Shadowing Practice: Sculptra: Combination Technique - Learn English Speaking with Video
Les maken...
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What's going on YouTube?
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Today is all about sculpture.
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I'm going to show you my combination technique that I use in order to provide the most natural looking results possible.
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I'm going to explain why I use this technique and of course it's for free.
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So stay tuned and enjoy.
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Let's get into it.
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So before we begin, my name is Dan Julian, nurse practitioner for Dan Aesthetics Medical.
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We're located here in Ottawa, Canada.
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I collaborate with all the top providers in the industry to provide you guys with the most up-to-date information possible.
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And I'm known to produce natural-looking results using injectables, which is perfect for today's video because we are talking about Sculptra.
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And when it's used correctly, it can provide the most natural-looking results possible.
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Let's get into it.
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Now the anatomy lesson, my favorite part.
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Essentially, our superficial fat pads move forward over time.
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And the reason why that happens is because, well, the skull is morphing, especially in two essential areas, the nose and the gonial angle.
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The nose here is all cartilage.
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Underneath, there's a hole, and that hole actually starts opening up and protrudes in on itself.
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As that happens, our superficial fat pads move towards it.
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This is why this gets deeper and these get heavier.
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The gonial angle actually starts thinning out the bone and starts shifting forward, especially in women.
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And as a result, this moves forward too.
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And this is the reason why when we go to the mirror like I just need a little that.
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Because the superficial fat pads used to be there.
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Now, what about the deep fat pads?
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The essential ones that I want you to understand are your medial and lateral sufs.
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The deep fat pads here tend to shrink over time.
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It's the first place in the face that we actually see visible hollowing.
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As a result, we lose the support structure.
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And this is where a lot of people end up missing the boat when it comes to HA and sculpture restoration.
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Because what they end up doing is they can do full restoration here using whatever product they want.
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However, if they inject the cheeks here too superficially, well, it might look good at rest.
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However, whenever they smile, they'll end up having these big balls of cheeks that we all have seen way too often.
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So take that into consideration whenever you're doing your sculpture.
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All right, now you guys are all primed for the injection techniques.
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Let's bring in our assistant, Sarah.
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What's going on, Sarah?
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And we have our two injection patterns here.
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Let's start off with the boluses.
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We are going to be placing this in the deep medial and lateral soups.
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The medial soup is usually just around here where you're going to feel a hollowing or see a hollowing and you're going to want to place your needle deep here.
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I always aspirate.
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Why?
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Because there is an infraorbital foramen with a little artery here.
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But remember, this is a liquid product.
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This is like water whenever you're injecting sculpture.
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So you'll have a true aspiration.
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So aspirate if If there's no flash pack, inject.
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If not, change positions.
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Same thing here.
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This is a much safer area.
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If you ever wanna find the apex, which is the second area that I'm injecting, I take the tail of the eyebrow straight down, find the bone right here, the zygoma.
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And once I have that, that's my place where I'm going to inject.
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So basically make my marking right here, one injection here, one injection here, a couple boluses, and you're good to go.
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The third place where I might place a bolus is right here.
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And I typically usually save that for my masculine clients because I want some projection here.
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So otherwise, we're good to go.
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All right, now let's get into the cannula technique.
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I love this technique here.
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This is where I'm placing the product more superficially.
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I'm placing this all throughout the superficial fat pads.
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And the way I do that is by three injection points.
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So this is where my introducer will go in.
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So essentially, it's where a needle will break through the skin, allowing the entrance for the cannula because the cannula is a blunt-tipped object where I'm just essentially placing product and moving veins and arteries out of the way.
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Now, each of these three areas are going to be numbed using lidocaine and epinephrine.
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And the reason why I like epinephrine is because A, it lasts longer as a vasoconstrictor, and B, what it does is it blanches the skin.
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That blanching tells me where I place that, because if I do both sides, I can go back and be like, where did I actually inject here?
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I forget.
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The blanching will keep those markings open for me.
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I have highlighted that these areas can accentuate all the way to the nasolabial fold, but this is going to be a plus or minus.
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I might actually stop right here because this is where the nasolabial fold exists.
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I may not want to further enhance that.
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I'm just saying that I can potentially have access to here if I want to, but I'm definitely going to want to re-volumize this entire area, and these three injection points give me that access.
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All right, now when it comes to the tools that I use,
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I prefer using a 25 gauge cannula which is wide enough to disperse the product and at the same time still safe enough to help bump veins and arteries out of
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the way i use a longer cannula as well so i'm using a two inch that will help give me access to all the areas necessary now the amount of
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product that's necessary does vary on each client but the general rule is one vial per decade of life so if you're 40 years old and you're coming
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in you're likely going to need four vials i never do more than two vials per session and i spaced them out two months apart once you have
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your ideal look that should last for a good two years but if you want what you can do is once you have your ideal look come in
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annually and just do two vials each year and it'll maintain the look now if you enjoyed this video please check out my patreon where i do these injections on real life clients giving you the most up-to-date information possible until the next time take care of yourselves exercise daily
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and please be nice to absolutely everyone.
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Cheers.
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Woordenschat en spreektips bij deze les
Deze video bevat 37 zinnen en 1112 woorden om na te spreken. Het gesproken deel duurt 5:31. De spreker praat snel, ongeveer 202 woorden per minuut, dus reken op verbonden en ingeslikte klanken. Slechts 79% van de woorden hoort bij de 3.000 meest gebruikte Engelse woorden, dus de woordenschat is pittig.
Belangrijke woorden in deze video
15 minder gangbare woorden uit de video, met uitspraak en betekenis:
- injection /ɪnˈd͡ʒɛk.ʃən/ (zelfstandig naamwoord) — inspuiting. The act of injecting, or something that is injected.
- technique /tɛkˈniːk/ (zelfstandig naamwoord) — techniek. The practical aspects of a given art, occupation etc.; formal requirements.
- essentially /ɪˈsɛnʃəli/ (bijwoord) — essentieel. In essence: by nature.
- hollow /ˈhɑloʊ/ (bijvoeglijk naamwoord) — hol. Having an empty space or cavity inside.
- sculpture /ˈskʌlpt͡ʃɚ/ (zelfstandig naamwoord) — beeldhouwwerk, beeld. A three-dimensional work of art created by shaping malleable objects and letting them harden or by chipping away pieces from a rock (sculpting).
- artery /ˈɑɹ.təɹ.i/ (zelfstandig naamwoord) — slagader, arterie. Any of the muscular- and elastic-walled blood vessels forming part of the circulation system by which blood is conveyed away from the heart regardless of its…
- bone /boʊn/ (zelfstandig naamwoord) — been. A composite material consisting largely of calcium phosphate and collagen and making up the skeleton of most vertebrates.
- angle /ˈæŋ.ɡəl/ (zelfstandig naamwoord) — hoek. A figure formed by two rays which start from a common point (a plane angle) or by three planes that intersect (a solid angle).
- restoration /ɹɛstəˈɹeɪʃən/ (zelfstandig naamwoord) — restauratie. The process of bringing an object back to its original state; the process of restoring something.
- fold /ˈfəʊld/ (werkwoord) — vouwen. To bend (any thin material, such as paper) over so that it comes in contact with itself.
- needle /ˈniː.dəl/ (zelfstandig naamwoord) — naald. A long, thin, sharp implement usually for piercing as in sewing, embroidery, acupuncture, tattooing, body piercing, medical injections, sutures, etc; or a…
- cheek /t͡ʃiːk/ (zelfstandig naamwoord) — wang, koon. The soft skin on each side of the face, below the eyes; the outer surface of the sides of the oral cavity.
- vein /veɪn/ (zelfstandig naamwoord) — ader. A blood vessel that transports blood from the capillaries back to the heart.
- lesson /ˈlɛs.ən/ (zelfstandig naamwoord) — les. A section of learning or teaching into which a wider learning content is divided.
- mirror /ˈmiɹɚ/ (zelfstandig naamwoord) — spiegel. A smooth surface, usually made of glass with reflective material painted on the underside, that reflects light so as to give an image of what is in front of it.
Phrasal verbs die je zult horen
- end up (werkwoord) — belanden, terechtkomen. To bring to a conclusion.
- go on /ˈɡoʊˌɒn/ (werkwoord) — verder gaan. To continue in extent.
- check out (werkwoord) — onderzoeken. To record the departure or withdrawal of someone or something (such as guests, employees, books, etc.).
- go back (werkwoord) — teruggaan. To return to a place or state after having been there at a previous time.
Uitspraak om op te letten
De spreker gebruikt 25 samentrekkingen en verkorte vormen, zoals I'm, you're, we're. Spreek ze kort uit, zoals je ze hoort.
- De “th”-klanken: thin /ˈθɪn/, underneath /ˌʌndɚˈniθ/
- De klanken “sh” en “zh”: injection /ɪnˈd͡ʒɛk.ʃən/, superficial /ˌsupɚˈfɪʃəl/, essentially /ɪˈsɛnʃəli/, restoration /ɹɛstəˈɹeɪʃən/, potentially /pəˈtɛnʃ(ə)li/
- Lange woorden — let op de klemtoon: superficial /ˌsupɚˈfɪʃəl/, essentially /ɪˈsɛnʃəli/, restoration /ɹɛstəˈɹeɪʃən/, potentially /pəˈtɛnʃ(ə)li/, consideration /kənˌsɪd.əˈɹeɪ.ʃən/
Zo oefen je met deze video
- Luister de hele video één keer zonder te spreken en noteer de woorden die je niet kent.
- Begin op 0,75× snelheid, spreek zin voor zin na en ga terug naar normale snelheid zodra het makkelijk gaat.
- Neem jezelf op en vergelijk met het origineel; let daarbij op woorden als injection, technique, essentially.
Grammatica in deze video
De structuren die de spreker het meest gebruikt, met de exacte woorden uit de video:
| Structuur | In de video |
|---|---|
| Betrekkelijke bijzinnen who / which + zin — extra informatie over een persoon of ding | injectables, which is · apex, which is · cannula which is |
| Present perfect have/has + voltooid deelwoord — iets uit het verleden dat nu nog telt | have seen · have highlighted |
Wat is de Shadowing-techniek?
Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.