Shadowing-Übung: The One Social Skill That Beats All The Others - Englisch Sprechen Lernen mit Video
Übungsmodus wählen
Jeder Modus öffnet einen Übungsraum im Vollbild.
283 Sätze
Wenn Sätze zu kurz oder zu lang sind, klicke auf Edit, um sie anzupassen.
1
If I had to pick just one social skill to have it a 10 out of 10, it'd be the one in this video.
2
It can make you rich and famous all on its own, and it's also the one that lets you connect on a date
3
or stand out in an interview or hold the attention of an entire room.
4
And it's actually something that I did for 24% of my speaking time in my Diary of a CEO interview,
5
which sounds great until you realize that the highly charismatic Matthew McConaughey did it for 47% of the time in his interview,
6
which is twice as much as me.
7
So, what is this skill?
8
Well, it's storytelling.
9
My dad's at a ranch one time with his friends.
10
It's late at night, they're sitting out in the bar and drinking and stuff, and all of a sudden the subject comes up of how high everybody can pee.
11
Little Mr. Texas.
12
Six years ago, I said, well, let me just zoom in on this picture.
13
I look at the trophy, and it says, runner-up, Little Mr. Texas.
14
I've got three things to my account that I need each day.
15
You considered becoming a monk.
16
I had talked to a good friend of mine, Brother Christian at Monastery Christ in the Desert.
17
His opinion was, no, no, no, that is not what you're here to do.
18
You're a communicator.
19
You're a storyteller.
20
Now, I've said this before, and I'm sure that I will say it again.
21
Storytelling is inception.
22
It allows you to communicate with a person's unconscious mind.
23
You're actually bypassing the rational part that evaluates facts and figures, and you're speaking directly to the part that actually makes big decisions.
24
For instance, the intro story of the 4-Hour Workweek, which is Tim Ferriss in a tango competition, I remember it to this day, made me quit my job as a consultant and become an entrepreneur.
25
That story and the others in the 4-Hour Workweek completely altered the course of my life and made me start this channel.
26
So storytelling is a superpower for creating transformation, not to mention just being a great way to captivate people.
27
And that's why I want to take you through an example of an incredibly well-told story from Matthew McConaughey.
28
McConaughey.
29
I'm going to explain the key things that he's doing so that you can use them to shine on your next date, interview, friend hangout, or business presentation.
30
And I know that most of you don't need to hear this, but just a caveat.
31
Do not tell stories that pretend to be true, but aren't.
32
Stories really do move people, and moving them towards a lie can be truly damaging.
33
So let's begin with the thing that kills many stories before they even start the hook.
34
Let me tell you one in Africa.
35
The hook is what gathers attention at the onset.
36
And to be fair, this isn't Matthew's best, but he's an hour and 10 minutes into this podcast.
37
So he's already got the audience's attention.
38
When you tell stories, though, you need a first line that grabs the group's attention.
39
Something like this.
40
That I had that 4 a.m in my solitude on my own truth
41
that hit me lands like a butterfly and strikes like a lightning bolt at the same time.
42
The good news is that you don't need anything complicated for your hook
43
and there's actually one that works in any situation and that is oh you're gonna love this.
44
If you say
45
that at the beginning of a story you will immediately notice the other person perk up
46
but you need to follow that with the rest of these tips to make sure that you're actually delivering on your promise.
47
And that brings us back to Matthew.
48
This next piece is why you need a good hook
49
because it's often the least interesting part of the story but you have to set the scene.
50
Watch Matthew do it.
51
Me and my guide who's a buddy and Iisa were hiking from village to village in the Banjigara.
52
Each village is 10 to 15 miles away.
53
I went over there needing my anonymity under the name of David.
54
I said I was a writer and a boxer.
55
Well, they called me Dauda.
56
They didn't give a damn about the writing part, but they were very interested in the wrestling part.
57
So each village I would go to started to catch up to me, like strong white men named Dauda, and they love to wrestle over there.
58
They love to wrestle.
59
It's kind of a form of entertainment.
60
The boys just walk up and start wrestling.
61
I get to this one village one night, Benji Amatu.
62
A well-set scene gives the audience enough to imagine what's happening in their mind's eye, and importantly, it gets them guessing what's coming next.
63
So if Matthew did his job, you should be thinking, okay, I feel like this wrestling thing is going to be important.
64
Now, the audience doesn't have to guess correctly, but it is a huge issue if you set them up to guess totally wrong.
65
I saw this at a party recently where everyone was asked to tell a story.
66
So one person is telling a story about a bad date, and the setup focuses on this guy who says that he's from one country in the Middle East, but is actually speaking in a full New York accent.
67
And I could see that everyone around was hooked, guessing, is this guy a CIA agent?
68
Has he got some sort of like secret double life that we're going to find out about?
69
No. The story is that he was just rude on the date.
70
And I could see everyone was deflated when the story finished because they'd been set up to see something irrelevant.
71
So a rule of thumb if you're struggling here.
72
You want to set up your story in less than 30 seconds and only include details that will pay off later.
73
So let's watch the payoff of the wrestling mentions in Matthew's story.
74
I'm laying there.
75
It's a 14-mile hike to get there.
76
I'm laying on the ground stretching.
77
Villages all kind of come up around.
78
They're talking and chattering.
79
And all of a sudden, I hear this chatter, and it's sort of at me.
80
I can just hear it.
81
And I look up, and it's these two boys that are about 18, and they're boom, boom, boom, popping at me.
82
And I can be like, and I know enough in the tone.
83
I don't know what they're saying because they're speaking in Bombada.
84
I'm like, are they talking to me?
85
And he goes, yes.
86
They say that they are the best wrestlers in the village and they are challenging you to wrestling that.
87
So I was like, oh, they are.
88
So we now arrive at the most important part of any story, and that is the emotional roller coaster.
89
Good stories need that high emotional contrast.
90
You've got good to bad to good again, or terrible day to incredible turnaround.
91
To be clear, this is not about how good or bad things are.
92
objectively.
93
It's about how intensely the audience feels that roller coaster.
94
I have seen stories with amazing content land horribly
95
because people don't know how to make the audience feel the intensity of that coaster.
96
And I've seen stories with totally mid-content absolutely crush.
97
And Matthew has some really neat tricks for making us feel this ride even more intensely, the most important of which is embodiment.
98
Watch how Matthew goes into the characters that he plays.
99
He adopts their accent, and he gesticulates to increase the tension.
100
He also speaks in the present tense.
101
I'm going to mark all of these examples on the side of the screen, but try not to get too distracted because I really just want you to feel the effect here.
102
Well, they sure are talking a lot.
103
I go, I don't know if they mean it.
104
Y'all have this thing over here?
105
We have a thing in America where if someone talks too much, they really don't mean it.
106
He goes, yes, we have this.
107
We have this.
108
And just as that happens, you hear the crowd scream.
109
And I look up and the two boys, bam, runoff.
110
Why?
111
Because the real champion wrestler of the village, Michel.
112
Five foot nine, tree trunk legs, about 220, burlap bag wrapped with a rope around his waist.
113
He showed up.
114
He doesn't say a word.
115
He just stands over me, points to me, points to himself, and points over here.
116
I look over where he's pointing and there's a big dirt pit.
117
My heart starts racing.
118
There's the challenge.
119
So every detail that Matthew shared emphasizes
120
that emotional turn from cocky dude about to show these kids who's boss all the way to, oh shit.
121
That is the emotional roller coaster, high to low, and it's a great start.
122
Now, as he continues, pay attention to the direction the coaster continues to go,
123
and also listen to how sharing his internal monologue creates stakes that make the ride feel more intense.
124
Again, this is a great thing to do in your own story, so pausing to say things like, so I'm thinking, oh shit, this is bad, work really well.
125
Watch it here.
126
As my heart's beating going, oh no, I start to get up.
127
Because as this ear saying, oh no, I'm hearing in this ear, if you don't, you will regret this for the rest of your life.
128
You've got to go do it.
129
This would at least be a great story to tell.
130
So I get up.
131
Village goes crazy.
132
Oh, about 80 people have gathered now.
133
The chief comes out.
134
I'm standing in the middle of the pit going, I'm not sure how this is supposed to go.
135
What are the rules?
136
Chief puts his hands on her heads.
137
Michelle grabs me by the waist, mimics to me.
138
I grab him by the waist.
139
Then he burrows his forehead down into my clavicle here
140
and I burrow mine into his so now we're like two bulls like this
141
and the chief puts his hands on our head
142
and then raises them and goes stop
143
and the crowd goes wild ding ding is what stop meant
144
so we start going around man
145
so now we're in the thick of the story the scene is set stakes are established
146
and Matthew is about to play with pacing pacing is how steep
147
that coaster is and for some parts you want
148
that fast downward shoot to just rip people through
149
so increase your pace
150
when you want the audience to feel out of control usually like the protagonist
151
and at other parts though you want that audience hanging in anticipation it's like
152
that first drop at the top of that first hill when
153
that chain on the coaster stops
154
and you're looking down holding your breath this is an advanced move
155
so just watch how matthew does it so we start going I'm going around, man, and I'm thinking, okay, I get some leverage on this guy.
156
Legs are like tree chunks.
157
I'm like, oh, I ain't getting him down low.
158
Through a scrappling, grab a boom.
159
I get him over, bam, flip him on his back.
160
He flips me back over.
161
I backflip him off my back and somersault him.
162
He comes in, gets me in a frickin' leg lock that I can barely breathe from.
163
I almost got a tap out from.
164
I shimmy to that thing.
165
All of a sudden, Chief comes in and separates us.
166
I'm hyperventilating, man.
167
Crowd's going crazy.
168
He's got to split Michelle on this side and me on this side.
169
These talismans that were in my beard, two of them got torn out during the wrestling match.
170
Got blood running down me here.
171
My knees are bleeding.
172
My ankles are bleeding.
173
I'm hyperventilated and covered in sweat.
174
I look over at Michelle, who's just staring at me going, barely a glisten on him.
175
And that's when the chief goes, and I go, oh shit, here we go.
176
Now, I want to pause here because you just saw one of the best storytelling tactics and the most underused.
177
I would legitimately put this at like the number two slot for things that you want to use regularly.
178
and it is the false end.
179
This is when you've told a story so well that it could be over and the audience would be satisfied, but it actually gets more intense.
180
In video games, this is the boss fight with multiple phases.
181
In keynote speeches, this is Steve Jobs saying, and one more thing, and then the audience goes crazy.
182
So the way you set this up is
183
that you spend all of your storytelling ammunition on the second most crazy part of the story.
184
That's Matthew really slowing down to talk about how he's out of breath.
185
He's bleeding from his chin.
186
And it would be even better if he gave us this internal monologue of like, thank God, that was the hardest thing I ever did.
187
And then the chief says, round two, go.
188
People go wild for false endings.
189
It can completely make a story if you hit this note right.
190
Back to Matthew now.
191
Watch how the emotional coaster starts its climb back up.
192
Crows my waist, bop, bop, burls his head.
193
I burrow my head, we're off.
194
Goes around again, pretty damn good match.
195
Strong, I flipped him, he pinned me, we got up, got moving.
196
All of a sudden, Chief comes in and separates us.
197
Raises both our hands.
198
The crowd goes crazy.
199
As soon as he lowers our hands, Michelle runs off.
200
Everyone sees him go, and they come in and grab me and put Jimmy on their shoulders.
201
Da-da, da-da, da-da.
202
I go over, now I'm a big man in the village, which means they give me the best chair that has the least broken straw in the seat,
203
which means the village boy finds me the biggest chicken and plucks it and they cook it for dinner for me, which means they take me to the cleanest spot in the river.
204
I come back at night, we eat, I get on the roof of the hut.
205
What a magical day.
206
I lay back, I see the Southern Cross for the first time in the sky.
207
Like it was a neon light on a black backdrop.
208
It was, you could not see it.
209
It was so bright, staring me right in the face.
210
I laid there, 30 minutes, saw 29 shooting stars.
211
I'm going, I might have a direct line.
212
I might be the chosen one.
213
So now we've got the full arc from good to bad to worse to better to amazing
214
and everything Matthew has done is in service of making that roller coaster ride feel more intense, higher highs, lower lows, but you still want to end with a bang
215
and usually this means a laugh or a lesson and Matthew hits both.
216
Just as I'm about to shut my eyes I got a little in my throat so I sit up
217
I'm gonna spit out off the top of the roof.
218
Loogie plastered to my face.
219
I forgot I'd put my mosquito net on.
220
So we get that last laugh and one more reversal.
221
We've done tons of video and comedy, so I won't go too slow here.
222
But then Matthew also adds an epilogue that gives us the lesson, the moral.
223
And this is what changes a story from pure entertainment to a tool for transformation.
224
Here's Matthews, and it happens the next day when he's talking to another villager. So we
225
covered a lot.
226
We covered hooks, scene, embodiment, pacing, endings, and of course, the emotional rollercoaster ride that drives the entire story.
227
But there's actually something that is more important than all of these, and it is the confidence to tell a story in the first place.
228
Because almost never does someone say, hey, tell me a story.
229
Instead, your opportunities are going to look way more like this.
230
If you had aimed for something to be perfect, and then it delivered itself as perfect exactly how you had imagined, if at all possible, would that have made you happy?
231
I don't know.
232
You're right.
233
What do you mean to you, Scott?
234
Both, probably.
235
Because, look, I've had moments.
236
Let me tell you one in Africa.
237
In charisma terms, this is where Matthew truly won.
238
This is where he accepted the challenge.
239
He took the type of question
240
that could have easily been answered in a single sentence and turned it into a nine-minute story.
241
That takes real confidence.
242
Because a lot of us, myself included, feel like we constantly need to be maximally efficient in our communication.
243
So we'd say something like, oh yeah, I went to Africa and wrestled a guy to a draw.
244
Same core information, but we've built no connection to the audience.
245
And that efficiency loses so much value.
246
Because not only did Matthew entertain us, but he also communicated things about himself that would be really weird to say outright.
247
He communicated that he's courageous.
248
He communicated that he's strong.
249
And he communicated that even though he's got an ego, he can still laugh at himself.
250
And he did it all in a way that the audience is not going to reject.
251
Even better, he communicated something to the audience that may change them.
252
That you aren't a big man when you win and a small man when you lose.
253
You are a big man when you accept the challenge.
254
That's inception.
255
So my challenge to you today is to take one thing
256
that you normally would just say in a sentence and put it into a story form.
257
For instance, if someone at work normally asks you when you enter, hey, how you doing?
258
Or how was your weekend?
259
Tell a short story instead of just saying it was good.
260
Now, learning to do this more often will have a huge benefit in so many areas.
261
Because whether you're on a first date or you're hanging out with new friends or you're in an interview, stories let you communicate the great things about you without coming across as grandiose
262
and usually in a way that the other person accepts much more readily.
263
And if you wanted to get some other challenges
264
that will help you crush those kinds of first impression moments
265
or sustain a high level of confidence in your personal professional life, you might be interested in our course, Charisma University.
266
It's our 30-day program that is the fastest way
267
that I have to help you take your charisma and confidence to the next level.
268
Here's what just a few students have to say about it.
269
I remember when I was first looking at the videos and I wasn't as confident as I could have been.
270
I wasn't very social and I didn't think that I made the best first impressions.
271
Since doing the course a couple of years ago, a couple of awesome things have happened.
272
At the end of one of my interview days, the doctor came to me and pulled me aside and said
273
that I hands down had the best interview out of everybody and that they would love to have me at their program.
274
They rank me number one and it's my current job.
275
My medical school friends describe me as the charismatic guy.
276
And another, I had confidence in some areas but not in others.
277
Then Charisma on Command University changed that for me.
278
Since beginning the program, I have seen noticeable changes in my everyday life.
279
This helped me unlock the confidence that comes with knowing that I can go into any social situation and crush it.
280
Plus, one bonus, because I think this is a key point, Charisma on Command University costs less than half the price of one course at my college,
281
but has had a far bigger impact on me than any traditional class I've enrolled in.
282
Now, the course comes with a 60-day money-back guarantee, so you have nothing to lose if you want to give it a try, and I hope that you do.
283
but either way, I hope that you've enjoyed this video and I look forward to seeing you in the next one.
App herunterladen
Alles, was du zum fließenden Sprechen brauchst
KI-AussprachebewertungJeder Satz bewertet
IPA-TrainingJeden Laut meistern
WortschatzBaue deinen Wortschatz auf
VokabelspielSpielend lernen
Gleicher Kanal
B22
If You Only Watch One Charisma Video, Make It This
Daily ConversationWorking Adults
B21
The Real Secret to Having Aura (It’s Not What You Think)
Daily ConversationWorking Adults
B21
If You Run Out Of Things To Say, Play This Simple Game
Daily ConversationWorking Adults
B214
Why People Don’t Respect You (Do This Instead)
Business EnglishDaily ConversationUniversity Students
B24
Give Me 7 Minutes and I’ll Make You Dangerously Good at Small Talk
Business EnglishDaily ConversationUniversity Students
B22
How To Read People Without Them Knowing
Business EnglishDaily ConversationUniversity Students
B21
5 Funny Jokes You Can Copy Today
Business EnglishDaily ConversationUniversity Students
B22
The Masculine Move Most Men Are Too Afraid to Make
Daily ConversationWorking Adults
FOR YOU
Empfohlenes Video
B23
65 Sätze
How to Establish Connection: Use Stories to Make your Presence Authentic
Business EnglishInterview EnglishUniversity Students
B28
85 Sätze
this will change how you make YouTube videos FOREVER
Business EnglishInterview EnglishUniversity Students
B25
154 Sätze
The #1 Skill That Multiplies Every Other Skill
Business EnglishInterview EnglishUniversity Students
B267
15 Sätze
Unlock Your Potential: Storytelling Beats Generic Answers #shorts
American AccentBusiness EnglishInterview EnglishUniversity Students
B2131 Sätze
Stand Out in a Job Interview | The Harvard Business Review Guide
Business EnglishInterview EnglishUniversity Students
B211
419 Sätze
Stop Rambling: The 3-2-1 Speaking Trick That Makes You Sound Like A CEO
Business EnglishInterview EnglishUniversity Students
B23
307 Sätze
If You’re Ambitious, But Stuck, Watch This.
American AccentBusiness EnglishInterview EnglishUniversity Students
B2635
38 Sätze
Stop introducing yourself like this.
Business EnglishInterview EnglishDaily Conversation
B28
418 Sätze
Master One Skill Every Year & Change Your Life Forever | Jim Rohn Motivation
Business EnglishUniversity StudentsWorking Adults
B24
213 Sätze
The Most Ignored Social Skill (It Changed How People Treat Me)
Business EnglishDaily ConversationUniversity Students
B21
680 Sätze
Erin McGoff: How to be Instantly More Confident at Work
American AccentBusiness EnglishInterview EnglishUniversity Students
B21
341 Sätze
REPLACED BY RETHINKS How to Pitch Anything: 10-20-30 Rule by Guy Kawasaki
Business EnglishUniversity StudentsWorking Adults
Warum dieses Video ideal fürs Englischlernen ist
Dieses Video über das "Superpower" des Storytellings ist nicht nur spannend, sondern auch ein goldener Schatz für Englischlerner. Die natürliche Sprache, die verschiedenen Szenen (Interview, Freundesgespräche, Präsentationen) und die klare Struktur machen es perfekt, um Englische Aussprache zu verbessern und das shadow speech-Verfahren zu üben. Die Geschichten und Beispiele, wie sie Matthew McConaughey oder der Sprecher erzählen, sind lebendig und nah am Alltag, was es einfach macht, sich hineinzuversetzen und zu replizieren.
Die Tricks hinter natürlicher Sprache
Lass uns einige Sätze genauer anschauen, um zu verstehen, was sie so natürlich klingen lässt:
- "If I had to pick just one social skill to have it a 10 out of 10, it'd be the one in this video." Die contractions ("it'd") und die informelle Form ("10 out of 10") machen die Sprache flüssig und nicht zu formell – genau wie im echten Leben.
- "Storytelling is inception. It allows you to communicate with a person's unconscious mind." Die kurzen Sätze und die direkte Verbindung ("It allows") sorgen für einen schnellen Fluss, der die Aufmerksamkeit hält. So spricht man, wenn man sich mit jemandem unterhält, nicht wie in einem Buch.
- "Do not tell stories that pretend to be true, but aren't." Die klare Warnung mit "Do not" und die einfache Grammatik machen die Botschaft unverständlich – ein gutes Beispiel für effektive Kommunikation ohne überflüssige Wörter.
Ein einfacher Übungsplan mit shadowing
Um die Sprache zu lernen, nutze das shadowspeak-Verfahren: Wiederhole die Sätze direkt nach dem Sprecher, so schnell wie möglich. So übst du nicht nur die Aussprache, sondern auch Rhythmus und Intonation. Probier's so aus:
- Wähle einen 1-2-minütigen Abschnitt (z. B. den Hook von McConaughey's Geschichte).
- Spiele den Abschnitt ab, pausiere nach jedem Satz und repliziere ihn sofort. Achte auf die Betonung (z. B. "runner-up" oder "unconscious mind").
- Record dir selbst und vergleiche es mit dem Original. Merke dir, wo du langsamer oder lauter sprechen musst, um natürlicher zu klingen.
- Wiederhole dies täglich für 10-15 Minuten – du wirst sehen, wie sich deine Fähigkeit, Englisch sprechen zu üben, schnell verbessert!
Mit solchen Übungen wird shadowspeaks zu einem unverzichtbaren Werkzeug, um nicht nur zu verstehen, sondern auch zu sprechen – wie ein Native Speaker.
Grammatik in diesem Video
Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:
| Struktur | Im Video |
|---|---|
| Bedingungssätze if + Satz, will/would + Verb – eine Bedingung und ihre Folge | if you don't, you will regret · if at all possible, would that |
| Present Perfect have/has + Partizip Perfekt – eine vergangene Handlung, die jetzt noch wichtig ist | I've said · have seen · I've seen |
| Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tut | was asked · was deflated · is set |
| Relativsätze who / which + Satz – eine Zusatzinformation über eine Person oder Sache | Workweek, which is · guy who says · village, which means |
Was ist die Shadowing-Technik?
Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.