쉐도잉 연습: How to Speak So That People Want to Listen | Julian Treasure | TED - YouTube로 영어 말하기 배우기
C1
Reviewer Gopal The human voice.
⏸ 일시 정지
재생 속도:
모든 문장208 문장
문장이 너무 짧거나 길면 Edit를 눌러 조정하세요.
1
Reviewer Gopal The human voice.
2
It's the instrument we all play.
3
It's the most powerful sound in the world, probably.
4
It's the only one that can start a war or say, I love you.
5
And yet, many people have the experience that when they speak,
6
people don't listen to them.
7
Why is that?
8
How can we speak powerfully to make change in the world?
9
What I'd like to suggest,
10
there are a number of habits that we need to move away from.
11
I've assembled for your pleasure here seven deadly sins of speaking.
12
I'm not pretending this is an exhaustive list,
13
but these seven, I think, are pretty large.
14
Habits that we can all fall into.
15
First, gossip.
16
Speaking ill of somebody who's not present.
17
Not a nice habit and we know perfectly well the person gossiping five minutes later will be gossiping about us.
18
Second, judging.
19
We know people who are like this in conversation
20
and it's very hard to listen to somebody if you know that you're being judged and found wanting at the same time.
21
Third, negativity.
22
You can fall into this.
23
My mother in the last years of her life became very,
24
very negative and it's hard to listen.
25
It's hard to listen.
26
I remember one day I said to her,
27
it's October the 1st today,
28
and she said, I know, isn't it dreadful?
29
It's hard to listen when somebody's that negative.
30
And another form of negativity, complaining.
31
Well, this is the national art of the UK.
32
It's our national sport, we complain about the weather,
33
about sport, about politics, about everything.
34
But actually complaining is viral misery.
35
It's not spreading sunshine and lightness in the world.
36
Excuses.
37
We've all met this guy,
38
maybe we've all been this guy.
39
Some people have a blame-thrower.
40
They just pass it on to everybody else and don't take responsibility for their actions.
41
And again, hard to listen to somebody who's being like that.
42
Penultimate, the six of the seven.
43
Embroidery.
44
Exaggeration.
45
It demeans our language, actually, sometimes.
46
For example, if I see something that really is awesome,
47
what do I call it?
48
And then of course this exaggeration becomes lying,
49
out and out lying, and we don't want to listen to people we know are lying to us.
50
And finally, dogmatism.
51
The confusion of facts with opinions.
52
When those two things get conflated,
53
you're listening into the wind.
54
Somebody is bombarding you with their opinions as if they were true.
55
It's difficult to listen to that.
56
So here they are, seven deadly sins of speaking.
57
These are things I think we need to avoid.
58
But is there a positive way to think about this?
59
Yes there is.
60
I'd like to suggest that there are four really powerful cornerstones,
61
foundations, that we can stand on if we want our speech to be powerful and to make change in the world.
62
Fortunately, these things spell a word.
63
The word is hail, and it has a great definition as well.
64
I'm not talking about the stuff that falls from the sky and hits you on the head.
65
I'm talking about this definition,
66
to greet or acclaim enthusiastically,
67
which is, I think, how our words will be received if we stand on these four things.
68
So what do they stand for?
69
See if you can guess.
70
The H, honesty, of course.
71
Being true in what you say, being straight and clear.
72
The A is authenticity, just being yourself.
73
A friend of mine described it as standing in your own truth,
74
which I think is a lovely way to put it.
75
The I is integrity, being your word,
76
actually doing what you say,
77
and being somebody people can trust.
78
And the L is love.
79
I don't mean romantic love,
80
but I do mean wishing people well.
81
For two reasons.
82
First of all, I think absolute honesty may not be what we want.
83
I mean, my goodness, you look ugly this morning.
84
Perhaps that's not necessary.
85
Tempered with love, of course,
86
honesty is a great thing.
87
But also, if you're really wishing somebody well,
88
it's very hard to judge them at the same time.
89
I'm not even sure you can do those two things simultaneously.
90
So, hail.
91
Also, now that's what you say,
92
and it's like the old song,
93
it is what you say,
94
it's also the way that you say it.
95
You have an amazing toolbox.
96
This instrument is incredible, and yet this is a toolbox that very few people have ever opened.
97
I'd like to have a little rummage in there with you now,
98
and just pull a few tools out that you might like to take away and play with,
99
which will increase the power of your speaking.
100
Register, for example.
101
Now, falsetto register may not be very useful most of the time,
102
But there's a register in between.
103
I'm not going to get very technical about this for any of you who are voice coaches.
104
You can locate your voice, however.
105
So if I talk up here in my nose,
106
you can hear the difference.
107
If I go down here in my throat,
108
which is where most of us speak from most of the time.
109
But if you want weight,
110
you need to go down here to the chest.
111
You hear the difference?
112
We vote for politicians with lower voices.
113
It's true.
114
Because we associate depth with power and with authority.
115
That's a register.
116
And we have timbre.
117
It's the way your voice feels.
118
Again, the research shows that we prefer voices which are rich,
119
smooth, warm, like hot chocolate.
120
Well, if that's not you,
121
that's not the end of the world, because you can train.
122
Go get a voice coach.
123
And there are amazing things you can do with breathing,
124
with posture, with exercises to improve the timbre of your voice.
125
Then prosody.
126
I love prosody.
127
This is the sing-song, the meta-language that we use in order to impart meaning.
128
It's root one for meaning in conversation.
129
People who speak all on one note are really quite hard to listen to if they don't have any prosody at all.
130
That's where the word monotonic comes from, or monotonous, monotone.
131
Also, we have repetitive prosody now coming in,
132
where every sentence ends as if it were a question.
133
When it's actually not a question, it's a statement.
134
And if you repeat that one over and over,
135
it's actually restricting your ability to communicate through prosody,
136
which I think is a shame.
137
So let's try and break that habit.
138
Pace.
139
I can get very, very excited by saying something really,
140
really quickly, or I can slow right down to emphasize.
141
And at the end of that,
142
of course, is our old friend, silence.
143
There's nothing wrong with a bit of silence in a talk, is there?
144
We don't have to fill it with ums and ahs.
145
It can be very powerful.
146
Of course, pitch often goes along with pace to indicate arousal,
147
but you can do it just with pitch.
148
Where did you leave my keys?
149
Where did you leave my keys?
150
It's a slightly different meaning in those two deliveries.
151
And finally, volume.
152
I can get really excited by using volume.
153
Sorry about that, if I startled anybody.
154
Or I can have you really pay attention by getting very quiet.
155
Some people broadcast the whole time,
156
try not to do that.
157
That's called sodcasting.
158
Imposing your sound on people around you carelessly and inconsiderately.
159
Not nice.
160
Of course, where this all comes into play most of all is when you've got something really important to do.
161
It might be standing on a stage like this and giving a talk to people.
162
It might be proposing marriage,
163
asking for a raise, a wedding speech, whatever it is.
164
If it's really important, you owe it to yourself to look at this toolbox
165
and the engine that it's going to work on.
166
And no engine works well without being warmed up.
167
Warm up your voice.
168
Actually, let me show you how to do that.
169
Would you all like to stand up for a moment?
170
I'm going to show you the six vocal warm-up exercises that I do before every talk I ever do.
171
Any time you're going to talk to anybody important, do these.
172
First arms up, deep breath in,
173
and sigh out, like that.
174
One more time.
175
Very good.
176
Now we're going to warm up our lips,
177
and we're going to go, very good.
178
And now, just like when you were a kid.
179
Now your lips should be coming alive.
180
We're going to do the tongue next with exaggerated la la la la la la la la la.
181
Beautiful.
182
You're getting really good at this.
183
And then roll an R.
184
That's like champagne for the tongue.
185
Finally, and if I can only do one,
186
the pros call this the siren.
187
It's really good.
188
It starts with we and goes to or.
189
The we is high, the or is low.
190
You go, we are, we are.
191
Fantastic.
192
Give yourselves a round of applause.
193
Take a seat.
194
Thank you.
195
Next time you speak, do those in advance.
196
Now, let me just put this in context to close.
197
This is a serious point here.
198
This is where we are now, right?
199
We speak not very well into people who simply aren't listening in an environment that's all about noise and bad acoustics.
200
talked about that on this stage in different phases.
201
What would the world be like
202
if we were speaking powerfully to people who are listening consciously in environments which were actually fit for purpose?
203
Or to make that a bit larger,
204
what would the world be like if we were creating sound consciously
205
and consuming sound consciously and designing all our environments consciously for sound?
206
That would be a world that does sound beautiful
207
and one we're understanding would be the norm and that is an idea worth spreading.
208
Thank you.
앱 다운로드
당신이 말하는 모든 문장을 AI가 채점
TRENDING
인기 동영상
App Store 및 Google Play에서 4.9/5
Shadowing English
모바일에서
Shadowing English 앱으로 언제 어디서나 영어를 배우세요. 오늘 의사 소통 능력을 향상 시키십시오!
학습 진행 상황 추적
AI 채점 및 오류 수정
풍부한 비디오 라이브러리
왜 이 비디오로 말하기 연습을 해야 할까요?
이 비디오는 말하기의 중요성과 사람들의 관심을 끌기 위해 필요한 기술에 대해 논의합니다. 영어 회화 연습을 하고자 하는 모든 학습자에게 유용한 내용을 제공합니다. 많은 사람들이 자신의 목소리가 제대로 전달되지 않거나 상대방이 자신을 듣지 않는다고 느끼지만, 이 강연을 통해 그 해결책을 찾을 수 있습니다. 말하기에는 힘이 있으며, 적절한 기술과 태도를 통해 세상을 변화시키는 데 도움을 줄 수 있습니다. 특히, 유익한 말하기 기술과 긍정적인 태도를 통해 사람들에게 귀 기울이도록 만드는 방법을 배울 수 있습니다.
문맥 속의 문법 및 표현
발표자 Julian Treasure는 여러 가지 중요한 구조를 사용하여 주제를 전달합니다. 이들은 유튜브 영어 공부에 매우 효과적입니다. 여기 몇 가지 주요 구문을 분석해 보겠습니다:
- Gossip: 다른 사람에 대해 부정적인 이야기를 하는 행동으로, 자신의 신뢰성을 떨어뜨립니다. "gossiping"이라는 표현은 소문을 퍼뜨리는 부정적인 행위를 설명합니다.
- Judging: 다른 사람을 판단하는 것은 대화의 흐름을 방해합니다. "It's hard to listen to somebody if you know that you're being judged."라는 문장은 말하는 사람의 태도에 대한 인식을 강조합니다.
- Complaining: 불만을 표현하는 것은 대화의 분위기를 흐립니다. "complaining is viral misery."는 불만의 확산이 다른 사람에게 부정적인 영향을 미친다는 것을 나타냅니다.
이러한 표현들을 IELTS 스피킹 연습 시에도 활용할 수 있습니다.
일반적인 발음 함정
비디오에서 사용되는 몇 가지 단어들은 발음이 어려울 수 있으며, 특히 비음학(음성의 높낮이)와 억양에 주의해야 합니다. 예를 들어:
- Negativity: 이 단어는 세 음절로 구성되어 있으며, 올바른 발음을 위해 각 음절을 강조하는 것이 중요합니다.
- Embroidery: 이 단어는 발음이 복잡할 수 있으며, 특히 'broid' 부분에서 주의를 기울여야 합니다.
- Dogmatism: 이 단어는 종종 잘못 발음되기 쉬운데, 첫 음절에 강세를 두고 명확히 발음하는 연습이 필요합니다.
이러한 발음의 함정은 영어 발음 교정 연습에 도움이 될 수 있으며, 특히 shadowspeak 기법을 활용하여 효과적으로 개선할 수 있습니다.
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.
☕ 커피 한 잔 사주기
ShadowingEnglish는 여러분의 지원 덕분에 100% 무료로 운영됩니다. 서버 및 AI 유지 비용이 많이 듭니다. 여러분의 커피 한 잔이 큰 힘이 됩니다! ��