Shadowing Practice: Tom Hiddleston: The Puppy Interview - Learn English Speaking with Video
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213 oraciones
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1
I've never felt suspense quite like this.
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One of these guys should be called Thor and the other one should be called Loki.
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Loki's won it.
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No, Thor's come back.
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Oh, yes!
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This is like the MCU.
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It's gonna take a couple of movies to figure this out.
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Hello, I'm Tom Hiddleston, and today I'm with BuzzFeed to play with some puppies.
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It's an unusual privilege to be here,
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sitting in this ocean of pink,
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and waiting to meet some puppies, but I can't wait.
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Bring in the puppies.
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Oh my goodness.
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You a bit sleepy?
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Oh, sweet.
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Hello, darling.
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Oh, shake it out.
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You go over there.
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That's more interesting.
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What's your name?
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Do you have a name?
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Not yet.
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I actually feel extremely calm.
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We're here to say hello to BuzzFeed.
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Do you know what BuzzFeed is?
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Not yet.
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One day, maybe.
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They just re-root you in the present moment.
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And now they're gone.
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There's the most extraordinary ensemble in this film.
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Chiwetel Ejiofor, Karen Gillan, Mark Hamill, Mia Serra.
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My stuff was with Anneliese Basso and the pocket queen,
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Taylor Gordon, who's the drummer.
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And we had this moment together where something completely spontaneous happens in the street on a Thursday afternoon
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and there's this extraordinary dance.
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We covered the dance from all kinds of different angles.
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The camera was sometimes rather like old school musicals,
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like singing in the rain, standing back, really objective.
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And other times the camera was swooping in and around us and among us and dancing with us.
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It was so free and so joyful and so spontaneous and committed and felt and passionate.
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I think I've never experienced that feeling on a set before,
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like, that was perfect.
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I remember dogs love this position when they're young.
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It makes them feel safe and you can just give them a little tickle there.
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Oh, sweetheart, that's right.
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It's all very, very sweet.
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Mike Flanagan is an extraordinary man.
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He wrote the screenplay, he directed the film, he edited the film.
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He's found a way of adapting the material by Stephen King,
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which acknowledges that our lives can be difficult,
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that they can be hard and they can be full of loss and grief,
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but they're also full of joy, aren't they?
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Yes, it is.
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So I spoke to Mike and I said,
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Mike, I really think this is like a profound piece of writing
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because it's sort of about how joy is part of the human experience.
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And it's part of the puppy experience.
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Yes, it is.
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Oh, yes, it is.
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Wah, wah, wah, wah, wah.
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One of these guys should be called poor and the other one should be called Loki.
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You know you guys wanna be called Loki?
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I've met a lot of dogs called Loki.
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This guy's like a Loki I think.
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He's got the strain of mischief in him.
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I've worked with a lot of them now and that's been the great joy actually is like,
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it's hard to pick one because they're all such extraordinary actors and such great people.
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But I'm trying to think of the ones I haven't worked with.
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I'd like to work with Daredevil because Charlie Cox is a dear friend of mine.
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I think Loki and Daredevil would have a fun matchup.
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Charlie and I were going to play together on Broadway on Halloween.
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I dressed up as Daredevil and he dressed up as Loki.
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It was really fun.
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Do you like this?
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Do you like this?
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Oh, who wants it?
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Do you want to bring it back?
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Oh, clever boy.
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I've never danced.
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Are you a dancer?
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Jump if you're a dancer.
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Yes!
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I was never classically trained as a dancer.
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And what I loved about this was that I got to kind of do a fast track classical training in a way.
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Yeah, it also just gave me like incredible respect for the extraordinary stamina and athleticism of dancers.
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I don't think I ever have taken something from a set.
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I'm really like, I've been really well behaved and I sort of just have left stuff.
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I really wanted to take my shoes from the set of The Life of Chuck,
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but Mike Flanagan has those.
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I'm actually glad he does because I burned holes in the soles of them.
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So by the end of all the dancing there were just literally holes in the bottom of my shoes.
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You could see my socks.
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There's a scarf in Thor that I wore as Loki.
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I come down.
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Loki comes down to Earth and he tries to lift Mjolnir,
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Thor's hammer, and he can't.
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And I've got that scarf.
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This is like the Clash of the Titans right here.
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Come on.
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Oh yeah.
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Loki's won it.
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No, Thor's come back.
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Oh yes!
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This is like the MCU take a couple of movies to figure this out.
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So in the life of Chuck, it's not just me.
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It's Cody Flanagan, Jacob Tremblay, and Benjamin Payjack.
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Benjamin Payjack breaks my heart in the film.
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Like, he's just, I think he gives a performance of such sweetness and innocence.
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He might as well be one of these puppies.
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I was lucky, because I got to start the Chuck journey in the schedule and Benjamin came to meet me on set.
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And I didn't realize this,
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but he was watching me dance.
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I then, I finished my work and I went home,
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and he put little accidental,
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unconscious things that I was doing with my hands,
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or with little things I was doing with my body that I wasn't aware I was doing,
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and he's incorporated them into his performance.
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Just an extraordinary, luminous, gifted actor.
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Yes, so many.
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We were on a volcano in Iceland,
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in Thor the Dark World, I think.
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It was so windy and so cold,
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we couldn't hear each other.
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We couldn't believe we were standing on a volcano in these costumes.
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I can't remember what one of us said, we got the giggles.
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The giggles is a very dangerous thing, I'm sorry.
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And we're like, get it together.
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And that's the worst, because you can't.
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You know, there's so many like that.
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I love running to this song by Bon Iver called Eight Circle.
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Also kind of like cloud-piercing and majestic.
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And it's a great song to run to.
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There was one where I was playing Prince Howe in an adaptation of Henry IV Part I by William Shakespeare.
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And we shot this battle in a field in England in February.
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And I was wearing chain mail.
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It snowed overnight and we shot the first day of the battle in the melting snow.
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I got pulled off a horse,
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so I was just rolling around in this kind of slushy, muddy, icy snow.
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And the next day, 5 in the morning,
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I arrived and it was like costume supervisor said,
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so they've got to match continuity to yesterday,
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so can you put this back on?
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And it was this frozen, metal, muddy encasement.
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And I had to basically,
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they had to spray me down with water to match the rain
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and put fresh mud on me at like 5 a.m and I was like, woof.
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It was tough back then.
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Come and get it, come on.
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Oh, where is it?
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Where is it?
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Where has it gone?
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That's not, that's his leg.
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That's not the fluffy toy.
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Probably like what happened in the show,
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what happened in the low-key series for Disney Plus.
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I really did think I was out, retired from the team.
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And then a year later,
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Kevin Feige and Louis T.S.
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Vigio called me and said,
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so we've got this idea.
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Started discussing what the show might look like and I was like,
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okay, let's go again.
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Actually, that ended up being,
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in a way, the most fulfilling redemption.
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For me, another chance to play the character,
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but for Loki, another chance to sort of define his purpose.
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I have no idea.
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If I weren't an actor,
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what job would I be good at?
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I honestly, in my head,
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I never had a backup plan,
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because I always thought if I have a backup plan,
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the chances are I might use it.
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And this was all I ever really wanted to do.
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If I had to choose,
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I'd probably love to teach.
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I actually get a lot of satisfaction from that.
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Guys, I think he's had enough of his ear being bitten now.
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Oh, that's right.
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If you give it, you have to take it.
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I cry thinking about movies.
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I actually cried yesterday thinking about The Shawshank Redemption.
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I remember watching that film when I was 14 and I found it overwhelmingly moving.
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I find I just cry all the time now.
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I just find movies incredibly emotional.
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Marley and Me is a killer.
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I didn't make it through that film.
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I mean, I did make it,
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but I couldn't see after a while.
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It was all just blurry and misty.
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And when I worked with Owen Wilson,
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it took me about six months to tell him how much I loved that movie.
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It's true.
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We were between setups on Loki,
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and I was like, Owen,
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I just have to tell you.
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I think Marley and Me is a masterpiece.
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He was like, oh, thanks, man, thank you.
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What do you think?
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Have you seen a movie?
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No. I feel calmer, I feel wiser.
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I'll never forget it.
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This guy, he's now gone so flat,
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but he's very peaceful and I feel that we had a bond.
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What do you think?
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Do you want to have a sleep as well? Or not?
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Not yet.
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Too busy.
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Too many things to do.
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If you would like to adopt one of these beautiful little puppies,
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or any puppies like these,
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you can head over to Positive Beginnings.
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The life of Chuck is in theatres now.
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Vocabulario y notas de pronunciación para esta lección
Este vídeo tiene 213 frases y 1660 palabras para practicar shadowing. La parte hablada dura 8:52. El hablante habla rápido, unas 187 palabras por minuto, así que espera sonidos enlazados y reducidos. Solo el 79 % de las palabras está entre las 3.000 más comunes del inglés, por lo que el vocabulario es exigente.
Vocabulario clave de este vídeo
15 palabras del vídeo que vale la pena aprender, con su pronunciación y significado:
| Palabra | Pronunciación | Significado |
|---|---|---|
| puppy sustantivo | /ˈpʌpi/ | cachorro, perrito |
| extraordinary adjetivo | /ɪksˈtɹɔːrdɪn(ə)ɹi/ | extraordinario, descomunal |
| dancer sustantivo | /ˈdænsəɹ/ | bailarín, bailador |
| shoe sustantivo | /ˈʃu/ | zapato, taba |
| backup sustantivo | /ˈbækˌʌp/ | respaldo |
| costume sustantivo | /ˈkɑsˌt(j)um/ | traje |
| redemption sustantivo | /ɹɪˈdɛmpʃən/ | redención |
| volcano sustantivo | /vɑlˈkeɪ.noʊ/ | volcán |
| spontaneous adjetivo | /spɑnˈteɪ.ni.əs/ | espontáneo |
| scarf sustantivo | /skɑːf/ | bufanda, chalina |
| muddy adjetivo | /ˈmʌdi/ | barroso, enfangado |
| pocket sustantivo | /ˈpɑ.kɪt/ | bolsillo, bolsa |
| killer sustantivo | /ˈkɪlɚ/ | matador, matadora |
| cloud sustantivo | /ˈklaʊ̯d/ | nube, nimbo |
| unusual adjetivo | /ʌnˈjuːʒ(u)əl/ | inusual, inusitado |
Phrasal verbs que vas a escuchar
| Palabra | Significado |
|---|---|
| dress up verbo | vestirse de gala, ponerse elegante |
| end up verbo | terminar, ir a parar |
| go over verbo | sentar, pasar |
| pull off verbo | llevarse el gato al agua, poner una pica en Flandes |
Gramática en este vídeo
Las estructuras que más usa el hablante, con las palabras exactas del vídeo:
| Estructura | En el vídeo |
|---|---|
| Present perfect have/has + participio pasado — una acción pasada que sigue importando ahora | I've never felt · I've never experienced · I've met |
| Voz pasiva be + participio pasado — importa lo que ocurre, no quién lo hace | should be called · be called · being bitten |
Pronunciación a tener en cuenta
El hablante usa 41 contracciones y formas reducidas, como I've, I'm, can't. Dilas en su forma corta, tal como las oyes.
- Los sonidos de “sh” y “zh”: shoe /ˈʃu/, redemption /ɹɪˈdɛmpʃən/, unusual /ʌnˈjuːʒ(u)əl/, shake /ˈʃeɪk/, satisfaction /sætɪsˈfækʃən/
- Palabras largas — cuida el acento: extraordinary /ɪksˈtɹɔːrdɪn(ə)ɹi/, spontaneous /spɑnˈteɪ.ni.əs/, unusual /ʌnˈjuːʒ(u)əl/, incredibly /ɪŋˈkɹɛdɪbli/, satisfaction /sætɪsˈfækʃən/
Cómo practicar con este vídeo
- Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
- Empieza a velocidad 0,75×, haz shadowing frase por frase y vuelve a la velocidad normal cuando te resulte fácil.
- Grábate y compara con el original, prestando atención a palabras como puppy, extraordinary, dancer.
¿Qué es la Técnica de Shadowing?
Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.