Практика Shadowing: Zendaya Breaks Down 23 Looks, From Euphoria to Dune | Life in Looks | Vogue - Изучайте разговорный английский с YouTube
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I still see memes about this particular look with my hat.
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I still see memes about this particular look with my hat.
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But you know what?
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I stick by it.
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Hello Vogue, I'm Zendaya and this is my life in Lux.
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Alright, shall we begin?
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Okay.
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Yeah, this is me and Law's early work together.
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I needed a cute little dress to go to my Teen Vogue party.
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It was a big deal.
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I'm like what, like 15 years old.
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So I think I did all right.
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This was a charity event.
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It was Halloween themed.
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So you were supposed to come dressed as somebody or something
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and I went dressed as Aaliyah cause old Tommy Hilfiger was her look and her thing.
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And so this was my interpretation of that.
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I did my little swoop and that was my tribute to the one and only.
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Okay.
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This is a controversial look.
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I still see memes about this particular look with my hat.
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But you know what?
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I stick by it.
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Me and Law, we thought it was chic at the time.
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I think it's still chic.
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I would wear it again.
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I think Law might have this hat.
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Might have to bring it out of the archives one day.
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This is my first Oscars experience.
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I had stayed up quite late the night before having my hair done.
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I didn't have any kind of credentials or anything.
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Kind of snuck onto the red carpet Cause I was like,
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listen, I have been up all night getting my hair done.
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We have this amazing Vivian Westwood dress.
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Like I'm getting on this red carpet.
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And so I kind of,
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kind of shimmied on there even though I wasn't really supposed to.
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This is my first Met.
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I went with Fausto Clisi.
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I was 18, I believe in this picture.
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I was very nervous being like,
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how am I going to like call law or call my dad or call someone to pick me up?
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Like when I'm done, like,
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how am I gonna get out of here?
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Like how am I gonna get home?
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Cause you weren't supposed to bring your phone in.
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And then I had my phone,
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but I had nowhere to put it.
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So then I had to get Fausto.
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And I was like, well,
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if we split up at any point in the night then I can't find my phone.
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But it went really well.
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I'm very proud of the look.
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First met as a young 18 year old girl.
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This felt very fitting for that moment.
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This is my first Vogue cover.
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I was 20.
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I felt very, very honored.
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At the time I was still doing my Disney show
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and this was happening at the same time and I was kind of like,
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whoa, you know what I mean?
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My little nieces are in this as well,
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and Law's in this inside.
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Feels very special because I got to have family with me.
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The feather look, I think it was Prada, I believe.
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It looks great, I think it was a beautiful texture for the cover.
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My first Vogue shirt, I was just excited to be there.
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I was like, put me in whatever you want.
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This is the greatest showman premiere in Australia.
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One of my all-time favorites.
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With Law and I, we always find inspiration from films that I'm doing.
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A butterfly isn't the theme per se,
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but it is this idea of being costumey.
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You're the greatest showman, everything is drama.
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And so that's what this dress was to me,
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is like being literal, being dramatic, being entertaining.
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Also like that day, there was tons of butterflies.
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I went onto the carpet and there was butterflies everywhere.
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And I was like, it's a sign, you know?
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Okay.
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This one's another memed, but I loved it.
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It was Marc Jacobs.
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I love a suit in any kind of form.
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And it just was fun and I loved how extreme the proportions were.
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It wasn't necessarily a red carpet event,
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it was just kind of like,
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oh yeah, I'm casually gonna wear this straight off the runway Marc Jacobs suit.
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You know what I mean?
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It was fun and dramatic.
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One of my all time favorite Met looks.
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You know, Law had had this idea of doing a Joan of Arc inspired thing
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and we'd seen a lot of sketches and ideas and references.
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The day before going there,
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putting it on, I was like, wow.
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It was so heavy because of the beading,
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but it was so beautifully constructed and it's Versace.
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And typically like I can handle a night out,
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you know, with my heels and everything.
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I've been wearing heels for a long time,
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but I don't know, it was something about a mixture of wearing these platforms and the heaviness of my dress.
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I was struggling.
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I was like, I need to sit down.
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But it was all worth it.
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The hair also just completed the character.
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This year I was invited to be a co-chair.
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I have no idea what I'm wearing yet,
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so I can't spoil it for you guys.
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We're still figuring it out.
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This is Miss Rue Bennett.
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I'm very grateful and honored to play this character.
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I mean, I have to give most credit to our costume designer,
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Heidi, who is just incredible at what she does and is so thoughtful.
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It's present in everything, you know,
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from my chucks that are my personal chucks
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that I've worn down quite a bit and we've had to replace the laces many times.
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I have a lot of her stuff that I wear often.
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My second Vogue cover.
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We shot this with Tyler on the beach.
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I'm very grateful to have a Vogue cover.
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It's a big deal.
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So to do it again was pretty special.
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It was quite simple.
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It was very simpler makeup.
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I've done a lot of finger waves in my life,
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so it was a good go-to.
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It was a fun day on the beach.
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This is the Spider-Man Far From Home premiere.
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This is Armani, and I wasn't sure about the dress.
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I don't know why.
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I was just overthinking it a little bit,
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and I was like, do we have more options?
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Do we have more options?
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I was tripping.
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But it ended up being perfect and obviously themed dressing inspired by the Spider-Man suit,
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which was red and black in that film.
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Yeah.
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This is the Emmys.
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The first time I went to the Emmys actually.
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Vera Wang, this is like us being sexy.
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You know, like, oh, this is a sexy look.
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You know what I mean?
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I'm giving the kids sexy yet.
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I used like semi-permanent hair dye to make my hair red for the Spider-Man press tour in general.
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And then it kind of started to like wash off a little bit
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and so it still was like a little bit red.
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I was really into emerald green at the time.
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I just had gotten like new dining room chairs of emerald green
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and I felt like it would look really beautiful with like the red hair.
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It just felt right.
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That was my emerald green era.
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This is the Critics Choice Awards.
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This Tom Ford breastplate was really special.
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I still have it.
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They weren't my boobs originally and I put it on it didn't quite fit right.
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I was like well I really want to wear this
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but could we maybe do like my own you know
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and they they worked it out i got this scan done
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it's almost like a hair dryer like they literally come in with this thing
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and they scan you it uploads to a computer and that's it
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so it didn't take much time at all like i thought
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that it would be more a dramatic process
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but yeah i mean technology people the emmys this is the the The time that I won,
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the first time that I won,
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in my head I was like,
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if I freak out, right?
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If something bad happens, since this is on my computer,
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I could just slam the computer shut.
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You know what I mean?
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Like, it's like, oh no,
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it's the wifi went out.
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You know what I mean?
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Like I always can just exit.
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That was nice.
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And then also I had my family all around me.
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I was in my own living room.
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It was a very special night and I wore this Armani dress.
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It was like a princess dress.
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The skirt is so luminous.
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I took it off and like it still stands up.
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It holds its structure so it was like literally standing in my closet.
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One that I will not forget.
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This is another Oscars moment.
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Valentino.
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Pierpaolo has always been such a fun collaborator and so generous
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and thoughtful and we had this Cher reference
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because who doesn't want a reference Cher
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and Pierpaolo is known for his use of color and bright colors and so we found this really beautiful almost neon yellow.
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The dress was quite simple and the hair was quite simple also to reflect this like Cher inspiration is really long.
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There was no wind on the carpet but as soon as I went there all of a sudden there was wind.
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Law made a joke about like having a leaf blower or something
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and everybody's like did you really like did you really were you really on the carpet with a leaf I'm like,
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no, oh my God, no. We can be dramatic with the looks,
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but I'm not like that.
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The wind just wanted to visit us in that moment and it worked out.
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This is Venice, my first Venice film festival with Dune.
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Another example of theme dressing,
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but this dress I chose years before there was a bodice thing that had gone down the runway.
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And I was like, oh my gosh,
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that would be amazing if we could make that a dress.
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It feels very Dune to me.
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It's the landscape of Dune.
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It's the color palette.
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It's kind of like a shell.
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It looks wet, but it's dry.
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There's something that reminded me of the still suit a little bit,
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just in its construction.
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Felt Dune.
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This is a Rick Owens number.
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The Dune premiere in London.
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I was very excited about this one as well.
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I was actually in the middle of shooting Euphoria during this press tour.
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Shooting some really intense scenes,
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I'll just say that, the day I left and then shooting some very intense scenes the day I got home.
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Because of the like how it's made and the construction
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and the fabric like it doesn't wrinkle
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so like I could sit in it I could move in it I wouldn't disrupt its beautiful shape.
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I don't know if it was reminiscent of the sandworm
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or there's something I think about Rick Owens in general that feels very futuristic or otherworldly.
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This piece that kind of goes on and around,
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like it holds its shape in a really beautiful way.
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And there's something kind of like effortless about it too,
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because it's not perfect.
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There's an imperfectness to the way it kind of falls and drapes,
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but you know that it's intentional and you know that it's thoughtful.
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This is the CFDA Fashion Awards.
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Another very special look, collaboration with Fairway.
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Law had a very specific reference that literally was this bandeau kind of top
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and then kind of column skirt with this i don't know
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what you would call it like this kind of shape on
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top red felt like a very like i don't know it's
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like a power color i think everyone looks beautiful in the color
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but i was also very excited because iman presented me with the award
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which was like are you joking like she's just she's so kind and beautiful and and warm
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she did that for me and then after like had like the biggest hug
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and like the warmest moment and i felt like i've known her for like forever so that was really really special
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the emmys again we're back okay
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so the first time like i said i got to do it from my living room
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and this time i was like wait there's a possibility
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that i would have to get up on that stage in front in front of like actual people.
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Like I can't close the computer.
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I can't blame it on bad wifi.
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Like I have to go there.
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Honestly, I wish I could have enjoyed it more because I was just so,
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like, tense the whole time that I couldn't really enjoy it until it was over.
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And then once it was over,
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I was like, oh, God, that's over.
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And this is Valentino yet again.
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It is a reference to an old Valentino dress,
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and it was more fitted at the bottom.
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It went into, I think,
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more of like a mermaid shape,
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but it had this bodice with the line and the little bow.
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and so we sent that as a reference.
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I think this was my first time wearing like a real gown that was all black.
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This suit, everybody knows it.
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And I was like, I wonder if I could wear that.
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And so I sent it to law and I was like,
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what if we wore this for the premiere?
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He was like, are you being serious?
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And I was like, yeah.
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He was like, don't play with me.
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Like, don't get me started on something and make me do this.
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And you're gonna like chicken out at the last minute and be too scared to wear it.
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And I was like, I mean,
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if we can do it.
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One of the men who originally made it was with us.
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And he was like, you know,
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we can try it, but there's also a world where certain parts won't fit.
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Like our proportions might be very different.
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My elbow is a little bit lower or my whatever,
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then it doesn't work because there's certain hinges and places where your arms and things need to move.
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But we tried it on and I was like,
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guys, I think it's fitting.
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It fit like a glove.
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And I was like, this is so crazy.
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And everybody was like, whoa.
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Like, you know, it just felt very like,
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oh, it's meant to be whatever.
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Immediately, I think after wearing it for like 10 minutes or less than that,
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I got like really like lightheaded.
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The metal conducts and holds onto heat very quickly and kind of traps heat in.
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I'm wearing a complete body suit.
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So there's a barrier.
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So you already have a layer of material kind of on your skin.
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As the days were coming up,
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I was like, this is a bad idea.
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Like why?
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Why did I do this?
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But I put it on.
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I went out there and I did it.
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And this obviously was the most recent Oscars.
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It fit me really well and I felt beautiful in it and that's it.
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Something about like the material,
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that shiny thing and the way it's constructed and it has like,
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it had this really strong, like well made zipper.
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I think maybe because we'd had all these very heightened looks during the Dune Press Tour,
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it was like, this was us just kind of taking it easy going old Hollywood and just keeping it simple.
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All right, this is my most recent Vogue cover.
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This was really special because I got to shoot with Annie.
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She was so fun to shoot with.
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She had these beautiful references for poses and she was hugely inspired by movement and dance.
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And she's so specific.
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She knows what she wants.
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She knows what works.
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They're all couture looks, you know?
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So it's like, that was another kind of difficult thing is figuring out how to move in these looks,
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some of which hadn't gone down the runway yet.
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And I was like, oh shit,
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like I can't mess up their garments if they have a show tomorrow.
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But Annie, she's just kind of like,
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ah, can we, you know,
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move this and can we, you know?
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I'm like, okay, okay.
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But yeah, we just tried to have fun and give these garments a different feeling with movement.
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I made this signature when I was like 13.
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It's a shooting star and we're just gonna be,
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we're gonna be okay with that.
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Thank you so much Vogue for doing this with me.
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This has been my life and looks,
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and I hope to see you all soon.
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В этом видео Zendaya делится воспоминаниями о своих самых запоминающихся образах, которые она представила на различных красных дорожках и мероприятиях. Она говорит о своих первых опытах на таких значимых событиях, как Оскары и Met Gala, делясь не только своими впечатлениями, но и забавными моментами, связанными с образом и стилем. Это видео служит не только для изучения моды, но и для совершенствования английского языка через обучение произношению и практику shadow speech.
Топ-5 фраз для повседневного общения
- «Я до сих пор вижу мемы о моем образе с шляпой.» - Используйте эту фразу, чтобы обсудить модные решения, которые вызывают разногласия.
- «Это было мое первое ощущение участия в Оскарах.» - Хороший способ поделиться своим опытом на мероприятиях.
- «Я не имела никаких доверительных документов.» - Поговорите о ситуациях, когда вам нужно было находить выход из сложных обстоятельств.
- «Мы думали, что это очень стильно в то время.» - Поделитесь мнением о том, как меняется восприятие стиля с течением времени.
- «Как я вернусь домой после мероприятия?» - Эта фраза хорошо подойдёт для обсуждения организации досуга и планирования событий.
Пошаговое руководство по shadowing
Практика shadowing – это отличный способ улучшить произношение английского и повысить уровень устной речи. Вот как вы можете приступить к этому с видео Zendaya:
- Слушайте видео внимательно. - Обратите внимание на произношение и интонацию Zendaya. Запишите ключевые фразы и повторяйте их.
- Повторяйте за говорящей. - Используйте метод shadow speech: произносите слова одновременно с Zendaya, имитируя её акцент и темп. Это поможет вам развить навык shadow speaks.
- Разберите трудные моменты. - Если есть слова или фразы, которые сложно произнести, выделите их и тренировочно произнесите их отдельно.
- Запишите своё произношение. - Сравните свою запись с оригиналом и проанализируйте, где можно улучшить произношение английского.
- Практикуйте регулярно. - Включайте shadowing в свою повседневную практику, чтобы развивать уверенность и улучшить речь.
Используя этот метод, вы сможете не только освоить новые слова и фразы, но и значительно улучшить свои навыки общения на английском языке.
Что такое техника Shadowing?
Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.
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