シャドーイング練習: Emma Stone Breaks Down 18 Looks, From Superbad to Poor Things | Life in Looks | Vogue - YouTubeで英語スピーキングを学ぶ
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hi i'm emma stone and this is my life in looks
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hi i'm emma stone and this is my life in looks
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oh my god this was the first premiere
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that i ever went to for super bad
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which was the first movie i ever did i remember it
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being very very exciting tara swenon was the stylist for this super bad was
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so so exciting because i just loved the script
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so much i'd been auditioning so much
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and this amazing casting director allison jones i had been into her a bunch of times for different sitcom pilots
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and all these things and
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so she thought of me for this role jewels in super bad it was like months i went in
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and did improv with jonah for judd apatow who was a producer
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and my best friend in the world is martha mcissaac who played becca the other female character in super bad
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and we lived together after that
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and just you know life-changing in in every way i guess
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i would say to myself back then like go for it how exciting
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that you uh get to do this i don't think there's
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ever gonna be anything in here where i'm gonna be like filled with um regret
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because what's the point you know every every time period of
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your life is different next up we have oh my okay wait hold on i told you before
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that i wasn't gonna say i regret anything i immediately am going against
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that it's not about the dress though it's the spray tan listen i'm from arizona
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and i don't have any pigment in my skin
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so growing up i was really obsessed with the idea of being tan
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that sort of followed me the first couple years
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that i was was going to these types of things i thought you know
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if you're dressing up and
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if you want to look great you should get a really really dark spray tan
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if you look closely my hands are it looks like i'm wearing gloves
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because it's not on my hands i love this dress i remember feeling
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so great in this so great
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that i had to get a spray tan to really enhance
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how great i felt easy a was another very pivotal moment uh for me i i loved
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that character so deeply i love olive because she's
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so sort of i never know how to pronounce this word
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because i only read it preacher naturally i thought
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that albeit was all bite for so many years
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because i would see it written down and i was like i'll bite everybody it's all be it so preacher naturally
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come at me internet i'm gonna get canceled for that one she's
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so precocious i guess is a different word for it in
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terms of how she relates to the sort of high school atmosphere
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and i think that she's very in that world but not of
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that world yeah i just love all of it she rocked we're gonna go to the next look now
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and i can't wait to show you what we've got it's
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oh god it's the spray tan again i look like one solid thumb
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and that dress is
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so pretty i just why did i decide to match my
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skin tone to the dress that's what bums me out about
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this is i really such a beautiful dress such a beautiful shade
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and i just i really thought that the tan was was the move
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that was a really really fun night because i brought my mom
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and we sat next to um angelina jolie and she asked angelina jolie
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if she had any kids the golden globes is sort of like these big round tables
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and and it feels like you're just like constantly running into all these people that you've only seen,
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I guess on TV or in movies.
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Everybody's shorter than you think they are,
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except for Conan O'Brien, who's seven and a half feet tall.
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Here we go.
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Next up is, oh, this is John Batiste Valle.
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The Oscar's 2012, and I presented best visual effects with Ben Stiller.
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I was very nervous.
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Ben Stiller was great and very nice,
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and we had done the rehearsal.
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It was fun for me because honestly,
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in any of these circumstances,
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there's nothing more fun for me than performing.
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So anytime I get to kind of do a bit,
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it's like on talk shows,
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like getting to do lip syncing or a game or something feels way better to me than doing an interview like this.
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Thanks a lot.
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I had an amazing time here because it was so fun to,
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you know, ask Jonah to dance
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or like to be this really kind of over the top character and Ben was such an amazing straight man.
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I mean, he's iconically an incredible straight man in so many things.
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That was a real boon to have Ben Stiller straight manning my cuckoo-ness.
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Oh, yes.
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Spider-Man premiered in London in 2014.
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This is Versace.
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I love that color so much, that bright yellow.
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This beautiful gold necklace, the pink on the lip, the whole thing.
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I loved it.
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I mean, I really loved doing Spider-Man.
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I loved everybody I worked with.
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I met Andrew there.
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I met Sally Field.
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Mark Webb was wonderful.
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Like it was really a special time in my life.
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So that's the recurring theme is the people more than kind
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of like the film itself is what sticks with me for so long.
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And so I have only like the fondest memories of this whole experience.
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I will say the press tours for these films,
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I don't really know how people do it.
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I remember it being like nine countries in maybe two weeks,
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and you're functioning in a state of jet lag never previously known to you.
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I felt truly psychotic the entire time.
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So I'm half dead in this picture,
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but I love the look.
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Okay.
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Oh, yes.
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Okay, so this was Valentino.
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It was the Birdman premiere at Venice Film Festival, Mara Roszak.
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my hairdresser as we say not stylist had just given me
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a fresh bob we were very excited about this bob can't
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wait to get there again mara she's over there please soon i loved the shade of this the whole thing
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and this was my first time at the venice film festival
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which is so incredible you ride in gondolas everywhere i'd never been to venice italy before
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and it feels very romantic and very intense,
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as you can see from,
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I mean, look at that guy.
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It feels like that energy coming at you,
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but then you get on a gondola and it's like quiet and you're on the canals.
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It was amazing.
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Birdman felt like I thought that Alejandro was joking when he asked me to do it.
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I was like, there's no way you want me to play this part with this incredible cast and you're the director.
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It just really kind of threw me for a loop it really freaked me out
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and made me so excited
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and we had all these rehearsals for a month to choreograph everything
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because every scene was done in one take and i do think
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that that experience sort of shifted my relationship to films
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that i've wanted to be part of since my instinct is just to choose high wire acts i like
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when someone is swinging for the fences even
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if you miss you're really trying for something
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and um it doesn't feel like safe or complacent
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and i don't expect to be in that position for a long time
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while i have the opportunity to choose films that feel like
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that that's what i that's what i try to do and so birdman was really kind of the birth of that
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oh look at her go in her chartreuse that's ellie sob
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with some i believe tiffany cuffs at the end of the dress
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which look like they're part of the sleeves
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but they're not don't be fooled were they slightly tacked to
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the end of the sleeves sure yeah all right we took a little creative license
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but uh no they're not part of the dress what's wrong with me there's something
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so great about this color in general some might call it putrid a little a little gross you know
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but not us we love I love it.
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Even dyed the shoes to match, if you'll notice.
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Those did not come in that color.
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That's a dye job.
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The Lego movie was that year,
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and I got to get a Lego Oscar.
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So, great night.
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Oh, look!
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Wait, this was just the other day.
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Huh, right?
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No, I'm kidding.
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This is Vogue in 2016.
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I'm wearing a Michael Kors top,
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and who knows what's on the bottom.
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It was so fun.
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It was all wigs and it was just kind of all over the,
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I think the WB lot or the Paramount lot.
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And we were just dressing up and all these different things kind of in a tribute to the,
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you know, Mia being an actress in La La Land in the film,
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which is what this was for.
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And it was great.
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And I was really surprised that this was the cover picture and thought it was so cool.
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Okay.
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Oh, La La Land.
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Mary Zofris was the costume designer.
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The inspiration from Umbrellas of Cherbourg,
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The Jacques Demy movie was pretty resonant throughout all of the sort of color scape of this movie.
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It's a lot of, you know,
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bright and prime colors and everything was pretty much a solid shade.
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This yellow dress reminds me of that one that we had at the Spider-Man premiere.
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It's like this, a very similar shade of that, like buttery, buttercup yellow.
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I had done a cabaret.
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Damien Chazelle, our director, had come to see me in cabaret,
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Much like Sally Bowles, Mia doesn't have to be a perfect singer,
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which is the only way that I possibly could have played this role because I am not a natural born singer.
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I took voice lessons for so many years and it just didn't ever really progress to the point where it's like,
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she is a dyed in the wool singer.
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It was a joy to get to sing in a movie and not have this immense pressure of needing to sound perfect.
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We had to dance like this and to do tap training and our ballroom training.
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And it was great.
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Nope.
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Ah, yes.
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This is the Oscars in 2017 and I'm wearing Givenchy.
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This dress was very special.
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There were a lot of fittings for this.
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The fringe was really fun.
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Felt very kind of old Hollywood.
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It's also a really intense buildup period to a night like this i learned in
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that time period that the sort of going out and promoting a film like this film is
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longer than you ever rehearsed
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or shot the film like it's such a it's such a
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long sort of road to a night like this this is
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like the final night it's very emotional on a lot of levels
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and very surreal on a lot of levels it's like very tearful
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or was for me like very tearful and really intense
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and it's also like saying goodbye to all of those people
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that you've been doing this you've made the film with
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and then you've been out going to all these places
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or you know talking about this film for so long
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and it is the last night it's really emotional it was
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very emotional my proudest achievement is my spelling pedro i can spell really well
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but i can't say preacher naturally
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or i'll be it i have a ged anyway here's our
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next look louis vuitton it was the met ball heavenly bodies
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was the theme this is really the the super bowl for designers i would say it is beautiful
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and looks like i'm going on the ship a ship is kind of a heavenly body
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because it's like how is it so big
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and still staying afloat you know in terms of the physics of it someone could explain
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that to me
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that would be great this is a still from the favorite
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it was my first time working with uh uh one mr
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yorgos lan timos it was an amazing experience another cast
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and crew that i absolutely love
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and adore to this day we shot it on location at
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this place called hatfield house 45 minutes from london it was all very old
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and very beautiful and we weren't allowed to sit on anything
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and they put a pine cone on each chair throughout the sort of palace to ensure
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that we wouldn't sit on it and i remember thinking
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that was like so cool and sadistic
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but you know what you could do don't tell them you could lift up the wine cone
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and sit on it this was sandy powell costume designer she's
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a genius she's a legend my first time ever really wearing
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a corset i can confirm it does shift your organs after a
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while my body shape was different for like i would say about a month after the favorite
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because it was extremely tight it pulls you in i've got a very big rib cage
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so it's It's like an intense thing to maneuver.
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My body was definitely not built for a corset.
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That's a gift that keeps on giving because now I can really hold my breath for a long time underwater.
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And I think it's because of the corset.
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Okay.
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Hello.
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This is the cover of British Vogue.
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It's shot by Craig McDean.
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This is a look that Rachel Goodwin completely nailed,
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but you're told to not do anymore,
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which is a blue eye,
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blush pink, and a red lip.
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You know, like an 80s look
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but here it's incredible all credit where credit is due rachel goodwin is incredible
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and brilliant we've been working together for 20 years
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but i will say i met a red lip
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when i was in youth theater doing my own makeup i played many characters
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and i learned to do my makeup with ben nye
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if you know you know i was like playing um eeyore
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and old women where i would draw on wrinkles and stuff
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and i definitely had to wear a red lip as a stepsister in cinderella at the herberger theater center
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and one of the best parts about that red lipstick was i was 13
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and i had to put it on you know every day
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but i had braces
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and for the entire show i just had like red lipstick stuck in my braces
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so no rachel didn't introduce me to a red lip long
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story short next slide you know you can't really think about the 700 hours of craftsmanship
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while you're wearing it or else you you won't be able to move.
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There's so many people working on these clothes and it takes so much care and craftsmanship.
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Whenever there is a dress that I've gotten to wear,
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been lucky enough to wear it,
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that has taken a lot of hard work,
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you just feel grateful that you get to wear it.
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And it really does remind you of that thing in Devil Wears Prada,
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you know, where it's like,
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it's art that you live your life in.
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It really is true.
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It's pretty amazing.
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That said, Nikolaj, one of the great loves of my life.
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I saw the memes, okay?
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I saw the memes that I looked like Waffle.
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The color brown, I do understand because of the honeycomb shape,
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it is a little bit waffle-esque.
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And I like that because waffles are my favorite food.
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So you got got.
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My favorite place in the whole wide world, SNL.
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SNL has always been really personal to me.
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I did happen to meet my husband there as well,
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but my favorite, favorite performer of all time is Gilda Radner.
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I grew up obviously watching SNL every Saturday that was on at the time,
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which also, I was so lucky I was watching 90s SNL.
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Insane cast, so incredible.
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But I also knew so much about Gilda.
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Gilda has always held such a deeply special place in my heart.
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So Lorne was like this,
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I just couldn't imagine ever meeting Lorne.
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And the first time I met Lorne,
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I fully burst into tears and was just like, I couldn't speak.
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And honestly, the day that I got the call to host SNL for the first time,
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I was not well.
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I cried so hard.
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It was like somebody had died,
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but it was in the positive way.
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I w it was just,
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it was like the greatest,
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greatest dream of my life to get to go be there
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so it's it's always meant so much to me
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and it's just my favorite place to be this is a
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still from poor things holly waddington was our costume designer brilliant
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beyond belief just created such inspired unique looks for a person
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who is not sure how to put everything together on her
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own body um here it's it's bloomers with this sheer sort of petticoat
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that would be worn under another outfit also this ruffled shirt obviously would need a coat over it
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but what does bella baxter know she has no idea how
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that goes together so she just put on whatever she wanted holly won
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the oscar for this this was so genius
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and she was under great duress because this was in 2021
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when there was a lot of delays coming to budapest from
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england where she typically works in materials in in all of this stuff
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that she needed to make everything had to be made nothing was bought
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so she had a really huge job cut out for her in this time period
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and she just pulled it off so beautifully by no help of mine
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because i hate fittings and i was always like oh yeah it's doing another thing
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and just making her life a nightmare i think from the
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beginning we went to athens early on before we shot the film yorgos
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and holly and i kind of talked through mood boards
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and fabrics and all of these things
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and back to the sort of chartreuse world she wanted um colors
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that were a little off like a little strange you know very evocative of
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that kind of time period she kept saying things
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that felt like organs because godwin baxter bella's father is a surgeon there's a lot about brains
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and a lot of kind of you know scientific elements and
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so she had a lot of that inspiration from like bodily things
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which to me was just so cool and so interesting the way
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that she brought it to life okay oh what was really
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fun about this dress was there was these big pockets
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that are just like the structured pockets it's louis vuitton dress
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so i just texted nicola and asked him
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if we could put popcorn in the pockets because well i don't know
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if it's his favorite food
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but there's always popcorn around lorne michaels like in his office
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everybody just takes handfuls of popcorn i thought it's a 50th
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anniversary let's do a tribute to lauren with popcorn first of all rude
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because look at the ground i trailed popcorn everywhere i went
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and i know that's rude and i don't think
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that it's not rude and i'm sorry
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but at the same time did a lot of people eat
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popcorn out of my pockets yes people were very excited there was just free popcorn
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grace coddington was the creative director for this shoot amazing
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so exciting to just get to work with grace jamie hawksworth was the photographer i almost cried
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when i found out he was the photographer
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because he shoots exclusively on film usually medium format film
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and he develops and prints his own photography
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which is a huge passion of mine so i was
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so excited and jamie's very into you being kind of goofy
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and and you know sort of acting while you're being photographed
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so it was really a cool experience we were in the pope's residence before the Vatican in Avignon.
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And there was a tour group that was going through,
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but they would sort of rope off like half of it.
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And I would sort of like walk by in a robe and these Nicola-created looks.
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And this is very funny and very, very cool.
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And there's my Vogue cover.
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All right, that was my life in looks.
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Thank you so much for having me.
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And I hope you learned a lot today.
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I sure did.
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you
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文脈と背景
この動画では、エマ・ストーンが映画『スーパーバッド』から彼女のスタイルの変遷を振り返り、その重要性について語っています。彼女は初めての映画プレミアについての思い出を共有し、映画制作の過程や、オーディションを通じての経験についても詳しく説明しています。特に彼女の役柄やそのキャラクターに対する愛情は、英語を学ぶ際に活用できる多くのフレーズや表現を提供してくれます。動画内でのエマの発言は、英語学習を進める上で興味深く、聞き取る練習に適しています。
日常会話のためのトップ5フレーズ
- "I remember it being very, very exciting." - 非常にワクワクしたことを思い出す。
- "What's the point?" - それは何の意味があるの？
- "I love that character so deeply." - そのキャラクターが大好きです。
- "It was like months I went in and did improv." - 数ヶ月間即興をしていました。
- "I thought that the tan was the move." - 日焼けが良い選択だと思いました。
これらのフレーズは、日常会話での表現力を向上させるために役立ちます。
ステップバイステップ シャドーイングガイド
この動画を使って英語のスピーキング力を高めるためには、次の手順を試してみてください。
- 動画を視聴する - 最初に動画全体を通して観て、内容を把握しましょう。エマ・ストーンの話し方や感情表現に注目してください。
- フレーズの選択 - 上記のフレーズをピックアップし、それぞれの意味と使用例を理解します。
- シャドーイングを実践する - 動画を再生しながら、エマのセリフを聞き、同時に口に出してみましょう。これを繰り返すことで、発音やリズムを身につけられます。特に、「英語シャドーイング」は効果的です。
- 録音して確認する - 自分の声を録音し、オリジナルの音声と比較してみましょう。これにより、自分の進歩を確認できます。
- 定期的に練習する - 毎日数分、この方法を続けることで、自然な英語スピーキング力を養うことができます。特に、IELTS スピーキング対策にも役立ちます。
この手法は、YouTubeで英語学習を進める際にも非常に有効ですので、ぜひお試しください。英語スピーキング練習の一環として、エマ・ストーンの魅力的なストーリーを通じて楽しみながら学んでいきましょう。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。