Shadowing-Übung: Emma Stone Breaks Down 18 Looks, From Superbad to Poor Things | Life in Looks | Vogue - Englisch Sprechen Lernen mit YouTube

hi i'm emma stone and this is my life in looks

⏸ Pausiert

Geschwindigkeit:

344 Sätze

Wenn Sätze zu kurz oder zu lang sind, klicke auf Edit, um sie anzupassen.

hi i'm emma stone and this is my life in looks

oh my god this was the first premiere

that i ever went to for super bad

which was the first movie i ever did i remember it

being very very exciting tara swenon was the stylist for this super bad was

so so exciting because i just loved the script

so much i'd been auditioning so much

and this amazing casting director allison jones i had been into her a bunch of times for different sitcom pilots

and all these things and

so she thought of me for this role jewels in super bad it was like months i went in

and did improv with jonah for judd apatow who was a producer

and my best friend in the world is martha mcissaac who played becca the other female character in super bad

and we lived together after that

and just you know life-changing in in every way i guess

i would say to myself back then like go for it how exciting

that you uh get to do this i don't think there's

ever gonna be anything in here where i'm gonna be like filled with um regret

because what's the point you know every every time period of

your life is different next up we have oh my okay wait hold on i told you before

that i wasn't gonna say i regret anything i immediately am going against

that it's not about the dress though it's the spray tan listen i'm from arizona

and i don't have any pigment in my skin

so growing up i was really obsessed with the idea of being tan

that sort of followed me the first couple years

that i was was going to these types of things i thought you know

if you're dressing up and

if you want to look great you should get a really really dark spray tan

if you look closely my hands are it looks like i'm wearing gloves

because it's not on my hands i love this dress i remember feeling

so great in this so great

that i had to get a spray tan to really enhance

how great i felt easy a was another very pivotal moment uh for me i i loved

that character so deeply i love olive because she's

so sort of i never know how to pronounce this word

because i only read it preacher naturally i thought

that albeit was all bite for so many years

because i would see it written down and i was like i'll bite everybody it's all be it so preacher naturally

come at me internet i'm gonna get canceled for that one she's

so precocious i guess is a different word for it in

terms of how she relates to the sort of high school atmosphere

and i think that she's very in that world but not of

that world yeah i just love all of it she rocked we're gonna go to the next look now

and i can't wait to show you what we've got it's

oh god it's the spray tan again i look like one solid thumb

and that dress is

so pretty i just why did i decide to match my

skin tone to the dress that's what bums me out about

this is i really such a beautiful dress such a beautiful shade

and i just i really thought that the tan was was the move

that was a really really fun night because i brought my mom

and we sat next to um angelina jolie and she asked angelina jolie

if she had any kids the golden globes is sort of like these big round tables

and and it feels like you're just like constantly running into all these people that you've only seen,

I guess on TV or in movies.

Everybody's shorter than you think they are,

except for Conan O'Brien, who's seven and a half feet tall.

Here we go.

Next up is, oh, this is John Batiste Valle.

The Oscar's 2012, and I presented best visual effects with Ben Stiller.

I was very nervous.

Ben Stiller was great and very nice,

and we had done the rehearsal.

It was fun for me because honestly,

in any of these circumstances,

there's nothing more fun for me than performing.

So anytime I get to kind of do a bit,

it's like on talk shows,

like getting to do lip syncing or a game or something feels way better to me than doing an interview like this.

Thanks a lot.

I had an amazing time here because it was so fun to,

you know, ask Jonah to dance

or like to be this really kind of over the top character and Ben was such an amazing straight man.

I mean, he's iconically an incredible straight man in so many things.

That was a real boon to have Ben Stiller straight manning my cuckoo-ness.

Oh, yes.

Spider-Man premiered in London in 2014.

This is Versace.

I love that color so much, that bright yellow.

This beautiful gold necklace, the pink on the lip, the whole thing.

I loved it.

I mean, I really loved doing Spider-Man.

I loved everybody I worked with.

I met Andrew there.

I met Sally Field.

Mark Webb was wonderful.

Like it was really a special time in my life.

So that's the recurring theme is the people more than kind

of like the film itself is what sticks with me for so long.

And so I have only like the fondest memories of this whole experience.

I will say the press tours for these films,

I don't really know how people do it.

I remember it being like nine countries in maybe two weeks,

and you're functioning in a state of jet lag never previously known to you.

I felt truly psychotic the entire time.

So I'm half dead in this picture,

but I love the look.

Okay.

Oh, yes.

Okay, so this was Valentino.

100

It was the Birdman premiere at Venice Film Festival, Mara Roszak.

101

my hairdresser as we say not stylist had just given me

102

a fresh bob we were very excited about this bob can't

103

wait to get there again mara she's over there please soon i loved the shade of this the whole thing

104

and this was my first time at the venice film festival

105

which is so incredible you ride in gondolas everywhere i'd never been to venice italy before

106

and it feels very romantic and very intense,

107

as you can see from,

108

I mean, look at that guy.

109

It feels like that energy coming at you,

110

but then you get on a gondola and it's like quiet and you're on the canals.

111

It was amazing.

112

Birdman felt like I thought that Alejandro was joking when he asked me to do it.

113

I was like, there's no way you want me to play this part with this incredible cast and you're the director.

114

It just really kind of threw me for a loop it really freaked me out

115

and made me so excited

116

and we had all these rehearsals for a month to choreograph everything

117

because every scene was done in one take and i do think

118

that that experience sort of shifted my relationship to films

119

that i've wanted to be part of since my instinct is just to choose high wire acts i like

120

when someone is swinging for the fences even

121

if you miss you're really trying for something

122

and um it doesn't feel like safe or complacent

123

and i don't expect to be in that position for a long time

124

while i have the opportunity to choose films that feel like

125

that that's what i that's what i try to do and so birdman was really kind of the birth of that

126

oh look at her go in her chartreuse that's ellie sob

127

with some i believe tiffany cuffs at the end of the dress

128

which look like they're part of the sleeves

129

but they're not don't be fooled were they slightly tacked to

130

the end of the sleeves sure yeah all right we took a little creative license

131

but uh no they're not part of the dress what's wrong with me there's something

132

so great about this color in general some might call it putrid a little a little gross you know

133

but not us we love I love it.

134

Even dyed the shoes to match, if you'll notice.

135

Those did not come in that color.

136

That's a dye job.

137

The Lego movie was that year,

138

and I got to get a Lego Oscar.

139

So, great night.

140

Oh, look!

141

Wait, this was just the other day.

142

Huh, right?

143

No, I'm kidding.

144

This is Vogue in 2016.

145

I'm wearing a Michael Kors top,

146

and who knows what's on the bottom.

147

It was so fun.

148

It was all wigs and it was just kind of all over the,

149

I think the WB lot or the Paramount lot.

150

And we were just dressing up and all these different things kind of in a tribute to the,

151

you know, Mia being an actress in La La Land in the film,

152

which is what this was for.

153

And it was great.

154

And I was really surprised that this was the cover picture and thought it was so cool.

155

Okay.

156

Oh, La La Land.

157

Mary Zofris was the costume designer.

158

The inspiration from Umbrellas of Cherbourg,

159

The Jacques Demy movie was pretty resonant throughout all of the sort of color scape of this movie.

160

It's a lot of, you know,

161

bright and prime colors and everything was pretty much a solid shade.

162

This yellow dress reminds me of that one that we had at the Spider-Man premiere.

163

It's like this, a very similar shade of that, like buttery, buttercup yellow.

164

I had done a cabaret.

165

Damien Chazelle, our director, had come to see me in cabaret,

166

Much like Sally Bowles, Mia doesn't have to be a perfect singer,

167

which is the only way that I possibly could have played this role because I am not a natural born singer.

168

I took voice lessons for so many years and it just didn't ever really progress to the point where it's like,

169

she is a dyed in the wool singer.

170

It was a joy to get to sing in a movie and not have this immense pressure of needing to sound perfect.

171

We had to dance like this and to do tap training and our ballroom training.

172

And it was great.

173

Nope.

174

Ah, yes.

175

This is the Oscars in 2017 and I'm wearing Givenchy.

176

This dress was very special.

177

There were a lot of fittings for this.

178

The fringe was really fun.

179

Felt very kind of old Hollywood.

180

It's also a really intense buildup period to a night like this i learned in

181

that time period that the sort of going out and promoting a film like this film is

182

longer than you ever rehearsed

183

or shot the film like it's such a it's such a

184

long sort of road to a night like this this is

185

like the final night it's very emotional on a lot of levels

186

and very surreal on a lot of levels it's like very tearful

187

or was for me like very tearful and really intense

188

and it's also like saying goodbye to all of those people

189

that you've been doing this you've made the film with

190

and then you've been out going to all these places

191

or you know talking about this film for so long

192

and it is the last night it's really emotional it was

193

very emotional my proudest achievement is my spelling pedro i can spell really well

194

but i can't say preacher naturally

195

or i'll be it i have a ged anyway here's our

196

next look louis vuitton it was the met ball heavenly bodies

197

was the theme this is really the the super bowl for designers i would say it is beautiful

198

and looks like i'm going on the ship a ship is kind of a heavenly body

199

because it's like how is it so big

200

and still staying afloat you know in terms of the physics of it someone could explain

201

that to me

202

that would be great this is a still from the favorite

203

it was my first time working with uh uh one mr

204

yorgos lan timos it was an amazing experience another cast

205

and crew that i absolutely love

206

and adore to this day we shot it on location at

207

this place called hatfield house 45 minutes from london it was all very old

208

and very beautiful and we weren't allowed to sit on anything

209

and they put a pine cone on each chair throughout the sort of palace to ensure

210

that we wouldn't sit on it and i remember thinking

211

that was like so cool and sadistic

212

but you know what you could do don't tell them you could lift up the wine cone

213

and sit on it this was sandy powell costume designer she's

214

a genius she's a legend my first time ever really wearing

215

a corset i can confirm it does shift your organs after a

216

while my body shape was different for like i would say about a month after the favorite

217

because it was extremely tight it pulls you in i've got a very big rib cage

218

so it's It's like an intense thing to maneuver.

219

My body was definitely not built for a corset.

220

That's a gift that keeps on giving because now I can really hold my breath for a long time underwater.

221

And I think it's because of the corset.

222

Okay.

223

Hello.

224

This is the cover of British Vogue.

225

It's shot by Craig McDean.

226

This is a look that Rachel Goodwin completely nailed,

227

but you're told to not do anymore,

228

which is a blue eye,

229

blush pink, and a red lip.

230

You know, like an 80s look

231

but here it's incredible all credit where credit is due rachel goodwin is incredible

232

and brilliant we've been working together for 20 years

233

but i will say i met a red lip

234

when i was in youth theater doing my own makeup i played many characters

235

and i learned to do my makeup with ben nye

236

if you know you know i was like playing um eeyore

237

and old women where i would draw on wrinkles and stuff

238

and i definitely had to wear a red lip as a stepsister in cinderella at the herberger theater center

239

and one of the best parts about that red lipstick was i was 13

240

and i had to put it on you know every day

241

but i had braces

242

and for the entire show i just had like red lipstick stuck in my braces

243

so no rachel didn't introduce me to a red lip long

244

story short next slide you know you can't really think about the 700 hours of craftsmanship

245

while you're wearing it or else you you won't be able to move.

246

There's so many people working on these clothes and it takes so much care and craftsmanship.

247

Whenever there is a dress that I've gotten to wear,

248

been lucky enough to wear it,

249

that has taken a lot of hard work,

250

you just feel grateful that you get to wear it.

251

And it really does remind you of that thing in Devil Wears Prada,

252

you know, where it's like,

253

it's art that you live your life in.

254

It really is true.

255

It's pretty amazing.

256

That said, Nikolaj, one of the great loves of my life.

257

I saw the memes, okay?

258

I saw the memes that I looked like Waffle.

259

The color brown, I do understand because of the honeycomb shape,

260

it is a little bit waffle-esque.

261

And I like that because waffles are my favorite food.

262

So you got got.

263

My favorite place in the whole wide world, SNL.

264

SNL has always been really personal to me.

265

I did happen to meet my husband there as well,

266

but my favorite, favorite performer of all time is Gilda Radner.

267

I grew up obviously watching SNL every Saturday that was on at the time,

268

which also, I was so lucky I was watching 90s SNL.

269

Insane cast, so incredible.

270

But I also knew so much about Gilda.

271

Gilda has always held such a deeply special place in my heart.

272

So Lorne was like this,

273

I just couldn't imagine ever meeting Lorne.

274

And the first time I met Lorne,

275

I fully burst into tears and was just like, I couldn't speak.

276

And honestly, the day that I got the call to host SNL for the first time,

277

I was not well.

278

I cried so hard.

279

It was like somebody had died,

280

but it was in the positive way.

281

I w it was just,

282

it was like the greatest,

283

greatest dream of my life to get to go be there

284

so it's it's always meant so much to me

285

and it's just my favorite place to be this is a

286

still from poor things holly waddington was our costume designer brilliant

287

beyond belief just created such inspired unique looks for a person

288

who is not sure how to put everything together on her

289

own body um here it's it's bloomers with this sheer sort of petticoat

290

that would be worn under another outfit also this ruffled shirt obviously would need a coat over it

291

but what does bella baxter know she has no idea how

292

that goes together so she just put on whatever she wanted holly won

293

the oscar for this this was so genius

294

and she was under great duress because this was in 2021

295

when there was a lot of delays coming to budapest from

296

england where she typically works in materials in in all of this stuff

297

that she needed to make everything had to be made nothing was bought

298

so she had a really huge job cut out for her in this time period

299

and she just pulled it off so beautifully by no help of mine

300

because i hate fittings and i was always like oh yeah it's doing another thing

301

and just making her life a nightmare i think from the

302

beginning we went to athens early on before we shot the film yorgos

303

and holly and i kind of talked through mood boards

304

and fabrics and all of these things

305

and back to the sort of chartreuse world she wanted um colors

306

that were a little off like a little strange you know very evocative of

307

that kind of time period she kept saying things

308

that felt like organs because godwin baxter bella's father is a surgeon there's a lot about brains

309

and a lot of kind of you know scientific elements and

310

so she had a lot of that inspiration from like bodily things

311

which to me was just so cool and so interesting the way

312

that she brought it to life okay oh what was really

313

fun about this dress was there was these big pockets

314

that are just like the structured pockets it's louis vuitton dress

315

so i just texted nicola and asked him

316

if we could put popcorn in the pockets because well i don't know

317

if it's his favorite food

318

but there's always popcorn around lorne michaels like in his office

319

everybody just takes handfuls of popcorn i thought it's a 50th

320

anniversary let's do a tribute to lauren with popcorn first of all rude

321

because look at the ground i trailed popcorn everywhere i went

322

and i know that's rude and i don't think

323

that it's not rude and i'm sorry

324

but at the same time did a lot of people eat

325

popcorn out of my pockets yes people were very excited there was just free popcorn

326

grace coddington was the creative director for this shoot amazing

327

so exciting to just get to work with grace jamie hawksworth was the photographer i almost cried

328

when i found out he was the photographer

329

because he shoots exclusively on film usually medium format film

330

and he develops and prints his own photography

331

which is a huge passion of mine so i was

332

so excited and jamie's very into you being kind of goofy

333

and and you know sort of acting while you're being photographed

334

so it was really a cool experience we were in the pope's residence before the Vatican in Avignon.

335

And there was a tour group that was going through,

336

but they would sort of rope off like half of it.

337

And I would sort of like walk by in a robe and these Nicola-created looks.

338

And this is very funny and very, very cool.

339

And there's my Vogue cover.

340

All right, that was my life in looks.

341

Thank you so much for having me.

342

And I hope you learned a lot today.

343

I sure did.

344

you

TRENDING

Beliebt

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

☕ Kauf uns einen Kaffee

ShadowingEnglish bleibt 100% kostenlos dank deiner Unterstützung. Server- und KI-Kosten sind hoch — dein Kaffee hält uns am Laufen! 🙏

Über PayPal spenden

ShadowingEnglish.com – Englisch-Shadowing-Übung

Sprich fließend Englisch mit der Shadowing-Technik. Höre nativen YouTube-Videos zu, wiederhole Satz für Satz und baue echte Aussprache und Sprachflüssigkeit auf — weltweit von IELTS-Lernenden genutzt.

Shadowing-Übung: Emma Stone Breaks Down 18 Looks, From Superbad to Poor Things | Life in Looks | Vogue - Englisch Sprechen Lernen mit YouTube

Beliebt

Kontext & Hintergrund

Top 5 Phrasen für die tägliche Kommunikation

Schritt-für-Schritt Shadowing-Leitfaden

Was ist die Shadowing-Technik?

Shadowing-Übung: Emma Stone Breaks Down 18 Looks, From Superbad to Poor Things | Life in Looks | Vogue - Englisch Sprechen Lernen mit YouTube

App herunterladen

Kontext & Hintergrund

Top 5 Phrasen für die tägliche Kommunikation

Schritt-für-Schritt Shadowing-Leitfaden

Was ist die Shadowing-Technik?