Luyện nói tiếng Anh bằng Shadowing qua video: Learn the British Accent with Charlie Hunnam | The Ed Gein Story Interview Monster (lesson #30)

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Chicago, we filmed in Chicago, I love your city.
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Chicago, we filmed in Chicago, I love your city.
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Chicago, we filmed in Chicago, I love your city.
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I mean, I think it taught me what the expectation was for this show.
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I mean, I think it taught me what the expectation was for this show.
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I mean, I think it taught me what the expectation was for this show.
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My reaction was wanting to subvert that expectation My reaction was wanting to subvert that expectation
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And not really necessarily deliver on who we thought Ed was.
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And not really necessarily deliver on who we thought Ed was.
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And not really necessarily deliver on who we thought Ed was.
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From the inspiration that he'd had
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and the way he'd previously been portrayed in pop culture from the inspiration
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that he'd had and the way he'd previously been portrayed in pop culture.
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From the inspiration that he'd had
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and the way he'd previously been portrayed in pop culture
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and really try to get to the truth of it and ask why this guy did what he did.
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And really try to get to the truth of it and ask why this guy did what he did.
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and really try to get to the truth of it and ask why this guy did what he did.
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Because a lot of the renderings of him in the past
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have been this pretty grotesque celebrations of the darkest elements of him.
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Because a lot of the renderings of him in the past
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have been these pretty grotesque celebrations of the darkest elements of him.
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Because a lot of the renderings of him in the past
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have been this pretty grotesque celebrations of the darkest elements of him.
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and I wanted to really task myself with understanding why he did what he did.
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And I wanted to really task myself, with understanding why he did but he did.
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And I want to really task myself, with understanding why he did what he did.
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Amesh You know what?
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I was really, honestly, very, very focused on the work at hand.
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Amesh You know what?
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I was really, honestly, very, very focused on the work at hand.
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Amesh You know what?
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I was really honestly, very, very focused on the work at hand hand.
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And so I didn't really go out and explore the city as much as I would like to.
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And so I didn't really go out and explore the city as much as I would like to.
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And so I didn't really go out and explore the city as much as I would like to.
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and really was reticent to get into discussions about it while I was shooting it.
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And really was reticent to get into discussions about it while I was shooting it.
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And really was reticent to get into discussions about it while I was shooting it.
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Because I didn't want to talk about it.
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It from the outside while I was having like this inside experience, but.
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Because I didn't want to talk about it from the outside while I was having like this inside experience, but.
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Because I didn't want to talk about it from the outside while I was having like this inside experience, but.
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I was hyper aware of that when I went up to Plainfield.
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I was hyper aware of that when I went up to Plainfield.
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I was hyper aware of that when I went up to Plainfield.
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That are a small town that have had to live with this dark legacy for, you know, almost 80 years now since Ed,
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you know, committed his horrendous crimes there there.
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That are a small town that have had to live with this dark legacy for, you know, almost 80 years now since as you know,
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committed is horrendous crimes that.
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That are a small town that have had to live with this dark legacy for, you know, almost 80 years now since Ed,
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you know, committed his horrendous crimes there.
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but I felt really compelled to go up there once we finished.
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But I felt really compelled to go up there once we finished.
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But I felt really compelled to go up there once we finished.
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And to visit Ed's grave and to sort of put an end to this relationship that I had developed with him.
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and to visit Ed's grave and to sort of put an end to this relationship that I had developed with him.
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And to visit Ed's grave and to sort of put an end to this relationship that I had developed with him.
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And say goodbye and say I'm not taking you with me going forward.
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And say goodbye and say I'm not taking you with me going forward.
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And say goodbye and say I'm not taking you with me going forward.
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But then of course I showed up looking like Ed Gein with his haircut and stuff.
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But then of course I showed up looking like Ed Gein with his haircut and stuff.
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But then of course I showed up looking like Ed Gein with his haircut and stuff.
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And I really was very sensitive to not add additional trauma to these people.
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And I really was very sensitive to not add additional trauma to these people.
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And I really was very sensitive to not add additional trauma to these people.
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And so I kind of didn't go.
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I really wanted to go to a coffee shop and have a cup of coffee and some lunch. But.
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And so I kind of didn't go.
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I really wanted to like go to a coffee shop and have a cup of coffee and some lunch,
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but and so I kind of didn't go.
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I really wanted to like go to a coffee shop and have a cup of coffee and some lunch,
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but I felt like I just don't want to,
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you know, exacerbate the trauma that these people have had to live with all these years.
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I feel like I just don't want to, you know, exacerbate the trauma that these people have had to live with all these years.
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I feel like I just don't want to, you know, exacerbate the trauma that these people have had to live with all these years.
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Chicago we filmed in Chicago I love your city I mean
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I think it taught it taught me what the expectation was for this show my reaction was wanting to subvert
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that expectation and not really necessarily deliver on who we thought Ed was um from the inspiration
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that he'd had and the way he'd previously been portrayed in pop culture
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and really try to get to the truth of it
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and ask why this guy did what he did
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because a lot of the renderings of him in the past
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have been this pretty grotesque celebrations of the darkest elements of him
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and I wanted to really task myself with understanding why he did what he did.
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You know what I was really honestly very very focused on the work at hand.
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And so I didn't really go out and explore the city as much as I would like to.
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And really was reticent to get into discussions about it while I was shooting it, because I didn't want to talk about it from the outside while I was having like this inside experience.
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But I was hyper aware of that when I went up to Plainfield, that are a small town that have had to live with this dark legacy for,
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you know, almost 80 years now since Ed, you know, committed his horrendous crimes there.
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But I felt really compelled to go up there once we finished
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and to visit Ed's grave and to sort of put an end to this relationship
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that I had developed with him and say goodbye and say, I'm not taking you with me going forward.
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But then, of course, I showed up looking like Ed Gein with his haircut and stuff.
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And I really was very sensitive to not add additional trauma to these people.
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And so I kind of didn't go.
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I really wanted to like go to a coffee shop and have a cup of coffee and some lunch, but I felt like I just don't want to, you know, exacerbate the trauma that these people have had to live with all these years.

Về Bài Học Này

Bạn đang luyện tập phát âm tiếng Anh với video "Learn the British Accent with Charlie Hunnam | The Ed Gein Story Interview Monster (lesson #30)" bằng phương pháp Shadowing — kỹ thuật được Dr. Alexander Arguelles phổ biến rộng rãi.

Hãy nghe kỹ từng câu, chú ý cách người nói nhấn âm và nối âm, rồi đọc lại to và tự tin. Mỗi ngày 15–30 phút luyện đều đặn, bạn sẽ thấy phát âm chuẩn hơn.

Phương Pháp Shadowing Là Gì?

Shadowing là kỹ thuật học ngôn ngữ có cơ sở khoa học, ban đầu được phát triển cho chương trình đào tạo phiên dịch viên chuyên nghiệp và được phổ biến rộng rãi bởi nhà đa ngôn ngữ học Dr. Alexander Arguelles. Nguyên lý cốt lõi đơn giản nhưng cực kỳ hiệu quả: bạn nghe tiếng Anh của người bản xứ và lặp lại to ngay lập tức — như một "cái bóng" (shadow) đuổi theo người nói với độ trễ chỉ 1–2 giây. Khác với luyện ngữ pháp hay học từ vựng bị động, Shadowing buộc não bộ và cơ miệng phải đồng thời xử lý và tái tạo ngôn ngữ thực tế. Các nghiên cứu khoa học xác nhận phương pháp này cải thiện đáng kể phát âm, ngữ điệu, nhịp điệu, nối âm, kỹ năng nghe và độ lưu loát khi nói — đặc biệt hiệu quả cho người luyện IELTS Speaking và muốn giao tiếp tiếng Anh tự nhiên như người bản ngữ.