跟讀練習: I Learned ANIMATION in 1 WEEK... 🎨👀 (ft. Skynix) - 通過影片學習英語口語

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219 句

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This video is brought to you by Skillshare.

If you couldn't tell from the theme of my drawings over the last couple months, I've been watching a lot of anime.

Okay, that did not sound as cool as it did in my head.

But in that time, I've come across some shows with some of the best, most beautiful, detailed and cool animation my eyes have ever seen.

And I've never been more inspired in my life.

So as an artist who's been drawing traditionally for over 7 years now, I thought to myself, how hard can animating be?

Spoiler alert, animating is extremely hard.

But I'm not one to back down from a challenge, so in this video, I'm gonna be attempting to produce a fully rendered

and epic animation in 7 days with literally zero experience.

I have never animated before.

What am I getting myself into?

But to do that, we're gonna need a plan, so without further ado, let's begin.

So I started by getting out my sketchbook

and making goals for what I wanted to achieve for each of the 7 days.

Now, because I've never animated before, it's very likely that this plan will end up changing as the days go on and as I learn more about animation.

But the one thing I do know is that for day one, we gotta figure out what we're gonna animate and how we're gonna do it.

So, I got out of my phone and asked everyone in my Discord server this exact question.

What should I animate and what are some good animating tips?

And after a couple seconds, I checked my phone and...

Oh, I forgot to press N.

But then everyone's responses started coming in.

And they were definitely something.

We got LeBron vs Goku.

Me doing a Holo Purple.

Me and a...

Who wrote this?

Greg?

But then, I came across this idea to animate evil shrimpy versus shrimpy.

So without wasting any time, I went to my computer, downloaded Clip Studio Paint.

Yo, why does this look like a virus?

Got out my old drawing tablet and hunted down the cables for it, and got ready to make my first animation on Clip Studio Paint.

But there was just one problem.

This program is nothing like anything I've used before.

So I got the program and it seems pretty simple to make art with it.

Weeeeee!

But the thing that's scaring me is this.

In animation, the timeline is where you actually make the animation.

And that's all I know.

Okay, so it looks like we have a bunch of buttons here.

We've got the play button.

We can create a folder, a cell.

Who is onion skin?

So without understanding a thing, I tried animating the first thing every animator animates.

Balls.

Wait, what?

So I then went to the second frame, added a ball, and did the same thing for the third frame.

Let's go.

Alright, let's see how it looks.

Let's go to the start.

And here we go. And play.

What?

Yeah, I ended up watching a couple tutorials.

A few moments later.

You gotta check this out.

Okay, so what I did wrong before is I didn't actually create a new frame.

See, if we go to frame 2 and press this button here, it creates a new frame.

Now, if we say hello to Mr. Onion Skin here.

Who was Onion Skin?

Boom!

We can see it!

Oh my god!

And now, if we draw in our second circle and go and press play, it will actually move!

Oh my god!

So now that I actually knew how to make things move, I made it my goal for day 1 to complete the full ball animation.

And after drawing 14 balls, my first ever animation was complete.

SCOOOOOOL!

And not gonna lie, I was so happy with how it came out and all the progress we made in day 1.

But little did I know that this challenge was about to get a lot harder.

Now for day 2, I really wanted to challenge myself, cause if I wanted to become a pro at animating by the end of the week, I'd have to animate stuff other than just balls.

Yeah bro, that's kinda weird.

Anyways, now that I understand the basics of how animating works, I should actually be able to use my skills as an artist to animate something cool.

So I opened up the Discord server again and tried finding an idea that was a little more complex, but guess who I stumbled across again.

Day 2's goal is gonna be to animate Greg dancing.

Now this is significantly harder than animating a ball bouncing, but I just reckon we give it a go.

So I started out by drawing the various dance moves that Greg would perform and make sure the timing felt right.

I made them do a jump, a little wave, and a cute little spin.

And so far, I was pretty happy with how these posters looked.

But now it's time to try and draw what animators call the in-betweens.

These are the frames that go in between the other frames.

I bet you didn't expect that.

And basically just make it look smoother and more complete.

And the best way to do that is with our good friend...

Who is onion skin?

Using onion skin while drawing an in-between allows us to see the frame that comes before it, and after.

So we're literally just filling the gaps.

And because I have a pretty good understanding of anatomy and digital art, this step wasn't actually too hard.

I then made a new animation folder and named it Linework

and started adding the crispy black lines on top of our sketch frames.

Now, although I usually use various line weights in my artworks like this, I used a fine liner

that stayed the same width the whole time for the frames as I thought this would give it a cleaner

and more consistent look.

And, to my surprise, it actually worked.

Now all that's left is to create our third and final animation folder to add to colouring.

Now, check this out.

Now normally when colouring, you have to manually color the entire thing like this.

But a tutorial by Manu Mercurial showed me

that all you have to do is set the paint bucket to this setting

and it will use the line work to know exactly where to fill even if we're on a different layer.

Thank goodness I found this out.

100

But this process is by far the most satisfying and easiest step and it really brings the animation all together.

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But with With that, I presented you my first ever colored animation, Greg.

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And I was so happy with Greg's animation that for day 3, I wanted to step it up a lot more.

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Because I want to be able to animate like this, I still have a lot of stuff I need to learn.

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Sorry Greg.

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So the goal for day 3 is to learn how to add shading, lighting, backgrounds, and the hardest part of all, animating an actual human.

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So I decided that I'd try and animate Shrimpy looking up, but really go all out on the colouring, quality, rendering and effects.

107

I started out by trying to draw the key poses of Shrimpy looking up, really focusing on the anatomy, but quickly realised that this was a lot harder than drawing Greg.

108

But no need to worry, cause I just used the exact same approaches I did with Greg, drawing the main poses first.

109

And even with just 4 frames, it already looked like this.

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But something still looked a little bit off.

111

So I decided to record myself doing the movement a couple times to see how it looked, and although I felt goofy as hell, I understand it now.

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So after fixing up the keyframes and feeling super confident, I went straight from the messy sketch to the line work, turning each scribbly pose into a refined shrimpy drawing.

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But now it's time to take our animation to a whole new level, with shading.

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While watching those tutorials in day one, I noticed animators do this thing where they draw a shadow line.

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Now this wasn't just to look cool, even though it does look super cool, but to make the paint bucket process much easier, I decided to go with three colours on each frame.

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A base color, a highlight, and a shadow color, and this was looking insane.

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Now all that was left to do was to bring our animation into After Effects and add some finishing touches.

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I added a subtle camera movement, a random background, and a light gradient overlay.

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And with that, I proudly present to you my third ever animation, Shrimpy Looking Up.

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Now I was so insanely happy with how this animation came out

121

that I didn't realize that it took me 5 hours to animate a 2 second animation.

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Like that's actually cooked, how do animators do it?

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So it was time to make some adjustments to our 7 day plan.

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Day 5 would now also be for the final animation

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and today will be about getting feedback and tips from a professional animator and fellow YouTuber, the one and only Skynix.

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Yo!

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Hello!

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What's up Skynix?

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Not too much.

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What's up with you?

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I spent five hours on a two second animation.

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Damn, no. That's so real.

133

Oh my god.

134

Is that normal?

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That is completely normal, man.

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Animation takes time.

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Bro, I'm cooked.

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I'm cooked.

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I've been animating for three days in this challenge

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and I showed you the Greg animation But now I made one that's a lot better quality a lot better than Greg.

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Oh my god I'm gonna have to see it to believe it's run be It's not this blank screen what I'm ready.

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I'm so ready.

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Oh My god, yeah, I'm genuinely blown away.

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You've only been animating for three days Let's go and look compositing as well.

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It looks beautiful.

146

Let's go.

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Thank you, bro Okay, so I plan for the last three days of the challenge to do a full fight scene.

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So if you have any tips on anything.

149

Holy sh.

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Tips for a fight scene.

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Okay, my one tip is good luck.

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What?

153

No, okay, you're gonna need a lot of reference.

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That's the biggest thing I can give you.

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Especially from like actual 2D animation reference.

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When you're animated, going by really quickly, Like if someone's throwing a punch

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or running across the screen It's actually a lot easier to get away with like bad drawing

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so make sure make sure everything goes by quickly Remember your your 12 principles of animation.

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Have you learned about those yet?

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Have you gone to those and you're studying?

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Oh, what are those?

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Oh my goodness, Shrimpy.

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Tess, tess, tess, someone hasn't been studying I see.

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Uh oh.

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Skynext then taught me the 12 principles of animation and a bunch more useful tips.

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So thank you so much to Skynyx and make sure to go subscribe to his channel.

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His videos are fire!

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But thanks to Skynyx, I was now more confident and excited than ever to make the final animation.

169

So I spent the rest of the day 4 writing down Skynyx's tips, but most importantly, storyboarding what each scene from the final animation would be.

170

I planned out each one of the scenes and added little notes for the movements, dialogues and actions the characters would make.

171

And with that, it was finally time.

172

Everything we've done in this video has led up to this moment, the final animation.

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All the tutorials, practice animations, failures and frames to prepare for this final task, but as I went to add the very first frame, my pen broke.

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What?

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What?

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What?

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What?

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Not now!

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What am I gonna do?

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I can't draw without a pen and I only have three ne- What the f- Oh!

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Oh!

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Because you guys showed so much love to the digital art video, XP-Pen agreed to send me another insane drawing tablet.

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Also cause I gave the other one away.

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Congrats, Kintento!

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So thank you all so much and thank you to XP-Pen.

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So I took everything out of the box, connected the tablet, put on my artist glove, and now...

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Let's do this.

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Scene 1 opens with Evil Shrimpy looking down on his hands, he's heavily breathing as his hands shake and jitter.

189

Scene 2 will be a close-up shot of Evil Shrimpy's hands, revealing the glowing red lines that now shine through the cracks of his skin.

190

Confused and enraged, Scene 3 shows Evil Shrimpy looking up from his hands as he says, What have you done to me?

191

Scene 4 and 5 show Shrimpy standing up as he responds to his friend and says, I was just trying to save you, it was the only way- No!

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Evil Shrimpy interrupts as Scene 6 depicts him accusing Shrimpy of viewing him as weak.

193

Shrimpy denies this and promises he won't leave him in scene 6, followed by a dramatic wide shot of the two friends as they stand off.

194

Scene 8 shows Evil Shrimpy thinking for a moment before saying the words, Then you will die.

195

Then finally, the last three scenes show Evil Shrimpy leaping from the ground as he charges up his fiery red laser eyes

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and attacks Shrimpy.

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Now with all the keyframing and sketching done, Day 6 will be all about adding your line work and shadow lines to our animation.

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But because of all of the knowledge I had gained through the first 5 days of this challenge, this was actually a pretty smooth and satisfying process.

199

But, if you're also someone that wants to get into animation, you're in luck, cause this video is brought to you by Skillshare.

200

So while I power through the line work, let me tell you about this amazing site.

201

Now I'm sure you all know about Skillshare.

202

It's the largest online learning community for creators with thousands of classes, led by industry experts across film, illustration, design, freelance, and of course, animation.

203

So instead of skipping a bunch of steps and continuously getting stuck and failing,

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like I did, with Skillshare you can actually learn the fundamentals of animation from professional animators like Sivoune Toomey and Vera Rahag.

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And the coolest part is that me

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and Skillshare have teamed up to give you guys a whole free month of the platform, giving you access to step-by-step tutorials on literally anything you want to learn about art, completely for free.

207

So if you're one of the first 500 people to hit the link in the video description, that will let you claim your one month free trial of Skillshare.

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But with that...

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It's now day 7.

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With all the keyframing, linework and shadow lines now done, all that was left was to fill in the colours and add the final effects.

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Frame by frame, I coloured in Evil Shrimpy and Shrimpy, and finally, the animation was all coming together.

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This has by far been the most insane and time-consuming challenge I've ever done.

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So if you enjoyed and want to help support me, I just opened my official store with keychains, stickers and canvases of your favourite artwork.

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But with that, I finally present to you...

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Evil Shrimpy vs Shrimpy What have you done to me?

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I was just trying to save you It was the only way- NO!

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You thought I was weak!

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You led me to die just because I didn't have powers like you!

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I won't leave you this time Then you'll die!

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本課的詞彙與口語要點

這節 B2 級別的口語課以影片“I Learned ANIMATION in 1 WEEK... 🎨👀”為素材。影片中反覆出現的詞有：animation, shrimpy, frame, scene, drawing。這段影片共有 219 個句子、2621 個單詞可供跟讀。講話部分時長為 13:21。說話人語速較快，每分鐘約 196 個詞，會出現較多連讀和弱讀。只有 81% 的單詞屬於英語最常用的 3,000 詞，詞彙難度較高。

影片中的重點詞彙

影片中最難的 15 個單詞，附發音和釋義：

單詞	發音	釋義
animation 名詞	/ˌæn.ɪˈmeɪ.ʃən/	動畫 /動畫, 動漫 /動漫
animate 形容詞	/ˈæn.ə.mət/	活的, 有生命的
animator 名詞	/ˈænɪˌmeɪtə(ɹ)/	動畫製作者 /動畫製作者
tutorial 名詞	/ˌtjuːˈtɔːɹɪəl/	輔導 /輔導, 教程
onion 名詞	/ˈʌn.jən/	цун, пиязы
keyframe 名詞	/ˈkiˌfɹeɪm/	鍵架 /鍵架
folder 名詞	/ˈfoʊldɚ/	卷宗, 資料夾 /資料夾
sketch 名詞	/ˈskɛt͡ʃ/	草擬, 速寫
anatomy 名詞	/əˈnætəmi/	解剖學 /解剖學, 解剖
satisfy 動詞	/ˈsætɪsfaɪ/	滿足 /滿足
bucket 名詞	/ˈbʌkɪt/	水桶, 吊桶
shade 名詞	/ʃeɪd/	陰影 /陰影
crispy 形容詞	/ˈkɹɪs.pi/	脆的
depict 動詞	/dɪˈpɪkt/	描繪 /描繪, 描述
enrage 動詞	/ɪnˈɹeɪd͡ʒ/	觸怒 /觸怒, 激怒

影片中出現的短語動詞

單詞	發音	釋義
look up 動詞	/ˌlʊk ˈʌp/	仰, 上看
come out 動詞	/ˌkʌm ˈaʊt/	出, 出來 /出來
end up 動詞		到達
come together 動詞	/ˈkʌm tʊˈɡɛðɚ/	集合, 聯合
figure out 動詞		弄清楚
look down on 動詞		看不起, 瞧不起
stand up 動詞		站起來 /站起來, 起來 /起來
write down 動詞		寫下來 /寫下來, 寫下 /寫下

值得反覆跟讀的句子

影片中簡短而完整的句子，可以直接用在日常對話裡：

What am I getting myself into?
What's up with you?
Have you learned about those yet?
Have you gone to those and you're studying?
What am I gonna do?

影片中的語法

說話人最常用的結構，並附上影片中的原話：

結構	影片中的用法
現在完成進行時 have/has been + -ing — 以前開始、現在仍在繼續的動作	I've been watching · who's been drawing · I've been animating
現在完成時 have/has + 過去分詞 — 過去發生但與現在仍有關聯的事	I've come · I've never been · have never animated
被動語態 be + 過去分詞 — 強調發生了什麼，而不是誰做的	is brought · is set · was left

需要注意的發音

說話人用了 56 次縮略和弱讀形式，例如 gonna, I'm, I've。請按聽到的簡短形式來說。

“sh” 和 “zh” 音: animation /ˌæn.ɪˈmeɪ.ʃən/, shrimpy /ˈʃɹɪmpi/, shade /ʃeɪd/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, traditionally /tɹəˈdɪʃ.ə.nə.li/
長單詞——注意重音位置: animation /ˌæn.ɪˈmeɪ.ʃən/, animator /ˈænɪˌmeɪtə(ɹ)/, anatomy /əˈnætəmi/, manually /ˈmænj(u)əliː/, illustration /ˌɪləsˈtɹeɪ̯ʃən/

中文母語者容易讀錯的音：

/v/ — 不要讀成 /w/，上齒輕觸下唇: overlay /ˌoʊvɚˈleɪ/, glove /ɡlʌv/, canvas /ˈkæn.vəs/
詞尾子音 — 要讀清楚，後面不要加母音: animate /ˈæn.ə.mət/, sketch /ˈskɛt͡ʃ/, tablet /ˈtæblət/, pose /poʊz/, bucket /ˈbʌkɪt/
/r/ 和 /l/ 的區別: tutorial /ˌtjuːˈtɔːɹɪəl/, scribbly /ˈskɹɪb(ə)li/, freelance /ˈfɹiˌlæns/, proudly /ˈpɹaʊdli/, illustration /ˌɪləsˈtɹeɪ̯ʃən/

如何用這段影片練習

先完整聽一遍影片，不要開口，記下不認識的單詞。
先用 0.75 倍速逐句跟讀，熟練之後再回到正常速度。
錄下自己的聲音並與原聲對比，特別注意 animation, animate, animator 這類單詞。

什麼是跟讀法？

跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧，最初開發用於專業口譯員的培訓，並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大：您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同，跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性，語調，節奏，連讀，聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。

影子跟讀法: 閱讀完整分步指南 →

跟讀練習: I Learned ANIMATION in 1 WEEK... 🎨👀 (ft. Skynix) - 通過影片學習英語口語

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本課的詞彙與口語要點

影片中的重點詞彙

影片中出現的短語動詞

值得反覆跟讀的句子

影片中的語法

需要注意的發音

如何用這段影片練習

什麼是跟讀法？