Pratique du Shadowing: Sculptra: Combination Technique - Apprendre l'anglais à l'oral avec la vidéo
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What's going on YouTube?
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Today is all about sculpture.
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I'm going to show you my combination technique that I use in order to provide the most natural looking results possible.
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I'm going to explain why I use this technique and of course it's for free.
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So stay tuned and enjoy.
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Let's get into it.
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So before we begin, my name is Dan Julian, nurse practitioner for Dan Aesthetics Medical.
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We're located here in Ottawa, Canada.
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I collaborate with all the top providers in the industry to provide you guys with the most up-to-date information possible.
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And I'm known to produce natural-looking results using injectables, which is perfect for today's video because we are talking about Sculptra.
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And when it's used correctly, it can provide the most natural-looking results possible.
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Let's get into it.
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Now the anatomy lesson, my favorite part.
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Essentially, our superficial fat pads move forward over time.
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And the reason why that happens is because, well, the skull is morphing, especially in two essential areas, the nose and the gonial angle.
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The nose here is all cartilage.
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Underneath, there's a hole, and that hole actually starts opening up and protrudes in on itself.
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As that happens, our superficial fat pads move towards it.
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This is why this gets deeper and these get heavier.
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The gonial angle actually starts thinning out the bone and starts shifting forward, especially in women.
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And as a result, this moves forward too.
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And this is the reason why when we go to the mirror like I just need a little that.
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Because the superficial fat pads used to be there.
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Now, what about the deep fat pads?
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The essential ones that I want you to understand are your medial and lateral sufs.
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The deep fat pads here tend to shrink over time.
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It's the first place in the face that we actually see visible hollowing.
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As a result, we lose the support structure.
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And this is where a lot of people end up missing the boat when it comes to HA and sculpture restoration.
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Because what they end up doing is they can do full restoration here using whatever product they want.
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However, if they inject the cheeks here too superficially, well, it might look good at rest.
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However, whenever they smile, they'll end up having these big balls of cheeks that we all have seen way too often.
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So take that into consideration whenever you're doing your sculpture.
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All right, now you guys are all primed for the injection techniques.
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Let's bring in our assistant, Sarah.
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What's going on, Sarah?
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And we have our two injection patterns here.
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Let's start off with the boluses.
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We are going to be placing this in the deep medial and lateral soups.
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The medial soup is usually just around here where you're going to feel a hollowing or see a hollowing and you're going to want to place your needle deep here.
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I always aspirate.
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Why?
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Because there is an infraorbital foramen with a little artery here.
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But remember, this is a liquid product.
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This is like water whenever you're injecting sculpture.
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So you'll have a true aspiration.
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So aspirate if If there's no flash pack, inject.
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If not, change positions.
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Same thing here.
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This is a much safer area.
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If you ever wanna find the apex, which is the second area that I'm injecting, I take the tail of the eyebrow straight down, find the bone right here, the zygoma.
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And once I have that, that's my place where I'm going to inject.
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So basically make my marking right here, one injection here, one injection here, a couple boluses, and you're good to go.
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The third place where I might place a bolus is right here.
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And I typically usually save that for my masculine clients because I want some projection here.
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So otherwise, we're good to go.
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All right, now let's get into the cannula technique.
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I love this technique here.
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This is where I'm placing the product more superficially.
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I'm placing this all throughout the superficial fat pads.
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And the way I do that is by three injection points.
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So this is where my introducer will go in.
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So essentially, it's where a needle will break through the skin, allowing the entrance for the cannula because the cannula is a blunt-tipped object where I'm just essentially placing product and moving veins and arteries out of the way.
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Now, each of these three areas are going to be numbed using lidocaine and epinephrine.
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And the reason why I like epinephrine is because A, it lasts longer as a vasoconstrictor, and B, what it does is it blanches the skin.
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That blanching tells me where I place that, because if I do both sides, I can go back and be like, where did I actually inject here?
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I forget.
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The blanching will keep those markings open for me.
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I have highlighted that these areas can accentuate all the way to the nasolabial fold, but this is going to be a plus or minus.
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I might actually stop right here because this is where the nasolabial fold exists.
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I may not want to further enhance that.
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I'm just saying that I can potentially have access to here if I want to, but I'm definitely going to want to re-volumize this entire area, and these three injection points give me that access.
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All right, now when it comes to the tools that I use,
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I prefer using a 25 gauge cannula which is wide enough to disperse the product and at the same time still safe enough to help bump veins and arteries out of
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the way i use a longer cannula as well so i'm using a two inch that will help give me access to all the areas necessary now the amount of
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product that's necessary does vary on each client but the general rule is one vial per decade of life so if you're 40 years old and you're coming
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in you're likely going to need four vials i never do more than two vials per session and i spaced them out two months apart once you have
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your ideal look that should last for a good two years but if you want what you can do is once you have your ideal look come in
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annually and just do two vials each year and it'll maintain the look now if you enjoyed this video please check out my patreon where i do these injections on real life clients giving you the most up-to-date information possible until the next time take care of yourselves exercise daily
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and please be nice to absolutely everyone.
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Cheers.
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Vocabulaire et conseils d’expression pour cette leçon
Cette vidéo contient 37 phrases et 1112 mots à répéter en shadowing. La partie parlée dure 5:31. Le locuteur parle vite, environ 202 mots par minute : attendez-vous à des liaisons et à des sons réduits. Seuls 79 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.
Vocabulaire clé de cette vidéo
15 mots moins courants de la vidéo, avec leur prononciation et leur sens :
- injection /ɪnˈd͡ʒɛk.ʃən/ (nom) — injection. The act of injecting, or something that is injected.
- pad /pæd/ (nom) — tampon, coussinet. A flattened mass of anything soft, to sit or lie on.
- technique /tɛkˈniːk/ (nom) — technique. The practical aspects of a given art, occupation etc.; formal requirements.
- essentially /ɪˈsɛnʃəli/ (adverbe) — essentiellement, en essence. In essence: by nature.
- hollow /ˈhɑloʊ/ (adjectif) — vide, creux. Having an empty space or cavity inside.
- sculpture /ˈskʌlpt͡ʃɚ/ (nom) — sculpture. A three-dimensional work of art created by shaping malleable objects and letting them harden or by chipping away pieces from a rock (sculpting).
- artery /ˈɑɹ.təɹ.i/ (nom) — artère. Any of the muscular- and elastic-walled blood vessels forming part of the circulation system by which blood is conveyed away from the heart regardless of its…
- bone /boʊn/ (nom) — os. A composite material consisting largely of calcium phosphate and collagen and making up the skeleton of most vertebrates.
- angle /ˈæŋ.ɡəl/ (nom) — angle. A figure formed by two rays which start from a common point (a plane angle) or by three planes that intersect (a solid angle).
- restoration /ɹɛstəˈɹeɪʃən/ (nom) — restauration. The process of bringing an object back to its original state; the process of restoring something.
- fold /ˈfəʊld/ (verbe) — plier. To bend (any thin material, such as paper) over so that it comes in contact with itself.
- needle /ˈniː.dəl/ (nom) — aiguille. A long, thin, sharp implement usually for piercing as in sewing, embroidery, acupuncture, tattooing, body piercing, medical injections, sutures, etc; or a…
- cheek /t͡ʃiːk/ (nom) — culot, toupet. The soft skin on each side of the face, below the eyes; the outer surface of the sides of the oral cavity.
- vein /veɪn/ (nom) — veine. A blood vessel that transports blood from the capillaries back to the heart.
- lateral /ˈlætəɹəl/ (adjectif) — latéral. Situated on one side or other of the body or of an organ, especially in the region furthest from the median plane.
Les verbes à particule que vous entendrez
- end up (verbe) — se terminer, se finir. To bring to a conclusion.
- go on /ˈɡoʊˌɒn/ (verbe) — continuer. To continue in extent.
- break through (verbe) — percer. To gain popularity.
- check out (verbe) — mater, regarder. To record the departure or withdrawal of someone or something (such as guests, employees, books, etc.).
- go back (verbe) — rentrer, retourner. To return to a place or state after having been there at a previous time.
- open up (verbe) — ouvrir. To open.
Prononciation à surveiller
Le locuteur utilise 25 contractions et formes réduites, comme I'm, you're, we're. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: thin /ˈθɪn/, underneath /ˌʌndɚˈniθ/
- Les sons « sh » et « zh »: injection /ɪnˈd͡ʒɛk.ʃən/, superficial /ˌsupɚˈfɪʃəl/, essentially /ɪˈsɛnʃəli/, restoration /ɹɛstəˈɹeɪʃən/, potentially /pəˈtɛnʃ(ə)li/
- Mots longs — placez bien l’accent: superficial /ˌsupɚˈfɪʃəl/, essentially /ɪˈsɛnʃəli/, restoration /ɹɛstəˈɹeɪʃən/, potentially /pəˈtɛnʃ(ə)li/, consideration /kənˌsɪd.əˈɹeɪ.ʃən/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme injection, pad, technique.
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Propositions relatives who / which + proposition — une précision sur une personne ou une chose | injectables, which is · apex, which is · cannula which is |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | have seen · have highlighted |
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.