Prática de Shadowing: The Importance of Being Earnest - Act 1 Pt 1(English Close Captioning) - Aprenda a falar inglês com o YouTube
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specifically when he crossed out
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specifically when he crossed out
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Thank you.
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Did you hear what I was playing, Lane?
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I didn't think it polite to listen, sir.
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I'm sorry for that, for your sake.
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I don't play accurately.
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Anyone can play accurately.
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But I play with wonderful expression.
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As far as the piano is concerned, sentiment is my forte.
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I keep science for life yes sir
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and speaking of the science of life have you got the
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cucumber sandwiches cut for lady Bracknell? yes sir ah by the way Lane I see from your book
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that on thursday night when lord shawman
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and mr worthing were dining with me eight bottles of champagne
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are entered as having been consumed yes sir eight bottles
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and a pint why is it that at a bachelor's establishment the servants invariably drink the champagne?
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I ask merely for information.
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I attribute it to the superior quality of the wine, sir.
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I've often observed that in married households the champagne is rarely of a first-rate brand.
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Good heavens!
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Is married life so demoralizing as that?
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I believe it is a very pleasant state, sir.
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I've had very little experience of myself up to the present.
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I've only been married once.
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That was in consequence of a misunderstanding between myself and a young person.
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I don't know that I'm much interested in your family life, Lane.
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No sir it is not a very interesting subject.
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I never think of it myself.
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Very natural I'm sure.
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That will do Lane.
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Thank you.
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Thank you sir.
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Lane's views on marriage seem somewhat lax.
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Really if the lower orders don't set us a good example what on earth is the use of them.
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They seem as a class to have absolutely no sense of moral responsibility.
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Mr. Ernest Worthing.
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Are you my dear Ernest?
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What brings you up to town?
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Pleasure.
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Pleasure.
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What else should bring I don't mind any more.
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Eating as usual I see, LG.
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I believe it is customary in good society to take some slight refreshment at five o'clock.
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Where have you been since last Thursday?
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In the country.
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What on earth do you do there?
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When one is in town, one amuses oneself.
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When one is in the country, one amuses other people.
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It is excessively boring.
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And who are the people you amuse?
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Oh, neighbours.
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Neighbours.
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Got nice neighbours in your part of Shropshire?
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Perfectly horrid.
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Never speak to one of them.
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How immensely you must amuse them.
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By the way, Shropshire is your county, is it not?
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Aye.
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Shropshire.
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Oh, yes, of course.
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Hello?
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Why all these cups?
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Why cucumber sandwiches?
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Why such a reckless extravagance in one so young?
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Who's coming to tea?
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Merely Aunt Augusta and Gwendolyn.
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How perfectly delightful.
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Yes, that is all very well,
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but I'm afraid Aunt Augusta won't quite approve of your being here.
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May I ask why?
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My dear fellow, the way you flirt with Gwendolyn is perfectly disgraceful.
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It is almost as bad as the way Gwendolyn flirts with you.
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I am in love with Gwendolyn.
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I have come up to town expressly to propose to her.
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But I thought you'd come up for pleasure, like all that business how utterly unromantic you are.
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I really don't see anything romantic in proposing it is very romantic to be in love
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but there is nothing romantic at all about a definite proposal.
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why one may be accepted one usually is I believe then
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the excitement is all over the very essence of romance is uncertainty
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if ever I get married I'll certainly try to forget the fact.
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I have no doubt about
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that dear Algie the divorce court was specially invented for people whose memories are
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so curiously constituted there's no speculating on that subject.
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Divorces are made in heaven.
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But please don't touch the cucumber sandwiches.
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They are ordered specially for Aunt Augusta.
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You've been eating them all the time.
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That is quite a different matter.
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She is my aunt.
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Have some bread and butter.
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But the bread and butter is for Gwendolyn.
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Gwendolyn is devoted to bread and butter.
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And very good bread and butter it is.
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Well my dear fellow you need not eat it as if you're going to eat it all.
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You've got to behave as if you're married to her already.
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You are not married to her already and I don't think you ever will be.
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Why unless you say that?
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Well, in the first place,
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girls never marry the men they flirt with.
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Girls don't think it right.
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That is nonsense.
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It isn't.
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It's a great truth.
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It accounts for the extraordinary number of bachelors that one sees all over the place.
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In the second place, I don't give my consent.
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Your consent?
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My dear fellow Gwendolyn is my first cousin.
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And before I allow you to marry her,
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you will have to clear up the whole question of Cecily.
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Cecily?
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What on earth do you mean?
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what do you mean by Cecily
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I don't know anybody by the name of Cecily bring me
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that cigarette case Mr. Worthing left in the smoking room the last time he dined here yes sir
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do you mean to say you've had my cigarette case all
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this time well I wish to goodness you'd let me know
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I've been writing frantic letters to Scotland Yard about it I
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was very nearly offering a large reward well I wish you
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would offer one I happen to be more than usually hard
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up well it's no good offering a large reward now to think it's found I think
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that is rather meaningful I must say,
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however, it makes no matter.
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For now that I look at the inscription inside,
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I find that the thing isn't yours after all.
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Of course it's mine.
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You've seen me with it a hundred times.
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And you have no right whatsoever to read what's written inside
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it is a very ungentlemanly thing to read a private cigarette case oh it's absurd to make a hard
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and fast rule about what one should read
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and what one shouldn't more than half of modern culture depends
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on what one shouldn't read i'm quite aware of the fact
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and i don't propose to discuss modern culture it isn't the
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sort of thing one should talk of in private i simply want my cigarette case yes
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but this isn't your cigarette case now this cigarette case is a present from someone of the name of cecily
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and you said you didn't know anyone of that name?
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Well, if you want to know,
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Cecily happens to be my aunt.
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Your aunt?
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Yes.
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Charming old lady she is too.
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Lives at Tunbridge Wells.
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Just give it back to me, don't you?
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But why does she call herself Little Cecily if she is your aunt and lives at Tunbridge Wells?
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From Little Cecily, with her fondest love.
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My dear fellow, what on earth is there in that?
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Some aunts are tall, some aunts are not tall.
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That is a matter that surely an aunt may be allowed to decide for herself.
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You seem to think that every aunt should be exactly like your aunt.
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That is absurd.
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Now, for heaven's sake, give me back my sickle.
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Yes, but why does your aunt call you her uncle,
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from little cecily with her fondest love to her dear uncle
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jack there is no objection i admit to an aunt being a small aunt
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but why an aunt no matter what her size may be
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you should call her own nephew her uncle i can't quite
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make out besides your name isn't jack at all it's earnest
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it isn't earnest it's jack you've always told me it was
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earnest well i've introduced you to everyone as earnest you answer to the name of earnest you look as
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if your name was earnest you were the most earnest looking
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person i ever saw in my life it's perfectly absurd you're saying that your name isn't Ernest.
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It's on your cards.
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Yes, here is one of them.
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Mr. Ernest Worthing before the Albany.
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I'll keep this as a proof that your name is Ernest
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if ever you attempt to deny it to me or to Gwendolyn or to anyone else.
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Well, my name is Ernest in town and Jack in the country
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and the cigarette case was given to me in the country.
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Yes, but that does not account for the fact that your small aunt Cecily,
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who lives at Tunbridge Wells,
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calls you her dear uncle.
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Come, old boy, you'd much better have the thing out at once.
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I may mention that I've always suspected you of being a confirmed and secret Bunburyist and I'm quite sure of it now.
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Bunbrist?
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What on earth do you mean by bunbrist?
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I revealed you the meaning of that incomparable expression
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as soon as you are kind enough to inform me why you are earnest in town and Jack in the country.
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Well, produce my cigarette case first.
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Here it is.
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Now produce your explanation and pray make it improbable.
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My dear fellow, there is nothing improbable about my explanation at all.
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In fact, it is perfectly ordinary.
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Old Mr. Thomas Cardew, who adopted me when I was a little boy,
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made me in his will guardian to his granddaughter, Miss Cecily Cardew.
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Cecily, who addresses me as her uncle
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from motives of respect which you could not possibly appreciate
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lives at my place in the country under the charge of her admirable governess,
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Miss Prism Where is that place in the country, by the way?
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That is nothing to you,
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dear boy You're not going to be invited I may tell you candidly
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that the place is not in Shropshire I suspected that,
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my dear fellow I have Bunbury'd all over Shropshire on two separate occasions
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But go on Why are you earnest in town and jack in the country?
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My dear Audrey I don't know whether you will be able to understand my real motives.
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You are hardly serious enough.
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When one is placed in the position of guardian,
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one has to adopt a very high moral tone on all subjects.
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It is one's duty to do so.
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And as a high moral tone can hardly be said to conduce very much to either one's health or one's happiness,
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in order to get up to town I've always pretended to have a younger brother by the name of Ernest,
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who lives in the Albany and gets into the most dreadful scrapes.
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That, my dear young Aldi,
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is the whole truth, pure and simple.
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The truth is rarely pure and never simple.
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Modern life would be very tedious if it were either,
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and modern literature a complete impossibility.
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That wouldn't be at all a bad thing.
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Literary criticism is not your forte, my dear fellow.
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Don't try it.
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You should leave that to people who haven't been at university.
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They do it so well in the daily papers.
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Now, what you really are is a Bunburyist.
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I was quite right in saying you were a Bunburyist.
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Well, you were one of the most advanced Bunburyists I know.
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What on earth do you mean?
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You have invented a very useful younger brother called Ernest in order
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that you may be able to come up to town as often as you like.
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I have invented an invaluable permanent invalid called Bunbury in order
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that I may be able to go down to the country whenever I choose.
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Bunbury is perfectly invaluable.
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If it wasn't for Bunbury's extraordinary bad health,
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for instance, I shouldn't be able to dine with you tonight at the Savoy,
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for I've really been engaged to Aunt Augusta for more than a week.
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I haven't asked you to dine with me anywhere tonight.
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I know.
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You are absurdly careless about sending out invitations.
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It's very foolish of you.
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Nothing annoys people so much as not receiving invitations.
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Anyway, I can't dine at the Savoy.
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I owe them about 700 pounds.
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All by on earth don't you pay them.
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You've got heaps of money.
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Yes, but Ernest hasn't.
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Ernest is the sort of chap
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that never pays a bill then let us dine at willis's
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you had much better dine with your aunt Augusta i haven't
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the smallest intention of doing anything of the kind i dine there on monday
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and once a week is quite enough to dine with one's own relations
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and i know perfectly well whom she will place me next
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to tonight she will place me next to mary farquhar who
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always flirts with her own husband across the dinner table
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that is not very pleasant indeed it is not even decent
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and that sort of thing is enormously on the increase
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and the amount of women in london who flirt with her own husbands is perfectly scandalous.
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It looks so bad it's simply washing one's clean in and in public.
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Besides, now that I know you to be a confirmed Bunburyist,
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I naturally want to talk to you about Bunbury.
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I want to tell you the rules.
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You're not a Bunburyist at all.
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If Gwendolyn accepts me, I'm going to kill my brother.
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In fact, I think I'll kill him in any case.
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Cecily is a little too much interested in him.
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It is rather a bore,
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so I'm going to get rid of Ernest,
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and I strongly advise you do the same with Mr...
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with your invalid friend who has the absurd name nothing will induce me to part with Bunbury
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and if ever you get married
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which seems to me extremely problematic you will be very glad
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to know Bunbury a man who marries without knowing Bunbury has a very tedious time of it
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that is nonsense if I marry a charming girl like Gwendolyn
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and she is the only girl I saw in my life
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that I would marry I certainly won't want to know Bunbury then your wife will you don't seem to realize
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that in married life three is company and two is none.
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ah that must be aunt augusta only relatives or creditors ever ring in
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that Wagnerian manner now if i get her out of the way for 10 minutes
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so
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that you can have an opportunity for proposing to Gwendolyn may
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i dine with you at Willis's tonight oh i suppose so
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if you want to yes
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but you must be serious about it now i hate people who are not serious about meals it's
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so shallow of them
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Contexto & Antecedentes
No primeiro ato de "A Importância de Ser Ernest", a peça escrita por Oscar Wilde, somos apresentados a um diálogo envolvente entre os personagens Lane e Ernest Worthing. Este trecho revela a sutileza e o humor característicos de Wilde, que explora temas como o casamento, a sociedade e as relações interpessoais. A conversa entre os personagens discute, com ironia, a vida de solteiro em contraste com a vida de casado, destacando como as experiências pessoais moldam as opiniões e comportamentos de cada um. A troca de ideias é rica em cultura britânica e fornece uma excelente oportunidade para praticar a conversação em inglês, além de ajudar os alunos a melhorarem a pronúncia em inglês através do shadowing.
As 5 Principais Frases para Comunicação Diária
- “Did you hear what I was playing, Lane?” - Uma maneira casual de iniciar uma conversa sobre música.
- “I didn't think it polite to listen, sir.” - Uma resposta educada que demonstra respeito pela privacidade do outro.
- “I play with wonderful expression.” - Uma declaração sobre a importância da expressão emocional ao se comunicar.
- “Why is it that at a bachelor’s establishment the servants invariably drink the champagne?” - Uma pergunta que provoca reflexão sobre regras sociais e comportamentos.
- “It is excessively boring.” - Uma expressão direta para descrever uma experiência entediante.
Guia Passo a Passo para Praticar Shadowing
Para aproveitar ao máximo o diálogo desta cena e aprimorar suas habilidades de conversação em inglês, siga este guia passo a passo de shadowing:
- Ouça atentamente: Reproduza o trecho e ouça a pronúncia e entonação dos personagens. Tente captar as emoções através de suas vozes.
- Repita depois de ouvir: Pause o vídeo após cada frase e tente repetir o que ouviu. Concentre-se na intonação e na fluência.
- Pratique com variações: Mude algumas palavras ou a estrutura da frase para praticar a flexibilidade na fala e ampliar seu vocabulário.
- Grave sua voz: Gravar-se ajudará a identificar áreas onde você pode melhorar. Compare sua pronúncia com a dos personagens e faça ajustes.
- Use um site de shadowing: Utilize plataformas de shadowing ou recursos de shadowspeak para acessar mais diálogos e aumentar sua exposição à língua inglesa.
Seguindo este guia, você poderá melhorar significativamente sua pronúncia em inglês, sua compreensão auditiva e sua capacidade de manter conversas naturais e fluidas. Invista na prática e assista a mais trechos como este para aperfeiçoar suas habilidades.
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.
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