シャドーイング練習: Learn the British Accent with Charlie Hunnam | The Ed Gein Story Interview Monster (lesson #30) - 動画で英語スピーキングを学ぶ
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Chicago, we filmed in Chicago, I love your city.
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Chicago, we filmed in Chicago, I love your city.
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Chicago, we filmed in Chicago, I love your city.
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I mean, I think it taught me what the expectation was for this show.
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I mean, I think it taught me what the expectation was for this show.
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I mean, I think it taught me what the expectation was for this show.
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My reaction was wanting to subvert that expectation My reaction was wanting to subvert that expectation
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And not really necessarily deliver on who we thought Ed was.
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And not really necessarily deliver on who we thought Ed was.
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And not really necessarily deliver on who we thought Ed was.
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From the inspiration that he'd had
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and the way he'd previously been portrayed in pop culture from the inspiration
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that he'd had and the way he'd previously been portrayed in pop culture.
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From the inspiration that he'd had
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and the way he'd previously been portrayed in pop culture
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and really try to get to the truth of it and ask why this guy did what he did.
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And really try to get to the truth of it and ask why this guy did what he did.
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and really try to get to the truth of it and ask why this guy did what he did.
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Because a lot of the renderings of him in the past
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have been this pretty grotesque celebrations of the darkest elements of him.
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Because a lot of the renderings of him in the past
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have been these pretty grotesque celebrations of the darkest elements of him.
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Because a lot of the renderings of him in the past
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have been this pretty grotesque celebrations of the darkest elements of him.
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and I wanted to really task myself with understanding why he did what he did.
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And I wanted to really task myself, with understanding why he did but he did.
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And I want to really task myself, with understanding why he did what he did.
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Amesh You know what?
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I was really, honestly, very, very focused on the work at hand.
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Amesh You know what?
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I was really, honestly, very, very focused on the work at hand.
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Amesh You know what?
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I was really honestly, very, very focused on the work at hand hand.
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And so I didn't really go out and explore the city as much as I would like to.
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And so I didn't really go out and explore the city as much as I would like to.
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And so I didn't really go out and explore the city as much as I would like to.
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and really was reticent to get into discussions about it while I was shooting it.
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And really was reticent to get into discussions about it while I was shooting it.
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And really was reticent to get into discussions about it while I was shooting it.
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Because I didn't want to talk about it.
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It from the outside while I was having like this inside experience, but.
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Because I didn't want to talk about it from the outside while I was having like this inside experience, but.
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Because I didn't want to talk about it from the outside while I was having like this inside experience, but.
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I was hyper aware of that when I went up to Plainfield.
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I was hyper aware of that when I went up to Plainfield.
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I was hyper aware of that when I went up to Plainfield.
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That are a small town that have had to live with this dark legacy for, you know, almost 80 years now since Ed,
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you know, committed his horrendous crimes there there.
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That are a small town that have had to live with this dark legacy for, you know, almost 80 years now since as you know,
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committed is horrendous crimes that.
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That are a small town that have had to live with this dark legacy for, you know, almost 80 years now since Ed,
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you know, committed his horrendous crimes there.
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but I felt really compelled to go up there once we finished.
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But I felt really compelled to go up there once we finished.
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But I felt really compelled to go up there once we finished.
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And to visit Ed's grave and to sort of put an end to this relationship that I had developed with him.
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and to visit Ed's grave and to sort of put an end to this relationship that I had developed with him.
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And to visit Ed's grave and to sort of put an end to this relationship that I had developed with him.
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And say goodbye and say I'm not taking you with me going forward.
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And say goodbye and say I'm not taking you with me going forward.
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And say goodbye and say I'm not taking you with me going forward.
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But then of course I showed up looking like Ed Gein with his haircut and stuff.
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But then of course I showed up looking like Ed Gein with his haircut and stuff.
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But then of course I showed up looking like Ed Gein with his haircut and stuff.
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And I really was very sensitive to not add additional trauma to these people.
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And I really was very sensitive to not add additional trauma to these people.
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And I really was very sensitive to not add additional trauma to these people.
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And so I kind of didn't go.
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I really wanted to go to a coffee shop and have a cup of coffee and some lunch. But.
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And so I kind of didn't go.
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I really wanted to like go to a coffee shop and have a cup of coffee and some lunch,
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but and so I kind of didn't go.
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I really wanted to like go to a coffee shop and have a cup of coffee and some lunch,
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but I felt like I just don't want to,
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you know, exacerbate the trauma that these people have had to live with all these years.
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I feel like I just don't want to, you know, exacerbate the trauma that these people have had to live with all these years.
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I feel like I just don't want to, you know, exacerbate the trauma that these people have had to live with all these years.
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Chicago we filmed in Chicago I love your city I mean
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I think it taught it taught me what the expectation was for this show my reaction was wanting to subvert
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that expectation and not really necessarily deliver on who we thought Ed was um from the inspiration
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that he'd had and the way he'd previously been portrayed in pop culture
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and really try to get to the truth of it
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and ask why this guy did what he did
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because a lot of the renderings of him in the past
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have been this pretty grotesque celebrations of the darkest elements of him
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and I wanted to really task myself with understanding why he did what he did.
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You know what I was really honestly very very focused on the work at hand.
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And so I didn't really go out and explore the city as much as I would like to.
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And really was reticent to get into discussions about it while I was shooting it, because I didn't want to talk about it from the outside while I was having like this inside experience.
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But I was hyper aware of that when I went up to Plainfield, that are a small town that have had to live with this dark legacy for,
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you know, almost 80 years now since Ed, you know, committed his horrendous crimes there.
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But I felt really compelled to go up there once we finished
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and to visit Ed's grave and to sort of put an end to this relationship
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that I had developed with him and say goodbye and say, I'm not taking you with me going forward.
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But then, of course, I showed up looking like Ed Gein with his haircut and stuff.
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And I really was very sensitive to not add additional trauma to these people.
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And so I kind of didn't go.
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I really wanted to like go to a coffee shop and have a cup of coffee and some lunch, but I felt like I just don't want to, you know, exacerbate the trauma that these people have had to live with all these years.
このレッスンについて
「Learn the British Accent with Charlie Hunnam | The Ed Gein Story Interview Monster (lesson #30)」を使って、シャドーイングで英語を練習しましょう。
毎日15〜30分の練習で、IELTSスピーキングへの自信と実践的な英会話力が身につきます。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。