Shadowing Practice: Having fun will make you more successful - Learn English Speaking with Video
Les maken...
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Life can be much broader once you discover one simple fact,
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and that is everything around you that you call life Was made up by people that were no smarter than you
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Everyone wants to be taken seriously And that
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Is exactly what's holding them back every decision you make about
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how you present yourself What you say what you don't say what you try
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and what you don't try somewhere underneath all of it is the same question Will this make me look stupid?
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And the answer to that question controls more of your life than you'd probably like to admit.
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And yet the people who actually win, consistently, unreasonably, in ways that don't make sense to everyone doing everything right, they all share one thing.
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They stopped caring about that question a long time ago.
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There's a word for this person.
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The fool.
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Not as an insult.
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As an archetype.
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The character who shows up in every culture, every era, every medium, always underestimated.
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Always the last one anyone expects to win.
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And in real life, every few decades someone shows up who embodies this so completely that it changes everything around them.
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When you were a kid, you didn't think about how to have fun.
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You just had it.
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You picked up a stick and it was a sword.
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You played for hours and lost track of time completely because time wasn't a concept that applied to you yet.
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You were just in it.
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At some point that changed.
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It happens gradually, the way all the important things happen.
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You start caring about how you look doing something.
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You start calculating whether it's worth the effort.
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And before you know it, you've organized your life around avoiding the feeling of not knowing what you're doing.
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Adults watch kids play and say things like, Oh man, I remember those days.
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Let them enjoy it while they can.
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As if play has an expiry date.
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As if presence is something that belongs to childhood and has to be surrendered at some point in exchange for seriousness.
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It doesn't.
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You just forgot how.
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I drove down from a Holland Drive every night that I went up there
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feeling that I was one of the biggest actors in Hollywood.
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And I actually wrote myself a check.
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And this is for real.
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This is not a joke.
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I wrote myself a check for $10 million for acting services rendered
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and I gave myself five years and I dated it Thanksgiving 1995.
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At the time he had essentially nothing.
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He was a struggling comedian who people found funny but not quite serious enough to take seriously.
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I was always into this visualization and stuff.
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This is when you were broke and poor.
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Right, having directors interested in me and saying, you know, I like your work or whatever that is
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and I would visualize things coming to me that I wanted or whatever.
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The thing about Jim Carrey is that he was never doing what actors were supposed to do.
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He was playing.
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His whole career was built on a willingness to look completely ridiculous, to commit to a bit so fully that it stopped being a bit and became something else.
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To do the thing nobody was sure he should do, and do it with such total conviction that it worked.
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I had no idea what I wanted to do with my life, and no idea how college was going to help me figure it out.
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So I decided to drop out and trust that it would all work out okay.
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It was pretty scary at the time, but looking back, it was one of the best decisions I ever made.
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And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on.
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Reed College at that time offered perhaps the best calligraphy instruction in the country.
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Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this.
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I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great.
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It was beautiful, historical, artistically subtle in a way that science can't capture.
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And I found it fascinating.
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None of this had even a hope of any practical application in my life.
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But ten years later, when we were designing the first Macintosh computer, it all came back to me.
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And we designed it all into the Mac.
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It was the first computer with beautiful typography.
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You couldn't have planned that.
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Nobody could have planned that.
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It only happened because he was playing, following his interest without requiring it to make sense first, without demanding that it justify itself before he gave it his time.
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When he introduced the iPhone in 2007, he was in his element, bouncing across the stage, pulling the device out of his pocket like a magic trick.
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Using the word magical more than seemed professional, he was having fun.
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He was playing, and the audience felt it, and the world changed.
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Kanye West released his first album in 2004 after being told repeatedly that rappers who produce beats don't also rap.
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That wasn't how it worked.
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The lanes were separate.
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He ignored this and made the college drop out anyway, which went five times platinum and changed what hip hop sounded like for the next decade.
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Then he made Late Registration, then Graduation, then 808s and Heartbreak, where he processed grief through autotune in a way
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that almost everyone said was a terrible idea and that influenced basically every artist who came after him.
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I always felt like I could do anything.
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That's the main thing people are controlled by.
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Their perception of themselves.
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They're slowed down by their perception of themselves.
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If you're taught you can't do anything, you won't do anything.
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I was taught I could do everything.
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My mom always taught me you have to believe it first.
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You have to believe it first.
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So what's when I had to believe that I could make it instigating first.
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That was one of the first things.
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And I believed it and I willed it.
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And they say overconfident, like that's a bad thing.
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I think overconfident, maybe that needs to be a bad word.
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How could you be overconfident?
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You should be overconfident.
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You should have had no power.
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The through line in all of it is that Kanye treats making music like play.
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He follows whatever interests him, regardless of whether it makes sense from the outside.
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He commits to ideas that seem wrong until they seem obvious.
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He talks about himself with an enthusiasm that makes people uncomfortable.
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Because most people have learned to shrink their confidence to a size that won't offend anyone, and Kanye never learned that, or decided not to.
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The fact that I'm willing to fail is an inspiration.
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People are so scared to lose that they don't even try.
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Like, one thing that people can't say is they can't say, I'm not trying.
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We're all gonna die one day.
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Live like that.
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Live like you could die tomorrow.
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You know, go for it.
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Monkey D.
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Luffy is the captain of a pirate crew who can barely read a map, has no real plan for how to become King of the Pirates,
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and regularly wanders into situations that should get him killed.
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His crew is constantly terrified.
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His enemies consistently underestimate him, and he wins because he's playing while everyone else is working, because he moves toward things with a kind of pure,
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unfiltered enthusiasm that doesn't leave room for hesitation, because he decided what he wanted, declared it out loud without worrying whether it sounded stupid,
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and started moving toward it immediately.
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Jack Sparrow wins by being impossible to model.
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Every villain, every rival, every person trying to outmaneuver him runs into the same problem.
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He doesn't behave according to the logic they're using.
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He's spinning, stumbling, making decisions that look like accidents and turn out to be genius,
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or actually are accidents and work out anyway because he's so committed to the bit that reality bends around him.
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He treats the whole thing like a game, which means he's free to improvise while everyone else is executing a plan.
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And improvisation, it turns out, is how you win when reality stops cooperating with the plan.
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Alright enough pirates.
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Peter Parker is the most relatable superhero ever written, because he has no idea what he's doing most of the time, and does it anyway.
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Miles Morales spends the entire first movie terrified.
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Can't stick to walls properly.
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Can't control his powers.
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And then there's that scene where he's standing at the edge of a building, and someone tells him to leap and trust it.
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And he just goes.
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He jumps before he's ready.
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Figures it out on the way down.
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Watch any of them closely enough, and you notice the same thing.
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Time stops mattering.
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Everything around them sharpens.
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Athletes call it being in the zone.
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Musicians say the music starts playing itself.
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You get there by playing, by loosening your grip on the outcome and just doing the thing.
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The fool is already doing it while you're still deciding whether to start.
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Already three reps in.
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Already figuring out what works by finding out what doesn't.
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That's the actual advantage.
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The number one advantage the fool has is the one that sounds like a weakness.
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Not being afraid to look like a fool.
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This sounds simple.
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It isn't.
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Most of what adults do on any given day is organized around not looking stupid.
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The version of yourself you present to the world edited down to the parts you're confident about, with the uncertain parts kept private until you've figured them out.
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This is completely understandable.
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It's also the thing that keeps most people from ever finding out what they're actually capable of.
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The only way to get good at something is to be bad at it first, publicly, where people can see you.
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The only way to find your voice is to say things before you've found it.
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The person who's afraid to look foolish has to defend every decision they make.
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So they keep doing the wrong thing longer than they should.
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They optimize for appearing competent over actually being effective.
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And they fall behind the fool, who already pivoted three times and is somewhere completely different now.
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Playing in a new space, figuring it out in real time.
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This is what Fool Maxing actually is.
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The full commitment to presence, to play, to action without the paralysis of self-consciousness.
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The willingness to step toward the edge.
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The Fool always wins because the Fool is the only one actually playing.
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Woordenschat en spreektips bij deze les
Deze video bevat 154 zinnen en 1806 woorden om na te spreken. Het gesproken deel duurt 10:17. De spreker praat in een natuurlijk tempo van ongeveer 176 woorden per minuut, dicht bij een alledaags gesprek. 85% van de woorden hoort bij de 3.000 meest gebruikte Engelse woorden; de rest kun je beter vooraf bekijken.
Belangrijke woorden in deze video
15 minder gangbare woorden uit de video, met uitspraak en betekenis:
- commit /kəˈmɪt/ (werkwoord) — toevertrouwen, toewijzen. To give in trust; to put into charge or keeping; to entrust; to consign; used with to or formerly unto.
- pirate /ˈpaɪɹət/ (zelfstandig naamwoord) — piraat, zeerover. A criminal who plunders at sea; commonly attacking merchant vessels, though often pillaging port towns.
- perception /pɚˈsɛpʃ(ə)n/ (zelfstandig naamwoord) — perceptie, gewaarwording. The organisation, identification and interpretation of sensory information.
- enthusiasm /ɪnˈθuziæzəm/ (zelfstandig naamwoord) — enthousiasme, geestdrift. An intensity of feeling; an excited interest or eagerness.
- organize /ˈɔɹɡənaɪz/ (werkwoord) — organiseren. To arrange in working order.
- underestimate /ʌndɚˈɛs.tɪ.meɪt/ (werkwoord) — onderschatten. To estimate too low; to perceive (someone or something) as having a lower value, quantity, worth, etc., than what he/she/it actually has.
- ignore /ɪɡˈnɔː/ (werkwoord) — negeren. To deliberately not listen or pay attention to.
- pocket /ˈpɑ.kɪt/ (zelfstandig naamwoord) — zak. A bag stitched to an item of clothing, used for carrying small items.
- practical /ˈpɹæk.tɪ.kəl/ (bijvoeglijk naamwoord) — praktisch. Relating to, or based on, practice or action rather than theory or hypothesis.
- regardless /ɹɪˈɡɑɹd.lɪs/ (bijwoord) — desondanks, niettemin. Without attention to warnings or indications of bad consequences.
- defend /dɪˈfɪnd/ (werkwoord) — verdedigen. To ward off attacks against (something or someone).
- element /ˈɛləmənt/ (zelfstandig naamwoord) — element. One of the simplest or essential parts or principles of which anything consists, or upon which the constitution or fundamental powers of anything are based.
- ridiculous /ɹɪˈdɪk.jə.ləs/ (bijvoeglijk naamwoord) — belachelijk, lachwekkend. Deserving of ridicule; foolish, absurd.
- commitment /kəˈmɪtmənt/ (zelfstandig naamwoord) — verbintenis, verplichting. The act of sending a legislative bill to committee for review.
- essentially /ɪˈsɛnʃəli/ (bijwoord) — essentieel. In essence: by nature.
Phrasal verbs die je zult horen
- find out (werkwoord) — ontdekken, onderzoeken. To discover, as by asking or investigating.
- work out /ˌwɝk ˈaʊt/ (werkwoord) — uitrekenen. To calculate.
- figure out (werkwoord) — uitvogelen, er achter komen. To come to understand; to discover or find a solution; to deduce.
- look back (werkwoord) — achterom kijken, terugkijken. To think of (past events) in retrospect (in hindsight).
- pick up (werkwoord) — oppakken, optillen. To lift; to grasp and raise.
- show up (werkwoord) — tentoonstellen. To appear, arrive, or attend, especially suddenly or erratically.
- slow down (werkwoord) — afremmen. To decelerate.
- turn out (werkwoord) — uitvallen, resulteren. To end up; to result.
Uitspraak om op te letten
De spreker gebruikt 38 samentrekkingen en verkorte vormen, zoals can't, don't, doesn't. Spreek ze kort uit, zoals je ze hoort.
- De “th”-klanken: enthusiasm /ɪnˈθuziæzəm/, athlete /ˈæθ.liːt/, underneath /ˌʌndɚˈniθ/
- De klanken “sh” en “zh”: perception /pɚˈsɛpʃ(ə)n/, capture /ˈkæp.(t)ʃɚ/, essentially /ɪˈsɛnʃəli/, inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, conviction /kənˈvɪkʃən/
- Lange woorden — let op de klemtoon: consistently /kənˈsɪstəntli/, enthusiasm /ɪnˈθuziæzəm/, underestimate /ʌndɚˈɛs.tɪ.meɪt/, ridiculous /ɹɪˈdɪk.jə.ləs/, essentially /ɪˈsɛnʃəli/
Zo oefen je met deze video
- Luister de hele video één keer zonder te spreken en noteer de woorden die je niet kent.
- Begin op 0,75× snelheid, spreek zin voor zin na en ga terug naar normale snelheid zodra het makkelijk gaat.
- Neem jezelf op en vergelijk met het origineel; let daarbij op woorden als commit, pirate, perception.
Grammatica in deze video
De structuren die de spreker het meest gebruikt, met de exacte woorden uit de video:
| Structuur | In de video |
|---|---|
| Lijdende vorm be + voltooid deelwoord — het gaat om wat er gebeurt, niet om wie het doet | Was made · be taken · be surrendered |
| Present perfect have/has + voltooid deelwoord — iets uit het verleden dat nu nog telt | you've organized · have learned · you've figured |
| Betrekkelijke bijzinnen who / which + zin — extra informatie over een persoon of ding | people who actually · game, which means |
Wat is de Shadowing-techniek?
Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.