Shadowing Practice: Halsey: 'Without Me' Interview | Apple Music - Learn English Speaking with Video
Creando lección...
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Well, you've been on the road now supporting your amazing second album,
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but it's been a long tour.
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You know, I don't mind it though.
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It's cool.
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I'm gonna go my birthday is at the end of the month.
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Great.
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So I'm gonna go after the tour.
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I'm gonna go spend some time like in Italy.
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Yeah.
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Alone for a while, but it's such a weird time for me because like
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my 20 I'm turning 24
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and I was 19 when I wrote Badlands and it's like I blinked and And it just feels so insane.
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And, you know, it's really interesting to this record because it's going to come right after my 24th birthday.
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This is such a weird thing for me.
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It's so complicated because there's so much to unpack here.
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But the first thing is that,
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like, it's the most raw thing I've ever made and not just because of the content,
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because I make concept albums.
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So I have these comic book universes where I'm playing a fantasy character.
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And each song is protected by the next.
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It all makes sense.
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Yeah, there's like a five part video series and I'm not really myself,
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I'm playing someone else.
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And now this song is not attached to an album.
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It's a standalone record.
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And that's the interesting thing about music is I was supposed to be taking a break
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and then I wrote this song and it's like,
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music doesn't care about your schedule.
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It's like, if the timing's right,
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you need to- Set it free.
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Yeah, you need to put it out.
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And so here I have this record where it's like,
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it's just me, you know,
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no wig, no colorful hair, no character.
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And it's about my life and about my relationship
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that the world has watched so closely and so vehemently in the past year and a half.
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My fans are really going to be like, whoa.
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You know, all the video content,
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everything behind the song is like me.
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It's just me.
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It's like me in a white t-shirt with normal hair,
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just singing to the camera.
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No character, no cinematography, no gunfight,
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car explosion, stuff like I usually do.
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Is this the first song you've ever written as Ashley and not as Horsey?
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I think that's the point.
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Yeah, I think that's what I'm kind of getting at.
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It's not protected by some character or some subplot or some,
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you know what I mean?
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It's like, this is really me talking about my life and letting people.
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I've always...
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It kind of gave me an existential crisis as an artist a little bit, because I've like...
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For so long I've prided myself on being an artist who's authentic and writes about her life and stuff.
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And then when I made this,
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I felt just how bad it hurt.
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So you wondered whether or not you'd even gone there before?
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Yeah!
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And it made me question myself as an artist and be like,
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as an artist and be like,
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have you even been accessing this part of you?
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Here's the good news.
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Every artist I've ever interviewed in my life who's gone there has asked that question of themselves.
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You know, I mean, if you'd gone there right at the very start,
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who knows where you'd be now?
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I mean, you've got to warm up.
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You've got to live a life.
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You were 19 when you started.
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I know.
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You're 24, you're still incredibly young,
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and you've lived a life.
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I mean, you know, debut album, hard work, check.
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Second album, ambitious, concert record, check.
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You know, hustle for your success,
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put in the graph, check public relationship.
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Big check.
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Yeah.
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You know, big check.
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I mean, these are all things you've achieved,
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and so it makes sense that you're going to go ahead and you're going to write this song now,
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because what would you have said before?
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How would you have even gotten this out of your system?
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No, we would have cared.
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That's the most important thing,
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is that now they care.
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And they want to know what's behind the curtain.
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Nah, you are different, man.
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And I've said this so many times.
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No one, I mean, here's a compliment for you.
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I'm irrespective of the writing.
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No one, when it comes to stepping on the microphone to do a take on any song in any situation,
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and I've talked to Benny about this.
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I've talked to PND about this.
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I've talked to anyone who's actually had the guts to step in the room with you.
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When you step in there and take your first statement of your verse,
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it's over for anybody else in the room.
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And Benny's like, oh, she's the greatest.
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The first three seconds of any takes she does,
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the tone she has, it's just forget about it.
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It's done.
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I think it's
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because I don't even put my mouth in front of a microphone until I'm absolutely positive about what I want to say.
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How do you even get there?
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Because a lot of people have to warm up to that.
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You know, I'm just like,
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I think a lot of people,
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there's two ways of looking at it is some people are comfortable improv-ing in the room.
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That means one of two things, and they're opposite things.
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It either means that they're so comfortable with whatever they're making or whatever they're saying,
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they don't care if someone hears them mess up.
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Or it means they're so uncomfortable that they need improv in the room to wait for the person to say,
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that's good, that's good.
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Yeah, they're looking for feedback.
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So it's one or the other.
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It's either that they don't need any validation or they so desperately need validation.
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And I'm like a completely different type of writer where I,
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when I first started writing and people weren't familiar with my work
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or was like my workflow or I hadn't found the people I'm comfortable with yet.
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When I first started writing,
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I would sit in the room and like be in my phone and I could feel like producers being like,
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is she even going to do anything?
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And then I'd leave the room to go smoke a cigarette or do whatever and they'd be like,
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is she even going to do anything?
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You're in the wrong game.
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The patience is the whole point.
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30 minutes later, I'd come back in and I'd sing a whole song,
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top to bottom, and they'd be like,
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when did you write that?
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And I'd be like, when you were wondering if I was ever going to do anything.
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And then I'd come back in and they cut it.
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And so I think what it is is,
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I mean, I think I'm a perfectionist in
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that way where I don't get in front of a mic unless I know what I'm going to say.
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I only have like three demos the world's never heard.
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Most artists have like a hundred.
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And that's because I don't even start a song unless I know I'm going to finish it.
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Wow, interesting.
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So like I've only ever made basically the songs that you've heard.
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No vault.
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No, not really.
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No vault.
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Because I know what I want to make before I make it and I kind of reserve.
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I reserve that instead of trying to like Frankenstein stuff.
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Look, my first message is like,
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you know, you are not bound to anything besides yourself.
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I've said that in 2015 when I put out Hurricane,
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I said, you know, don't belong to no city,
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don't belong to no man.
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That's always been my MO,
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is you don't belong to anybody but yourself.
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And then of course, situations like this complicate things when you love someone almost as much as you love yourself, maybe more.
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Yeah.
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Well, that's what's interesting about that line,
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because when I first heard it,
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I felt like you were talking to him as much as to yourself.
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Yeah.
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And in the past, it's like,
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oh, you're talking to yourself,
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like stand up for who you are
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and don't necessarily put your self-esteem in the hands of any situation is not in your control.
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This time it was almost like a gift as well.
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It was like you were saying,
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it's not about you belonging to me or me belonging to you.
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That's what I took from it.
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100%.
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100%.
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And there's like a double entendre in that as well
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because I think the most important message for me with this is like,
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you know you don't belong to anybody but yourself
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and you know you're not bound to anything that doesn't serve you
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but the second message
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that I want to just remind everyone through this process is
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like we're people we're people you know what I mean like you text your best friend
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and you're like I'm done with them I'm never talking to them ever again
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and then your dumb sorry ass is back hanging out with them again next week too
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and if you're doing it so am I everyone's like you know people don't change people don't and that's not true.
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That's not true.
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And I think that it's especially convoluted when your image of yourself or your perception of yourself,
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look, basic sociology is looking glass self.
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We define ourselves based on how the people around us see us.
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That's how we define ourselves.
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So now imagine if the people around you isn't ten people, it's ten million.
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Yeah, and it's through the eyes and lens of social media which is immediate and direct.
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And the news is fit to print.
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The news is fit to print.
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So now you have this like warped
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idea of who you are because of 10 million strangers who are trying to tell you who they think you are.
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And it's like that completely...
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It's like there's an exception there.
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That's an exception.
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My development of my identity and my self-perception and my higher self and self-awareness,
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I kind of get a pass to experiment with it and to mess up and to figure,
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and so does he and so does everyone else you know you're being fed self-reflection from
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so many different So start Uninformed star says I think it's the only thing that I've experienced in the past couple years
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that made me put my phone down
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and say I don't care what they think
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and I've you know me you've known me for a while now and you know I've beaten myself up
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about what people think about me and about what people think about it and
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so in a weird way like this relationship has been the
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one of the most liberating thing that's ever happened to me
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because it made me put my phone down and go I don't care what you think because this makes me happy
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Vocabulario y notas de pronunciación para esta lección
Esta lección de conversación de nivel B2 se basa en el vídeo “Halsey: 'Without Me' Interview”. Este vídeo tiene 198 frases y 1824 palabras para practicar shadowing. La parte hablada dura 8:20. El hablante habla rápido, unas 219 palabras por minuto, así que espera sonidos enlazados y reducidos. El 87 % de las palabras está entre las 3.000 más comunes del inglés, por lo que el vocabulario es fácil de seguir.
Vocabulario clave de este vídeo
Las 15 palabras más avanzadas del vídeo, con su pronunciación y significado:
| Palabra | Pronunciación | Significado |
|---|---|---|
| validation sustantivo | /ˌvæl.əˈdeɪ.ʃən/ | validación, convalidación |
| microphone sustantivo | /ˈmaɪ.kɹəˌfəʊn/ | micrófono |
| vault sustantivo | /vɑlt/ | bóveda |
| perception sustantivo | /pɚˈsɛpʃ(ə)n/ | percepción |
| cinematography sustantivo | /ˌsɪn.ə.məˈtɒɡ.ɹə.fiː/ | cinematografía |
| complicate verbo | /ˈkɑmplɪkeɪt/ | complicar, complejizar |
| convoluted adjetivo | /ˌkɑnvəˈlutəd/ | convoluto, convuelto |
| existential adjetivo | /ˌɛɡzɪˈstɛnʃl̩/ | existencial |
| irrespective adjetivo | /ɪɹɪˈspɛktɪv/ | sin considerar, independiente de |
| liberate verbo | /ˈlɪbəˌɹeɪt/ | liberar, librar |
| perfectionist sustantivo | /pɚˈfɛk.ʃənɪst/ | perfeccionista |
| subplot sustantivo | /ˈsʌb.plɑt/ | trama secundaria, argumento secundario |
| unpack verbo | /ʌnˈpæk/ | desempacar, deshacer |
| vehemently adverbio | /ˈviː.ə.məntli/ | vehementemente |
| warp sustantivo | /ˈwɔːp/ | alabeo, pandeo |
Phrasal verbs que vas a escuchar
| Palabra | Pronunciación | Significado |
|---|---|---|
| mess up verbo | desbarajustar, desbarahustar | |
| go ahead verbo | /ˌɡoʊ əˈhɛd/ | venga, adelante |
| put out verbo | sacar | |
| stand up for verbo | romper una lanza por, romper lanzas por |
Frases que vale la pena repetir
Frases cortas y completas del vídeo que puedes reutilizar en la conversación diaria:
- You know, I don't mind it though.
- I think that's the point.
- I mean, you've got to warm up.
- You've got to live a life.
- How do you even get there?
Gramática en este vídeo
Las estructuras que más usa el hablante, con las palabras exactas del vídeo:
| Estructura | En el vídeo |
|---|---|
| Present perfect have/has + participio pasado — una acción pasada que sigue importando ahora | you've been · I've ever made · has watched |
| Voz pasiva be + participio pasado — importa lo que ocurre, no quién lo hace | is protected · is not attached · are not bound |
Pronunciación a tener en cuenta
El hablante usa 91 contracciones y formas reducidas, como I'm, don't, I've. Dilas en su forma corta, tal como las oyes.
- Los sonidos de “sh” y “zh”: validation /ˌvæl.əˈdeɪ.ʃən/, perception /pɚˈsɛpʃ(ə)n/, existential /ˌɛɡzɪˈstɛnʃl̩/, perfectionist /pɚˈfɛk.ʃənɪst/, ambitious /æmˈbɪʃ.əs/
- Palabras largas — cuida el acento: validation /ˌvæl.əˈdeɪ.ʃən/, cinematography /ˌsɪn.ə.məˈtɒɡ.ɹə.fiː/, convoluted /ˌkɑnvəˈlutəd/, irrespective /ɪɹɪˈspɛktɪv/, perfectionist /pɚˈfɛk.ʃənɪst/
Sonidos difíciles para hispanohablantes:
- /v/ — no es /b/: los dientes tocan el labio inferior: improv /ˈɪmpɹɑv/, validation /ˌvæl.əˈdeɪ.ʃən/, vault /vɑlt/, convoluted /ˌkɑnvəˈlutəd/, irrespective /ɪɹɪˈspɛktɪv/
- /z/ — sonora, no /s/: existential /ˌɛɡzɪˈstɛnʃl̩/, lens /lɛnz/
Cómo practicar con este vídeo
- Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
- Empieza a velocidad 0,75×, haz shadowing frase por frase y vuelve a la velocidad normal cuando te resulte fácil.
- Grábate y compara con el original, prestando atención a palabras como validation, microphone, vault.
¿Qué es la Técnica de Shadowing?
Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.