シャドーイング練習: Why your best ideas usually start as bad ones | Think Like A Musician - YouTubeで英語スピーキングを学ぶ
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It's a cliché to say that mistakes, imperfections make something special, but they really, really do.
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It's a cliché to say that mistakes, imperfections make something special, but they really, really do.
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In art, embrace mistakes.
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The mistake is the journey.
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And it’s you getting better because your voice probably won’t crack there the next time— it’s just another moment to pivot from.
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So never freak out about making mistakes, is really what it boils down to.
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Hey, you! Yes, you. Is there music inside of you?
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We’ve recruited working musicians from throughout the industry to help you hear it, hold it, and share it with this wild and wonderful world.
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At least for me, from between the studio and a live situation, some of the adjustment for me means like letting go of a type of obsessive perfectionism about the sound quality and also in performance, being willing to fall down and get dirty or make mistakes.
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My first songs, my early songs are pretty embarrassing, but I think I was just kind of figuring it out.
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And I was really literally just taking the poems that I had written, which were kind of cryptic and a little bit dark because I was like a moody adolescent, and putting them to melodies.
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But I hadn’t really learned the importance of song structure.
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It started out as a very personal outlet for me.
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And then later I sort of learned how to write something that was more accessible, that people could understand where I was coming from, and maybe get some catharsis out of that.
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You don’t just automatically jump immediately to perfection.
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That's what's so great about experimentation.
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What I’ve loved about collaborating with other songwriters and musicians is I hear them come out with some not so great ideas, some pretty lousy ideas.
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And I realized that they will come up with eight lousy ideas or even like 15, and the 16th or 20th or 30th idea, suddenly it’s like, that is brilliant!
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And the listener will never know of the other 30 lousy ideas that it took to finally come to a sense of clarity and something locking in.
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That’s not right. That’s not right. This is right! There it is.
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But you have to be willing to let it come out.
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Out of the thousands of songs you write, maybe five might be a hit. Maybe.
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You’re really, really lucky as a songwriter if you get a number one record one time.
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You could literally start at any age, you could literally not be able to sing, but as long as you understand what your thing is, there is no one type of way to songwrite or to produce or to do any of these things.
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There’s no right way. It’s, what is my way?
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And then I find the appropriate people to collaborate with to make this a well-rounded thing, because that is what our industry is about, is collaboration.
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Mark D. Sanders, he’s a writer in Nashville, he said to me once, songwriting is like fishing.
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He said, you can stand in the water days on end and get nothing.
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Or you can stand in the water for four seconds and catch the biggest fish you’ve ever caught in your entire life.
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He goes, it’s not the outcome, it’s that you’re in the water.
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So, if you think of songwriting and sessions as a fishing expedition, you can sit out there for hours and it wasn’t the day for it.
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Or you can sit out there for no time and you had a great day.
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So it’s very much just like a thing you do every day for the sake of the great ones that might happen today and might happen a week from now.
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When I was young, I do remember those songs just [snaps].
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And there's another and another and another, and it still happens.
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But after however many hundreds of songs, it becomes new you versus old you saying something that you’ve said from an entirely different perspective.
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So as far as locking into a song and knowing when you’ve found the song’s proper path, if I was going to, not advise, but opine, I would say break all the rules.
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Run through all the walls and do not conform.
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And last but not least, sometimes we don't know our best work.
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I’ve put songs away that I’ve years later played for people and have ended up on records because they had to tell me what it is.
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You're going to have to listen to somebody and you're going to have to take advice from someone.
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And if you can find that one person to trust with your process, you're really lucky to have that person.
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この動画では、ミュージシャンとしての思考プロセスが探求されています。特に、最初は「悪いアイディア」と思われるものが、実際には素晴らしい作品に繋がる可能性があることが説明されています。失敗や不完全さを受け入れることが創造の過程で重要であり、自己表現を通じて成長することが強調されています。この考え方は、英語の勉強にも応用でき、ミスを恐れず練習することが語学学習の鍵となります。
日常コミュニケーションのためのトップ5フレーズ
- 「ミスを恐れないで！」 - 失敗は成功への一歩です。
- 「アイディアを試してみよう。」 - 実験することで新しい視点が得られます。
- 「何事も一歩ずつ。」 - 忍耐強く続けることが成功の秘訣です。
- 「創造性を大切にしよう。」 - 自分の個性を表現することが大切です。
- 「プロセスを楽しむ。」 - 結果よりもプロセスを重視しましょう。
ステップバイステップのシャドーイングガイド
この動画の内容をより深く理解し、自分の英語の発音を良くするためには、以下のステップを試してください。
- リスニング: 動画を最初に一度通して聞き、全体の内容を把握します。
- セグメント分け: 音声を短いセクションに分け、各セクションを繰り返し聞きます。
- シャドーイング: 各セクションを聞きながら、話し手の言葉を即座に真似します。ここでのポイントは、発音やイントネーションを注意深く観察することです。
- 復唱: 一度自分の声で録音し、元の音声と比較してみます。改善点を探りましょう。
- フィードバック: 信頼できる人に自分のシャドーイングを聞いてもらい、アドバイスをもらいます。
これらのステップを通じて、shadow speechやshadowspeaksのテクニックを駆使することで、英語の発音や表現力を向上させることができるでしょう。自分のペースで、楽しみながら学ぶことが大切です。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。