쉐도잉 연습: Why your best work happens when you stop taking it too seriously - 영상으로 영어 말하기 배우기
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Lately, I've been watching an embarrassing amount of...pizza videos.
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Sourdough pizza, New Haven style pizza, people talking about ovens, chefs explaining dough.
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I just kept watching it.
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And if you asked me why, I'd probably answer like Forrest Gump.
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I kept on going until the algorithm gave me this: The doctor tells him, "If you don't wanna die,
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you gotta stop making pizza." I saw this trailer for Chef's Table and I was like, come on, so much drama, you're just making pizza.
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But for some reason I watched the episode and by the end I wasn't laughing anymore.
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Because it didn't feel like a story about pizza.
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It weirdly felt like it was describing something that had been happening to my own work.
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But to understand why, we need to back up.
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Something strange had been happening with my own work.
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I started this channel as a passion project, something I did for fun after my regular job.
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But the more the channel grew, the heavier it became.
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I think every creative person experiences this at some point.
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You begin by doing something you genuinely love, but as time goes on, it starts to carry expectations,
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pressure, and a certain seriousness.
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What once felt effortless and fun gradually begins to feel like work.
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I couldn't understand why the thing I loved doing was becoming heavier right when it started working.
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So I did what I usually do when my own creative process stops making sense.
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I went back to a movie about someone whose creative process makes even less sense.
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Adaptation, a film written by Charlie Kaufman about, well, about himself.
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Charlie is supposed to adapt a best -selling book, The Orchid Thief, into a screenplay, but he's facing an extreme writer's block overthinking everything, unable to write.
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So throughout the movie, we watch his inner insecurities play out, as he struggles with his creative process.
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But watching the movie this time around, I paid attention to something else.
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There was an interesting contradiction.
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In the movie, Charlie is already a successful screenwriter.
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He's already written a great screenplay, being John Malkovich.
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People know his name.
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Producers want to work with him.
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So you would think he has achieved what you can call success.
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But why then this is happening to him?
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I'm sweating.
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I've got to stop sweating.
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Can't you see it tripping down my forehead?
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Oh, she looked at my hairline.
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"She thinks I'm bald." "We think you're great." "Oh, wow.
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Thanks.
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That's nice to hear." "We all just love the Malkovich script." "Thanks." "Such a unique voice." In this early scene,
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the producer is basically telling him everything a writer wants to hear.
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But inside, he's still hearing...
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Do I have an original thought in my head?
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My bald head?
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Maybe if I were happier my hair wouldn't be falling out.
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I should start jogging again.
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Five miles a day.
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Really do it this time.
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I need to turn my life around.
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What do I need to do?
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I need to read more and prove myself.
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Watching Charlie, I realized his problem isn't just that he can't write.
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It's that he's waiting for the writing to give him something.
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the obvious Hollywood version, maybe he'll feel pure.
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Thank you.
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But once the work has to do that much, even starting becomes painful.
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And strangely, Charlie's problems started looking a lot similar to the drama of this guy that I thought was ridiculous.
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Sorry, got carried away.
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Back to the story.
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At first, I thought I knew what kind of story it was: a man destroying himself for perfection.
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And I still think the episode is a little overdramatic.
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It does that chef's table thing, where making food becomes this religious sacrifice.
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But there was one thing in it I couldn't ignore.
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Chris Bianco had built a restaurant where he had to stay in the middle of everything.
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The more success I had, the more that I feared disappointing people.
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Anything that was good said about me, it just made me keep my head down lower.
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Work harder And never leave the kitchen Long story short, he was trying to control every aspect of his restaurant,
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and we all know where that leads.
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But that's not the important point here.
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What is more important is that how seriously he's taking his job.
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For me, when I look at so much drama over making pizza, it looks ridiculous.
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But for him, Everything is on the line.
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That made me realize something.
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What if stressing over my work looks just as ridiculous for someone else from the outside?
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Say, if a doctor who works 12 -hour shifts in the emergency room looked at me from the outside, Wouldn't she say, "Oh my god,
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so much fuss over making silly YouTube videos." And...
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Maybe that's it.
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Maybe the problem Is that we take ourselves and our work too seriously?
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After realizing this, I started seeing Charlie's problem a little differently too.
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Charlie wasn't just writing anymore.
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He was trying to control the work tightly.
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trying to keep it from becoming the wrong kind of screenplay.
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You know, I just don't want to ruin it by making a Hollywood thing, you know, like, like, like an Orchid Heist movie or, or something, you know, or, Why can't there be a movie simply about flowers?
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And I get that.
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Charlie has taste, he has standards.
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But at some point, he isn't writing the movie.
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He's managing everything the movie is not allowed to become.
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Every direction feels wrong before he even tries it.
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But then there was another character.
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Donald, Charlie's twin brother, who suddenly decides he's going to write a screenplay.
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At first, Donald looks like the joke.
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Charles, I pitched my screenplay to mom.
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Don't say pitch.
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He says things that make Charlie cringe.
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Charlie looks at him like he represents everything embarrassing about writing.
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Here's the twist: we find out that the killer really suffers from multiple personality disorder.
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Right?
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See?
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He's actually really the cop and the girl.
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But this time, Donald started looking different to me.
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Donald wants things too.
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He wants to write.
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He wants his script to work.
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He wants people to like it. And...
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he starts.
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That's the whole thing.
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"Hey, my script's going amazing." he makes the obvious version.
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But he writes, he pitches.
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"Don't say pitch." He tries, he keeps moving.
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And in the movie, that starts to matter.
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"What do you want?" I've finished my script.
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I'm done.
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Because Charlie is trying to make the right version before he has a version, Donald is willing to make a version.
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The three?
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It's just amazing.
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I don't know what that is.
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Donald, script!
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Smart, edgy thriller.
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It's the best script I've read all year.
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Oh.
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Thank you.
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Good.
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Yeah, I'm gonna sell it for a shitload.
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Two fucking talented guys in one family.
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That doesn't mean Donald is the better artist, but Donald has something Charlie doesn't have in that moment.
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He can begin before the work becomes perfect in his head.
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"Is the work good?" "It's a disaster.
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I don't know what I'm doing." And that reminded me of this interview clip of the Daniels.
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It's an interview about the process and struggles of making their earlier film, Swiss Army Man, which they made before Everything Everywhere All at Once.
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"After Swiss Army Man we had this big debate about how
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much suffering is it worth it to go through to make good art.
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But I was like, I don't want to make more movies if it's that hard, if it's that unpleasant.
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I don't want to do it.
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This time we tried to enjoy the process more and be nicer and not torture ourselves or the crew.
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And it paid off.
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It made the movie better.
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So many people when they talk about the process of filmmaking, they use military and war metaphors.
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It's like, "Oh, we're in the trenches.
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Oh, there's a hierarchy and you have to do whatever everyone else tells you to do.
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Otherwise, the whole thing falls apart." If you think about it,
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the movie that they treated with so much seriousness and control turned out kind of okay -ish.
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But the movie that they treated like summer camp won the Oscar for the best picture? And maybe that's it.
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Maybe the key to making great work is to stop treating it like this heavy, stressful, controlled thing.
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and try to have a little more fun with it.
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Speaking of fun, in between pizza review videos and binge watching movies about writers, I also recently watched Reprise on MUBI.
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I'd wanted to see it for a while, ever since I saw Robert McKee call it one of the best films about writing.
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It's Joelking Trier's debut film, about two friends in Oslo who both want to become writers.
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Trier has since gone on to make major international hits like The Worst Person in the World and Sentimental Value.
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Reprise is very different from adaptation, but it circles a similar feeling: the pressure, ambition, and confusion that come with wanting to make good art.
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Reprise is currently available to stream on MUBI, my sponsor for this video.
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MUBI is a global streaming service dedicated to elevating great cinema, where every film is handpicked by a curator rather than an algorithm.
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It's a place to find films that are harder to find elsewhere, and a great way to expand your taste in cinema.
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You can try MUBI free for 30 days at MUBI .com /loficinema.
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That's MUBI .com /loficinema for a whole month of great cinema for free.
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이 비디오로 영어 회화 연습을 하는 이유
이 비디오는 일상적인 이야기에서 창의적인 고민까지 다양한 주제를 자연스럽게 풀어내고 있어 영어 회화 연습에 최적입니다. 특히 shadowing (쉐도잉) 연습에 좋은데, 화자의 말투, 속도, 억양을 따라하면서 실제 의사소통에서 필요한 리듬을 익힐 수 있습니다. IELTS 스피킹 준비생들도 이 비디오를 통해 자연스러운 표현과 논리적인 이야기 전개를 연습할 수 있어요. 쉐도잉 사이트에서 이 비디오를 찾아 연습해 보세요—shadow speech를 통해 듣고 바로 말하는 능력이 크게 향상될 거예요!
문맥 속 문법과 표현
- "I've been watching an embarrassing amount of pizza videos": 현재 완료 진행 시제를 사용해 "계속해서 보고 있다"는 의미를 강조합니다. 일상에서 지속적인 행동을 표현할 때 자주 쓰이니 기억해 두세요.
- "What once felt effortless and fun gradually begins to feel like work": "What"을 사용한 명사절이 주어가 되는 구조입니다. 복잡한 생각을 간결하게 표현할 때 유용해요. "예전에는 쉽고 재미있었던 것이 점점 일처럼 느껴지기 시작한다"는 뜻이죠.
- "He's managing everything the movie is not allowed to become": "allow to ~" 구조의 부정형입니다. "~되도록 허용되지 않는"이라는 뜻을 표현할 때 이렇게 사용합니다. 창의적인 작업에서 "제한을 두다"는 의미로 자주 쓰입니다.
발음의 함정
이 비디오에서 주의해야 할 발음이 몇 가지 있어요. "embarrassing"는 [ɪmˈbærəsɪŋ]으로 발음하는데, 중간의 "r"이 약하게 들리니 너무 강하게 발음하지 마세요. "algorithm"은 [ˈælɡərɪðəm]으로, "th"가 [ð]가 아니라 [θ]로 발음됩니다. 또 "sourdough"는 [ˈsɔːrdoʊ]로, "ough"가 [oʊ]로 발음되니 주의하세요. 이 단어들을 반복해서 연습하면 shadowspeaks에서 자신감 있게 말할 수 있을 거예요!
이 영상의 문법
화자가 가장 많이 쓰는 문형을 영상 속 실제 표현과 함께 정리했습니다.
| 문형 | 영상 속 표현 |
|---|---|
| 현재완료 have/has + 과거분사 — 과거의 일이 지금도 관련이 있을 때 | has achieved · I've finished · I've read |
| 수동태 be + 과거분사 — 누가 하는지보다 무슨 일이 일어나는지에 초점 | is brought · is not allowed · is handpicked |
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.