I grew up in middle America in and around towns that were left behind.
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And it immediately transported me in chapter one when I was really feeling something deeply familiar.
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So I felt really life at the edge of nothing,
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the looming presence of addiction,
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the randomness of tragedy, working poverty, fast food.
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And this isn't the first time that you've written about small towns and near rural life.
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And I wanted to know what draws you to this kind of setting
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and what continues to inspire you about places like this.
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I grew up in Hartford and Hartford is interesting because if you drive,
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you're in the middle of the city and it's the city that's often been forgotten.
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We often have a saying that all the good things are sucked up by Boston and New York.
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And so it is a place where when you come to it,
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the people there are the people who can't get out.
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They're what's left over.
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We have that mentality.
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And Hartford's interesting.
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You drive 20 minutes and you'll be in a cornfield.
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You could be in the middle of skyscrapers,
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drive 20 minutes in any direction.
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You'd be in a smack dab in a cornfield.
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I was surprised to hear that because I used to go to Hartford.
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My friend Gail started her career there in Hartford.
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Really?
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WFSB in Hartford, yes.
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And so I was thinking,
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I didn't know there were cornfields near Hartford at all.
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Yeah, yeah.
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It's right across the river.
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And a lot of people work in the fields and then live in the city and vice versa.
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And I realized that when you live in a small town,
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a small community, you owe respect to everybody.
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Because you can't be, pardon my French, an asshole.
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If you are, people know your name and they know your family and they know your grandmother.
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And I felt like there's an incredible obligation that you have by offering each other dignity because there's nowhere to hide.
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You can be a jerk in New York and you just fade into the subway and then that's it.
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But there's no anonymity.
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You have to stand by what you believe.
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You have to defend and argue yourself.
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And then you have to face each other when you don't agree.
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You might have to work side by side.
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And so I wanted to see that that's actually not a place left behind.
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That's an advantageous, even innovative way to relate to people.
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When you cannot hide behind anything,
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you have to face each other with respect,
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dignity, and a kind of proximity that so much of America really is.
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If you talk to people,
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everybody kind of wants the same thing.
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Even though we have vastly chaotic and disparate political beliefs,
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at the end of the day,
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we want to live with dignity and respect for each other.
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And living in a small town forces you to do that.
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And it allows you dexterity with the language.
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You know how to talk about something without offending each other, right?
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You talk so that you can see each other again at the laundromat, because you will.
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Because you will.
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Everybody knows your business.
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Yeah.
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Thank you.
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이 수업에 대하여
이번 수업에서는 Ocean Vuong의 인터뷰를 통해 "한 번만 살 수 있다는 것"의 의미를 깊이 있게 탐구합니다. 이 대화는 우리에게 삶의 가치에 대해 다시 생각해보게 하며, 서로에게 의무감을 가지고 살라는 중요한 메시지를 전달합니다. 이 내용을 바탕으로, 영어 발음 교정 및 다양한 표현을 연습하게 될 것입니다. 특히, 영어 발음 교정과 함께 shadowing 기법을 사용할 수 있는 좋은 기회가 될 것입니다.
주요 어휘 및 구문
- YOLO (당신은 한 번만 살 수 있다)
- 의무감 (sense of obligation)
- 진정성 (sincerity)
- 소중함 (value)
- 타인을 위한 삶 (life for others)
- 취약성 (vulnerability)
- 어린이의 순수함 (innocence of children)
- 용기 (courage)
연습 팁
이 영상에서는 Ocean Vuong의 말이 느리고 감정이 담겨 있어 이해하기 쉽습니다. 유튜브 영어 공부를 통해 본 영상을 반복 시청하고, 발음과 억양을 따라해 보세요. 특히, shadow speak 기술을 사용하여 그의 발음을 계속해서 따라 하면서 단어와 구문의 리듬을 익힐 수 있습니다. 이렇게 하면 IELTS 스피킹과 같은 시험에서도 자연스러운 접근이 가능해질 것입니다.
대화를 할 때는 그의 진정성과 진솔함을 염두에 두고, 자신이 전달하고자 하는 내용에 감정을 담아 연습하세요. 이를 통해 영어 발음 교정뿐만 아니라 실제 대화에서도 더 자연스럽고 매력적인 발음을 구사할 수 있을 것입니다. 꼭 이 기회를 활용하여 삶의 의미와 가치를 英語로 표현하는 방법을 연습해보세요!
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.
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