Shadowing Practice: God of War 3 - Sound Actors in studio - Learn English Speaking with Video
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236 zinnen
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1
This recording session for God of War that we're starting today is the culmination of a lot of preparation.
2
This is definitely the most complicated session I've ever put together.
3
I'm gonna go get a sweatshirt.
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Should come in the other room while we can, huh?
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One of you here and one of you here.
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How close do you need to be?
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Here, just duck under the microphone.
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We need to take a couple minutes to readjust where things are.
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I'm a little nervous about this session, just the number of variables.
10
We've got a lot going on.
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Two actors at a time.
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We've got a lot of people gonna be at the session.
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We've got facial capture, we've got teleprompters, we've got all kinds of stuff.
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It's a new studio.
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There's room for error, but I like to think that I've nailed everything down before we got there.
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But I'm definitely.. my breath's coming a little shorter today than it normally does.
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We are moments away.
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What was it, Kratos?
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All I remember is what I have lost.
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That is why you should give me the power.
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I understand its true meaning.
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My character, I like to think of her as she thinks she's doing something good.
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But in reality, she's trying to take over the world.
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Kratos, she is the key to our revenge.
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I trust you to do the right thing, Kratos.
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You shouldn't.
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Kratos, I found out, is a piece of me that I kind of didn't know existed.
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It's kind of a dark side that it really is fun getting a chance to explore.
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I delivered your revenge on Zeus.
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My vengeance ends now.
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I owe you nothing!
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Urgh!
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When you have the other actor in the room, you're able to come up with a rhythm.
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It makes it more real.
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I really, really like it.
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It gives you a chance to play off of what the other person is doing as opposed to doing it by yourself.
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We're getting so much from this performance that we wouldn't normally get.
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I'm totally stoked about it right now.
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You owe me this Kratos!
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I owe you nothing!
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Bravo!
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That's perfect!
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Awesome.
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That was it.
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That was it.
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I knew you'd come back.
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I've never worked with the prompters, and it's really freeing for the actor actor
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because you know you're looking straight ahead instead of always you know face down in the page
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and it's really a cool experience.
50
Find the labyrinth!
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AHHHH!
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AHHHH!
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Please!
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Help!
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Kratos!
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One of my favorite things to do is scream.
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I really...
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I like...
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I don't know why.
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Maybe...
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No, I don't know.
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Why?
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I saw Zeus torture my father.
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I just try really a simple approach to it.
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It's bringing those words into your character and actually thinking a thought before it.
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It makes it more real.
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They called me a monster.
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Beautiful.
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Natalie was new.
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We had never worked with her before.
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She was an ace.
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She totally knocked it out of the park.
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Many more variables than a normal voiceover session for a game today.
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And it went very, very well.
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I'm happy with how today turned out.
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Phenomenal.
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Phenom.
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That's all that really matters is Stig is happy.
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And Stig's happy, we're all happy.
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Who is Hercules?
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Well, it was me for seven years on TV, so this is a whole different look.
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I didn't quite have that look.
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I had kind of more gear on it.
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I didn't weigh, you know, 4,000 pounds.
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This guy's like about 12 feet tall.
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They called them labors.
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Ha!
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That was good.
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That was really good.
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Kevin Sorbo was obviously an easy choice because he's Hercules, Not necessarily in terms of the way that he's played Perkins in the past, a little bit of a departure.
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Can we get, but this kind of brother, more seething?
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But this time, brother, this time I will destroy you.
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That's good.
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In this game, he's a much darker brute.
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He's not the brightest light bulb out there, but at the same time, when it comes to war, he's brilliant.
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The direction is more pissed.
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Okay.
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As pissed as you can get.
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The most valuable I can be is to take what the creator of the game has been imagining
100
and seeing on paper for a long time and bringing it to life with the voice.
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And trying to find different ways to get to actors to achieve what he wants to do.
102
One thing, if you would, Kevin.
103
Yeah.
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Take the breath after stables and then you can finish off the phrase.
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Okay.
106
The most frustrating thing about doing voiceover is the amount of time you've got to do each line.
107
You've got to repeat it, but you've got to also do it in so many different ways, so many different inflections, and you end up losing your voice.
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Have you not killed enough of your family?
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Good.
110
That's very good.
111
It was a slam dunk.
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He really brought a passion to the character, and he was very professional.
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His voice was kind of running out.
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That's when he gave some of his best stuff.
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Fantastic.
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Beautiful.
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Yay!
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Thank you.
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It wasn't the same Hercules, not even close to it.
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So it was a darker and more sinister person and a more evil person to deal with and play.
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But, you know, from my standpoint, it was a lot of fun.
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It's the latest thing.
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New Day recording.
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Very excited about it.
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Today we're doing Rip Torn and Malcolm McDowell.
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The game's based on Greek mythology.
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This guy's like the Smith God.
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And he's like...
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Always the Vulcan.
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Yes, exactly.
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The Roman name for Hephaestus is Vulcan.
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He's the god of fire and he's a great blacksmith.
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The greatest thing you have on stage is the other actor.
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I don't get extra time for this.
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Thank you.
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They are entertainment and they are movies and you can get involved in it.
137
It kind of gives you a semblance of what live theater used to be when you had audience participation.
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Yeah, I kind of look like that.
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Ghost of Sparta.
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It is you.
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Well, well, well.
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I thought Zeus would have killed you by now.
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Oh, what's he doing?
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He's the inventor.
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He also created a labyrinth.
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A labyrinth?
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Wow.
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And where is the golf course?
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It's really cool.
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Eat lunch with Malcolm McDowell, he can't be dead.
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The ice storm, that will give me the power, the power to bring my son back to me.
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Where is my boy?
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That's awesome.
154
You bastards! That was awesome.
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That was fabulous.
156
We want to protect him with one more, please.
157
One more please?
158
Oh, we're not gonna go protecting all these tapes, are we?
159
Don't tell me we're gonna do two fucking tapes.
160
Why don't you just use a bit of proper tape?
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You're gonna...
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Why do we have to do two tapes of everything?
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Well, because we...
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Not for protection?
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Yeah.
166
Oh, come on.
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Let's listen to it.
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That's nonsense.
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We're gonna listen to one line and be right with you.
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Okay.
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That's right there.
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You don't mind, right?
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Because it's really...
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If I'm in a jag and it's going, it's going.
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I hear ya.
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Could we do the line to escape it, please?
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Yes.
178
One more time.
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Tell me what you need.
180
The word catalyst had a little bit of a squirtle to it.
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Okay.
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Okay?
183
When you're ready.
184
Okay.
185
To escape it, we must assemble it.
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Actors are so varied and so different in the way they work,
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and to find what that key in there is and unlock
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that door with them and then be able to play is really a challenge and a kick at the same time.
189
He said that if I took the liquid fire and the sling, oh, my boy, oh, my child!
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I actually like that.
191
It's different than what we thought.
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Terrific, thank you.
193
Vengeance on the king of gods.
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You'll need an army of gods. And weapons.
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Of course, weapons.
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I could build.
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I could use the fire of Hades.
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Wait, please.
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Please, wait.
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Free me.
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Free me from my torture.
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We're good.
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We're good.
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Thank you, Spot.
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Thanks, Barton.
206
I say, oh boy.
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I say, squaza.
208
We're not used to people coming in here and nailing it so, like, basically knocking it out of the park like this.
209
Oh, really?
210
We had more time, so.
211
Well, no, okay.
212
Well, listen, I just thought, oh, my God.
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I thought I had reams and reams and I had to do everything twice.
214
I was like, oh, my God.
215
If you've got it, you've got it, right?
216
Right.
217
Yeah, we've got some great stuff.
218
Great.
219
It's fantastic.
220
Terrific.
221
Thank you.
222
My pleasure.
223
To work with Malcolm McDowell and Rip Torn in the same day.
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Pretty wild experience.
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It's fascinating to me too, the different acting styles, because Malcolm McDowell is very much the Royal Shakespeare Company
226
and then it comes in word for word like that.
227
And Rip Torn is more of the old actor's studio and he's a little bit up and down and nowhere, but out of that comes a gold of its own kind.
228
There's an extra level of dimension and texture
229
that we got to them That's just through the fact
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that they're they're fucking good actors now that we've gotten the recording part of it down
231
My stress level has decreased a great deal now.
232
You can have a glass of wine But you are the reason I live in torment.
233
He told me he would kill you.
234
He can't.
235
Perhaps he did allow me to kill the Nemean lion, but he made your name known amongst the people.
236
A fierce warrior, a killer made a hero, a man made a god.
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Woordenschat en spreektips bij deze les
Deze spreekles op niveau B2 is gebaseerd op de video “God of War 3 - Sound Actors in studio”. Deze video bevat 236 zinnen en 1641 woorden om na te spreken. Het gesproken deel duurt 10:15. De spreker praat in een natuurlijk tempo van ongeveer 160 woorden per minuut, dicht bij een alledaags gesprek. 84% van de woorden hoort bij de 3.000 meest gebruikte Engelse woorden; de rest kun je beter vooraf bekijken.
Belangrijke woorden in deze video
De 15 moeilijkste woorden uit de video, met uitspraak en betekenis:
| Woord | Uitspraak | Betekenis |
|---|---|---|
| labyrinth zelfstandig naamwoord | /ˈlæb.ə.ɹɪnθ/ | doolhof, labyrint |
| ream zelfstandig naamwoord | /ɹiːm/ | riem |
| vengeance zelfstandig naamwoord | /ˈvɛnˌd͡ʒəns/ | vendetta, vergelding |
| terrific bijvoeglijk naamwoord | geweldig, verschrikkelijk | |
| variable bijvoeglijk naamwoord | [ˈvæɹ.i.ə.bl̩] | veranderlijk, variabel |
| torture zelfstandig naamwoord | /ˈtoɹt͡ʃɚ/ | marteling, foltering |
| blacksmith zelfstandig naamwoord | /ˈblæk.smɪθ/ | smid |
| fascinate werkwoord | /ˈfæsɪneɪt/ | fascineren |
| frustrate werkwoord | /ˈfɹʌsˌtɹeɪt/ | frustreren |
| inflection zelfstandig naamwoord | /ɪnˈflɛkʃən/ | flexie |
| prompter zelfstandig naamwoord | souffleur, souffleuse | |
| seethe werkwoord | /sið/ | zieden, koken |
| sweatshirt zelfstandig naamwoord | /ˈswɛtʃəːt/ | sweatshirt |
| torment zelfstandig naamwoord | /ˈtɔː(ɹ)mɛnt/ | kwelling |
| inventor zelfstandig naamwoord | /ɪnˈvɛntɚ/ | uitvinder |
Phrasal verbs die je zult horen
| Woord | Betekenis |
|---|---|
| come back werkwoord | terugkomen |
| come up with werkwoord | bedenken, verzinnen |
| end up werkwoord | belanden, terechtkomen |
| find out werkwoord | ontdekken, onderzoeken |
| run out werkwoord | niet meer hebben |
| take over werkwoord | overnemen |
| turn out werkwoord | uitvallen, resulteren |
Zinnen om te herhalen
Korte, volledige zinnen uit de video die je in alledaagse gesprekken kunt gebruiken:
- I'm gonna go get a sweatshirt.
- How close do you need to be?
- We've got a lot going on.
- Why don't you just use a bit of proper tape?
- Could we do the line to escape it, please?
Uitspraak om op te letten
De spreker gebruikt 59 samentrekkingen en verkorte vormen, zoals we're, we've, don't. Spreek ze kort uit, zoals je ze hoort.
- De “th”-klanken: labyrinth /ˈlæb.ə.ɹɪnθ/, blacksmith /ˈblæk.smɪθ/, seethe /sið/, mythology /mɪˈθɑ.lə.d͡ʒi/, rhythm /ˈɹɪð.əm/
- De klanken “sh” en “zh”: culmination /ˌkʌl.mɪˈneɪ.ʃən/, inflection /ɪnˈflɛkʃən/, dimension /daɪˈmɛn.ʃən/, facial /ˈfeɪ.ʃəl/
- Lange woorden — let op de klemtoon: culmination /ˌkʌl.mɪˈneɪ.ʃən/, teleprompter /ˈtɛləˌpɹɑmptəɹ/, mythology /mɪˈθɑ.lə.d͡ʒi/, phenomenal /fɪˈnɒmɪnəl/
Zo oefen je met deze video
- Luister de hele video één keer zonder te spreken en noteer de woorden die je niet kent.
- Begin op 0,75× snelheid, spreek zin voor zin na en ga terug naar normale snelheid zodra het makkelijk gaat.
- Neem jezelf op en vergelijk met het origineel; let daarbij op woorden als labyrinth, ream, vengeance.
Wat is de Shadowing-techniek?
Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.