शैडोइंग अभ्यास: How to love drawing (even if you're not good at it) - YouTube के साथ अंग्रेजी बोलना सीखें

Learning art takes so long.

⏸ रुका हुआ

गति:

215 वाक्य

यदि वाक्य बहुत छोटे या लंबे हों, तो समायोजित करने के लिए Edit पर क्लिक करें।

Learning art takes so long.

I know that if I want to get good,

I'm going to have to practice and do art studies, but that's boring.

So I keep procrastinating and putting it off and I just end up playing games instead.

If only drawing was as fun as playing video games.

However, what if I told you that it can be?

But how?

Especially if we're just starting out,

our drawings don't exactly look great.

How can we possibly enjoy being bad at something?

I can't help but think that drawing would be so much easier

if I were able to make drawings that I was satisfied with.

I don't want to be an art god or anything.

I just want to be good enough so that I don't disappoint myself constantly.

Surely that isn't asking for too much?

However, there was a very big flaw in this way of thinking that I didn't realize before,

that being good at something doesn't automatically mean I'll enjoy it.

For example, do you know about Andre Agassi,

the former professional tennis player?

Famously, he wrote this about tennis in his memoir.

I hate tennis, hate it with a dark and secret passion, and always have.

Which goes to show that simply being the best in the world at something doesn't mean that you'll automatically enjoy it.

But then again, he's an anomaly.

And also, that's sports, right?

Completely different from art.

Okay, then what about Michelangelo?

You know, the guy that painted the Sistine Chapel.

Apparently, he despised painting the ceiling and claimed that painting was not his art, preferring sculpture instead.

Now don't get me wrong,

it does help a lot to be happy with your own work.

Knowing that you can get a decent result and therefore satisfaction and a sense of achievement to look forward to,

that can make the struggle a lot more tolerable.

But there's a big reason why the final result cannot be the entire reason that someone draws.

And that is, no artist is ever guaranteed to have a good result every time.

Perhaps you might be thinking,

there's no way that could be true.

There are these amazing, incredible artists on social media, right?

And every single one of their art pieces are bangers.

Their time-lapse is flawless.

But remember, that's social media, not real life.

Of course, artists only post the pieces that they're proud of.

We have no way of knowing how many bad drawings they made in between their posts.

After all, social media is just a highlight reel of the moments people choose to present to the world.

A little glimpse of their complicated lives.

Even legends like the late Kim Jong-gi,

whose work seemed flawless, made mistakes.

but he was able to incorporate those errors seamlessly into his work.

So if even the best artists in the world make bad drawings,

then regular people like you or I definitely can't avoid them.

But not only that, because what if I told you that we don't actually want to avoid bad drawings?

Let's take a step back and think about this for a second.

What is a bad drawing?

It's a drawing that the artist isn't satisfied with, right?

What does it mean when we make one?

Does it mean that we're a bad artist?

Well, no. It just meant that we made some bad art.

However, I think that making bad art is actually a crucial part of learning how to draw.

Personally, I found that making bad art full of mistakes and then correcting them was the best way of learning for me.

And unfortunately, I found that out the hard way.

Years and years ago, I used to refuse to ever let myself fail.

Why subject myself to all that embarrassment and humiliation?

But what I didn't realize was that by doing that,

I was depriving myself of the opportunity to grow and learn.

And what's more, because my standards for myself were so high,

anything less than professional I considered a failure.

I think that's actually one reason that kids seem to have an easier time picking up new skills like drawing.

They haven't spent decades consuming incredible,

well-crafted, high-quality media, which means that,

unlike adults, they don't have very high standards for art yet,

including the art they make with their own hands.

So they're much less likely to feel discouraged by what they create,

and so they find it easier to keep going and have fun with it.

Unfortunately, us older folks can't do that.

We're going to have to find some other way of deriving fun and satisfaction.

So what if, instead of obsessing over every individual drawing,

we zoom out and look a little bit more long-term?

What if we focus on our progress instead?

As learners, it makes perfect sense that our first drawings don't look the best,

but as we keep learning and practicing,

the next drawing is gonna look better,

and the one after that will be even better.

We can use this improvement as a way to motivate ourselves to keep going,

with one important caveat.

I was I was dissatisfied with my art for a very long time,

and so I worked hard to study fundamentals and try to get better at it.

But even with weeks and months of hard work,

my drawings weren't getting any better.

It was honestly pretty rough.

I actually ended up quitting art for an extended period back then,

but that's a story for another time.

But there was one thing I didn't know about art back then,

and that is learning takes a very long time.

Much longer than I expected.

When a beginner starts learning a skill,

they're likely to see quick gains and big jumps in skill.

Kind of like when someone first starts going to the gym.

However, as we accumulate more experience,

these improvements get harder and harder to see.

Eventually, it starts taking years for us to see any progress,

100

or maybe even longer.

101

And that's a pretty long time period to be not seeing any improvement.

102

And worse yet, no matter how much we try to avoid it,

103

something even more terrible happens.

104

And we end up plateauing and not improving for a long, long time.

105

As far as I know,

106

there's no easy way to break out of it,

107

which means that progress can't be depended on as a reliable way to motivate ourselves,

108

especially as we get more skills.

109

What can we do?

110

So let me share with you what I like to think about when I draw,

111

which is to focus on the process.

112

The simple joy of creating something from nothing.

113

Forming an entire illustration out of a bunch of individual strokes,

114

watching it gradually take form.

115

Like this.

116

Hmm.

117

Uh, wait, that doesn't look good?

118

Let me start again.

119

Maybe like this.

120

Hmm.

121

Oh, I messed the legs up.

122

Let me try again.

123

Ugh, how can it possibly be fun to make so many mistakes and have to start over and over again?

124

Isn't that frustrating?

125

Imagine playing a game where you keep losing all your progress and having to do the same thing over and over again.

126

Who'd want to play that?

127

But here's the thing.

128

In a way, I actually do think about drawing kind of like playing a video game,

129

but not like a linear game,

130

more like an open world game.

131

I might have some kind of idea of my goal or desired result.

132

However, I can't simply go from blank canvas to completed illustration with no detours.

133

Drawing isn't so simple a task.

134

Much like how obstacles or enemies in a video game are only relevant when you're actually right in front of them,

135

certain problems in an illustration really only reveal themselves much later on in the process.

136

It's like exploration.

137

Except in art, we have infinite possibilities.

138

Issues will arise, but we can deal with them as we get there.

139

And solving those issues is actually part of the fun as well.

140

Remember, when we're drawing, we're not just randomly drawing lines on a page.

141

There is a purpose, which is visual communication.

142

We're trying to express something,

143

be it an emotion or a message, through an image.

144

And we're trying to figure out a good way of doing that.

145

It's almost like solving a puzzle.

146

For example, the human body is super complicated,

147

so we need to figure out a way of managing all that complexity.

148

One way of doing that is to simplify it into basic shapes like boxes and cylinders.

149

I find figuring these solutions out a lot of fun,

150

but here's the thing.

151

Even though it is fun, it's not always fun.

152

Nothing worth doing in life is fun all the time.

153

If you're trying to level up in art,

154

sometimes you do have to sit down and draw a hundred boxes,

155

and that's not exactly the most exciting.

156

What can we do in this case?

157

For me, the most important thing is to make sure I understand the purpose of the study.

158

Those boxes I was talking about,

159

if I'm just drawing them and not really understanding why, it feels pointless.

160

I can't get myself excited about it.

161

However, it gets a lot more interesting if I understand how the study will benefit me.

162

For example, if I get good enough at boxes,

163

eventually I'll be able to construct these mannequins and then eventually full human figures.

164

And that's not the only strategy I have.

165

I can also make the study itself fun by turning it into something I want to draw.

166

If I'm doing head and face studies, for example.

167

I might turn them into characters that I want to draw.

168

Unfortunately, this isn't always possible.

169

Some exercises just aren't that fun.

170

In that case, maybe I can play some music or watch a video while I draw to make it less dull.

171

The most effective tactic I've tried is to turn it into a social activity.

172

If you're doing something boring,

173

having good company makes it a lot less boring.

174

Try drawing with friends, either in person or over discord.

175

Personally, I like to stream my studies over on Twitch,

176

so you can check that out if you're ever interested.

177

However, there is a problem with this tactic in particular.

178

Because if we think about it when we're studying,

179

we should be giving it our full focus.

180

Or else the studying isn't going to be as effective as it could be.

181

And to that I say, so what?

182

Yeah, I know my practice isn't optimal,

183

but at least it's fun and I enjoy doing it.

184

I really struggle with forcing myself to do something I don't like.

185

I don't have a lot of self-control.

186

I might be able to manage doing it a few times,

187

but forming a long-term habit out of it, That's not happening.

188

If I obsess over figuring out the best and most efficient way to practice,

189

I'll just burn out and stop doing it.

190

I know this because I've made this mistake many many times.

191

It's better for me to accept that doing imperfect practice is better than doing nothing at all.

192

Or, or, maybe not.

193

Maybe I'm getting this completely wrong.

194

Maybe it really is better to have a detailed plan

195

and schedule and to stick to that plan and to tough it out.

196

I've known this to work really well for many people.

197

The thing is, everyone is so different.

198

Unfortunately, there's no one size fits all strategy that works for everyone.

199

The tips that I talked about work for me,

200

because I'm pretty lazy, so I really struggle to stay motivated if something isn't fun.

201

But if you're more disciplined than I am,

202

something else will probably be more efficient.

203

While we artists have a lot of shared experiences,

204

in the end, we are all different people with different personalities and lives.

205

So it's important to truly understand yourself to figure out a plan that works for you.

206

Anyway, if you enjoyed the video,

207

consider drawing the subscribe button,

208

but only if you have fun doing it and consider checking out my Twitch stream,

209

where I stream three times a week.

210

Thank you so much for watching,

211

and I'll see you next time.

212

Bye-bye!

213

I might be manage- I might be able to ma- I may be- I might be am- I forgot to do something,

214

so let me highlight it.

215

Actually, never mind.

TRENDING

शैडोइंग तकनीक क्या है?

शैडोइंग (Shadowing) एक विज्ञान-समर्थित भाषा सीखने की तकनीक है जो मूल रूप से पेशेवर दुभाषिया प्रशिक्षण के लिए विकसित की गई थी। विधि सरल लेकिन शक्तिशाली है: आप मूल अंग्रेज़ी ऑडियो सुनते हैं और तुरंत इसे ज़ोर से दोहराते हैं — जैसे वक्ता की छाया 1-2 सेकंड की देरी से। शोध से पता चलता है कि यह उच्चारण सटीकता, स्वर, लय, जुड़ी हुई ध्वनियाँ, सुनने की समझ और बोलने की प्रवाहशीलता में काफ़ी सुधार करता है।

☕ हमें एक कॉफी पिलाएं

आपके समर्थन के कारण ShadowingEnglish 100% मुफ्त है। सर्वर और AI की लागत अधिक है — आपकी कॉफी हमें आगे बढ़ने में मदद करती है! 🙏

PayPal के माध्यम से दान करें

ShadowingEnglish.com – अंग्रेज़ी शैडोइंग अभ्यास

शैडोइंग अभ्यास: How to love drawing (even if you're not good at it) - YouTube के साथ अंग्रेजी बोलना सीखें

लोकप्रिय

इस पाठ के बारे में

मुख्य शब्दावली एवं वाक्यांश

अभ्यास के टिप्स

शैडोइंग तकनीक क्या है?

शैडोइंग अभ्यास: How to love drawing (even if you're not good at it) - YouTube के साथ अंग्रेजी बोलना सीखें

ऐप डाउनलोड करें

इस पाठ के बारे में

मुख्य शब्दावली एवं वाक्यांश

अभ्यास के टिप्स

शैडोइंग तकनीक क्या है?