跟读练习: Why your best ideas usually start as bad ones | Think Like A Musician - 通过YouTube学习英语口语
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It's a cliché to say that mistakes, imperfections make something special, but they really, really do.
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It's a cliché to say that mistakes, imperfections make something special, but they really, really do.
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In art, embrace mistakes.
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The mistake is the journey.
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And it’s you getting better because your voice probably won’t crack there the next time— it’s just another moment to pivot from.
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So never freak out about making mistakes, is really what it boils down to.
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Hey, you! Yes, you. Is there music inside of you?
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We’ve recruited working musicians from throughout the industry to help you hear it, hold it, and share it with this wild and wonderful world.
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At least for me, from between the studio and a live situation, some of the adjustment for me means like letting go of a type of obsessive perfectionism about the sound quality and also in performance, being willing to fall down and get dirty or make mistakes.
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My first songs, my early songs are pretty embarrassing, but I think I was just kind of figuring it out.
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And I was really literally just taking the poems that I had written, which were kind of cryptic and a little bit dark because I was like a moody adolescent, and putting them to melodies.
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But I hadn’t really learned the importance of song structure.
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It started out as a very personal outlet for me.
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And then later I sort of learned how to write something that was more accessible, that people could understand where I was coming from, and maybe get some catharsis out of that.
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You don’t just automatically jump immediately to perfection.
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That's what's so great about experimentation.
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What I’ve loved about collaborating with other songwriters and musicians is I hear them come out with some not so great ideas, some pretty lousy ideas.
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And I realized that they will come up with eight lousy ideas or even like 15, and the 16th or 20th or 30th idea, suddenly it’s like, that is brilliant!
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And the listener will never know of the other 30 lousy ideas that it took to finally come to a sense of clarity and something locking in.
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That’s not right. That’s not right. This is right! There it is.
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But you have to be willing to let it come out.
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Out of the thousands of songs you write, maybe five might be a hit. Maybe.
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You’re really, really lucky as a songwriter if you get a number one record one time.
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You could literally start at any age, you could literally not be able to sing, but as long as you understand what your thing is, there is no one type of way to songwrite or to produce or to do any of these things.
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There’s no right way. It’s, what is my way?
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And then I find the appropriate people to collaborate with to make this a well-rounded thing, because that is what our industry is about, is collaboration.
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Mark D. Sanders, he’s a writer in Nashville, he said to me once, songwriting is like fishing.
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He said, you can stand in the water days on end and get nothing.
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Or you can stand in the water for four seconds and catch the biggest fish you’ve ever caught in your entire life.
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He goes, it’s not the outcome, it’s that you’re in the water.
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So, if you think of songwriting and sessions as a fishing expedition, you can sit out there for hours and it wasn’t the day for it.
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Or you can sit out there for no time and you had a great day.
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So it’s very much just like a thing you do every day for the sake of the great ones that might happen today and might happen a week from now.
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When I was young, I do remember those songs just [snaps].
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And there's another and another and another, and it still happens.
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But after however many hundreds of songs, it becomes new you versus old you saying something that you’ve said from an entirely different perspective.
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So as far as locking into a song and knowing when you’ve found the song’s proper path, if I was going to, not advise, but opine, I would say break all the rules.
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Run through all the walls and do not conform.
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And last but not least, sometimes we don't know our best work.
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I’ve put songs away that I’ve years later played for people and have ended up on records because they had to tell me what it is.
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You're going to have to listen to somebody and you're going to have to take advice from someone.
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And if you can find that one person to trust with your process, you're really lucky to have that person.
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为什么通过这个视频练习口语？
在学习英语的过程中，口语的实践至关重要。观看这段视频可以帮助你理解艺术创作中的思维过程，并在表达自己的想法时变得更加自信。视频中的大部分内容强调了创造力和试错的重要性，你会发现失败并不是一种障碍，而是通往成功的必经之路。当学习者能够用自己的语言复述这些想法时，能够更好地融入这些情感，并提升自己的口语表达能力。
语法与表达在语境中的应用
在视频中，演讲者使用了一些重要的表达和语法结构：
- "You have to be willing to let it come out." 这个句子强调了勇于表达的必要性，适用于鼓励学习者主动分享自己的想法。
- "It’s not the outcome, it’s that you’re in the water." 这个比喻表达了过程的重要性，适合学习者在讨论目标和过程时使用。
- "You could literally start at any age." 这一表述强调了学习的无年龄限制，鼓励任何人都能参与英语学习。
通过模仿这些表达，学习者能提高自己的口语能力和自信心，进而实现更流利的交流。
常见发音陷阱
在这段视频中，有些词和表达可能会对学习者的发音造成挑战，比如：
- 单词"embarrassing"，发音常常让人困惑，容易错读。
- 短语"you’re really, really lucky"，快速说出时可能导致连音，需要注意清晰发音。
- 单词"perfectionism"，这个多音节词可能会让人发音困难，需要特别练习。
为了提高英语发音，学习者可以借助观看视频中的发音方式，结合看YouTube学英语的影子跟读法，练习这些难点，提升自己的交流能力。
什么是跟读法？
跟读法 (Shadowing) 是一种有科学依据的语言学习技巧，最初开发用于专业口译员的培训，并由多语言者Alexander Arguelles博士普及。这个方法简单而强大：您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同，跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性，语调，节奏，连读，听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。