シャドーイング練習: Opus 5.5 Just Changed Video Editing Forever (free skills) - 動画で英語スピーキングを学ぶ

練習モードを選ぶ

各モードは全画面の練習ルームで開きます。

353 文

文が短すぎたり長すぎる場合は、Editをタップして調整してください。

So I've been experimenting with AI models editing videos for me for a long time.

Super powerful models like Fable 5 .1 and GBD6 Astra.

But Opus 5 .5 is giving me some of the best outputs ever.

Take a look at this example, which was just one prompt.

not only does this thing do the motion design

and the sound design but it also will go out

and it will grab the b -roll and it will grab screenshots

or even generate images and videos for you

if it needs it it has amazing taste

and it does good with verification

so today i'm just going to talk about how you actually get this set up

because all you have to do is use your natural language.

And yes, of course, that entire intro that you just watched was edited with Opus 5 .5.

This is the actual video.

As you can see, all of these motion graphics that it did were created right inside of here, inside of Claude.

And what's cool about this is I specified a lot of things that I wanted, but it got really creative here.

And that's one of the things about Opus 5 .5 is that it has amazing, amazing taste.

So let me show you what I actually said in this prompt.

So I gave it the original video and I said

that I need you to edit this to be super engaging and clean with Hyperframes, which is the actual tool that we're using here.

It's completely free.

And we give

Cloud Code this tool and it basically writes HTML and animates it.

So if you need to get set up with Hyperframes, then just go to Google, type Hyperframes.

You can go to the website here, but ultimately you're just going to want to go to this GitHub repo for Hyperframes.

And then you just need to literally copy this link, the URL, give it to Cloud Code and say,

hey, set up Hyperframes so that we can use it to animate videos.

That's it.

And then on top of that, I have this free repo called Hyperframe Student Kit.

And in here it has all of the skills and examples that I actually have done with my pipeline of editing videos.

And if you wanna get this, you can go to my FreeSchool community.

The link for that is down in the description.

In here, you go to Classroom and you can click on all YouTube resources

or you can go to AI Skills and you can access that Hyperframes student kit.

Anyways, I said the first step is for you to transcribe the video

so you can make sure that motion graphics and animations come in at the exact perfect time.

So it has to transcribe the video.

You can do that using something like 11

Labs API or you can do that with something like

Whisper, which is more of a local model that can run and transcribe videos but 11 labs is a little bit quicker.

So 11 labs you pay per usage and whisper is going to be free, but it's just a little slower.

So you can use either one.

And it's really simple to get that set up.

You just ask

Cloud Code to help you set that up.

I said, then you will build the animations based on my instructions.

When I say powerful models like Fable 5 .1 and GBD6 Astra, I want you to have animations come in where I'm pointing.

So that was basically right here where I point and I have Fable 5 .1 come in right over here.

And then I have GBD6 Astra come over here.

And I told it that I wanted to have a Claude logo and I wanted to have an OpenAI logo.

I wanted it to be animated.

That's basically all I said besides also saying make sure

there's some sort of liquid glass card behind the element as it's animated.

Otherwise, it will be hard to see.

And as you saw right here, we got liquid glass right behind it so that we could actually read the text and see the logo.

So that was me using natural language as you see.

Then I said, when I say best outputs ever, I want you to have all three of those words at the bottom and highlight them.

And so that's what it did right down here.

Opus 5 .5, best outputs ever.

And you'll notice that it also put a little bit of an overlay under this text

because once again it wanted to make sure that we could actually read it.

So very very well done there.

Then I said for the rest of the video

when I'm talking about b -roll and screenshots and generating images

and videos I want you to have things come in on the left and right side of the screen.

Once again they should have some sort of overlay

and I want you to actually go off

and get a b -roll screen recording and get a screenshot

and pull in stuff because I want you to prove to the viewers that you're able to do all of this.

The whole point is that I'm explaining what Opus is capable of

when it comes to animating and editing videos and I want you to prove it in real time.

Now that is basically my entire prompt and what's so cool about

that is that it goes off and it does it but it also puts its own spin on things.

Like you'll notice at the very beginning it's doing this very subtle zoom in effect.

I didn't ask for that but it just kind of knew to do that to make it more engaging.

I didn't ask for this either when I said the one prompt thing right there.

It just did that by itself with a super cool clawed looking interface.

I didn't ask for this either but I absolutely love it

and then you'll see what it interpreted when I said get the screen recording, get the screenshot, generate an image, generate video.

It did all of that on its own.

Amazing taste.

The verification, I thought this was a super clean animation right here.

The verification with like screenshots and checking, you guys will notice in my prompt, I didn't actually ask for that at all.

It just did it because it thought that it would make the intro more engaging.

And I would argue that it definitely did.

And now you can see that's all I said.

I didn't ask another prompt.

And what we got was that exact video right back here with all of these things that we just saw.

Now let's break down that other example that you guys saw inside of the actual intro itself.

This little YouTube showreel, which I was super super impressed by this was also a one -shot prompt like I said really really impressive

there's so many things that wanted to play here it had to go get screenshots of

so many of my thumbnails and then it zoomed in on the thank you one

which I think was amazing reasoning it literally said okay

this is Nate holding up the play button saying thank you this is the one

that we're going to put in the center and this is the one

that we're going to zoom in on because I think

that highlights the branding and the culture of YouTube

which was just insane so anyways it generated all of this stuff

and the sound and the music all of that right now here's what I did in this example.

100

What's important is that you're clear on what you want.

101

And you'll notice in the previous version, I was like speaking very emotionally.

102

And that's what's cool about it is sometimes you don't always know exactly what you want,

103

but you know the emotions you want the video to create inside of you, right?

104

So what I did is I downloaded an example that I saw on X.

105

I saw this example from Ken, amazing output here using hyperframes and using Opus.

106

And you'll notice there's a lot of similarities with this reel and the one that we just looked at with YouTube.

107

So basically what I did is I used this as inspiration.

108

I downloaded this video.

109

I then came into Cloud Code and I gave it to Claude Code and I said,

110

analyze this video, which was created by Opus 5 .5 and figure out why this is so good.

111

So I liked this video and I wanted to do something similar and I had Claude Code figure out what that is.

112

I had Opus figure out why it's so good.

113

And then I said, turn that into a skill.

114

So now we have this skill called motion reel or something.

115

I'm going to give that to you guys for free, just a sec.

116

And then I said, okay, use that skill, create me my own show reel about YouTube.

117

I said, collect B -roll images, any assets you need, make sure the whole thing feels branded to YouTube, typography, design, language, colors, branding,

118

all that type of stuff that makes YouTube YouTube should be unmistakable in this showreel.

119

And now we have our output.

120

You can see here, it wrote this skill called motion showreel.

121

So if I go into my files real quick

122

and I go to the skills and we go all the way down to the M's, we go to the motion showreel.

123

We now have this motion showreel skill with all of this information about how we actually design reels like this.

124

So I'm going to put this inside of my FreeSchool community once again.

125

So if you guys want it, hop into my FreeSchool community and you can grab it in the YouTube resources or inside of the AI skills,

126

it'll be in there.

127

And now you can do reels just like that.

128

What you'll also notice is that it had to go generate these images.

129

So you can see it created these images

130

and then it sent them to Kling in order to turn those images into videos.

131

And that's how we actually got these animations inside of the

132

video right about here where we see the actual play button sort of being animated.

133

These two scenes were because it created an image

134

and then it created a video and then it sent it back to Claude

135

and then Opus took all that stuff and put it into one consistent video.

136

Now here's another showreel style video, but this one didn't use that skill that we built at all.

137

And just to show you how cool stuff can be made, even with a showreel.

138

So I said, make a dynamic 15 second motion graphics video that shows what an incredible motion designer you are,

139

like it's your showreel for a resume, go all out.

140

I actually saw this from someone on X, they made a demo and they said this is what they prompted it with,

141

so I tried it out.

142

I said, make it about our company AIS, use real assets and logos from our products when possible.

143

You can also use key .ai to generate any assets you need

144

and use hyperframes or any other tools for motion design and music and sound effects.

145

And with one shot prompt, this is what we got back right here.

146

So let's take a look.

147

You can see the similarities at the beginning with the little bead

148

that like drops and there's sound effects

149

but then with the motion graphics with the color schemes with

150

the same sort of like spatial awareness of doing things like this i thought was

151

so cool it pulled pictures from our website it knew how many members

152

we had it had this 3d sort of image

153

which i think was an image that was generated

154

and then it was turned into a video similar to

155

that youtube showreel anyways this background image is from our website as well

156

so just very very well done real quick guys i've got this completely free website design skill that I'm giving away.

157

I use this for every single website that I build, including our AI Automation Society site, which I think is pretty slick,

158

and I absolutely love this website.

159

It's called ScrollCraft, and it understands things like scroll -driven animations and layering, but also it has things in there like taste, typography, spacing, depth.

160

It's just a really good website design skill in general, and it's completely free, so the link for this will be down in the description,

161

but let's get back to the video.

162

Now, let me show you guys.

163

This is one of my like new favorite benchmarks.

164

I basically give

165

Cloud Code access to a folder, which has 105 gigabytes of YouTube videos, or sorry, not YouTube videos,

166

videos and recordings and resources from our event, AIS Live.

167

And then I say, hey, look through all this and create me a sizzle reel.

168

Tell a story out of this.

169

And look what I got here.

170

Now, this wasn't a one -shot prompt.

171

This was one prompt and then me giving one round of iteration and then having it fix one thing.

172

So technically three prompts.

173

That's why it is V2 .1.

174

But let's take a look at this output right here.

175

hello hello ais live i'm so

176

so pumped it was electric

177

that's cool never even opened vs code sign the deal the chat's going crazy grippy fantastic event this was amazing

178

such a fun two days i literally like logged off yesterday just buzzing i had goosebumps

179

can't wait for the next one

180

I mean do you guys have any idea how complicated

181

that process is just to tell a story out of an event

182

when you just are given a folder of resources

183

and of course it's marketing for our next one

184

which is actually real coming up October 17th and 18th

185

so mark your calendars

186

if you guys want to show up more details will be in the description

187

but I know there were a few things

188

that weren't great there were some times where there was like an awkward cut of the speech

189

and a few things that we could tweak, right?

190

But look at this.

191

Look how it made like this tunnel of all the screens.

192

Look at the beginning, how it was zooming in on different screens.

193

Like it was really aware of the spacing and this is just really, really cool.

194

It was also pulling out specific moments in the transcripts of these calls

195

that were showing kind of like the vibe and the energy within the live event.

196

This is my favorite scene here at the end where it has all of these scenes come together

197

and it forms the actual AIS Live logo, even with the little red dot.

198

And then it zooms in on the red dot and it says your seat is in the middle.

199

I just thought that the way that it was able to actually bring all of this to life is really, really impressive to me.

200

Now I also wanted to show you guys what else is possible.

201

Like a lot of times it's about thinking of the use case.

202

So I recorded this really simple video of me explaining how to make avocado toast.

203

And I perfected that by the way, my avocado toast is so good.

204

But anyways, I just wanted to show you, I did three different edits with this avocado toast video.

205

This one I said, Hey, I want you to edit this using hyper frames.

206

I'm looking for a simple and clean whiteboard hand -drawn style animation.

207

And it's really simple.

208

As if you're trying to explain to a kid how to make Avocado Coast, simple graphics, simple animations, easy to understand.

209

If you need to generate any images like, or sorry, assets like images or videos, you can use key .ai.

210

I then said that some scenes should be a full screen whiteboard takeover

211

and some scenes should just be the left half is the whiteboard and the right half is my face.

212

So it then went ahead and started generating things.

213

It started reasoning.

214

It started testing things out.

215

And now we have this output, which I'll go ahead and play right now.

216

All right, so here's how I make avocado toast.

217

When you put the toast in the toaster, when you're letting it sit,

218

you don't set it flat on the plate because then that bottom side gets a little soggy.

219

You want that both sides to be crispy.

220

Then you put the eggs on the pan, you mash up the avocado, you spread the avocado on the crispy bread.

221

I put like everything bagel seasoning on the avocado mash

222

and then I do some balsamic vinegar

223

and then you put the eggs on top of the toast and that's how it's done.

224

Now my main critique here is that the eggs are super tiny

225

and the balsamic glaze is only on one little piece of the toast, so that wouldn't taste as good as if it was everywhere.

226

But anyways, look how good this was able to, in one prompt, just animate the stuff in a very simple and engaging way.

227

It's hand -drawn.

228

It is, like I said, it's kind of friendly and playful, as if you wanted to show a kid.

229

But this was literally just one prompt, and it took care of everything.

230

Now, when I first really started using AI to edit videos, it was for course -style videos, things that were super easy.

231

We just wanted them animated with bullet points and super simple images and graphics.

232

So here's what I did in this one.

233

I need you to edit a course style video for me using hyperframes.

234

My camera will start off full screen and then I want it to be a rounded crop.

235

The background is going to be super simple, super minimalistic.

236

And the style I'm looking for is just bullet points with important takeaways, not too wordy, and they should be big.

237

And then visual aids should just be AI generated images, very simple, very light motion graphics to help illustrate concepts.

238

And here is what we got.

239

This was once again, a one shot prompt.

240

Oh wait, that was just an image.

241

It was just doing verification.

242

Here we go.

243

All right, so here's how I make avocado toast.

244

When you put the toast in the toaster, when you're letting it sit,

245

you don't set it flat on the plate because then that bottom side gets a little soggy.

246

You want that both sides to be crispy.

247

Then you put the eggs on the pan, you mash up the avocado, you spread the avocado on the crispy bread.

248

I put like everything bagel seasoning on the avocado mash

249

and then I do some balsamic vinegar

250

and then you put the eggs on top of the toast and that's how it's done.

251

So all of the images and videos in this video were AI generated.

252

All of this was AI generated.

253

And you can see that it's gonna save you so much time because it can go get B -roll, it can take screenshots, it can,

254

you know, generate things if you need it to.

255

It's just really cool because now you can film content and editing doesn't have to be the bottleneck anymore,

256

especially when you start to build skills around stuff like your preferences and motion styles and all that kind of stuff, your brand guidelines.

257

And then the last one I did here was kind of a short form video.

258

And this was using hyperframe phones again and you'll notice that I'm not really having this leverage other skills.

259

So I wanted to show you how easy it is to do a one -shot prompts with Opus 5 .5.

260

Pretty much all these examples I've been running on high, by the way, high meaning the effort level.

261

And I just said basically this, generate the assets you need, have it be engaging, have it be fast paced, easy to understand.

262

So let's see what we got down here for this short.

263

Here's how I make avocado toast.

264

When you put the toast in the toaster, when you're letting it sit, you don't set it flat on the plate because then

265

that bottom side gets a little soggy you want

266

that both sides to be crispy then you put the eggs on the pan

267

you mash up the avocado you spread the avocado on the crispy bread

268

i put like everything bagel seasoning on the avocado mash

269

and then i do some balsamic vinegar

270

and then you put the eggs on top of the toast

271

and that's how it's done i mean it's not perfect right

272

but a one -shot prompt and it's just it's really cool

273

that it's able to switch between these different scenes it definitely keeps my attention

274

because we have all these different sorts of b -roll going on in the background it is just a really,

275

really decent output when you consider what this would have taken for a human to do it for you.

276

And now, one -shot prompt, you iterate, you iterate, you build skills.

277

And I wanted to show you guys one more example with Lululemon because this is like a physical, tangible product.

278

Look how good it did at.. making this video feel like Lululemon.

279

So if you guys think about what it actually had to do there, All of these videos were obviously AI generated,

280

but what I'm pretty sure it did is it went to Lululemon and it found all these actual pieces of clothing.

281

It found them, it took pictures of the actual model here

282

and then generated videos of them running or jumping or whatever it is in the clothes.

283

And then of course it brings it all together here with actual catalog images.

284

It's just really cool to think about how many little pieces would have had to go into this

285

if you were editing this or creating this as a human.

286

But really as a human, all I did was I told it what I wanted,

287

and sort of the emotional feeling I wanted it to carry throughout, the vibe, high energy, fast -paced, engaging, sync the music to the beats,

288

sound effects, things like that.

289

So I just wanted to talk about the five things that I'm constantly thinking about when I'm actually editing videos with AI.

290

I'm just going to run through these super simply

291

because you could basically give the transcript of this section to your AI agent and it would be fine.

292

So the first piece is to transcribe.

293

If you're starting off with a clip and you need it to be edited, like, you know, a video or a course or whatever it is,

294

you obviously want to transcribe first so

295

that the beats can come in at the right time and

296

so that the AI knows how to tell a story out of it.

297

Transcribe is essential.

298

Whether you want to use

299

Whisper or Eleven Labs or some other tool, transcribing is essential.

300

From there, you're going to have it cut things out.

301

So if it's mistakes, cut out the mistakes.

302

If it notices in the transcript that there's like 20 seconds of dead space, cut out the dead space.

303

Things like that.

304

You're cutting things up.

305

And a lot of times I'll use AI just to literally cut out mistakes

306

and then I'll take the clip and do whatever I want with it.

307

But it's able to just clean out your content

308

so much quicker than you could because you'd be in the editor looking for the dead space and then, you know, snipping everything out.

309

And then number three is to plan the beats.

310

A lot of times from there, what I like to do is I like to be very specific about what it is that I want.

311

As you guys saw in this intro version, the intro for this video, I was basically just planning out what I wanted.

312

Now, obviously it went off the cuff a little bit and it was creative.

313

But if I would have said like, these are the only beats I want you to actually create nothing else, it would have done that.

314

But I let it be creative here.

315

But I basically said, hey, at this point, I want this to come in.

316

I want this to come in.

317

I want this to come in.

318

And the better you can set expectations of what you're looking for and what you would consider good, obviously the better or not better,

319

but the more aligned your output is going to be.

320

Number four is to use skills.

321

So build skills around things.

322

If you build a lot of reels, then build skills around reels.

323

Use my Hyperframe student kit.

324

Use resources and use inspiration.

325

Like you guys saw me do, I took a video that I really liked and I told it to build a skill.

326

Now, guess what?

327

Every time I run that skill, I will look at the output and say,

328

hey, in this version, I really liked this and I really didn't like this.

329

Update the skill with that information, run it again, and then I'll give you more feedback.

330

And that way you're actually building a reusable component where every single time you run the skill,

331

it's getting better and you're able to just move faster and faster.

332

You don't want to have to repeat yourself every time.

333

If you ever find yourself repeating something, just throw it in the skill.

334

And then the fifth one, probably the most important one, is the verification loop.

335

You'll notice how as it's going through a lot of my videos.

336

It's taking screenshots and looking at them and then making iterations.

337

And that's how you get in that loop where you're not just basically saying, okay, here is my output number one.

338

You're getting output number like five or six because the agent basically did this.

339

It delivered output one and then it watched it.

340

It realized there was some mistakes and then it came back and it delivered output two.

341

And then it watched output two and then it kept iterating on its outputs until it realized,

342

okay, this one is finally good enough where I'm gonna give it to Nate.

343

And here you go, Nate, this is the finished video.

344

So now you're getting something that has already been checked by the AI and iterated on,

345

then compared to if it just handed you this first version

346

and then you're frustrated and you have to make all these prompts.

347

But anyways, guys, there are so many use cases

348

when it comes to using AI to help you edit things or add motion design,

349

because it's not really something that you had to have previous video editing experience in order to take advantage of now.

350

So don't let editing be your bottleneck, but that's gonna do it for today.

351

If you enjoyed it, you learned something new, please give it a like, it helps me on a ton and as always,

352

I appreciate you guys making it to the end of the video and I'll see you all in the next one.

353

Thanks everyone.

アプリをダウンロード

流暢に話すために必要なすべて

AI発音採点文ごとに採点

IPA練習すべての音をマスター

単語学習自分の単語帳を作る

単語ゲーム遊びながら覚える

QRをスキャン

Download on theApp Store Get it onGoogle Play

同じチャンネル

FOR YOU

このレッスンの語彙とスピーキングのポイント

このスピーキングレッスンは、動画「Opus 5.5 Just Changed Video Editing Forever」を教材にしています。繰り返し出てくる語は次のとおりです：skill, prompt, image。この動画には、シャドーイング用の文が353文、単語が4592語あります。音声の長さは19:22です。話す速さは速く、1分あたり約237語です。音のつながりや弱く発音される音が多くなります。単語の84%は英語の頻出3,000語に含まれます。残りは練習の前に確認しておきましょう。

この動画の重要語彙

動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。

単語	発音	意味
generate 動詞	/ˈd͡ʒɛn.ə.ɹeɪt/	生む, 生み出す
output 名詞	/ˈaʊtpʊt/	出力
edit 動詞	/ˈɛdɪt/	編集する
skill 名詞	/skɪl/	腕, 技
toast 名詞	/toʊst/	トースト
animation 名詞	/ˌæn.ɪˈmeɪ.ʃən/	アニメーション, アニメ
screenshot 名詞	/ˈskriːn.ʃɑt/	スクリーンショット, スクショ
egg 名詞	/ɛɡ/	卵, 玉子
graphics 名詞	/ˈɡɹæfɪks/	グラフィック
logo 名詞	/ˈloʊ.ɡoʊ/	ロゴ, ロゴタイプ
asset 名詞	/ˈæsɛt/	資産
zoom 動詞	/zuːm/	猛スピードで進む
verification 名詞	/ˌvɛ.ɹə.fɪˈkeɪ.ʃən/	確証, 検証
transcript 名詞	/ˈtɹæn.skɹɪpt/	写し, トランスクリプト
vinegar 名詞	/ˈvɪnəɡɚ/	酢, ビネガー

動画に出てくる句動詞

単語	発音	意味
go ahead 動詞	/ˌɡoʊ əˈhɛd/	どうぞお先に
come back 動詞		戻る, 帰る
come over 動詞		遣って来る
come up 動詞		上がる, 登る
go out 動詞		出る
show up 動詞		現れる

繰り返し練習したい文

動画に出てくる短く完結した文です。日常会話でそのまま使えます。

I didn't ask another prompt.
All right, so here's how I make avocado toast.
Here's how I make avocado toast.

この動画の文法

話し手がよく使っている文型を、動画の実際の表現とともに紹介します。

文型	動画での表現
現在完了進行形 have/has been + -ing — 以前に始まり今も続いている動作	I've been experimenting · I've been running
受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる	was edited · were created · be animated
関係詞節 who / which + 節 — 人や物について情報を加える	example, which was · Hyperframes, which is · Whisper, which is
現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している	have done · has already been checked

注意したい発音

話し手はyou're, I'm, you'llなど、短縮形や弱形を76回使っています。聞こえたとおりの短い形で発音しましょう。

「th」の音: clothing /ˈkloʊðɪŋ/, thumbnail /ˈθʌm.neɪl/
「sh」と「zh」の音: animation /ˌæn.ɪˈmeɪ.ʃən/, screenshot /ˈskriːn.ʃɑt/, mash /mæʃ/, verification /ˌvɛ.ɹə.fɪˈkeɪ.ʃən/, inspiration /ˌɪn.spɪˈɹeɪ.ʃən/
長い単語（アクセントの位置に注意）: animation /ˌæn.ɪˈmeɪ.ʃən/, verification /ˌvɛ.ɹə.fɪˈkeɪ.ʃən/, inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, similarity /ˌsɪm.ɪˈlæɹ.ɪ.ti/, complicated /ˈkɑm.plɪˌkeɪ.tɪd/

日本語話者が苦手な音：

/r/ と /l/ の区別 — /l/ は舌先を歯茎につけ、/r/ はどこにもつけない: reel /ˈɹiːl/, similarity /ˌsɪm.ɪˈlæɹ.ɪ.ti/, leverage /ˈlɛv.(ə.)ɹɪd͡ʒ/, scroll /skɹoʊl/, illustrate /ˈɪl.əˌstɹeɪt/
/v/ — /b/ にならないように、上の歯を下唇に当てる: verification /ˌvɛ.ɹə.fɪˈkeɪ.ʃən/, vinegar /ˈvɪnəɡɚ/, impressive /ɪmˈpɹɛsɪv/, vibe /vaɪb/, leverage /ˈlɛv.(ə.)ɹɪd͡ʒ/
/f/ — 「フ」ではなく、上の歯と下唇で出す: graphics /ˈɡɹæfɪks/, verification /ˌvɛ.ɹə.fɪˈkeɪ.ʃən/, folder /ˈfoʊldɚ/, feedback /ˈfiːdˌbæk/, interface /ˈɪn(t)ɚˌfeɪs/

この動画での練習方法

まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
まず0.75倍速で一文ずつシャドーイングし、慣れてきたら通常の速度に戻します。
自分の声を録音して元の音声と比べます。generate, output, editなどの単語に特に注意しましょう。

シャドーイングとは？英語上達に効果的な理由

シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。

シャドーイングのやり方: ステップ別の完全ガイドを読む →

シャドーイング練習: Opus 5.5 Just Changed Video Editing Forever (free skills) - 動画で英語スピーキングを学ぶ

練習モードを選ぶ

アプリをダウンロード

同じチャンネル

Sell These 4 Claude Systems for $3700+ Right Now (as a beginner)

How I'd Learn n8n if I had to Start Over in 2026

I Tested OpenAI's Dots vs. Meta's Muse. What You Need to Know.

How Claude is Creating a New Generation of Millionaires

おすすめ動画

Claude Opus 5.5 Can Now Make Kurzgesagt-Style Animations (Full Tutorial)

GitHub Copilot now controls your command line...

Use these CSS features instead of JavaScript

How I deploy serverless containers for free

9 Insane Claude Mods I Already Can't live Without

Dear Higgsfield, I reverse engineered you in 12 hours

12 Camera Movements for CINEMATIC FOOTAGE - CREATIVE SHOT IDEAS for BETTER B-ROLL - Video Shot Ideas

How to Edit VIRAL Talking Head Videos Using ONLY Claude! (New Minimal Style)

How I Learned Procedural Generation

JUST $1 For Billions of Tokens?! (DeepSeek v4 Pro)

ChatGPT + Podcasts = English Fluency? Try These 12 Prompts!