Shadowing-Übung: You're using Music Wrong in your Videos (here’s how to fix it) - Englisch Sprechen Lernen mit Video

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I've been editing for over 15 years
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and in this video I want to show you how I actually use music inside an edit
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so it becomes much easier to choose the right track and make it work with your story.
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And it all starts with one question I ask before I even start thinking about music.
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So whenever I start looking for music the first question is usually very simple.
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What do I want this part of the video to feel like?
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Because the genre of the music is actually much less important than most people think
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and what matters much more to me when I'm editing is the feeling
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and the energy it gives in a scene
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so maybe I'm opening a video with a question or a problem
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so I will look at something slightly mysterious
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that makes you wonder where this part of the story is actually going exactly what I'm doing now but
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if the video starts right in the middle of the action
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I will probably look for something with much more energy from the beginning
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And I also try not to forget to look at what's happening in the footage already.
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Because for example, in this shot, which is from my opening scene of my first YouTube video, my expression is already slightly quirky.
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So if I put really playful music underneath it, it becomes too much.
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Because now both the image and the music are feeling maybe a little bit too much of a joke.
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And that's not what I want.
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But a track
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that is too dramatic is making the whole thing, well, too dramatic for this part i wanted something in between
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so the moment still feels like action
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but it still feels a little bit light as well sometimes it feels so close but other times not so much
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so this is me a filmmaker from the netherlands who's just chasing his dream
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and this isn't only useful when you're making something cinematic
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because music can play a really big role in tutorials as well for example
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when i'm explaining why something isn't working at the beginning of tutorial i might use music
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that feels slightly more mysterious or a little bit more tense it just increases
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that feeling of investigating something you know a little bit adventurous
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maybe a little bit mysterious then once i get to the
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solution i can change it to something lighter i feel a little bit more energetic
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so that the audience also gets a feeling of release
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so the information could be exactly the same
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but the music can really help the viewer to feel
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that we've moved from the problem into something positive
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so before you start scrolling through an endless list of tracks decide what you actually want
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that part of the video to feel like because
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that already makes finding the music much much easier but even
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when you know the feeling
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that you want it can still be hard to know what
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words to actually search for to find the right track
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so i decided to create a free music search guide with different moods and keywords that you can search.
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So hopefully this will help you to spend a lot less time on searching to get the right track.
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You can download it for free through the link in the description
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and I would love if you could let me know in the comments if it helps you.
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But then even when we've got the right track we don't want the same feeling to continue for too long.
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So that is why the next point is so important.
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One of the biggest mistakes that I see is someone's finding a track
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that works and then leaving it underneath the video for way too long.
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And it's not really about if the song is good
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or bad you know it could be something
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that actually fits the scene perfectly but if the energy
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and the feeling stay the same for too long the music slowly starts losing its effect
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if everything is energetic eventually nothing feels energetic anymore
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that is why i think so much about the contrast between different parts of the video
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and sometimes the strongest contrast isn't adding in another song at all
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but it's just taking the music away because there is music underneath me now
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but if I suddenly want this next sentence to feel a little bit more important I can just remove it
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and now when I bring the music back it suddenly feels much bigger
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because we had
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that little moment of silence a transition sound effect can really help you with this as well
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but the important thing here is to notice what the contrast is doing the silence made the sentence stand out
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and then the music coming back gives that next part more energy again
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and of course to create those different feelings you first need to actually find the right music
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so earlier I mentioned my free music search guide
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and one of the things I show in there is to think about music as a combination of feeling energy and style
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so instead of only searching for the feeling mysterious I can give it a much clearer direction adding the energy
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so let's use subtle for an example
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and then for the style let's use electronic and I found
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that this actually works really well with the hans search tool
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from audio who is a long time sponsor of my videos on this channel
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so let's put it to the test with the mysterious subtle electronic song
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that i want to look for now so hans is giving me options
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that work really well already
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but i can also keep refining the search by just talking to it
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so maybe i listen to these tracks
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and i think it should just be a little bit more tense
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and have more beats in it
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so i don't need to find perfect words immediately I can
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just use the guides get in the right direction listen to what comes back
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and then keep adjusting until i find something
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that actually works with the footage so you can test out hans for free
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and if you like it you can get 70 off audio pro the first year using my link
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and discount code in the description
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but finding the right track is only part of it
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because i actually like bringing music into the process much earlier than you might expect
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so most of the time i actually start working with music before i even filmed anything
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and i create something that i call the audio blueprint basically once i have the script
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or a part of the script i record a rough version of the voiceover
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and i put that into my timeline in my editing program already then i start looking for music
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that matches different sections and i place those tracks underneath the voiceover
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so before i filmed anything i can already listen to the video
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and i can already find out where i want the energy to go up
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or when where i want to slow it down
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or where i maybe even want to leave the music out
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or even get new ideas for shots because the music inspires me so let me show you one example of this
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so this is a sequence from one of my videos where i quickly go through a lot of different shots
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but But before I knew exactly how I wanted to film that, this was basically what I had already.
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I love creative shots.
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A top down, point of view, story cam, gimbal shots, touch angle, push out, smooth shots or handheld, low angle, high angle.
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You know, when I was looking for music, I already knew that I wanted this part of the video go pretty quickly.
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So when I found this song, the speed of it made me imagine the shots coming in much faster and in a much more playful way.
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So when I eventually filmed the sequence, I was already shooting for that rhythm i knew i needed really short shots
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and because everything was moving so fast i already knew that
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if i would suddenly remove all
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that energy the next moment would land much harder whoa okay well
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and there's another reason why i like working this way
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so much because
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when i listen to a track i pay attention to how the energy develops maybe more instruments come up
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or the song slowly builds toward a really big climax and
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if my scene needs to be built in a similar way that's usually a very good sign
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that the track could work really really well in my edit
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and you know the music can even affect the voiceover in
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that way because sometimes i will notice
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that a sentence is just a little too long
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and saying the same thing in fewer words suddenly makes
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that whole part flow much better within the track so
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that the voiceover works much better with the music together and
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that is really how you make a video flow better this might sound obvious
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but most people don't do this nearly enough
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because you don't have to use a song exactly the way
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it was made a song might have a 40 second build up
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and then two minutes where the energy stays roughly the same followed by a break
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and then finally a big climax in the end and
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that might work perfectly as a song great
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but let's say maybe the scene that i'm editing is only 40 seconds long
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so what i do then is i cut up the song to fit the scene exactly
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so maybe i will use eight seconds for the build -up
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and then eight seconds for the middle part then maybe four seconds for a short break
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and then jump straight into the biggest part of the song for the final section now the music still has
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that progression but it happens at the speed
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that my scene needs it another mistake
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that i see quite often is fading every song in
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and out and sometimes that works of course
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but it can also make every music change feel the same
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now to fix this for example you could use a reverb
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tail to make the music fade out much more naturally
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or what i like to do more is stop it abruptly with a transition sound
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if you want the change to feel stronger and these are sound effects
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that i use from my own sound effects pack so
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if you want to use those exact sounds as well just check out my sound pack
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because you might like it as well anyway whatever sounds you're using the bigger point is
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that the song itself is part of the edit and
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that you can reshape it to fit the scene that you're creating
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so if you want to make it easier to find the right songs download the free music search guide
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and then of course
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if you want to keep learning about editing here on youtube you can watch this video next
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because there i will teach you about the seven cuts
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that i actually use to make my edits flow and that's all
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that you want you want your videos to flow
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so go check it out
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or not then i'll see you in the next see you next time thank you for watching bye

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Wortschatz und Sprechhinweise zu dieser Lektion

Diese Sprechübung auf Niveau B2 basiert auf dem Video „You're using Music Wrong in your Videos“. Diese Wörter kommen am häufigsten vor: track, song, feeling, energy, scene. Dieses Video enthält 152 Sätze und 1931 Wörter zum Nachsprechen. Der gesprochene Teil dauert 9:45. Der Sprecher spricht schnell, etwa 198 Wörter pro Minute – rechne mit verbundenen und verkürzten Lauten. 87 % der Wörter gehören zu den 3.000 häufigsten im Englischen, der Wortschatz ist also leicht zu verfolgen.

Wichtiger Wortschatz in diesem Video

Die 15 anspruchsvollsten Wörter aus dem Video, mit Aussprache und Bedeutung:

WortAusspracheBedeutung
mysterious Adjektiv/mɪˈstɪɹi.əs/mysteriös
underneath Adverb/ˌʌndɚˈniθ/unten
energetic Adjektiv/ˌɛn.əɹˈdʒɛt.ɪk/energisch, energiegeladen
playful Adjektiv/ˈpleɪfl̩/verspielt
climax Substantiv/ˈklaɪ.mæks/Höhepunkt
tutorial Substantiv/ˌtjuːˈtɔːɹɪəl/Anleitung, Übung
fade Verb/feɪd/verwelken
tense Substantiv/tɛns/Zeit, Tempus
adventurous Adjektiv/ædˈvɛn.t͡ʃɚ.əs/abenteuerlustig, abenteuerdurstig
blueprint Substantiv/ˈbluːˌpɹɪnt/Diazotypie, Blaupause
gimbal Substantiv/ˈd͡ʒɪmbəl/Kardan-Aufhängung, Kardanaufhängung
keyword Substantiv/ˈkiː.wɜːd/Schlüsselwort, Passwort
reshape Verb/ɹiːˈʃeɪ̯p/umformen
reverb Substantiv/ˈɹiˌvɝb/Hall
quirky Adjektiv/ˈkwɜːki/schrullig, eigenartig

Phrasal Verbs, die du hören wirst

WortBedeutung
build up Verbsich ansammeln, sich türmen
come back Verbzurückkommen, zurückkehren
check out Verbüberprüfen
come up Verberscheinen
cut up Verbzerschneiden, zerteilen
find out Verbherausfinden, erfahren
go up Verbhinaufgehen, steigen

Aussprache, auf die du achten solltest

Der Sprecher verwendet 19 Kurzformen und abgeschwächte Formen, zum Beispiel I'm, don't, isn't. Sprich sie in der kurzen Form, so wie du sie hörst.

  • Die „th“-Laute: underneath /ˌʌndɚˈniθ/, rhythm /ˈɹɪð.əm/
  • Die Laute „sh“ und „zh“: reshape /ɹiːˈʃeɪ̯p/, progression /pɹəˈɡɹɛʃən/, genre /ˈ(d)ʒɑnɹə/
  • Lange Wörter – auf die Betonung achten: mysterious /mɪˈstɪɹi.əs/, energetic /ˌɛn.əɹˈdʒɛt.ɪk/, adventurous /ædˈvɛn.t͡ʃɚ.əs/, kinematic /kɪn.əˈmæt.ɪk/

Laute, die Deutschsprachigen schwerfallen:

  • /w/ — mit runden Lippen, nicht wie das deutsche „w“ (/v/): keyword /ˈkiː.wɜːd/, quirky /ˈkwɜːki/, whoa /woʊ/
  • Stimmhafter Auslaut — /b/, /d/, /g/, /z/, /v/ am Wortende nicht verhärten: fade /feɪd/, keyword /ˈkiː.wɜːd/, reverb /ˈɹiˌvɝb/
  • /æ/ — offener als „ä“: climax /ˈklaɪ.mæks/, adventurous /ædˈvɛn.t͡ʃɚ.əs/, kinematic /kɪn.əˈmæt.ɪk/

So übst du mit diesem Video

  1. Höre dir das ganze Video einmal an, ohne zu sprechen, und notiere die Wörter, die du nicht kennst.
  2. Beginne mit 0,75-facher Geschwindigkeit, sprich Satz für Satz nach und wechsle zur normalen Geschwindigkeit, sobald es leichtfällt.
  3. Nimm dich auf und vergleiche mit dem Original; achte dabei auf Wörter wie mysterious, underneath, energetic.

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

Shadowing-Technik: die vollständige Schritt-für-Schritt-Anleitung lesen →