쉐도잉 연습: Emma Stone, Mark Ruffalo & Director Yorgos Lanthimos Break Down 'Poor Things' Scenes | Vanity Fair - 영상으로 영어 말하기 배우기
레슨 만드는 중...
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She was the...
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Oh my God.
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Stop it.
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I'm Emma Stone.
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I'm Yorgos Lanthimos.
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And I'm still Mark Ruffalo.
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And this is Notes on a Scene.
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Bella, let us take the air. In our cabin.
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These two are fighting and ideas are banging around in Bella's head and heart.
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This scene takes place on a ship.
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Yeah.
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We're sailing from Lisbon to technically Athens, but we stop in Alexandria along the way.
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You've been kidnapped, basically.
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I've been sort of kidnapped.
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Yes.
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Bella, let us take the air.
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This is Mark Ruffalo.
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He plays Duncan Wedderburn.
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This is Drunk Ormichael.
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This is Santa Cingula.
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This is the back of my head.
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And these are just some friends we picked up along the way.
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This isn't CGI.
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This is an actual practical LED screen.
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LED screen.
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We used a lot of painted clouds and some formations from other liquids that we shot.
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We put all that together in post-production.
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On the day, it was actually playing behind the actors.
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Which gets a little nauseating, to be honest.
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The waves were actually breaking up against the ship from time to time.
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Mark, that's not true.
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Well, they were like...
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There wasn't water.
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No, but it was a representation of water that was constantly moving.
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The only VFX and Hanschen that we did here was like, if you see, there's like a little bit of spray of water here that we added later in post-production.
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And the only VFX that the LED screen, I think, came about up to here.
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And we just filled in this in post-production, just an extension of the set.
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But everything else that you see, it was actually there.
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The reason we built this set, and actually the whole film is shot on sound stages,
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we just wanted to build this world that represented the way Bella, the main character, sees and experiences the world.
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So we thought that it would be interesting if we built every set, even exteriors or, you know,
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the ship that you see here inside a studio.
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And then we would control the lighting, the backgrounds, and we would manage to acquire this non-realistic feeling for the entire film.
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Let us take the air in our cabin.
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Duncan's, I guess what you would call a rake or a cad.
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He's a bon vivant.
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He's someone who loves to live life in its fullest and to totally satiate all of his senses whenever given the opportunity,
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even to the point of stealing away a young, beautiful, naive woman.
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His relationship with Bella is really to teach her the beauties
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and the loveliness and all the sumptuous activities of the world as kind of her Pygmalion,
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as her tutor of life.
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These two are fighting and ideas are banging around in Bella's head and heart like lights in a storm.
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Oh.
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So, my approach.
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That's a very good frame.
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My approach to Bella.
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Oh, boy.
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I guess for a while I thought it was, you know, a very...
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For a while, she was a very difficult character to play.
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But then I realized in a way it was only because she was the
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But I realized that it's because Do you have a closeable part?
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OK, great.
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Just go on her for a second.
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Hi.
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You're watching Notes on a Scene.
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You're always reading now, Bella.
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You're losing some of your adorable way of speaking.
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I'm a changingable feast, as are all of we.
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Bella, at this point in her sort of development, she has been introduced to philosophy by Martha
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and she is beginning to read the books of many different philosophers
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and a lot of things are being illuminated to her about, you know, different ways of approaching life and what it all means
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and it's a very pivotal moment in her sort of growth that she's discovering her own sort of belief system.
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In terms of the physicality, her specific kind of walk and way of speaking, and a lot of that is in the script, how it's evolving.
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Apparently, according to Emerson, disagreed with by Harry.
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Come, come, just come.
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You were in my son.
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What?
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He feels like he's losing control of her in this scene.
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The books are kind of a symbol of her being educated
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and him feeling like she's leaving his control and possession so as she's given more books he throws them off the boat.
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She's a surprise to him in every way
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and it certainly peaks his arousal that he can't control her
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and I think he finds that very exciting until it becomes challenging to his ego.
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I think in this particular moment, she is starting to find him very annoying.
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She's expanding so rapidly in so many ways, and it's becoming more and more threatening to him, and he's starting to bug her.
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There was a language, a filmic language, that we developed with Robbie Ryan, the cinematographer.
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We started kind of using it during the making of the Favourite.
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And on this film, we just wanted to go even further.
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So we remember during the Favourite, we did a lot of tests with, you know, and on this one as well.
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And we remembered this fisheye lens that we used that actually created this circle.
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You know, people feel like very enclosed in a kind of claustrophobic way in the frame.
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And, you know, the four millimeter was just this option for us to, in certain moments, you know,
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create this kind of awkward feel to the scene.
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And, you know, like in this moment, he just picks up her books and throws them into the sea and just felt like the right moment to use that.
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But in general we used like very wide-angle lenses
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and fisheye lenses in order to be consistent with how we're building the world and make it feel even more vast.
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You do a career and you're in a franchise for a long time
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and people start to see you in a certain kind of role
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or you have your social media and people start to see you in a certain way.
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And in some sense, you even might start to see yourself in that way.
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it's deadly for a creative person i think ultimately
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but it's also very comfortable
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and it's hard to break free the more you break free it's harder to break free the next time
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and so playing this part came up
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and i was like oh do people want to even see
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me in this part can i play it you know i haven't never played anything i never played anything
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so gregarious so cocksure
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so narcissistic with that kind of language and that kind
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and an accent in a period piece i've just never done anything like it
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and so um it scared me honestly and i have such admiration for him
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and i didn't want to let him down
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and i didn't want to let her down and
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so yeah i was scared i now feel kind of afraid of doing something
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that i don't feel this way about more than anything.
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I kind of want to have this feeling all the time, exclusively.
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You don't always get to make choices as an actor of who you get to work with
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and what roles you get to play.
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And so learning about Bella, I was just totally in love with her.
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And so I'm trying to just follow that instinct, whether it comes to a filmmaker or a story.
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It's not, it doesn't always work necessarily, but I I kind of only want to feel that way.
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We're probably the worst people that have ever been in this thing.
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No, we haven't gotten started yet.
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I think once we get going, we're going to really be great.
왜 이 비디오로 말하기 연습을 해야 하나요?
이 영화를 통해 말하기 실력을 향상시키는 것은 귀하의 영어 표현력을 풍부하게 하고, 실제 대화의 맥락을 이해하는 데 도움이 됩니다. 에마 스톤과 마크 러팔로는 현실감 있고 매력적인 연기를 통해 감정을 전달합니다. 배우들이 대화하는 방식을 모방함으로써, 영어 쉐도잉 기술을 개발할 수 있습니다. 이처럼 실생활의 상황을 반영하는 장면을 통해, IELTS 스피킹에서 요구되는 자연스러운 대화 방식과 유사한 스킬을 익힐 수 있습니다.
문맥 속 문법 및 표현
이 비디오에서 사용된 몇 가지 주요 구조를 분석해 보겠습니다:
- "let us take the air" – 이 표현은 특정 장소에서 시간을 보내자는 의미로, 격식을 차린 표현입니다. 쉐도잉 연습 시 이러한 문장을 통해 전반적인 대화의 흐름을 이해할 수 있습니다.
- "I've been sort of kidnapped" – 이 표현은 약간의 유머를 섞어 대화의 긴장을 완화시키는 효과가 있습니다. 자신감 있게 이러한 표현을 사용할 수 있도록 연습하면 좋습니다.
- "this isn't CGI" – 기술적 용어를 공감하고, 일상 회화에서 자주 등장할 수 있는 주제들을 탐색하는 데 도움이 됩니다.
일상 발음 유의사항
영상에서 주목해야 할 발음의 함정은 다음과 같습니다:
- "cabin" – 이 단어는 자주 발음이 혼동되는데, 특히 'b'와 'n' 소스가 분리되어 발음되어야 합니다.
- "Duncan Wedderburn" – 이름과 성을 한 번에 빠르게 말할 때 생기는 발음의 어려움을 경험할 수 있습니다. 이름의 각 부분을 뚜렷하게 발음하는 연습이 필요합니다.
- "Pygmalion" – 이 복잡한 단어는 발음하기 어렵고, 특히 한국어 사용자가 흔하게 저지르는 실수가 많습니다. 반복적으로 이 단어를 발음 연습하는 것이 중요합니다.
이와 같은 연습을 통해 shadow speak 및 shadowspeak 기술을 더욱 효과적으로 향상시킬 수 있을 것입니다. 실질적인 발음 연습은 영어 실력 향상에 기여합니다.
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.