Практика Shadowing: How to love drawing (even if you're not good at it) - Изучайте разговорный английский с YouTube
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Learning art takes so long.
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Learning art takes so long.
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I know that if I want to get good,
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I'm going to have to practice and do art studies, but that's boring.
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So I keep procrastinating and putting it off and I just end up playing games instead.
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If only drawing was as fun as playing video games.
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However, what if I told you that it can be?
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But how?
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Especially if we're just starting out,
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our drawings don't exactly look great.
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How can we possibly enjoy being bad at something?
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I can't help but think that drawing would be so much easier
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if I were able to make drawings that I was satisfied with.
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I don't want to be an art god or anything.
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I just want to be good enough so that I don't disappoint myself constantly.
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Surely that isn't asking for too much?
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However, there was a very big flaw in this way of thinking that I didn't realize before,
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that being good at something doesn't automatically mean I'll enjoy it.
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For example, do you know about Andre Agassi,
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the former professional tennis player?
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Famously, he wrote this about tennis in his memoir.
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I hate tennis, hate it with a dark and secret passion, and always have.
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Which goes to show that simply being the best in the world at something doesn't mean that you'll automatically enjoy it.
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But then again, he's an anomaly.
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And also, that's sports, right?
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Completely different from art.
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Okay, then what about Michelangelo?
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You know, the guy that painted the Sistine Chapel.
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Apparently, he despised painting the ceiling and claimed that painting was not his art, preferring sculpture instead.
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Now don't get me wrong,
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it does help a lot to be happy with your own work.
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Knowing that you can get a decent result and therefore satisfaction and a sense of achievement to look forward to,
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that can make the struggle a lot more tolerable.
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But there's a big reason why the final result cannot be the entire reason that someone draws.
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And that is, no artist is ever guaranteed to have a good result every time.
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Perhaps you might be thinking,
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there's no way that could be true.
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There are these amazing, incredible artists on social media, right?
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And every single one of their art pieces are bangers.
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Their time-lapse is flawless.
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But remember, that's social media, not real life.
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Of course, artists only post the pieces that they're proud of.
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We have no way of knowing how many bad drawings they made in between their posts.
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After all, social media is just a highlight reel of the moments people choose to present to the world.
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A little glimpse of their complicated lives.
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Even legends like the late Kim Jong-gi,
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whose work seemed flawless, made mistakes.
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but he was able to incorporate those errors seamlessly into his work.
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So if even the best artists in the world make bad drawings,
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then regular people like you or I definitely can't avoid them.
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But not only that, because what if I told you that we don't actually want to avoid bad drawings?
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Let's take a step back and think about this for a second.
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What is a bad drawing?
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It's a drawing that the artist isn't satisfied with, right?
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What does it mean when we make one?
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Does it mean that we're a bad artist?
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Well, no. It just meant that we made some bad art.
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However, I think that making bad art is actually a crucial part of learning how to draw.
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Personally, I found that making bad art full of mistakes and then correcting them was the best way of learning for me.
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And unfortunately, I found that out the hard way.
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Years and years ago, I used to refuse to ever let myself fail.
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Why subject myself to all that embarrassment and humiliation?
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But what I didn't realize was that by doing that,
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I was depriving myself of the opportunity to grow and learn.
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And what's more, because my standards for myself were so high,
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anything less than professional I considered a failure.
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I think that's actually one reason that kids seem to have an easier time picking up new skills like drawing.
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They haven't spent decades consuming incredible,
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well-crafted, high-quality media, which means that,
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unlike adults, they don't have very high standards for art yet,
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including the art they make with their own hands.
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So they're much less likely to feel discouraged by what they create,
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and so they find it easier to keep going and have fun with it.
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Unfortunately, us older folks can't do that.
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We're going to have to find some other way of deriving fun and satisfaction.
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So what if, instead of obsessing over every individual drawing,
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we zoom out and look a little bit more long-term?
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What if we focus on our progress instead?
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As learners, it makes perfect sense that our first drawings don't look the best,
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but as we keep learning and practicing,
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the next drawing is gonna look better,
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and the one after that will be even better.
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We can use this improvement as a way to motivate ourselves to keep going,
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with one important caveat.
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I was I was dissatisfied with my art for a very long time,
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and so I worked hard to study fundamentals and try to get better at it.
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But even with weeks and months of hard work,
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my drawings weren't getting any better.
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It was honestly pretty rough.
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I actually ended up quitting art for an extended period back then,
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but that's a story for another time.
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But there was one thing I didn't know about art back then,
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and that is learning takes a very long time.
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Much longer than I expected.
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When a beginner starts learning a skill,
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they're likely to see quick gains and big jumps in skill.
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Kind of like when someone first starts going to the gym.
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However, as we accumulate more experience,
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these improvements get harder and harder to see.
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Eventually, it starts taking years for us to see any progress,
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or maybe even longer.
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And that's a pretty long time period to be not seeing any improvement.
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And worse yet, no matter how much we try to avoid it,
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something even more terrible happens.
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And we end up plateauing and not improving for a long, long time.
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As far as I know,
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there's no easy way to break out of it,
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which means that progress can't be depended on as a reliable way to motivate ourselves,
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especially as we get more skills.
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What can we do?
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So let me share with you what I like to think about when I draw,
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which is to focus on the process.
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The simple joy of creating something from nothing.
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Forming an entire illustration out of a bunch of individual strokes,
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watching it gradually take form.
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Like this.
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Hmm.
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Uh, wait, that doesn't look good?
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Let me start again.
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Maybe like this.
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Hmm.
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Oh, I messed the legs up.
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Let me try again.
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Ugh, how can it possibly be fun to make so many mistakes and have to start over and over again?
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Isn't that frustrating?
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Imagine playing a game where you keep losing all your progress and having to do the same thing over and over again.
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Who'd want to play that?
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But here's the thing.
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In a way, I actually do think about drawing kind of like playing a video game,
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but not like a linear game,
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more like an open world game.
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I might have some kind of idea of my goal or desired result.
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However, I can't simply go from blank canvas to completed illustration with no detours.
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Drawing isn't so simple a task.
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Much like how obstacles or enemies in a video game are only relevant when you're actually right in front of them,
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certain problems in an illustration really only reveal themselves much later on in the process.
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It's like exploration.
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Except in art, we have infinite possibilities.
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Issues will arise, but we can deal with them as we get there.
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And solving those issues is actually part of the fun as well.
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Remember, when we're drawing, we're not just randomly drawing lines on a page.
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There is a purpose, which is visual communication.
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We're trying to express something,
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be it an emotion or a message, through an image.
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And we're trying to figure out a good way of doing that.
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It's almost like solving a puzzle.
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For example, the human body is super complicated,
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so we need to figure out a way of managing all that complexity.
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One way of doing that is to simplify it into basic shapes like boxes and cylinders.
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I find figuring these solutions out a lot of fun,
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but here's the thing.
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Even though it is fun, it's not always fun.
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Nothing worth doing in life is fun all the time.
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If you're trying to level up in art,
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sometimes you do have to sit down and draw a hundred boxes,
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and that's not exactly the most exciting.
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What can we do in this case?
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For me, the most important thing is to make sure I understand the purpose of the study.
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Those boxes I was talking about,
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if I'm just drawing them and not really understanding why, it feels pointless.
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I can't get myself excited about it.
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However, it gets a lot more interesting if I understand how the study will benefit me.
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For example, if I get good enough at boxes,
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eventually I'll be able to construct these mannequins and then eventually full human figures.
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And that's not the only strategy I have.
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I can also make the study itself fun by turning it into something I want to draw.
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If I'm doing head and face studies, for example.
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I might turn them into characters that I want to draw.
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Unfortunately, this isn't always possible.
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Some exercises just aren't that fun.
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In that case, maybe I can play some music or watch a video while I draw to make it less dull.
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The most effective tactic I've tried is to turn it into a social activity.
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If you're doing something boring,
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having good company makes it a lot less boring.
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Try drawing with friends, either in person or over discord.
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Personally, I like to stream my studies over on Twitch,
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so you can check that out if you're ever interested.
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However, there is a problem with this tactic in particular.
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Because if we think about it when we're studying,
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we should be giving it our full focus.
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Or else the studying isn't going to be as effective as it could be.
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And to that I say, so what?
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Yeah, I know my practice isn't optimal,
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but at least it's fun and I enjoy doing it.
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I really struggle with forcing myself to do something I don't like.
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I don't have a lot of self-control.
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I might be able to manage doing it a few times,
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but forming a long-term habit out of it, That's not happening.
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If I obsess over figuring out the best and most efficient way to practice,
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I'll just burn out and stop doing it.
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I know this because I've made this mistake many many times.
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It's better for me to accept that doing imperfect practice is better than doing nothing at all.
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Or, or, maybe not.
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Maybe I'm getting this completely wrong.
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Maybe it really is better to have a detailed plan
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and schedule and to stick to that plan and to tough it out.
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I've known this to work really well for many people.
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The thing is, everyone is so different.
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Unfortunately, there's no one size fits all strategy that works for everyone.
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The tips that I talked about work for me,
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because I'm pretty lazy, so I really struggle to stay motivated if something isn't fun.
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But if you're more disciplined than I am,
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something else will probably be more efficient.
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While we artists have a lot of shared experiences,
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in the end, we are all different people with different personalities and lives.
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So it's important to truly understand yourself to figure out a plan that works for you.
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Anyway, if you enjoyed the video,
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consider drawing the subscribe button,
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but only if you have fun doing it and consider checking out my Twitch stream,
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where I stream three times a week.
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Thank you so much for watching,
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and I'll see you next time.
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Bye-bye!
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I might be manage- I might be able to ma- I may be- I might be am- I forgot to do something,
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so let me highlight it.
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Actually, never mind.
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Просмотр видео о том, как наслаждаться рисованием, даже если вы не обладаете выдающимся талантом, — это отличная возможность для практики разговорного английского. Основная тема видео отмечает, что наслаждение процессом важнее конечного результата. Принимая эту идею, вы сможете обсудить ее в классе или с партнером, расширяя свой словарный запас и уверенность при разговоре. Использование таких материалов, как это видео, поможет вам лучше понять разговорный английский и улучшить произношение английского, что критически важно для желания говорить.
Грамматика и выражения в контексте
В видео спикер использует несколько важных структур, которые стоит разобрать:
- “If I want to get good, I'm going to have to practice” — Эта конструкция иллюстрирует будущее время и использование модального глагола “going to”, что помогает подчеркнуть желание и намерение.
- “There was a very big flaw in this way of thinking” — Употребление «there was» в контексте описания ошибок помогает создать ясное представление о проблеме. Этот оборот часто встречается в разговорной речи.
- “We have no way of knowing how many bad drawings they made” — Здесь использовано выражение “have no way of”, которое позволяет акцентировать внимание на невозможности подтвердить информацию.
Общие трудности произношения
При просмотре видео важно обратить внимание на несколько слов и выражений, которые могут вызвать трудности при произношении:
- “Procrastinating” — обратите внимание на ударение и слоговое разделение, чтобы избежать ошибок.
- “Satisfaction” — это слово имеет много слогов, и правильное произношение важно для четкости вашей речи.
- “Achievement” — сложное слово, особенно в быстром темпе речи, акцентирование важно для правильного понимания.
Практикуйте shadow speak с этим видео и изучайте shadowing английский, чтобы улучшить произношение английского и уверенность в говорении. Используя видеоматериалы, вы сможете не только улучшить свои навыки, но и наслаждаться процессом обучения. Учите английский с YouTube, и каждая сессия станет для вас увлекательной и познавательной!
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