Prática de Shadowing: The Love of My Life (and Why I Need to Share It with You) | Ann Patchett | TED - Aprenda a falar inglês com o YouTube
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I had just turned 22 when I finished my first semester of graduate school at the Iowa Writers' Workshop.
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I had just turned 22 when I finished my first semester of graduate school at the Iowa Writers' Workshop.
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I was also taking classes in the printmaking program, ambitious young art-loving thing that I was.
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I had flown from Iowa City to Chicago O'Hare, where I'd change planes and go home to Nashville for Christmas.
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I had my Hermes 3000 typewriter with me, technically portable at 14 pounds, because I wrote stories.
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I also had a shoulder bag of zinc plates, which I planned to engrave over the break.
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Have you ever traveled with a bag of zinc plates?
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They're a lot heavier than a typewriter.
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In O'Hare, I got very, very lost.
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I put my typewriter down, stood there lopsided, looking at my ticket, when a young man walked up and asked me if I needed help.
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Time changes memory, but I remember him clearly.
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He had on khaki pants and a pink Oxford shirt.
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He had straight, sandy blonde hair and wire-rimmed glasses.
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He looked like the young John Denver.
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I gave him my ticket.
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You are really lost, he said.
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And then he took my extraordinarily heavy bag from my shoulder
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and the typewriter from my hand and said he would walk me to my gate.
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Side note, this was 1986.
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I was shy and I was plain.
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I was not the kind of girl whose typewriter was carried by men who look like John Denver.
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And my heart expanded with the wonder.
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Together, we traversed many concourses, and I began to worry about the time.
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I said, he shouldn't risk missing his flight so that I could make mine.
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That's when he told me he didn't have a flight.
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I asked him if he worked in the airport, and he said, yeah, sort of.
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He said he was a Hare Krishna.
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What a beautiful world it was when you could still get lost in an airport,
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when zinc plates sharp as meat cleavers filled your carry-ons, when Hare Krishnas, those dancing,
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chanting members of a religious sect, roamed freely from gate to gate.
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I was terrified. But of what?
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That he'd kidnap me and make me a vegetarian?
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I was already a vegetarian.
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I had to keep walking with him because he had my typewriter, and I was in love with my typewriter.
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In those days, there were no screens updating travelers as to departure times,
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So I didn't know that my flight was two hours delayed until I reached the gate.
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The Hare Krishna laid my burdens down and said he'd wait with me.
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Would I have chosen to spend two hours in O'Hare with a Hare Krishna.
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No. But I lacked the courage to bolt.
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I decided that, given the circumstances, the only thing I could do was listen.
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The ability to really listen to another person is an essential skill for a novelist.
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It's an essential skill for all human beings.
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And what the Hare Krishna told me was one of the most remarkable things I had ever heard in my life.
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He said, imagine loving God so much
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that you would be willing to stand in an airport all day so that you could tell people about God's love.
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All day long, people rushed past him,
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even after he had forsaken his traditional saffron robes to mitigate first impressions.
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They buried their faces in their newspapers as soon as he started to speak,
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and still he kept showing up because God's love was the greatest thing he had ever known,
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and he wanted to share it.
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When I finally made it home to Nashville, I told this story to everyone.
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In fact, I told it for years.
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Two hours in an airport with a Hare Krishna.
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But as I got older, I could see myself becoming that Hare Krishna,
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wanting to testify about the greatest love in my life, which is reading.
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So great is my need to share this love that it outweighs my significant need for privacy.
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I gave up printmaking when I left Iowa, but books have been my steadfast companions,
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my solace, my teachers, my joy.
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I can't imagine what life would be without reading.
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And so pretty much every day, in every situation I find myself in, I'm out there sharing the good news.
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For a long time, my love for books was more cloistered, less zealot.
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But in 2011, all of that changed.
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The two major bookstores in Nashville closed, and after waiting around for someone else to open a bookstore, I decided to do it myself.
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This was not the fulfillment of a lifelong dream.
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It was more like irritation.
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People love to tell me that bookstores are dead,
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that books themselves are hobbling towards the dust heap of cultural irrelevance.
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Heresy, I say.
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Books are the rock on which I built my church.
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Like the Hare Krishna, I didn't do this because of what I needed.
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I had books.
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I would always have books.
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I fought for books because you need them.
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The summer before we opened Parnassus Books, I went on tour.
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I've been going on tour regularly since 1992.
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This one for a novel I wrote called State of Wonder was going to be my fact-finding mission.
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I collected information from from all the booksellers I knew,
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but the most valuable came from my friend Daniel Golden at Boswell Books in Milwaukee.
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He told me people were desperate to buy anything that was hanging from the ceiling, which is true.
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More importantly, he told me to put the children's section as far away from the front door as possible
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so that when a child makes a break for it, you have the maximum opportunity to catch her.
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Daniel talked a lot about the children's section, which was not a part of bookstores I knew much about.
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If you want customers, he said, you have to raise them yourself. That made sense.
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Small children coming to storytime, being read to, learning to read themselves, will grow up to be great customers.
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Fifteen years later, I can attest that this is true.
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We have raised up a raft of customers.
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But over time, this charming bit of wisdom has changed.
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I don't think of it as cultivating shoppers anymore.
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I think of it as cultivating readers, and not just for the books I write or the books I sell,
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but for all books.
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I've come to believe that if you're interested in living in a society where people read, it's also your responsibility to cultivate readers.
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What does that even mean?
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Well, reading to children the same way people read to us,
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you can buy books for children who are in Title I schools who might not have books of their own.
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We do a lot of this at Parnassus.
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You can speak out against book banning.
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Because books are not the things endangering our children.
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and speak up for teachers and librarians who are doing the jobs that they've been trained for.
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Also, you can just read a book.
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Do you wish that people read books instead of, say, constantly scrolling on their phones?
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Then read books.
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Do you want your children to be readers?
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then model that behavior.
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Of course you're going to read to them, but they also have to see you read.
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Like all the people who told me not to open a bookstore, you may be wondering if books are even relevant in this golden age of technology.
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Think of it this way.
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Every piece of information coming out of your computer or phone is a single thread.
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At any given moment, you are holding countless threads which range in quality from vital to worthless.
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What a novelist does is takes all of those threads and weaves them into a tapestry.
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Maidens, unicorns, pear trees.
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This is no small job, but when it's done right, the outcome is both beautiful and enduring.
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Novels teach us empathy by putting us into another person's life,
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and they define our history by showing us how we've changed and will continue to change.
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Think of Harriet Beecher Stowe.
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Now, think of John Updike.
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And if this wasn't reason enough to love books, they also help us develop and preserve of what I like to call a long-format brain.
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The problems of the world cannot be seen one thread at a time, nor can they be solved.
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The ability to think with depth and complexity is greatly enhanced by reading more than 280 characters at a time.
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If you haven't read a novel in a while, it may feel strange at first, but stick with it.
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What you put in is what you'll get back.
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What surprised me most about owning a bookstore
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and practically everything about it surprises me is that it's not just books people come in for.
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Reading that solitary endeavor has proven to be a means of connection.
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Our monthly book club at Parnassus is now so large, we've broken it into three sections.
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We also have a classics book club and a romance book club, and once a year, those two groups come together to read a classic romance.
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Most recently, Pride and Prejudice.
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Our author events have ranged from Jeff Kenney to Percival Everett, to Barbara Kingsolver to RF Kuang, to Ina Garten to Bono.
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And whether it's presidential histories or mysteries, What we see is that books give people the means by which to connect.
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The conversations may start with books, but they go everywhere.
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Reading shines the light that disrupts the dark isolation so many people find themselves in.
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Go to your local bookstore and see what I'm talking about.
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Every time I change planes in O'Hare, I think about the Hare Krishna,
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a person I was afraid of, a person I had nothing in common with,
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a person whose only intention was to help me,
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both to find my gate and to find a force in the world greater than myself.
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Through experience, we had both come to see that we were part of the larger human fabric.
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He, through his faith, and me, through a different kind of faith.
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Maybe this time we would sit at the gate a little bit longer, and I would ask him what he was reading.
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I would tell him how much I admired the courage of his convictions.
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I would thank him for helping me find my way.
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Sobre Esta Lição
Nesta lição, você terá a oportunidade de praticar seu inglês através da narração de uma emocionante história contada por Ann Patchett. Ao ouvir e repetir suas palavras, você irá melhorar sua pronúncia e fluência na língua. A narrativa inclui elementos de desespero, descoberta e conexão humana que podem enriquecer seu vocabulário e compreensão. Ao final, esperamos que você se sinta mais confiante em sua fala e empreendedor na prática de shadow speech.
Vocabulário e Frases Chave
- typewriter - máquina de escrever
- lost - perdido
- Hare Krishna - movimento religioso
- to listen - ouvir
- burden - fardo
- love - amor
- to share - compartilhar
- remarkable - notável
Dicas de Prática
Para maximizar sua prática de shadowing em inglês, preste atenção à velocidade e entonação de Ann Patchett. A maneira como ela articula suas palavras, especialmente nas descrições emocionais, oferece um excelente modelo para você seguir. Tente repetir as frases imediatamente após ouvi-las, focando na imitação do ritmo e da emoção. Este método irá ajudá-lo a melhorar a pronúncia em inglês e a injetar mais expressividade em seu próprio discurso. Caso tenha dificuldade, não hesite em voltar e ouvir novamente partes específicas. A prática contínua faz parte do processo, então use este shadowing site como uma ferramenta valiosa em seu aprendizado. Boa sorte e divirta-se com a prática!
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.
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