Prática de Shadowing: Author Douglas Stuart Explores Faith and Desire in His Latest Novel - Aprenda a falar inglês com o YouTube

C1
Controles de Shadowing
0% concluído (0/131 frases)
Without giving the plot away, especially, you know, you're not going to give the ending away.
⏸ Pausado
Todas as frases
131 frases
1
Without giving the plot away, especially, you know, you're not going to give the ending away.
2
My producer was in tears reading it.
3
We all were so moved by the ending, but you got to get there.
4
Tell us about John of John.
5
Yeah, it's set in the late 90s on the Isle of Harris.
6
You did that on purpose?
7
I did that on purpose.
8
I set that before the internet, which will become clear as you read the book.
9
But it's set in the...
10
Because if everybody was on their phones, this would be a very different story.
11
Yeah, exactly, exactly.
12
If you could find someone to date really quickly, it'd be...
13
Yeah, yeah.
14
Wouldn't even be a short story.
15
Yes.
16
No need to knit your penis.
17
Yeah.
18
Spoiler alert.
19
Yeah, exactly.
20
Yeah, exactly.
21
Well, you could still do that if it's fun for you.
22
But yeah.
23
But yeah, and so it's a story of a young man who is on the mainland and at art school.
24
His name is John Callum McCloud.
25
We call him Cal.
26
And in that wonderful moment of graduation, he is down on his luck.
27
He can't find work.
28
And he's having a tough time getting by in the capital city.
29
And he calls home every Wednesday and Sunday to worship with his father back to the Isle of Harris.
30
And one day his father says to him, you have to come home, it's time.
31
And it's that wonderful moment where a young man should just be going out into the world and suddenly he's pulled back to his home.
32
And so he returns to this island, which is quite difficult to get to.
33
It takes a lot of intent.
34
And he's told his grandmother is very ill and he must come home and care for her, that his grandmother is his responsibility because it's his father's mother-in-law, not his father's mother.
35
And so he does his duty and he comes home and it brings him back into a world where he has a lot of broken relationships and unfinished business.
36
But it also brings him back under his father's roof.
37
And his father is what is known as a deacon or a presenter in the local church, meaning he sets the hymn and the congregation sings it back to him.
38
And he believes very deeply in scripture.
39
He does not negotiate with it.
40
And he has very sort of strict rules for the house.
41
And so Cal comes home.
42
He finds, I don't think it's a spoiler, that he finds almost instantly that his grandmother is in great health.
43
And so she's the same as she ever was.
44
And so he's been falsely lured back home.
45
For some reason that we will discover, yes.
46
And Cal is coming home with a secret that's right and he goes home and his dad also has a secret that's right yes we're not telling the
47
secrets we can tell the the secrets i think okay because it's really early on that you find out that's right yeah and i thought this
48
was so interesting in in light of heated rivalry and all that's going on with that if you liked heated rivalry you're gonna love this book all right That's all I got to say.
49
This is the deeper end of the ocean of rivalry.
50
And so Cal is gay and holding the shame of that for himself because he knows he's not going to be received in that community.
51
That's right.
52
And his father, the deacon, is gay.
53
That's right.
54
Yes.
55
But you find that like 20 pages in.
56
That's what is happening.
57
He's coming home to that.
58
And then all that happens with that.
59
That's right.
60
And strangely enough, I thought it was really just the story of a gay son returning to the islands.
61
And when I was meeting with islanders, I would go from settlement to settlement.
62
And in every sort of little village, I would hear the history of who lived there.
63
And there would be some spinsters or there would be some bachelors, some unmarried older people.
64
And I would ask, you know, oh, sort of what happened?
65
And the conversation often was that person missed their moment for love.
66
You know, they just didn't find somebody to love.
67
They missed their moment.
68
And sometimes the story would be, oh, he looked after his mother and father into old age.
69
And or, you know, he really didn't want to be bothered with the opposite sex.
70
And I was listening to this for like a couple of weeks.
71
And then I would say, I said very casually, well, of course, some of them must also be gay.
72
And the woman that I said it to said, oh, no, oh, no, no, no. And she didn't say it with any cruelty or malintent, but because faith was very important.
73
They couldn't believe that.
74
And I knew just instinctively in my heart that some of these men and women, these older men and women, would have been gay and just had never...
75
You can't have a whole town.
76
No. And not have anybody.
77
That's exactly so, yeah.
78
You just can't.
79
You just cannot.
80
And that's when the book for me became much more interesting.
81
I realized it wasn't really about the son, but it is also about his father and what we inherit from our parents.
82
Okay.
83
So that's when you decided to allow him to be gay and also the father who is the deacon is holding this secret.
84
Now, what is interesting to me is I started out reading it and I didn't know that I was reading a love story, but it becomes very evident that it's a love story.
85
It's a love story in ways that we did not expect.
86
Did you know that yourself, that it was gonna be a love story?
87
Yeah, I do.
88
I think in all my novels, no matter what I throw at my characters, I'm always testing the strength of the love, whether that's between a mother and son or two teenage boys,
89
or in this case, between a grandson and grandmother and a son and a father, and also the patience of love for some other characters.
90
But yeah, I always knew it was going to be a love story.
91
I didn't have a father myself.
92
My father abandoned my mother and I when I was about four years old.
93
And so I've always grown up thinking, what must it be to have a father's love?
94
And what would that have been?
95
what would have meant for me as a young gay man as well, who had the father that I did have, you know, was really a product of the patriarchy.
96
And I always sort of spent time imagining that.
97
And the way I wrote John of John to sort of breathe life into that idea and to imagine these two on this island.
98
But, you know, of the title, the important word on the title is the of, because it is about how fathers possess sons and how they often seek to control them.
99
When you're on the island, you know, names are very common.
100
Family names repeat.
101
There's a lot of McDonald's and McLeod's and McNeil's and then you're often named after your father and mother.
102
And so the very first question someone might ask you is, you know, who are you?
103
But then the very next question needs to be, and who do you belong to?
104
And that sense of who do you belong to was something that can carry an awful lot of weight through your whole entire life because you've also got to show up and represent yourself in a good light,
105
but also all the generations going back because everybody remembers who you're from.
106
Yes, and that's the pressure that Cal feels coming home, that you're not allowed to be yourself.
107
And that's also why I'm sure so many people leave the island for the desire to fulfill who you were meant to be and not to be somebody else's idea of who you are.
108
That's right, that's right, yeah.
109
And also for a 22-year-old man to come back, the island does have a very busy city or a very busy town of about 8,000 people, but they live, it's quite a big island and they live in a very rural part of it.
110
And for a 22-year-old man to return home at that time, you know, he says a couple of chapters in, And he meets another character and he says, you're the first person I've seen under 30.
111
And he's been there a while.
112
And so there is also a little bit of a social and a romantic struggle, even for straight people on the islands, to find the person that they will fall in love with.
113
And almost impossible in that time for a gay character.
114
Okay, so a thread throughout the story is this struggle between faith and desire.
115
What did you find in that struggle?
116
Faith and desire.
117
Yeah.
118
Yeah.
119
I mean, I think it's an eternal struggle, isn't it?
120
And I don't know that I could necessarily come to a place where I could resolve it because I think it will go on long beyond this novel.
121
You know, it is a community that believes very deeply in God.
122
And when you're on the landscape and you see the wind and the weather and the sea, you can understand that God is here.
123
We're very close to it, unlike we often are in cities.
124
But it is also a very conservative church.
125
And it does, as I said, it believes very deeply in scripture and does not negotiate with it.
126
And so to be gay or to be outside of any relationship that is not one man and one woman is just not something that really can exist.
127
And yet you have these two men and probably other people in rural situations like that, that have, this is how they were born.
128
This is how they were made.
129
And so the struggle becomes not only sort of with the community, but it also becomes inside self.
130
You know, it's about how can you both love God and love yourself and love who you love?
131
And how can you reconcile those things?
4.9/5 na App Store e Google Play

Shadowing English No Celular

Aprenda inglês a qualquer hora, em qualquer lugar com o aplicativo Shadowing English. Melhore suas habilidades de comunicação hoje!

Acompanhe seu progresso de aprendizado
Avaliação e correção de erros por IA
Rica biblioteca de vídeos
Download on theApp Store
GET IT ONGoogle Play
Shadowing English Mobile App

Contexto & Antecedentes

Neste vídeo, o autor Douglas Stuart discute seu mais recente romance, ambientado no final dos anos 90 na Ilha de Harris. A narrativa gira em torno de Cal, um jovem que enfrenta desafios existenciais enquanto tenta equilibrar sua vida no continente com as obrigações familiares na ilha. A história explora temas profundos como fé, desejo e a busca pela aceitação em uma comunidade que pode ser restritiva. O diálogo é emocional e revela a complexidade dos relacionamentos familiares e da identidade pessoal, tornando-o um excelente recurso para estudantes de inglês que desejam melhorar sua compreensão e habilidade de fala.

Top 5 Frases para Comunicação Diária

  • "Você tem que voltar para casa, é hora." - Essa frase enfatiza a importância das obrigações familiares.
  • "Ele não encontrava trabalho." - Usada para descrever a luta cotidiana em busca de emprego.
  • "É uma história de um jovem." - Uma forma de iniciar conversas sobre personagens em histórias.
  • "Ele tem um segredo." - Excelente para discutir temas de confidencialidade e identidade.
  • "Meus relacionamentos estão quebrados." - Uma expressão que pode ser útil para discussões sobre relacionamentos interpessoais.

Guia Passo a Passo de Shadowing

Para aproveitar ao máximo este vídeo e aprimorar suas habilidades de fala, siga este guia de shadowing:

  1. Escute com atenção: Assista ao vídeo uma vez sem tentar repetir o que ouve. Concentre-se na compreensão do contexto e dos sentimentos expressos.
    Dica: Preste atenção nas emoções e entonações do autor.
  2. Repita em voz alta: Reproduza o vídeo novamente, mas desta vez, pause após cada frase e repita em voz alta. Tente imitar a entonação e a velocidade de Douglas Stuart.
    Dica: Isso ajuda a praticar o shadowspeak e a internalizar a pronúncia correta.
  3. Grave sua voz: Use seu celular ou um gravador de voz para registrar sua fala enquanto repete as frases. Isso permitirá que você analise sua pronúncia e fluência.
    Dica: Compare sua gravação com a do vídeo.
  4. Pratique com um parceiro: Se possível, encontre alguém para praticar. Um parceiro pode ajudar a criar um ambiente de conversação e fornecer feedback.
    Dica: Troque papéis e finja que ambas as partes estão conversando sobre a história.
  5. Revise e repita: Revise suas gravações e continue praticando as frases desafiadoras até se sentir confortável. O shadow speech requer repetição e paciência!

Esse método de shadowing site é ótimo para melhorar suas habilidades de fala em inglês e aumentar sua confiança ao se comunicar.

O que é a Técnica de Shadowing?

Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.

☕ Pague-nos um café