Pratique du Shadowing: 10 AMERICAN Monologues | Male - Apprendre l'anglais à l'oral avec la vidéo

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In this video, I'm going to give you 10  contemporary male monologues spoken by American characters. They'll be perfect for American actors  or for non-American accented performers, if you're working on accent and dialect. Right let's go. Sam  from The Flick by Annie Baker. This is in act 2, scene 1. Start on page 66 at "- so the next day  we all went to see a movie." And end on page 69 at "...now I can't remember what the realization  was." Sam works at a cinema, or movie theater, and is speaking about bringing in food to watch  a movie, and he's making a shocking discovery.
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It's a comedic and conversational speech that  he thinks is more dramatic than it actually is.
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Cut out Avery's small interjections and Sam's  responses to him to make the speech work. Andy from Downstate by Bruce Norris. Start on page 100  at "Emily has to pick out my clothes." and end on page 101 at "...like she didn't even care."  Andy was abused as a child by Fred and here, after many years, he's finally confronting him.  It's a hugely emotional speech, filled with pain, trauma and sadness. Cut out Fred's small  interjections to make the speech work. Adam from The Antipodes by Annie Baker. Start on page  73 at "Once upon a time there was nothing." And end on page 75 at "And they were happy." Adam is  in a group of people confined to a conference room creating stories together. Towards the end of  the play, and after several failed attempts at success, Adam delivers this epic story about the  creation of the world. There's loads of potential in this speech. It could be conversational,  low-key and casual, or more dynamic and thrilling.
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Victor from Dirty Crusty by Clare Barron. Start  on page 110 at "So when my Grandad died..." And end on page 112 at "She made us sleep in her  room that night." In this speech, Victor recounts visiting his dead Granddad's body with his  brother. It's a simple, sweet and touching speech.
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Ken from Red by John Logan. Start on page 54 at  "Bores you!? Bores you!?" And end on page 55 at "So black swallows red." Ken is in his twenties  and is Mark Rothko, the American painter's, assistant. At this point, Ken explodes at Rothko  about Rothko's arrogant attitude and brutish treatment of him. Prior from Angels in America,  Part 1, Millennium Approaches by Tony Kushner.
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This is the second part of scene 8. Start on  page 42 at "One of my ancestors was a ship's captain..." And end on page 43 at "But it seems to  me that it lets you off scot-free." In this short speech, Prior tells a story about his ancestor to  his crying partner, Louis. Prior is sick with AIDS and Louis is struggling to come to terms with it.  Eric from The Inheritance by Matthew Lopez. This speech is in part one of the play. It's in scene  5, part 2. On page 145, start at "The car turned away..." And end on page 147 at "...mingling  together inside this house, inside him." This speech is from the end of part one of this  incredible and epic new play. Eric speaks in the third person about himself and he speaks about  visiting a house in Upstate New York, that used to be a refuge for men with AIDS in the 1980s. This  is a beautiful speech full of powerful imagery and poignancy. Toby from The Inheritance by  Matthew Lopez. This speech is in part two of the play. It's in act 2, scene 5. On page 247, start  at "The night Toby disappeared..." And end on page 251 at "...and starts to write." In this extensive  speech, Toby reflects on his troubled life and where he needs to go next. He speaks about  himself in the third person and the speech is full of pain and conflict. This is a long speech  so a couple of shorter versions are: Start at "He was seven when his father died." on page 248 and  end on "The only faggot." on page 249. Or start at "Toby Darling, raised in privilege..." On page  249 and end at the end of the speech on page 251.
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Franz from Appropriate by Branden Jacobs-Jenkins.  Start on page 88 at "Okay. Where do I even start?" And end on page 90 at "I washed us clean."  In this speech, Franz has just returned from going in a lake at the family home. He speaks  passionately about the spiritual awakening he's just journeyed on. John from Now or Later by  Christopher Shinn. In Christopher Shinn, Plays 2, start on page 15 at "Okay: a couple weekends  ago..." and end on page 16 at "...and tell people they were going to burn in hell." John is  the son of the Democratic Presidential candidate and controversial photos of him are circulating,  which is threatening his father's success.
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In this speech, John recounts  a naked party that he attended, and how the damaging events unfolded. Cut out  a couple of small interjections by Jessica, as John's setting up the story. These plays are  currently available on Drama Online... Or you can order them from the publishers: Bloomsbury, which  now incorporates Methuen Drama and Oberon Books.
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Nick Hern Books. And Faber & Faber.  Or you can order them from Amazon.
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Thanks for watching till the end. If this  video helped you, please hit that like button, and check out these other videos that I think  you'll enjoy. And also hit that subscribe button to make sure that you never  miss a video. All the best.

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Vocabulaire et conseils d’expression pour cette leçon

Cette vidéo contient 10 phrases et 911 mots à répéter en shadowing. La partie parlée dure 6:02. Le locuteur parle à un rythme naturel d’environ 151 mots par minute, proche d’une conversation courante. Seuls 81 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.

Vocabulaire clé de cette vidéo

15 mots de la vidéo à retenir, avec leur prononciation et leur sens :

MotPrononciationSens
epic nom/ˈɛp.ɪk/épopée
accent nom/ækˈsɛnt/accent
shock nom/ʃɔk/choc
wash verbe/wɑʃ/laver
discovery nom/dɪˈskʌv.ɹi/découverte
naked adjectif/ˈneɪkɪd/nu
dramatic adjectif/dɹəˈmætɪk/dramatique
spiritual adjectif/ˈspɪɹɪt͡ʃuəl/spirituel
reflect verbe/ɹɪˈflɛkt/refléter, réfléchir
theater nom/ˈθi(ə)tɚ/théâtre
dynamic adjectif/daɪˈnæm.ɪk/dynamique
casual adjectif/ˈkæʒ(u)əl/fortuit, accidentel
controversial adjectif/ˌkɑn.tɹəˈvɝ.ʃəl/controversé, polémique
privilege nom/ˈpɹɪv.(ɪ.)lɪd͡ʒ/privilège
cinema nom/ˈsɪn.ə.mə/cinéma

Les verbes à particule que vous entendrez

MotPrononciationSens
cut out verbearrêter de
check out verbemater, regarder
pick out verbedistinguer, faire la distinction
set up verbe/ˌsɛt ˈʌp/mettre en place, installer
turn away verbese détourner

La grammaire de cette vidéo

Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :

StructureDans la vidéo
« Used to » used to + verbe — une habitude ou un état passé qui n’est plus vraiused to be
Present perfect have/has + participe passé — une action passée qui compte encore maintenanthas just returned
Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le faitwas abused
Propositions relatives who / which + proposition — une précision sur une personne ou une chosecirculating, which is

Prononciation à surveiller

Le locuteur utilise 6 contractions et formes réduites, comme can't, didn't, I'm. Prononcez-les sous leur forme courte, telles que vous les entendez.

  • Les sons « th »: theater /ˈθi(ə)tɚ/, cloth /klɒθ/, threaten /ˈθɹɛt.n̩/, thrill /θɹɪl/
  • Les sons « sh » et « zh »: shock /ʃɔk/, wash /wɑʃ/, casual /ˈkæʒ(u)əl/, controversial /ˌkɑn.tɹəˈvɝ.ʃəl/, publisher /ˈpʌblɪʃɚ/
  • Mots longs — placez bien l’accent: controversial /ˌkɑn.tɹəˈvɝ.ʃəl/, incorporate /ɪŋˈkɔɹ.pɚ.eɪt/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/, interjection /ˌɪn.tɚˈd͡ʒɛk.ʃən/, conversational /ˌkɒnvə(ɹ)ˈseɪʃənəl/

Comment s’entraîner avec cette vidéo

  1. Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
  2. Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
  3. Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme epic, accent, shock.

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

Technique du shadowing : lire le guide complet étape par étape →