ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: 1976: NORTHUMBERLAND accents | Word of Mouth | Voice of the People | BBC Archive

For all the viewers who don't live in the north-east of England, it is, in a sense, time for a song, because I think this is a lovely accent, which you could indeed put to music.

It's spoken by thousands of people, now, every day of their lives.

But to those not used to it, it's probably a little hard to follow at first.

It's the sort of accent which, although rich and resolute, does in the end make you grateful that we all also understand the Queen's English.

This isn't a condemnation, far from it.

I grew up in a neighbouring county and I loved it.

But for everyone south of the Tees and north of the Tweed, It is quite tough on the air.

So up north, Northumberland.

He's far away from more sheep this afternoon.

If he doesn't get his cell in shortly, the heat will get him down.

Then if I drive with the heat, you better start all in his gym, get your sheep in before the heat gets up, and then he can walk away after that.

Oh, yeah.

We're not here because we want to be here, OK?

We've got to do something.

You've got to live, you know?

What a living.

It gets home at the end of season capital D.

Eight percent.

That's not...

You know, I don't think we wouldn't do, is it?

Pretty sure they wouldn't.

I couldn't have that.

You said it wasn't.

Oh no, like we're not.

We just, you know, you have to.

But I don't think I could have a, you know, eight to five job.

Yeah.

Such as putting car wheels on, fixing batteries up, you know.

From eight to five, I couldn't do that.

It's just not my type of work.

That type of work is shearing.

They work as a team, wandering across the Chiviotts every spring in the hope of making

making enough money in three months to last them apart from a few odd jobs for the rest of the year

their voices with those rolling hours pronounced from somewhere deep at

the back of the throat aren't easy to follow it's an accent that's sometimes taken for scottish

and sometimes for the harsher urban milt of tyneside and it's a way of life that's dominated by the sheep

Shall never die out the sheep.

We spent our time making these shepherds walking sticks.

This is how it starts to be with the ram's horn.

Then this is a post a little bit farther advanced.

It's a little bit further down and straightened up.

And it still has this bit twist on.

But after we get them boiled and warmed and hot, we can get them passed together.

These were put in the long winter nights where when I was a youngster, I was a shepherd in the upper Cougar Hill.

When I was brought up there and this is what we spent the long winter nights with, make carving working sticks.

This is the sort of stick that I like to work with, a good playing stick.

They're a great help when you're a shepherd on the hill to have a really good stick to work with.

It's a skilled job being a shepherd.

You can't just get a dog on a stick and say, well, I'm going to be a shepherd.

It just doesn't work that way.

It's a slither thing, it's just bright into it.

Your father that's here, he is a shepherd, his grandfather was a shepherd, his great grandfather on both sides were shepherds.

It's a way of life that may seem unchanging, but the decline of the hill farmer has brought problems for the hill shepherd.

I'll tell you what's wrong with other hill places.

There should be resident tenants.

If there was an tenants, they would get men under them.

Nationalise other hill places and let the herds have them.

That's what I said.

That's good for the country, that.

If you're going to nationalise them, that'll be the end of all the work.

There'll be no good shepherds left either.

It's not the young man that'll get us.

They want to give them a decent living to get out there.

their conversation still reflects their work and their pride in their skills even

when they're relaxing over what in Northumberland they call their bait.

He clips a different stale of what you think?

What clips the hand-brewed stale?

The right hand stale, the burn stale, the Guffrey burn stale.

He's out right hand it and the way up the back burn.

Martin, Martin.

He's about six foot nine isn't he?

That's a big jury sitting out with him, with the feet flat across the floor and it'll be a I've done my deceit.

Man bought him, he says, Furley's hellopman, give a man a seat.

He couldn't get banged.

His bloody feet hit from the window, right to the bar.

He says, man, burp.

Them two dunes, I might have thought about it.

Hell, what's different from there wasn't chuck and cheese?

Well, there was, yeah.

Burp was a comic in short.

He was a soft-haired, bad-dummed flavour.

He was.

We had a clipping gang, you know, used to go and whip that cricket.

He went away in the morning and came back on a Saturday night to kill the sheep.

And he had mutten for your breakfast, mutten for your dinner, mutten for your tea and mutten for your supper.

And there was three days he was nearly bleeding.

And there was a couple of that day when he was fishing.

I'll shut those gates.

We'll let them shut those gates.

We have three there.

I think we have five there.

No, no, no. Take a bear, boy.

So I wonder how many people, if they turned on in the middle of that piece of film, would have realised that it was in England now?

Oh, probably not.

I can remember the first time I went to Northumberland, being absolutely unable to understand the word that was said.

I went to one of the fishing communities on the coast, couldn't understand the word.

And later on I learned to love it and got to know these same people up in the hills, these shepherds.

And particularly I remember a piper.

100

These Northumberian pipes, they played with the bellows, you don't blow down them, played with the bellows under one arm and the bag under the other.

101

And they're really for playing inside the house.

102

One old chap said to me that they weren't like the Scottish pipes, They were nutsy squally in the hoofs, rather lovely.

103

But it really is a way of life.

104

And I think for lots and lots of people, many, many words there will be quite unintelligible.

105

All right, well, let's get cracking on that, because we have to sort of try to decipher, in a way, what was said.

106

Now, going through that film, can you just pick out, you've made a lot of notes, pick out some of the words and tell us about what they came from, what they meant and that sort of thing.

107

Yeah, but in fact there wasn't a great deal of vocabulary that was unusual.

108

It was the way of the pronunciation.

109

Again, the brr, the thing as you mentioned is deep down in the throat.

110

Now the effect of that is to pull back the vowel sounds that are related to it.

111

So when they say afternoon, instead of saying er, the rr pulls it back and they say afternoon.

112

And as soon as somebody said that rr sound, the next two or three syllables become terribly difficult to understand, and you're really thrown.

113

And words like work become walk, and then the effect of the W initially in a word when an a sound follows it.

114

In the standard language, we've undergone what we call a rounding, so quarry has resulted from what was earlier quarry.

115

They would still say quarry, and you notice one of them said whack.

116

Now whack is our modern word in standard English, walk.

117

And even the ordinary short sounds like in a word like not becomes nut, nut but a lovely sort of rounded sound, which doesn't exist, that er sound,

118

in standard English at all.

119

One of the things, though, that I noticed, maybe just with these particular men,

120

but a characteristic of most country speech is slowness of delivery and evenness of delivery.

121

But these men were speaking very quickly all the time.

122

Yeah, they were obviously eavesdropped on and were in quite a relaxed mood.

123

I think Northumbrians give you the impression of speaking quickly, because you have to listen to them so hard.

124

Those chaps who were lying back eating their sandwiches over dinner time, they weren't really talking fast.

125

They were discussing what ought to happen to the land.

126

And you notice one of them said they ought to give it to the herds.

127

The herds is the shepherds.

128

The second part of the word shepherd, the herds.

129

But they say herd.

130

How do you spell that?

131

How do you spell it? Or herd.

132

Well, you can't spell it.

133

Herd, yes.

134

It's H-E-R-D, I suppose.

135

It's the second part of shepherd, you see, the herd but say harb, and the r has that interruption.

136

And then what was it they said?

137

They went and give them a decent living to gan out there.

138

To gan out, yes.

139

Yeah, to gan out there.

140

And of course this gan is another of these examples of the preservation of an old form,

141

to gan, the old infinitive which has gone out in standard English and has given us our modern word, to go.

142

And so you've got this conservative element, much of it literally unchanged over a thousand years,

143

going back unchanged all that time.

144

We'll listen to a man now who specialises in using the Northumbrian vocabulary, back to Northumberland, and to Fred Reid.

145

Fred Reid used to be a coal miner.

146

He's retired now and in his seventies.

147

His poems are all in the dialect, using local words, skilfully and, I think, movingly.

148

The Northumbrian literary tradition that Fred Reid represents is urban, but it's not the voice of Tyneside.

149

It comes from the east coast of Northumberland around Ashington and Blythe, where, towards the end of the last century, new mining communities sprang up.

150

As a boy, Fred Reid's first job was down this Ashington pit.

151

One old chap used to put himself in the dark, and I could hear him in the pitch darkness,

152

his tremulous, teen sort of voice with a childlike intonation saying, the Lord's my shepherd, HX care of me.

153

I soon learned what was meant by the phrase,

154

quite a number of phrases used down the pit are used on the surface,

155

but they have a metaphorical, they're similes.

156

It's not the same meaning as down the pit.

157

For instance, if someone says to you, take your pipe till the reek hands out,

158

that means that you've retired after lighting a squib, and you mustn't go into the place again until the reek's cleared away.

159

Now, that's what it means down the pit.

160

But on the surface it means, well, keep your head, keep your cool.

161

Just hold on a bit, don't lose your temper temper, don't get hotted up.

162

And then such phrases as bumping the debodice kissed has a different meaning.

163

It means that you don't get your own way on the surface.

เทคนิค Shadowing คืออะไร?

Shadowing เป็นเทคนิคการเรียนรู้ภาษาที่ได้รับการรับรองทางวิทยาศาสตร์ พัฒนาขึ้นสำหรับการฝึกนักแปลมืออาชีพ วิธีการนี้เรียบง่ายแต่ทรงพลัง: คุณฟังเสียงภาษาอังกฤษจากเจ้าของภาษาและพูดตามทันที — เหมือนเงาที่ตามผู้พูดด้วยช่วงเวลาห่าง 1-2 วินาที การวิจัยแสดงว่าเทคนิคนี้ปรับปรุงความแม่นยำในการออกเสียง ทำนองเสียง จังหวะ การเชื่อมเสียง การฟังเข้าใจ และความคล่องแคล่วในการพูดได้อย่างมีนัยสำคัญ

ฝึกพูดภาษาอังกฤษด้วยเทคนิค Shadowing จากวิดีโอ: 1976: NORTHUMBERLAND accents | Word of Mouth | Voice of the People | BBC Archive

ความประทับใจแรก

วิเคราะห์ประโยค

กิจวัตรการฝึก

เทคนิค Shadowing คืออะไร?