Shadowing-Übung: Kelly Reilly Reveals How She Perfected Her Montana Accent for 'Yellowstone' | EXTENDED INTERVIEW - Englisch Sprechen Lernen mit YouTube

I have so much deep respect for this woman as an actor

⏸ Pausiert

Geschwindigkeit:

342 Sätze

Wenn Sätze zu kurz oder zu lang sind, klicke auf Edit, um sie anzupassen.

I have so much deep respect for this woman as an actor

and as a human being and just an all around badass.

I am so in love with her.

She's here, it's Kelly Riley!

We did it!

Hi!

Oh my God, you're welcome.

Thank you, Kelly, bye, bye, bye, bye.

We did it, thank you guys.

Oh my God.

Douglas dressed up in his best Western wear for you.

You wanna come up here?

And Douglas was here dressed up with Cole and- I don't know how to handle this situation right now.

It's just, hi buddy.

I said, like, is there any possible chance

that we could do the show together and like talk about the fact that you are not Beth Dutton.

You are good.

That makes me happy.

A little bit.

We will have a bit of Beth Dutton in this, I think.

Well, just hearing your voice right now.

I mean, I couldn't believe it.

I knew that you had an accent.

I knew that you had done the work.

And working on an accent is so hard.

It's such an art because you can't get lost in things and lost in the moment.

Your accent's gonna come up.

You have to be on constant vigilant watch to do an accent.

And what shocked me is, I would have never guessed you had an accent.

Well, that's thanks to my dialect coach because she's amazing, Jessica Drake.

Yeah.

You have a cadence with Beth Dutton that is Western,

Southern Americana, but not, cause Montana's not.

Right, so we were really going for a Montana accent, but she's educated.

She's from a very, very wealthy ranching family.

She's somebody, she's not, I wasn't gonna go like, you know, howdy ma'am.

You know, it wasn't that for me, but I certainly wanted to get that Montana dialect correct.

But for Beth, it was more about the voice because she smokes a little bit, she drinks a lot of bourbon.

Yeah.

So it's a little...

I'm naturally a lot sort of higher pitched than Beth.

And Beth is, you know, she's a bit more like, she comes from here.

She has a rasp.

Yeah.

And like a guttural sound.

And it was, I kind of listened to Kevin a lot because he really deepened his voice for John Dutton.

You're right.

What was one of the first things that you decided Beth Dutton will have this, but she will not have that?

Well, she's written and created by Taylor Sheridan.

He really is, I mean, we sort of Frankenstein her together really, but everything she says, everything she does is from his imagination.

And so when I first got the role and then I first started to play her in season one,

seven years ago, nobody knew it was gonna be this success.

You know?

You mean with its own Monopoly game that I play obsessively?

Yeah.

I take this everywhere I go.

My friends and I play it like ad nauseam.

It's our favorite game ever.

Do you get to be a character?

No, you get to be like a piece.

Okay.

That's a shame.

They should be like little rips and little deaths.

I would prefer it maybe I'll create one.

Yeah, we'll do another addition.

Yes, we do.

But I mean, by the way, notice who's front and center on the box.

Just take a look at the box.

It's like, this is a testament.

When you see this, do you think, oh, maybe I really did a good job.

They've put me front and center here.

So I'm gonna be really honest with you.

I try not look at it too much.

That's okay, I'll stare at it for you.

No, no, it's not necessarily the Monopoly board, but like, as an actor, how do you then begin to go back and play that character if people,

they really have an opinion on her and they love her, the audience.

I've had so many people, they started to, at the beginning, they didn't love her.

I went on a seven year journey, six year journey with the audience.

And once they started to understand who she was, then they kind of got on board with her.

And your risk paid off.

Yes, it was a definite risk.

I definitely had to not care if anyone liked her or not at the beginning, because I knew who she was on the inside.

Which is so hard to do, because I think we all would prefer if people liked and accepted us.

And I think in order to get people really truly behind you,

you have to exhibit a type of strength where you will recruit people to get behind you.

Yeah, and flaws.

You know, there's so many like, and there's an authenticity to Beth that she really doesn't,

she's unencumbered by what people think of her and she's obviously not a real human being.

So there's freedom to be that.

And then Taylor layered her with this sort of hero attribute.

She's sort of the fiercest soldier.

She's probably the one with the most testosterone on the show, but she's innately female.

She's all woman.

And I wanted to make sure that that was- Douglas, you were in the way.

Yeah. But I love you.

I like how his cowboy hat's just coming off.

Yeah.

100

As you know, a long night does.

101

Yeah.

102

It would be very easy to make her a caricature very just hard and tough.

103

So I was like, we're gonna do the feminine dresses.

104

We're gonna keep her as soft.

105

And then so she could be very also soft with rip.

106

And I think those choices really pay off in the new season.

107

When you come on the screen, you are in that signature dress.

108

And I noticed also that you wear a lot of long sweaters, which has a softness to it.

109

It's like your cape is of literally a fabric that is warm and tactile.

110

Right.

111

And then the way that you love Rip.

112

Yeah.

113

I mean, have you ever had a love like that?

114

I have, and he's here.

115

What? Where?

116

Is he, is he?

117

I don't know, he's here somewhere.

118

He's probably hiding now.

119

He's in the building.

120

So yeah, I've been married for 12 years. And yeah.

121

How did you guys meet now?

122

Yeah, well we met at his brother's wedding.

123

Oh, see a friend of a friend, safe.

124

Yeah, I was the plus one.

125

I was a girlfriend of mine.

126

I was in California at the time and there was this wedding in Marfa, Texas.

127

And she said, do you want to go on a road trip?

128

And I was like, yes.

129

And I think her boyfriend was out of town

130

so I got to be the plus one

131

and I thought I'm gonna go riding because I'm a big horse rider in real life down in Texas.

132

And I had just been riding that morning and I still had like leather on my hands.

133

I think I was a bit of a hot mess.

134

And I went to this wedding and he was there.

135

So I was single for a couple of years and I had gone through heartbreak, like we all have.

136

And I was just got to the point where I had gone, yeah, this single life is fabulous.

137

And I was not looking.

138

I was looking before then, but I really wasn't.

139

And I honestly thought that he was, I thought he was Texan, the wedding was in Texas.

140

He's from Long Island.

141

And he's the love of my life.

142

And the most beautiful thing that's ever happened to me is my marriage.

143

We know the way that, I think one of the reasons why Rip is a beloved character is because he supports you,

144

he gets you, and he is the, they're fiercely advocating.

145

Yeah.

146

What does your husband think of Beth Dutton?

147

Well, he gets to have her a little bit.

148

Oh, that's fun.

149

But not too often.

150

She's like, she's, you know, she's a lot to handle.

151

He's watched me play roles for years and years.

152

And so he knew that Beth meant a great deal to me.

153

And I was terrified going into playing her.

154

I really wasn't sure I'd be able to do it.

155

And I knew what it was required of me and I didn't want to mess it up.

156

So I gave it everything.

157

And you know, my husband's the first, he just says, well, it doesn't matter if it doesn't work.

158

You still get to come home.

159

You come home to me. And that freed me.

160

It freed me to go, yeah, like, F it.

161

Like, I'm just gonna go for it and he'll be home.

162

Can I ask, in your process of your extraordinary talent.

163

Stop.

164

I'm not gonna stop.

165

Stop.

166

Sorry but you really dig, you know how to create someone that like everybody gets behind, you've proven that.

167

So do you bring your personal experiences to not only the character,

168

but how you emote in a scene?

169

Well, not directly, obviously she's written, her experience is very different.

170

We're different animals.

171

I love her, I understand her, getting in the skin of this primal woman is a lot of fun.

172

She's invigorating, but she's also exhausting.

173

And you know, as actors, all we've got is our own experience, our own hearts, our own souls and minds.

174

And so when you're drawing on things, it's not like I'm thinking about an experience I've had, but it's there in your DNA.

175

It's there in your blood.

176

It's there.

177

And so when you're moved by something, and I'm very moved by Beth, she breaks my heart.

178

I've really, I love her.

179

I love her strength, her audacity to survive in the way she does.

180

Sometimes I'm blown away by the choices she makes.

181

And sometimes I'm like, I want some of that strength.

182

I want some of that.

183

It's true.

184

We can actually, cause I got really excited.

185

Cause I was like, oh my God, I'm the same way.

186

Like, I'm like my dad left before I was born.

187

Roll the cameras, I'm ready, let's go.

188

I'm not as good as sitting there going, you know what would be really great because this is what the scene requires.

189

Like I'm not that good of an actor where I can be so method.

190

I just literally think about something hard that I dealt with and it just gets me there.

191

Yeah, I knew who she was.

192

I had gone through just before we started filming, the year before we started, I got that job.

193

I had gone through some things in my own personal life.

194

I was in deep grief and I hadn't figured out who I was beyond that in that moment.

195

And I was in a fog at that moment.

196

And then this character lands in my lap.

197

And I'm like, well, what am I gonna do with this?

198

And she became this sort of life raft for me.

199

So I got to sort of hide in her for a minute

200

while I came back to life and I found my own strength and my own happiness again.

201

And so that's what I wish for her, even though she's a make-believe character because she helped me so much, her fierceness.

202

I literally got to hide in her.

203

I so understand.

204

I really do.

205

And you bring up a really important point, which is not only can these characters be a life raft and save us,

206

they can be a place where we can put our own grief, our own pain, our own heartbreak.

207

And you bring up the exclamation point that I didn't even think of.

208

Which is, then you actually can take a gift and extrapolate things that do make your own personal life better.

209

You can pull from Beth's strengths.

210

Oh yeah.

211

Some of Beth's sexiness, some of Beth's courage, some of the things she wouldn't, maybe you wouldn't do, but she does and it gives you something in your real life.

212

Oh, she's completely gifted me with so much.

213

I mean, it's the most challenging role I've ever had, without a doubt.

214

She just meant so much to me.

215

And I felt everything that she felt and I lost myself in her for all these years.

216

I sort of lock, I say that I put her in a box with a padlock, like four padlocks on because she is a force of nature.

217

But when I get her out and I miss her, I miss her when I'm not playing her.

218

So when I get her back on and I'm, you know, I'm putting the dresses on and the boots and the eyeliner and it's like, all right, let's go.

219

And I feel it.

220

I feel that power that she has and it's really exciting.

221

And it is like that type of performance to be at that level is a heightened state.

222

Yeah.

223

It really is.

224

It's like an adrenaline.

225

And that for 17 hours a day, weeks and months and months on end, years on end.

226

And I just thank you for donning her,

227

for birthing her, for creating her and putting everything you did and all that you deserve to take home with you.

228

And I totally know, at seven years old when I did Firestarter, I'll never get that Charlie McGee out of my body.

229

I will.

230

It does, it, I.

231

They move in.

232

They move in.

233

Yeah.

234

And I'm such a geek like Josie Grossie.

235

I wanna, you know, take you down.

236

If you're bad at mistreating people, I'll fire starter you.

237

Yeah, I get that.

238

That's in there.

239

I can't wait.

240

I can pull her out when I need to.

241

Oh, yes!

242

Give me some Beth Dettin.

243

Oh, speaking of, would you do something for me?

244

Whatever you need.

245

My best friend and I, we have a thing when we play the game and we have merchandise.

246

We have t-shirts, we have socks.

247

Would you kindly just say that Dan Jenkins' house is my house? Where?

248

Right, into the camera.

249

Her name is Ember, by the way.

250

Ember.

251

Which, this one?

252

Sure, any one you want.

253

Cause I'm gonna play it on a loop for her.

254

Dan Jenkins' house is my house.

255

You just changed my life, Watson.

256

You have the biggest, this is the biggest gift.

257

Cole did the same, and I know it's just my tiny little existence, but that was a very big deal in my tiny little world.

258

Okay, good.

259

Speaking of Cole, actually, he left a question, It's actually called A Question Left Behind.

260

But he did it for you.

261

Will you take a look?

262

Yes.

263

Oh my God.

264

Okay, here you go.

265

Hey Kelly, I have a question for you.

266

What is your favorite and most fun scene that we have done together on Yellowstone?

267

We've done so many.

268

Fun, fun.

269

I mean, I have to say Cole and I have a lot of fun together.

270

There's a scene, Rip is in Texas.

271

He's been gone for three days and Beth can't handle that.

272

So she's like, when are you coming home?

273

I just got here.

274

And then she says, well, I think I'm gonna come down and see you.

275

She takes a road trip to Texas from Montana.

276

Okay.

277

And so this is pre what happened to her father.

278

That's right.

279

It's in a flashback.

280

So she takes a road trip to Texas to see him and he's a little bit surprised at how she shows up.

281

So that was quite fun.

282

That's a lot of fun.

283

Things to look forward to in life.

284

But my favorite scene I shot was with him, there's so many, was in season two where he, where she's being attacked.

285

Uh-huh.

286

Do you remember that?

287

Where, and she's, and then he, he, he, like storms through the glass office.

288

Yep.

289

And he throws this guy across the room.

290

Mm-hmm.

291

Yeah, that's in this.

292

Yeah, and she said you saved me. That office.

293

There's something about that.

294

Schwartz and Meyer?

295

Schwartz and Meyer.

296

I'm not kidding.

297

Don't ever test me on Yellowstone knowledge.

298

No. I, of course, I'm like, oh, the Schwartz and Meyer is a property on the Monopoly board.

299

Okay, I, this has just been like such a highlight for me.

300

I have waited for the two or three years since we ran into each other at the upfronts.

301

And by run into, I mean, I ran up to you.

302

I was so flattered, because I'm such a fan of yours and I just, I couldn't believe that you knew who I was.

303

Oh my God, I wanted to talk process.

304

I mean, what you have created here is, like I said, it's that tour de force for an actor, an iconic character.

305

And I cannot wait for the next one you create.

306

You are such an unstoppable force.

307

Well, she is, I just play her, but she is.

308

Guess what?

309

She, you know, she wouldn't exist without you.

310

It's an honor.

311

You did, you are the embodiment of her.

312

In fact, I don't know if we have the t-shirt here, impromptor, but I was on the, we went on the, yeah, there you go.

313

I mean, this is the character that you created.

314

The t-shirt in the Yellowstone shop that you can buy is don't make me go Beth Dutton on you.

315

So I gave this, I think it came out, all the kind of, all the stuff started to come out.

316

The merch.

317

Season two and season three, and everyone was wearing it and dressing up as Beth for Halloween.

318

Uh-huh.

319

That was weird and fabulous, but.

320

A testament to you.

321

Well, I don't know, I go, ah, I don't, but I got my mother-in-law that T-shirt.

322

Yeah, Kath.

323

Well, I don't know if she wears it.

324

By the way, I bet she does.

325

How could she not be so proud by the way?

326

Well, I made you a t-shirt now that you know, you're going on to other things and this will be timeless and forever.

327

So it's like- I love it.

328

Don't make me go through very long, you know.

329

And give you a hug.

330

I love your hugs.

331

You're so you.

332

You're so, oh my gosh, I love you so much.

333

Okay, obviously Yellowstone airs Sundays at 8 p.m on Paramount Network.

334

And we're gonna go into break with a clip from the show.

335

I can't stop smiling.

336

Thank you.

337

Oh, thank you, Kelly.

338

We'll be right back.

339

But only did Jamie kill the man.

340

He killed everything our father's ever done.

341

Everything he's achieved, everything he left to us,

342

every memory, he's just killed them all.

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

☕ Kauf uns einen Kaffee

ShadowingEnglish bleibt 100% kostenlos dank deiner Unterstützung. Server- und KI-Kosten sind hoch — dein Kaffee hält uns am Laufen! 🙏

Über PayPal spenden

ShadowingEnglish.com – Englisch-Shadowing-Übung

Sprich fließend Englisch mit der Shadowing-Technik. Höre nativen YouTube-Videos zu, wiederhole Satz für Satz und baue echte Aussprache und Sprachflüssigkeit auf — weltweit von IELTS-Lernenden genutzt.

Shadowing-Übung: Kelly Reilly Reveals How She Perfected Her Montana Accent for 'Yellowstone' | EXTENDED INTERVIEW - Englisch Sprechen Lernen mit YouTube

Warum es vorteilhaft ist, mit diesem Video zu sprechen

Grammatik & Ausdrücke im Kontext

Häufige Aussprachfallen

Was ist die Shadowing-Technik?

Shadowing-Übung: Kelly Reilly Reveals How She Perfected Her Montana Accent for 'Yellowstone' | EXTENDED INTERVIEW - Englisch Sprechen Lernen mit YouTube

App herunterladen

Warum es vorteilhaft ist, mit diesem Video zu sprechen

Grammatik & Ausdrücke im Kontext

Häufige Aussprachfallen

Was ist die Shadowing-Technik?