跟读练习: 1976: NORTHUMBERLAND accents | Word of Mouth | Voice of the People | BBC Archive - 通过视频学习英语口语
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For all the viewers who don't live in the north-east of England, it is, in a sense, time for a song, because I think this is a lovely accent, which you could indeed put to music.
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It's spoken by thousands of people, now, every day of their lives.
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But to those not used to it, it's probably a little hard to follow at first.
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It's the sort of accent which, although rich and resolute, does in the end make you grateful that we all also understand the Queen's English.
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This isn't a condemnation, far from it.
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I grew up in a neighbouring county and I loved it.
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But for everyone south of the Tees and north of the Tweed, It is quite tough on the air.
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So up north, Northumberland.
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He's far away from more sheep this afternoon.
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If he doesn't get his cell in shortly, the heat will get him down.
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Then if I drive with the heat, you better start all in his gym, get your sheep in before the heat gets up, and then he can walk away after that.
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Oh, yeah.
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Oh, yeah.
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We're not here because we want to be here, OK?
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We've got to do something.
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You've got to live, you know?
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What a living.
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It gets home at the end of season capital D.
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Eight percent.
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That's not...
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You know, I don't think we wouldn't do, is it?
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Pretty sure they wouldn't.
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I couldn't have that.
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You said it wasn't.
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Oh no, like we're not.
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We just, you know, you have to.
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But I don't think I could have a, you know, eight to five job.
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Yeah.
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Such as putting car wheels on, fixing batteries up, you know.
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From eight to five, I couldn't do that.
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It's just not my type of work.
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That type of work is shearing.
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They work as a team, wandering across the Chiviotts every spring in the hope of making
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making enough money in three months to last them apart from a few odd jobs for the rest of the year
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their voices with those rolling hours pronounced from somewhere deep at
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the back of the throat aren't easy to follow it's an accent that's sometimes taken for scottish
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and sometimes for the harsher urban milt of tyneside and it's a way of life that's dominated by the sheep
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Shall never die out the sheep.
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We spent our time making these shepherds walking sticks.
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This is how it starts to be with the ram's horn.
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Then this is a post a little bit farther advanced.
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It's a little bit further down and straightened up.
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And it still has this bit twist on.
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But after we get them boiled and warmed and hot, we can get them passed together.
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These were put in the long winter nights where when I was a youngster, I was a shepherd in the upper Cougar Hill.
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When I was brought up there and this is what we spent the long winter nights with, make carving working sticks.
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This is the sort of stick that I like to work with, a good playing stick.
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They're a great help when you're a shepherd on the hill to have a really good stick to work with.
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It's a skilled job being a shepherd.
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You can't just get a dog on a stick and say, well, I'm going to be a shepherd.
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It just doesn't work that way.
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It's a slither thing, it's just bright into it.
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Your father that's here, he is a shepherd, his grandfather was a shepherd, his great grandfather on both sides were shepherds.
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It's a way of life that may seem unchanging, but the decline of the hill farmer has brought problems for the hill shepherd.
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I'll tell you what's wrong with other hill places.
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There should be resident tenants.
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If there was an tenants, they would get men under them.
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Nationalise other hill places and let the herds have them.
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That's what I said.
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That's good for the country, that.
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If you're going to nationalise them, that'll be the end of all the work.
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There'll be no good shepherds left either.
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It's not the young man that'll get us.
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They want to give them a decent living to get out there.
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their conversation still reflects their work and their pride in their skills even
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when they're relaxing over what in Northumberland they call their bait.
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He clips a different stale of what you think?
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What clips the hand-brewed stale?
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The right hand stale, the burn stale, the Guffrey burn stale.
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He's out right hand it and the way up the back burn.
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Martin, Martin.
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He's about six foot nine isn't he?
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That's a big jury sitting out with him, with the feet flat across the floor and it'll be a I've done my deceit.
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Man bought him, he says, Furley's hellopman, give a man a seat.
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He couldn't get banged.
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His bloody feet hit from the window, right to the bar.
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He says, man, burp.
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Them two dunes, I might have thought about it.
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Hell, what's different from there wasn't chuck and cheese?
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Well, there was, yeah.
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Burp was a comic in short.
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He was a soft-haired, bad-dummed flavour.
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He was.
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We had a clipping gang, you know, used to go and whip that cricket.
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He went away in the morning and came back on a Saturday night to kill the sheep.
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And he had mutten for your breakfast, mutten for your dinner, mutten for your tea and mutten for your supper.
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And there was three days he was nearly bleeding.
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And there was a couple of that day when he was fishing.
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I'll shut those gates.
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We'll let them shut those gates.
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We have three there.
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I think we have five there.
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No, no, no. Take a bear, boy.
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So I wonder how many people, if they turned on in the middle of that piece of film, would have realised that it was in England now?
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Oh, probably not.
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I can remember the first time I went to Northumberland, being absolutely unable to understand the word that was said.
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I went to one of the fishing communities on the coast, couldn't understand the word.
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And later on I learned to love it and got to know these same people up in the hills, these shepherds.
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And particularly I remember a piper.
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These Northumberian pipes, they played with the bellows, you don't blow down them, played with the bellows under one arm and the bag under the other.
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And they're really for playing inside the house.
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One old chap said to me that they weren't like the Scottish pipes, They were nutsy squally in the hoofs, rather lovely.
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But it really is a way of life.
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And I think for lots and lots of people, many, many words there will be quite unintelligible.
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All right, well, let's get cracking on that, because we have to sort of try to decipher, in a way, what was said.
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Now, going through that film, can you just pick out, you've made a lot of notes, pick out some of the words and tell us about what they came from, what they meant and that sort of thing.
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Yeah, but in fact there wasn't a great deal of vocabulary that was unusual.
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It was the way of the pronunciation.
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Again, the brr, the thing as you mentioned is deep down in the throat.
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Now the effect of that is to pull back the vowel sounds that are related to it.
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So when they say afternoon, instead of saying er, the rr pulls it back and they say afternoon.
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And as soon as somebody said that rr sound, the next two or three syllables become terribly difficult to understand, and you're really thrown.
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And words like work become walk, and then the effect of the W initially in a word when an a sound follows it.
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In the standard language, we've undergone what we call a rounding, so quarry has resulted from what was earlier quarry.
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They would still say quarry, and you notice one of them said whack.
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Now whack is our modern word in standard English, walk.
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And even the ordinary short sounds like in a word like not becomes nut, nut but a lovely sort of rounded sound, which doesn't exist, that er sound,
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in standard English at all.
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One of the things, though, that I noticed, maybe just with these particular men,
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but a characteristic of most country speech is slowness of delivery and evenness of delivery.
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But these men were speaking very quickly all the time.
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Yeah, they were obviously eavesdropped on and were in quite a relaxed mood.
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I think Northumbrians give you the impression of speaking quickly, because you have to listen to them so hard.
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Those chaps who were lying back eating their sandwiches over dinner time, they weren't really talking fast.
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They were discussing what ought to happen to the land.
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And you notice one of them said they ought to give it to the herds.
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The herds is the shepherds.
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The second part of the word shepherd, the herds.
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But they say herd.
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How do you spell that?
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How do you spell it? Or herd.
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Well, you can't spell it.
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Herd, yes.
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It's H-E-R-D, I suppose.
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It's the second part of shepherd, you see, the herd but say harb, and the r has that interruption.
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And then what was it they said?
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They went and give them a decent living to gan out there.
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To gan out, yes.
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Yeah, to gan out there.
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And of course this gan is another of these examples of the preservation of an old form,
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to gan, the old infinitive which has gone out in standard English and has given us our modern word, to go.
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And so you've got this conservative element, much of it literally unchanged over a thousand years,
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going back unchanged all that time.
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We'll listen to a man now who specialises in using the Northumbrian vocabulary, back to Northumberland, and to Fred Reid.
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Fred Reid used to be a coal miner.
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He's retired now and in his seventies.
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His poems are all in the dialect, using local words, skilfully and, I think, movingly.
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The Northumbrian literary tradition that Fred Reid represents is urban, but it's not the voice of Tyneside.
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It comes from the east coast of Northumberland around Ashington and Blythe, where, towards the end of the last century, new mining communities sprang up.
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As a boy, Fred Reid's first job was down this Ashington pit.
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One old chap used to put himself in the dark, and I could hear him in the pitch darkness,
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his tremulous, teen sort of voice with a childlike intonation saying, the Lord's my shepherd, HX care of me.
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I soon learned what was meant by the phrase,
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quite a number of phrases used down the pit are used on the surface,
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but they have a metaphorical, they're similes.
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It's not the same meaning as down the pit.
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For instance, if someone says to you, take your pipe till the reek hands out,
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that means that you've retired after lighting a squib, and you mustn't go into the place again until the reek's cleared away.
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Now, that's what it means down the pit.
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But on the surface it means, well, keep your head, keep your cool.
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Just hold on a bit, don't lose your temper temper, don't get hotted up.
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And then such phrases as bumping the debodice kissed has a different meaning.
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It means that you don't get your own way on the surface.
你能学到什么
这段视频能帮你提升两项关键口语技能：一是听懂地区口音的能力，尤其是英格兰东北部的诺森伯兰口音，它融合了独特的喉音和韵律，对雅思口语练习很有帮助；二是掌握自然对话节奏，视频中牧羊人之间的交流随意且生活化，能让你学会如何像母语者一样流畅表达。此外，通过模仿他们的用词和句式，你还能丰富日常口语表达。
留意这些发音特点
视频里有不少值得关注的连读和弱读现象。比如“get his cell in”中，“get his”连读成/ɡetɪz/；“heat will get him down”里，“will”弱读为/l/，几乎听不见。还有“make enough money”中，“enough”的尾音/f/与“money”的开头/m/连读，形成流畅的过渡。这些发音技巧能让你的口语更地道，适合用影子跟读（shadow speech）的方式练习，找个shadowing site跟着读，进步会很快。
像当地人一样说话
要模仿诺森伯兰口音的韵律，关键是抓住重音和节奏。当地人说话时，重音往往落在实词上，比如“sheep”“work”“stick”，而虚词则轻轻带过。比如“These were put in the long winter nights”，重音在“put”“long”“winter”“nights”，读的时候要适当加重语气。另外，他们的语速较慢，每个词都带着一种沉稳的喉音，你可以用英语影子跟读（英语影子跟读）的方法，跟着视频重复，感受这种独特的节奏。坚持练习，你会发现自己的口语越来越有“本土味”，连shadowspeaks这样的专业练习也能轻松应对！
什么是跟读法？
跟读法 (Shadowing) 是一种有科学依据的语言学习技巧，最初开发用于专业口译员的培训，并由多语言者Alexander Arguelles博士普及。这个方法简单而强大：您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同，跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性，语调，节奏，连读，听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。