쉐도잉 연습: HOW I DRAW THE FACE/HEAD - 영상으로 영어 말하기 배우기

Big thanks to Squarespace for sponsoring this video.

In this video, I'm going to show you a method on how I draw the face in the head.

I'm also going to be showing you guys a study technique on how I'm able to draw the face in any angle, while also sharing some guide on how I personally stylize.

Okay so the short answer for this video is going to be references, but the longer answer is techniques and drawing methods, which we'll explore in this video.

When it comes to drawing and studying the face, the way I do it can be broken down into three faces.

Method, Shapes, Anatomy Structure, and Stylization.

These concepts are easy to understand but they're going to be challenging to master.

Let's start off with the basic method, called the Loomis method.

You've probably heard this a million times already.

The reason being is it's the most simple but solid method to draw the face.

There are tons of other ways that you could draw the head, but I've started drawing with this one and I've seen most professional apply this method, especially with anime and manga.

You see, it's impossible to draw the face without any anatomy knowledge.

Thankfully we have drawing methods like the Loomis method

that can help us get a hint of anatomy without overloading our brain too much.

Okay so the first step is draw a circle.

Make it at least a decent circle.

Not like this one or this one or this- Two thousand years later.

Like this.

It's also very important to look at this not just a circle but a sphere.

In fact always think in three-dimensional.

You don't have to draw this but keep it in mind.

This circle is going to be the cranium.

Also, don't worry about the name so much.

Just focus on what I'm doing.

Next is we're going to draw some lines to indicate the eyebrows.

This line will wrap around the whole circle.

That's why it's important to think in three dimensional because you're going to follow that curve of the sphere.

We're also going to add a center line.

This is going to indicate where the head is facing.

Then we're going to draw a smaller circle again.

Here we go again.

You have to stop drawing circles.

This dumb circle would help us indicate the size of the face and to add some dimension.

It's like cutting a portion of a ball.

Then we'll add a crossing line to it, with a vertical line extending over the head.

We're also going to add another line below the portion that we cut.

From there we're going to add the jaw.

Start from the side of the face and connect them using the center line.

From there you could add the necessary facial anatomy, starting with the eyes.

When drawing the eyes, make sure that there's one eye distance between the two eyes to ensure that they're proportional.

Then add the nose, mouth and ears.

is refining the head.

Here you can notice that the guide seems wrong and overall doesn't look good.

So this is the part where you make some decisions and changes.

You don't always have to trust the method.

If the drawing feels off then it's most likely off, but it still depends on your experience.

Again, you don't have to follow the method perfectly.

For me, as I gained experience, I began to rely less on the method since I already know how the head works, but it's still a solid technique to follow if you're not sure what you're doing.

Okay, we finally have a decent head structure that we can work on.

From here you could add your character features and designs.

And eventually have something like this.

Probably not like this since it did take me a lot of practice to execute this properly.

So to get used to the Loomis method, always try drawing with a reference.

Try and break down how the head works using the guidelines.

Reference is really important if you want to get used to the human proportions.

If you're struggling to draw a head from a reference, you can trace it, but don't trace them like this.

Instead, break them down using the Loom's guidelines, and then copy that guideline and draw from there.

If you're struggling with an angle, try again, but limit yourself only with 3 attempts on each reference.

If you still can't get it right by the third attempt, move on to another reference and come back to it later.

Don't stay too long on one reference or else you will only get stuck and frustrated.

Always move forward and take breaks occasionally.

You could do them fast like 1-2 minutes on each reference or you could go slow with 5-10 minutes, but it is better if you balance them both.

My key to drawing the face is I always start with the eyes.

You don't have to but I once heard from a professional that if you can get the eyes to look right, then the whole face is gonna be fine.

Not the exact quote but something like that.

That's why I prioritize the eyes most of the time.

But I still think having a good head structure is also really important.

I think the eyes are the most important feature of the face because the eyes are the window to our soul, and the eyes are the focal point of the face, which is the point of interest most of the time.

People are more likely to pay attention to the eyes compared to the other facial features, that's why I like to simplify the nose and the mouth.

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Alright let's move on to shapes.

If you still have no idea what our fundamental is, this is it.

There's a lot of fundamental but I think the most important ones are shapes and my personal favorite anatomy.

So to further improve your skills we're going to be using another method

that is really useful and has saved me a lot of time when drawing the face.

And that is drawing the cube.

This is going to be your exercise.

Draw a bunch of cubes whenever you can, because cube is going to be your best friend.

It's going to help you understand a lot of stuff and would help you a lot with drawing heads.

A cube is the most useful shape out there.

They're like vegetables.

They're boring, but they're good for you.

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So start drawing cubes.

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Bonus points if you apply perspective.

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Okay, so try drawing cubes from different angles like this.

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This is a drawing exercise to help you understand how space works.

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I've seen some professional artists practice this, even though they're already so good.

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So it might sound simple, but it can make a big difference in how you draw faces or anything else in general.

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Drawing cubes this way helps you get a feel for three dimension, so your drawing doesn't look flat or unrealistic.

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The neat thing about this exercise is that it's very flexible.

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You can draw cubes anywhere you like, from above, from the side, or at any interesting angles.

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Every time you draw cubes, you're basically building a foundation that will help you understand how spaces work.

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You could also try and break down references using just cubes.

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It's going to help you a lot to understand the facial structure and proportions.

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You'll eventually develop a concrete mental image of the face every time you draw simple cubes.

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anatomical structure.

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Most people skips this part because it's not the most exciting and pleasing process, and it's very complicated to draw.

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You won't even see most of it by the end of the process.

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So what's the point, right?

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Well, it's actually the whole point, because this is the key to drawing accurate and proportional faces.

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But don't worry, we're only going to focus on the basics and not memorize every muscle on the face.

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But let's first start with the skull, an essential part in understanding the face.

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To construct the skull we're gonna use the knowledge about shapes and the Loomis method.

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The skull can be simplified with a bunch of shapes, spheres for the eye sockets, a triangle for the nose, and a sphere for the mouth area.

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Again, use the Loomis method for the guidelines.

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You don't have to master everything about the skulls, but I do suggest understanding the simple structure because it's gonna be useful later on.

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So yeah, just show a bunch of skulls until you get it.

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User reference by the way.

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Okay, moving on to the ratios of the face.

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The face can be divided into three equal parts.

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The forehead, the middle part, and the lower jaw.

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It is best to imagine it as planes.

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That is why it is really important to have a level of understanding of space here.

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By the way, this is mostly consistent, and it's usually the standard for most faces, but it can be altered by some stuff like age, perspective, stylistic preference, and other stuff.

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So here are some examples on how you can adjust those ratios in accordance to your style.

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For example, for acute and feminine proportions, you would want to make the forehead area the biggest, and then for the middle and bottom part,

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you can adjust them however you like as long as it's relatively smaller than the head.

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Another example would be drawing masculine or male characters.

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This is much more simpler because all you have to do is follow the standard ratios.

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You can adjust them a bit but don't overdo it because it may look off.

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Now let's talk about everyone's favorite angle, the 3 4th angle.

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I'm not really sure why this is popular but I think it has something to do with depth.

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Let's take this for example.

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Imagine the head as a cube.

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This is the head facing front while this is a 3 4th angle.

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See the difference?

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The front facing cube looks flat, while the 3-4th angle has more depth and perspective.

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It also has more sides which means you'll have something more to look at.

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So let's study the 3-4th angle of the face.

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The most prominent feature is going to be the side of the face, or the cheek area.

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If we look at the skull, the cheek is poking out, so the result would be this iconic angle.

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There are different ways that you could draw this.

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For male characters, they're usually sharp and straight, and the cheekbones are usually visible but it still depends on the age and your style preference.

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For female or younger characters the cheekbones are less visible and the cheek area looks rounder and softer.

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Also, only take references from real life.

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This will ensure that your drawings is as realistic as it can be

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and when you're choosing references make sure that it's taken by a professional with good quality lighting, composition and other stuff.

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A good source would be contrast.

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I would avoid photos with distractions.

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It's better to draw something that is natural with most of the face being visible and clear.

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Always remember, when using reference you don't actually just copy.

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You're kind of recreating the image and that's how I mostly draw.

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I've already developed mental blueprint for how to draw

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and I just use that blueprint to reconstruct the reference that I'm looking at.

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Does that make sense?

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Anyway, the planes of the face.

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This is the Asaro head.

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It's a 3D model of the head to help you understand the facial anatomy better.

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This is what you want to study

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if you mainly want to paint the face realistically or

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if you want to understand the face in terms of lighting and structure.

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I suggest getting used to the techniques that I mentioned earlier because you're really gonna need it here.

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Using the guidelines and the ratios that we talked about earlier, you're going to be copying a bunch of these.

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There's not much I could say about this

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because I think you're going to understand it better if you try it for yourself.

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I suggest drawing the planes with the lines first without using values yet, also to avoid overcomplicating things.

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So how do you stylize a face?

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Well, here's what I would do.

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I would create a reference board with all of my favorite artworks and artists, and I would just redraw them.

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That's it.

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I would consistently study them over a period of time, analyze their art and imitate them, because if you want to force an art style, you have to be great at copying and at the same time understanding what you're doing.

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So you basically have to get fundamental knowledge and copying skills if you want to learn an art style effectively.

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Here's an example.

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My favorite style of art is anime and manga, so it's only natural to look at anime and manga for reference, right?

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Well, yeah, but I have a better idea.

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So what I would do is look at Pinterest.

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There you could find some fan arts, visual anime illustrations, and so much more.

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Suddenly, references look more dynamic and expressive.

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That's because anime is meant for animation, so they're not really reference material, unless you're planning on making animations.

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But you can still study animation frames because it is still a carefully thought out production.

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So technically, it still does contain valuable reference material such as composition, posting, lighting, anatomy, and other stuff.

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Since my goal is to improve my illustration, of course I would look through other artists that are putting most effort in a single frame.

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So you would naturally look at other people's illustration and paintings.

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And I prefer semi-realism in my art because it just looks so interesting.

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Artists like Ilya Kupchinov and Krenz.

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They're such perfect examples of effectively applying realism to something that they stylize.

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And the reason why their art looks so good is because they look real.

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Lighting is an important fundamental when making believable art.

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That's why when you know fundamentals, you would know art.

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Imitating or creating an art style is going to be easier at this point because you know exactly what you're doing.

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Moving on to how you can stylize a face.

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In anime, eyes are the most prominent feature.

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They're really expressive and you could recognize an anime character with just the eyes.

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Most of the anime characters have the same anatomy blueprint, but they bend most of the fundamentals like the facial anatomy.

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Most of the time, the mouth and nose are less likely to exist.

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They're not as expressive as the eyes, but the mouth can also be expressive.

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Hair is also important in anime.

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They usually don't follow the rules of physics.

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So you can be expressive with the hair as much as you want.

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In terms of the overall head shape and appearance, they usually simplify its construction to make it easier to replicate.

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That's why most of the anime characters have the same face syndrome, because they're following a standard.

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So those are just examples of facial features that you can modify.

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You can go in-depth on how you can actually stylize them in another video.

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So to summarize, if you want a realistic or semi-realistic art style, study real people and realistic proportions.

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If you want to learn style, look at other people's art or just watch anime and study some frames.

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Again, fundamentals over design.

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And that's it.

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Hopefully this video helps you and as always my friend, see you on the next one.

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Peace.

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이 비디오로 스피킹 연습하는 이유

그림 그리는 방법을 설명하는 이 비디오는 IELTS 스피킹이나 일상 영어 표현 연습에 훌륭한 자료입니다. 화자가 단계별로 설명하는 방식은 자연스러운 흐름을 가지고 있어 영어 쉐도잉에 적합하며, 구체적인 행동(그리기 방법)을 설명하는 표현이 풍부해 실용적인 어휘와 문법을 학습할 수 있습니다. 특히 "방법", "단계", "주의점" 등을 설명할 때 사용하는 구조는 shadow speech 연습에 최적화되어 있어, 듣고 바로 따라말하는 과정에서 논리적 표현 능력을 키울 수 있습니다. 유튜브 영어 공부를 하며 실제 의사소통에서 필요한 표현을 익히고 싶다면 이 비디오는 좋은 선택입니다.

문맥 속 문법과 표현

"I'm going to show you a method on how I draw...": "how I draw"와 같은 명사절을 사용해 구체적인 방법을 설명하는 구조. IELTS 스피킹에서 과정 설명 시 자주 쓰이며, "how I prepare", "how I solve" 등으로 확장 가능합니다.
"the way I do it can be broken down into three faces": "the way I do it"은 자신의 방식을 소개할 때 유용한 표현. "broken down into"는 복잡한 내용을 분류할 때 필수적인 구문입니다.
"It's impossible to draw... without...": "without"를 사용해 전제 조건을 강조하는 문법. "It's hard to learn English without practice"와 같이 일상에서 자주 사용되므로 쉐도잉 연습에 반드시 포함해야 합니다.

발음 난관 포인트

이 비디오에서 주의해야 할 발음은 "cranium"(두개골)와 "proportional"(비례적인)입니다. "cranium"은 '크레이니엄'이 아니라 '크레니엄'으로 발음하며, "proportional"은 '프로포셔널'이 아닌 '프로포셔널'로 끝 부분을 강조해야 합니다. 또한 "the Loomis method"에서 "Loomis"는 '루미스'가 아니라 '루미스'로 발음합니다. 쉐도잉을 할 때 이런 단어들을 천천히 따라말하며 발음을 교정해야 합니다. 특히 "it's impossible to..."와 같은 문장에서 "it's"의 축약형 발음('이츠'가 아니라 '잇츠')을 주의하세요.

이 영상의 문법

화자가 가장 많이 쓰는 문형을 영상 속 실제 표현과 함께 정리했습니다.

문형	영상 속 표현
현재완료 have/has + 과거분사 — 과거의 일이 지금도 관련이 있을 때	You've probably heard · I've started · has saved
수동태 be + 과거분사 — 누가 하는지보다 무슨 일이 일어나는지에 초점	can be broken · can be simplified · can be divided
관계절 who / which + 절 — 사람이나 사물에 대한 추가 정보	face, which is · template, which is · sides which means

쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법

쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

섀도잉 방법: 단계별 전체 가이드 읽기 →

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이 비디오로 스피킹 연습하는 이유

문맥 속 문법과 표현

발음 난관 포인트

이 영상의 문법

쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법