Shadowing Practice: Having fun will make you more successful - Learn English Speaking with Video
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Life can be much broader once you discover one simple fact,
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and that is everything around you that you call life Was made up by people that were no smarter than you
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Everyone wants to be taken seriously And that
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Is exactly what's holding them back every decision you make about
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how you present yourself What you say what you don't say what you try
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and what you don't try somewhere underneath all of it is the same question Will this make me look stupid?
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And the answer to that question controls more of your life than you'd probably like to admit.
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And yet the people who actually win, consistently, unreasonably, in ways that don't make sense to everyone doing everything right, they all share one thing.
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They stopped caring about that question a long time ago.
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There's a word for this person.
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The fool.
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Not as an insult.
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As an archetype.
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The character who shows up in every culture, every era, every medium, always underestimated.
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Always the last one anyone expects to win.
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And in real life, every few decades someone shows up who embodies this so completely that it changes everything around them.
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When you were a kid, you didn't think about how to have fun.
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You just had it.
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You picked up a stick and it was a sword.
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You played for hours and lost track of time completely because time wasn't a concept that applied to you yet.
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You were just in it.
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At some point that changed.
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It happens gradually, the way all the important things happen.
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You start caring about how you look doing something.
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You start calculating whether it's worth the effort.
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And before you know it, you've organized your life around avoiding the feeling of not knowing what you're doing.
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Adults watch kids play and say things like, Oh man, I remember those days.
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Let them enjoy it while they can.
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As if play has an expiry date.
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As if presence is something that belongs to childhood and has to be surrendered at some point in exchange for seriousness.
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It doesn't.
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You just forgot how.
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I drove down from a Holland Drive every night that I went up there
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feeling that I was one of the biggest actors in Hollywood.
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And I actually wrote myself a check.
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And this is for real.
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This is not a joke.
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I wrote myself a check for $10 million for acting services rendered
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and I gave myself five years and I dated it Thanksgiving 1995.
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At the time he had essentially nothing.
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He was a struggling comedian who people found funny but not quite serious enough to take seriously.
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I was always into this visualization and stuff.
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This is when you were broke and poor.
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Right, having directors interested in me and saying, you know, I like your work or whatever that is
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and I would visualize things coming to me that I wanted or whatever.
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The thing about Jim Carrey is that he was never doing what actors were supposed to do.
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He was playing.
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His whole career was built on a willingness to look completely ridiculous, to commit to a bit so fully that it stopped being a bit and became something else.
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To do the thing nobody was sure he should do, and do it with such total conviction that it worked.
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I had no idea what I wanted to do with my life, and no idea how college was going to help me figure it out.
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So I decided to drop out and trust that it would all work out okay.
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It was pretty scary at the time, but looking back, it was one of the best decisions I ever made.
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And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on.
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Reed College at that time offered perhaps the best calligraphy instruction in the country.
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Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this.
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I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great.
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It was beautiful, historical, artistically subtle in a way that science can't capture.
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And I found it fascinating.
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None of this had even a hope of any practical application in my life.
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But ten years later, when we were designing the first Macintosh computer, it all came back to me.
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And we designed it all into the Mac.
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It was the first computer with beautiful typography.
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You couldn't have planned that.
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Nobody could have planned that.
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It only happened because he was playing, following his interest without requiring it to make sense first, without demanding that it justify itself before he gave it his time.
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When he introduced the iPhone in 2007, he was in his element, bouncing across the stage, pulling the device out of his pocket like a magic trick.
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Using the word magical more than seemed professional, he was having fun.
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He was playing, and the audience felt it, and the world changed.
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Kanye West released his first album in 2004 after being told repeatedly that rappers who produce beats don't also rap.
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That wasn't how it worked.
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The lanes were separate.
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He ignored this and made the college drop out anyway, which went five times platinum and changed what hip hop sounded like for the next decade.
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Then he made Late Registration, then Graduation, then 808s and Heartbreak, where he processed grief through autotune in a way
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that almost everyone said was a terrible idea and that influenced basically every artist who came after him.
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I always felt like I could do anything.
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That's the main thing people are controlled by.
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Their perception of themselves.
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They're slowed down by their perception of themselves.
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If you're taught you can't do anything, you won't do anything.
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I was taught I could do everything.
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My mom always taught me you have to believe it first.
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You have to believe it first.
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So what's when I had to believe that I could make it instigating first.
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That was one of the first things.
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And I believed it and I willed it.
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And they say overconfident, like that's a bad thing.
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I think overconfident, maybe that needs to be a bad word.
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How could you be overconfident?
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You should be overconfident.
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You should have had no power.
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The through line in all of it is that Kanye treats making music like play.
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He follows whatever interests him, regardless of whether it makes sense from the outside.
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He commits to ideas that seem wrong until they seem obvious.
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He talks about himself with an enthusiasm that makes people uncomfortable.
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Because most people have learned to shrink their confidence to a size that won't offend anyone, and Kanye never learned that, or decided not to.
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The fact that I'm willing to fail is an inspiration.
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People are so scared to lose that they don't even try.
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Like, one thing that people can't say is they can't say, I'm not trying.
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We're all gonna die one day.
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Live like that.
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Live like you could die tomorrow.
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You know, go for it.
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Monkey D.
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Luffy is the captain of a pirate crew who can barely read a map, has no real plan for how to become King of the Pirates,
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and regularly wanders into situations that should get him killed.
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His crew is constantly terrified.
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His enemies consistently underestimate him, and he wins because he's playing while everyone else is working, because he moves toward things with a kind of pure,
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unfiltered enthusiasm that doesn't leave room for hesitation, because he decided what he wanted, declared it out loud without worrying whether it sounded stupid,
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and started moving toward it immediately.
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Jack Sparrow wins by being impossible to model.
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Every villain, every rival, every person trying to outmaneuver him runs into the same problem.
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He doesn't behave according to the logic they're using.
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He's spinning, stumbling, making decisions that look like accidents and turn out to be genius,
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or actually are accidents and work out anyway because he's so committed to the bit that reality bends around him.
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He treats the whole thing like a game, which means he's free to improvise while everyone else is executing a plan.
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And improvisation, it turns out, is how you win when reality stops cooperating with the plan.
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Alright enough pirates.
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Peter Parker is the most relatable superhero ever written, because he has no idea what he's doing most of the time, and does it anyway.
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Miles Morales spends the entire first movie terrified.
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Can't stick to walls properly.
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Can't control his powers.
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And then there's that scene where he's standing at the edge of a building, and someone tells him to leap and trust it.
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And he just goes.
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He jumps before he's ready.
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Figures it out on the way down.
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Watch any of them closely enough, and you notice the same thing.
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Time stops mattering.
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Everything around them sharpens.
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Athletes call it being in the zone.
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Musicians say the music starts playing itself.
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You get there by playing, by loosening your grip on the outcome and just doing the thing.
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The fool is already doing it while you're still deciding whether to start.
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Already three reps in.
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Already figuring out what works by finding out what doesn't.
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That's the actual advantage.
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The number one advantage the fool has is the one that sounds like a weakness.
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Not being afraid to look like a fool.
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This sounds simple.
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It isn't.
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Most of what adults do on any given day is organized around not looking stupid.
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The version of yourself you present to the world edited down to the parts you're confident about, with the uncertain parts kept private until you've figured them out.
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This is completely understandable.
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It's also the thing that keeps most people from ever finding out what they're actually capable of.
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The only way to get good at something is to be bad at it first, publicly, where people can see you.
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The only way to find your voice is to say things before you've found it.
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The person who's afraid to look foolish has to defend every decision they make.
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So they keep doing the wrong thing longer than they should.
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They optimize for appearing competent over actually being effective.
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And they fall behind the fool, who already pivoted three times and is somewhere completely different now.
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Playing in a new space, figuring it out in real time.
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This is what Fool Maxing actually is.
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The full commitment to presence, to play, to action without the paralysis of self-consciousness.
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The willingness to step toward the edge.
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The Fool always wins because the Fool is the only one actually playing.
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Vocabulario y notas de pronunciación para esta lección
Este vídeo tiene 154 frases y 1806 palabras para practicar shadowing. La parte hablada dura 10:17. El hablante habla a un ritmo natural de unas 176 palabras por minuto, cercano a una conversación cotidiana. El 85 % de las palabras está entre las 3.000 más comunes del inglés; conviene repasar el resto antes de empezar.
Vocabulario clave de este vídeo
15 palabras menos comunes del vídeo, con su pronunciación y significado:
- commit /kəˈmɪt/ (verbo) — encomendar. To give in trust; to put into charge or keeping; to entrust; to consign; used with to or formerly unto.
- pirate /ˈpaɪɹət/ (sustantivo) — pirata, bucanero. A criminal who plunders at sea; commonly attacking merchant vessels, though often pillaging port towns.
- consistently /kənˈsɪstəntli/ (adverbio) — consistentemente. In a consistent manner.
- perception /pɚˈsɛpʃ(ə)n/ (sustantivo) — percepción. The organisation, identification and interpretation of sensory information.
- enthusiasm /ɪnˈθuziæzəm/ (sustantivo) — entusiasmo. An intensity of feeling; an excited interest or eagerness.
- organize /ˈɔɹɡənaɪz/ (verbo) — organizar. To arrange in working order.
- willingness /ˈwɪlɪŋnəs/ (sustantivo) — voluntariedad, alacridad. The state of being willing
- underestimate /ʌndɚˈɛs.tɪ.meɪt/ (verbo) — subestimar. To estimate too low; to perceive (someone or something) as having a lower value, quantity, worth, etc., than what he/she/it actually has.
- ignore /ɪɡˈnɔː/ (verbo) — ignorar, desoír. To deliberately not listen or pay attention to.
- pocket /ˈpɑ.kɪt/ (sustantivo) — bolsillo, bolsa. A bag stitched to an item of clothing, used for carrying small items.
- practical /ˈpɹæk.tɪ.kəl/ (adjetivo) — práctico. Relating to, or based on, practice or action rather than theory or hypothesis.
- regardless /ɹɪˈɡɑɹd.lɪs/ (adverbio) — pese a todo, a pesar de todo. Without attention to warnings or indications of bad consequences.
- trick /ˈtɹɪk/ (sustantivo) — truco, artimaña. Something designed to fool, dupe, outsmart, mislead or swindle.
- defend /dɪˈfɪnd/ (verbo) — defender, defensar. To ward off attacks against (something or someone).
- element /ˈɛləmənt/ (sustantivo) — elemento. One of the simplest or essential parts or principles of which anything consists, or upon which the constitution or fundamental powers of anything are based.
Phrasal verbs que vas a escuchar
- drop out (verbo) — marginarse. To leave (school, a race, etc.) prematurely and voluntarily.
- find out (verbo) — averiguar, anoticiarse. To discover, as by asking or investigating.
- build on /bɪldɑn/ (verbo) — construir / edificar sobre, aprovechar. To add additional elements or components to (a framework, a concept, a device, etc.) in order to extend it.
- come after (verbo) — venir por. To pursue or follow; to pursue with hostile intent.
- fall behind (verbo) — atrasar. To be late (for a regular event)
- figure out (verbo) — averiguar, captar. To come to understand; to discover or find a solution; to deduce.
- go up (verbo) — subir. To move upwards.
- look back (verbo) — recordar, volver la cabeza. To think of (past events) in retrospect (in hindsight).
Pronunciación a tener en cuenta
El hablante usa 38 contracciones y formas reducidas, como can't, don't, doesn't. Dilas en su forma corta, tal como las oyes.
- Los sonidos de “th”: enthusiasm /ɪnˈθuziæzəm/, athlete /ˈæθ.liːt/, underneath /ˌʌndɚˈniθ/
- Los sonidos de “sh” y “zh”: perception /pɚˈsɛpʃ(ə)n/, capture /ˈkæp.(t)ʃɚ/, essentially /ɪˈsɛnʃəli/, inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, conviction /kənˈvɪkʃən/
- Palabras largas — cuida el acento: consistently /kənˈsɪstəntli/, enthusiasm /ɪnˈθuziæzəm/, underestimate /ʌndɚˈɛs.tɪ.meɪt/, ridiculous /ɹɪˈdɪk.jə.ləs/, essentially /ɪˈsɛnʃəli/
Cómo practicar con este vídeo
- Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
- Empieza a velocidad 0,75×, haz shadowing frase por frase y vuelve a la velocidad normal cuando te resulte fácil.
- Grábate y compara con el original, prestando atención a palabras como commit, pirate, consistently.
Gramática en este vídeo
Las estructuras que más usa el hablante, con las palabras exactas del vídeo:
| Estructura | En el vídeo |
|---|---|
| Voz pasiva be + participio pasado — importa lo que ocurre, no quién lo hace | Was made · be taken · be surrendered |
| Present perfect have/has + participio pasado — una acción pasada que sigue importando ahora | you've organized · have learned · you've figured |
| Oraciones de relativo who / which + oración — información extra sobre una persona o cosa | people who actually · game, which means |
¿Qué es la Técnica de Shadowing?
Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.