Luyện nói tiếng Anh bằng Shadowing qua video: Michael Jackson EXPOSES His Father's Horrific Abuse & A Childhood Stolen | the detail.

How often would he beat you?

Too much.

Would he only use the belt?

Do you remember any time in your whole life when you weren't performing?

Wow.

Not really.

No. We've always performed.

Yeah.

Even when we were small kids.

My mother caught me making my bed one day and I was singing.

And she said to my father that I could sing and he didn't want to hear of it.

You know, he said that Jermaine's the lead singer, not Michael.

My mother said, Joe, you really should hear him sing.

He can sing.

He goes, no, Jermaine's the lead singer of the group, and that's it.

She forced him to listen to me.

And once he listened to me, From that moment on, I was the lead single in the group.

Yeah, we weren't wealthy, but we weren't poor.

My father always prepared for the family, as well as my mother, always wonderful.

That's very important.

They made sure we got the right things for ourselves.

Strong parents, I think, are very important, especially in our situation.

Well, on stage for me was home.

I was most comfortable and still most comfortable on stage.

But once I got off stage, I was like very sad.

Really?

Yes.

And sad from the beginning?

Sad since it's first started?

Lonely, sad, having to face with popularity and all of that.

Christine, what school do you go to?

Do you go to a school?

Yeah, I go to a private school in the valley.

Do the kids stare at you because you're so rich and famous? Do they?

Do they stare at you? not because of it.

It's kind of a school like the kids already in the business.

There are other singers, dancers, and aerialists, and jugglers and tumblers and so on.

I remember precisely going to Motown Studios to record.

Right across the street from the studio was a park

and I could hear the roar of the you know the little league team and they're playing

soccer and football and volleyball and they were playing baseball.

And I remember a lot of the times looking back and really hiding my face crying.

When I was really little, around 11 and 12, I was under contract with Motown

and I would have to go to the recording studio go

and make these albums because the summer tour was right around the corner

and right across the street from the recording studio was a ballpark

and I could hear the kids you know the roar of the crowd

and playing and catching ball and having fun and playing tennis

and some of those times I

so passionately wanted to just go over there just play a little bit

and not go to the recording studio

and sing just to you know have some fun with the kids

and i couldn't i mean on tour backstage without musicians

and the singers and i feel growing up for ages for a lot of my life

when i was i remember all the time when i was still they used to call me a 45 year old midget, wherever I went.

I used to always hear that and I just would hear it.

Never thought about it.

When you were little and you started to sing, did you know you were that good?

I never thought about it.

But you don't miss then, not ever having had what they call an average childhood?

Like a- No, not really.

We get to do things kids do in the neighborhood.

Well, you don't get to do things that other children get to do.

You know, the simple things that they so much take for granted.

Having friends and slumber parties and buddies and just hanging out.

There was none of that for me.

I didn't have any friends when I was little.

My brothers were my friends.

In bed, sleep at night, I was up doing clubs.

I was doing club dates.

Three in the morning.

The striptease would come on after us.

You know, I was, we were performing.

And we were, we did have friends.

My brothers were like my friends, but we worked.

We worked, we worked them for Christmas, they were my birthdays, and we were very strict to Hopelessnesses.

From one concert to the next, it wasn't concert, it was the recording studio.

It wasn't that, it was TV shows or interviews or picture sessions.

There was always something to do.

What would you do if you had a vacation?

I mean, a real vacation where you just get off and away from singing and anything that looked like work.

What would you do?

What would I do?

I really don't know.

You've never really done it.

In my life, I really had one vacation and that was last Christmas.

Outside of that, let me think what I did.

I just stayed home.

I watched television.

I read.

And I remember one time we were getting ready to go to South America and everybody was packed up in the cars, ready to leave and go, and the plane was about to.. and I hid.

I was crying while I was hiding, because I really did not want to go.

I wanted to play.

I did not want to go.

No, he's gonna kill me.

He's gonna get you still worried about me.

Well, he feels that he was stretched.

I'm glad he said it.

Now I'll say it yes.

100

Did he ever beat you?

101

Yes, he did.

102

And that was difficult to take, getting beaten and going on stage and performing.

103

Yes.

104

My father would always say, don't mess up, you know?

105

And I felt I knew every part.

106

And if something went wrong, I felt I could cover it.

107

Well, I didn't have it that hard because he used me as the example.

108

It was like, do it like Michael.

109

You know, and he practiced us with a belt in his hand.

110

And if you miss a step, expect to be...

111

He'd look in the audience, he'd make a face like this.

112

He'd go, I can't mess up, he's going to kill us.

113

It would just scare the bejesus out of you.

114

He'd be like, everybody's clapping, he'd be like, looking at your heart, like, don't you mess up.

115

And I'm like, oh, God.

116

I'm in trouble at this show.

117

And he would tear you up if you missed.

118

And so we, not only were we practicing, we were nervous rehearsing because he sat in the chair and he had this bell in his hand.

119

And if you didn't do it the right way, he would tear you up, really get you.

120

And I got it a lot of times, but I think my brother Marlon got it the most because he had a hard time at first.

121

And he tried so hard.

122

And it was always, do it like Michael, do it like Michael, you know,

123

but the others were very nervous And I was nervous too, you know, because he was tough.

124

He wanted me to, I guess maybe, I don't know if I was his golden child or whatever it was.

125

Some may call it a strict disciplinarian or whatever, but he was very strict, very hard, very stern.

126

Just a look would scare you, you know, and- Were you scared of him?

127

Very, frightened.

128

There's been times when he'd come to see me and I would get sick, you know, start to regurgitate as a child or as an adult.

129

I don't think he realizes to this day how scared, scared.

130

I mean scared, so scared that I would regurgitate.

131

You would vomit?

132

Mm-hmm. When would you vomit?

133

What would produce that sort of reaction in you?

134

his presence just seeing him and sometime I'd faint

135

and my bodyguards would have to hold me up I don't have you hearing today.

136

I'm scared of my father to this day.

137

My father walked in the room and God knows I'm telling you the truth.

138

I fainted in his presence many times.

139

I'll say once, to be honest.

140

I fainted once.

141

I've thrown up in his presence because when he comes in the room, and oh, it just aura comes, and my stomach starts hurting.

142

I know, like, I'm in trouble.

143

Now he's so different now.

144

He wants to be a better father.

145

I just wish he had learned that earlier.

146

Why are you still scared of him?

147

Because the scar is still there.

148

So I'm like an angel in front of him, not scared.

149

One day he said, why are you scared of me?

150

And I couldn't answer.

151

I felt like, and children, do you know what you've done?

152

How often would he beat you?

153

Too much.

154

Would he only use a belt?

155

Why do you do this to me?

156

No more than a belt.

157

What else would he use to hit you with?

158

Arnie cords.

159

whatever's around.

160

Throw you up against the wall as hard as you could.

161

He was left.

162

The way he would beat you was, you know, was hard.

163

Sometimes you take, you make a strip of nude first.

164

He would oil you down.

165

Your whole ritual, he would oil you down.

166

So when the flip of the, the ironing cord hit you, it would just, you know, and it was just like me dying.

167

And you just flip all over your face, your back, everywhere.

168

I always hear my mother, but no, Joe, you're going to kill him.

169

You're going to kill him.

170

I would just give up.

171

I thought there was nothing I can do.

172

And I hated him for it.

173

He would lose his temper.

174

I just remember hearing my mother scream, Joe, you're going to kill him.

175

You're going to kill him.

176

Stop it.

177

You're going to kill him, you know?

178

And I was so fast, you know, he couldn't catch me half the time.

179

But when he would catch me, oh, my God.

180

It was bad.

181

He hit me, I would hit him back, which was terrible.

182

And I would run around the house and hide and all that stuff.

183

But I would really get it more than anybody.

184

His car coming down the driveway drove, always throw this big Mercedes.

185

He drives real slow.

186

Shut up home.

187

Shut up home quick.

188

Boom.

189

Door slam.

190

Everybody runs to their room.

191

I guess sometimes I'd be in bed at night sleeping.

192

It's 12 at night.

193

The door is locked.

194

I'm giving you five seconds.

195

You're not open.

196

I'm going to kick it down.

197

He starts kicking it.

198

Boom.

199

Kick it.

200

Like breaking the door.

201

Why did you sign that contract today?

202

I go, I don't know.

203

He goes, well, sign it.

204

If you don't sign it, you're in trouble.

205

Did you decide?

206

I had to.

207

He was very physical.

208

He'd throw you and hit you as hard as he can.

209

Did you begin to feel that you were like a money-making machine boy?

210

Yeah.

211

I'll never forget one day he said, you guys ever stop singing, I'll drop you like a hot potato.

212

That's what he said.

213

You're going to hurt me.

214

He don't say that to children, and I never forgot it.

215

When he was beating you, did you hate him?

216

Yeah.

217

Strong hate.

218

That's why to this day I don't lay a finger on my children.

219

I don't want them to ever feel that way about me.

220

Ever.

221

And he didn't allow us to call him daddy.

222

And I wanted to call him daddy so bad.

223

He said I'm not daddy, I'm Joseph to you, you know?

224

I never felt love from him.

225

And he would never hold me or touch me.

226

We used to say to our mother, we'd say to each other, I'll never forget this, Janet and myself, we'd say, I'll say, Janet, shut your eyes.

227

She'd go, okay, let's shut.

228

I'd picture Joseph in a car and he's dead.

229

Did you feel sorry?

230

She'd go, no. That's what we'd do to each other as kids.

231

We'd play games like that.

232

She'd go, nope.

233

She'd go, nope.

234

That's how hateful we were.

235

He just, I don't think how much he hurt me with me as well.

236

But he's a genius.

237

The man is a genius.

238

At the same time, he was a genius.

239

He really is.

240

But Michael, he injured you when you were a child.

241

Yeah, but look what came out of it.

242

Well.

243

Maybe I wouldn't have the infection for the kids that I have today and wanted to help them.

244

And I totally forgive him for all of it, you know.

245

You have to.

246

but uh i don't allow my children to call me michael i say i'm daddy it's just the opposite

247

so when people say the abuse abuse that's not true that's not true at all

Phương Pháp Shadowing Là Gì?

Shadowing là kỹ thuật học ngôn ngữ có cơ sở khoa học, ban đầu được phát triển cho chương trình đào tạo phiên dịch viên chuyên nghiệp và được phổ biến rộng rãi bởi nhà đa ngôn ngữ học Dr. Alexander Arguelles. Nguyên lý cốt lõi đơn giản nhưng cực kỳ hiệu quả: bạn nghe tiếng Anh của người bản xứ và lặp lại to ngay lập tức — như một "cái bóng" (shadow) đuổi theo người nói với độ trễ chỉ 1–2 giây. Khác với luyện ngữ pháp hay học từ vựng bị động, Shadowing buộc não bộ và cơ miệng phải đồng thời xử lý và tái tạo ngôn ngữ thực tế. Các nghiên cứu khoa học xác nhận phương pháp này cải thiện đáng kể phát âm, ngữ điệu, nhịp điệu, nối âm, kỹ năng nghe và độ lưu loát khi nói — đặc biệt hiệu quả cho người luyện IELTS Speaking và muốn giao tiếp tiếng Anh tự nhiên như người bản ngữ.

Luyện nói tiếng Anh bằng Shadowing qua video: Michael Jackson EXPOSES His Father's Horrific Abuse & A Childhood Stolen | the detail.

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