Pratique du Shadowing: Anton Chekhov | A Chameleon - Audiobook Short Story - Apprendre l'anglais à l'oral avec la vidéo
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140 phrases
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The Storyteller Burrow
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A chameleon Антон Павлович Чехов
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Teehee Police Superintendent Otyumailov is walking across the market square wearing a new overcoat and carrying a parcel under his arm.
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A red -haired policeman strides after him with a sieve full of confiscated gooseberries in his hands.
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There is silence all around.
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Not a soul in the square.
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The open doors of the shops and taverns look out upon God's world disconsolately, like hungry mouths, there is not even a beggar near them.
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So you bite, you damned brute?
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Ochu Myalov hears suddenly.
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Lads, don't let him go.
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Biting is prohibited nowadays.
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There is the sound of a dog yelping.
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Ochu Myalov looks in the direction of the sound and sees a dog, hopping on three legs and looking about her,
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run out of Pichigan's timber yard.
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A man in a starched cotton shirt, with his waistcoat unbuttoned, is chasing her.
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He runs after her, and throwing his body forward falls down and seizes the dog by her hind legs.
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Once more there is a yelping and a shout of don't let go.
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Sleepy countenances are protruded from the shops, and soon a crowd, which seems to have sprung out of the earth, is gathered round the timber yard.
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It looks like a row, your honour, says the policeman.
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Otumailov makes a half turn to the left and strides towards the crowd.
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He sees the aforementioned man in the unbuttoned waistcoat standing close by the gate of the timber yard,
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holding his right hand in the air and displaying a bleeding finger to the crowd.
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On his half -drunken face there is plainly written, I'll pay you out, you rogue.
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And indeed the very finger has the look of a flag of victory.
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In this man Otumailov recognizes Friakin, the goldsmith.
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The culprit who has caused the sensation, a white borsoi puppy with a sharp muzzle and a yellow patch on her back,
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is sitting on the ground with her forepaws outstretched in the middle of the crowd, trembling all over.
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There is an expression of misery and terror in her tearful eyes.
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What's it all about?
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Otsumailov inquires, pushing his way through the crowd.
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What are you here for?
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Why are you waving your finger?
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Who was it shouted?
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I was walking along here, not interfering with anyone, your honor.
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Hryakin begins, coughing into his fist.
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I was talking about firewood to Maitrey Mitrich, when this low brute for no rhyme or reason bit my finger.
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You must excuse me, I am a working man.
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Mine is fine work.
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I must have damages, for I shan't be able to use this finger for a week, maybe.
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It's not even the law, your honor, that one should put up with it from a beast.
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If everyone is going to be bitten, life won't be worth living.
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Very good, says Otsumailov sternly, coughing and raising his eyebrows.
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Very good.
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Whose dog is it?
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I won't let this pass.
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I'll teach them to let their dogs run all over the place.
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It's time these gentry were looked after, if they won't obey the regulations.
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When his find, the Blaggard, I'll teach him what it means to keep dogs and such stray cattle.
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I'll give him a lesson.
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Yeldirin cries the superintendent addressing the policeman find out whose dog this is
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and draw up a report
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and the dog must be strangled without delay it's sure to be mad whose dog is it I ask I fancy it's
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General Jigalovs says someone in the crowd
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General Jigalovs help me off with my coat Yeldirin it's frightfully hot
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it must be a sign of rain there's one thing I can't make out how it came to bite you.
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Otumailov turns to Hryakin.
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Surely it couldn't reach your finger.
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It's a little dog, and you are a great hulking fellow.
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You must have scratched your finger with a nail, and then the idea struck you to get damages for it.
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We all know, your sort.
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I know you devils.
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He put a cigarette in her face, your honor, for a joke, and she had the sense to snap at him.
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He is a nonsensical fellow, your honour.
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That's a lie, squint -eye.
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You didn't see, so why tell lies about it?
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His honour is a wise gentleman, and we'll see who is telling lies and who is telling the truth, as in God's sight.
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And if I am lying let the court decide.
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It's written in the law.
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We are all equal nowadays.
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My own brother is in the gendarmes, let me tell you.
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Don't argue.
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No, that's not the general's dog, says the policeman, with profound conviction.
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The general hasn't got one like that.
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His are mostly setters.
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Do you know that for a fact?
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Yes, your honor.
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I know it, too.
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The general has valuable dogs, thoroughbred, and this is goodness knows what.
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No coat, no shape.
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A low creature.
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And to keep a dog like that?
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Where's the sense of it?
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If a dog like that were to turn up in Petersburg or Moscow, do you know what would happen?
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They would not worry about the law, they would strangle it in a twinkling.
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You've been injured, Friakin, and we can't let the matter drop.
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We must give them a lesson.
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It is high time.
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Yet maybe it is the generals, says the policeman, thinking aloud.
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It's not written on its face.
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I saw one like it the other day in his yard.
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It is the generals, that's certain, says a voice in the crowd.
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Help me on with my overcoat, yelled Erin, my lad, the wind's getting up.
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I am cold.
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You take it to the generals, and inquire there.
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Say I found it and sent it.
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And tell them not to let it out into the street.
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It may be a valuable dog, and if every swine goes sticking a cigar in its mouth, it will soon be ruined.
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A dog is a delicate animal.
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And you put your hand down, you blockhead.
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It's no use you're displaying your fall of a finger.
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It's your own fault.
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Here comes the general's cook, ask him.
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Hi, Prohor.
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Come here, my dear man.
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Look at this dog.
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Is it one of yours?
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What an idea.
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We have never had one like that.
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There's no need to waste time asking, says Otyumailov.
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It's a stray dog.
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There's no need to waste time talking about it.
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Since he says it's a stray dog, a stray dog it is.
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It must be destroyed, that's all about it.
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It is not our dog, Prohor goes on.
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It belongs to the general's brother, who arrived the other day.
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Our master does not care for hounds.
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But his honour is fond of them.
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You don't say his excellency's brother is here?
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Vladimir Ivanovich?
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Inquires Otsumailov, and his whole face beams with an ecstatic smile.
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Well, I never.
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And I didn't know.
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Has he come on a visit?
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Yes.
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Well, I never.
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He couldn't stay away from his brother.
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And there I didn't know.
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So this is his honor's dog?
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Delighted to hear it.
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Take it.
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It's not a bad pup.
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A lively creature.
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Snapped at this fellow's finger.
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Ha ha ha.
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Come, why are you shivering?
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The rogue's angry, a nice little pup.
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Prohor calls the dog and walks away from the timber yard with her.
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The crowd laughs at Fryakin.
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I'll make you smart yet.
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Otumailov threatens him and wrapping himself in his greatcoat, goes on his way across the square.
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale s’appuie sur la vidéo « Anton Chekhov ». Les mots qui reviennent le plus souvent : dog, finger, crowd, policeman, yard. Cette vidéo contient 140 phrases et 1260 mots à répéter en shadowing. La partie parlée dure 7:52. Le locuteur parle à un rythme naturel d’environ 160 mots par minute, proche d’une conversation courante. Seuls 76 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| finger nom | /ˈfɪŋɡɚ/ | doigt |
| bite verbe | /baɪt/ | mordre |
| timber nom | /ˈtɪmbɚ/ | bois, arbres |
| stray verbe | /stɹeɪ/ | errer, éloigner |
| lesson nom | /ˈlɛs.ən/ | leçon |
| coat nom | /ˈkoʊ̯t/ | manteau, paletot |
| snap verbe | /snæp/ | rompre |
| nowadays adverbe | /ˈnaʊ.ə.deɪz/ | actuellement, de nos jours |
| shout verbe | /ʃaʊt/ | crier |
| superintendent nom | /ˌsjuːpəɹɪnˈtɛndənt/ | surintendant |
| sharp adjectif | /ʃɑɹp/ | affilé, coupant |
| gate nom | /ˈɡeɪ̯t/ | portail, porte |
| argue verbe | /ˈɑɹ.ɡju/ | affirmer, débattre |
| silence nom | /ˈsaɪ̯ləns/ | silence |
| hungry adjectif | /ˈhʌŋ.ɡɹi/ | affamé, avoir faim |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| fall down verbe | /fɔl ˈdaʊn/ | tomber |
| find out verbe | découvrir, savoir | |
| get up verbe | se lever | |
| hand down verbe | transmettre | |
| make out verbe | /meɪk aʊt/ | libeller |
Des phrases à répéter
Des phrases courtes et complètes de la vidéo, à réutiliser dans la conversation de tous les jours :
- What are you here for?
- Why are you waving your finger?
- You didn't see, so why tell lies about it?
- Do you know that for a fact?
- You don't say his excellency's brother is here?
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | is prohibited · are protruded · is plainly written |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | has caused · You've been injured · have never had |
Prononciation à surveiller
Le locuteur utilise 24 contractions et formes réduites, comme I'll, don't, didn't. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « th »: gather /ˈɡæðɚ/, threaten /ˈθɹɛt.n̩/, goldsmith /ˈɡoʊldˌsmɪθ/
- Les sons « sh » et « zh »: shout /ʃaʊt/, sharp /ʃɑɹp/, regulation /ˌɹɛɡjʊˈleɪʃən/, conviction /kənˈvɪkʃən/, sensation /sɛnˈseɪʃən/
- Mots longs — placez bien l’accent: superintendent /ˌsjuːpəɹɪnˈtɛndənt/, regulation /ˌɹɛɡjʊˈleɪʃən/, aforementioned /əˈfɔɹˌmɛn.ʃənd/, chameleon /kəˈmi.li.ən/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: hungry /ˈhʌŋ.ɡɹi/, hop /hɒp/, hulk /hʌlk/, prohibit /pɹəˈhɪbɪt/, hind /haɪnd/
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: chase /t͡ʃeɪs/, patch /pæt͡ʃ/, gentleman /ˈd͡ʒɛn.təl.mən/, scratch /skɹæt͡ʃ/, gentry /ˈd͡ʒɛntɹi/
- /r/ anglais — langue recourbée, sans frotter la gorge: honour /ˈɑnəɹ/, stray /stɹeɪ/, superintendent /ˌsjuːpəɹɪnˈtɛndənt/, sharp /ʃɑɹp/, argue /ˈɑɹ.ɡju/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme finger, bite, timber.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.