शैडोइंग अभ्यास: When A Movie Hides That It's A Horror Film - YouTube के साथ अंग्रेजी बोलना सीखें

Sometimes when I'm watching a horror film,

⏸ रुका हुआ

गति:

250 वाक्य

यदि वाक्य बहुत छोटे या लंबे हों, तो समायोजित करने के लिए Edit पर क्लिक करें।

Sometimes when I'm watching a horror film,

I can't help but be a little dissociated from the violence and the scares after a certain point.

Going into a horror movie nowadays,

I know what to expect.

We all do in my mind.

We get a basic setup with characters,

introduce the threat, general creepy stuff until something actually happens.

People fight the bad guy and either win or lose by the end.

Now, I'm being generic, I know,

but that's precisely what I'm critiquing.

I think we all like to be taken on a journey when watching a movie.

And for me, I like it when a horror movie feels unpredictable.

But that's sometimes asking a lot from a genre that is pretty well explored at this point.

So how do we keep our horror fresh?

Well, one way to do it is to put it in a non-horror world.

I've seen a couple videos now of the scariest scenes in non-horror movies,

and I realize those films contain some of the most horrific moments in movies.

I'm talking about scenes like the baby scene in Trainspotting,

or just about any scene from the second half of Requiem for a Dream.

I love when movies that aren't horror introduce elements of horror because I'm never quite expecting them to go there.

I don't have those same expectations that I do in a straight-up horror movie,

so those scenes are even more effective.

Now, if you've been watching my videos for a while,

you know I've been really scouring through IMDb looking for obscure horror movies from Asia that I want to give recognition to.

And we are sticking with that trend today.

But I'm not going to be talking about a movie that's technically labeled as horror,

but it somehow contains some of the most disturbing and unsettling scenes I've seen in quite a while.

I'm Nightmare Movies, and today I want to introduce you guys to 1996's Picnic.

I'm not going to be covering Picnic in its entirety.

It's a beautifully strange movie that I highly recommend you all check out.

Instead, I want to give you a basic summary,

then break down one of the main characters' stories neatly placed into three disturbing scenes.

So let's get into it.

The first part of this film introduces us to a character named Coco,

a young alternative girl being driven to and placed in a mental asylum by her parents.

She's pulled out of the car by a gang of overly enthusiastic attendants at the asylum.

We're not entirely sure why she's being taken in at the moment,

but as the film goes on,

every character is revealed to have a dark secret.

She's taken in and locked in a room to be processed by administration.

A nurse enters soon after and roughly handles Coco,

removing all the clips and accessories from her hair.

And after getting Coco to change,

the nurse starts going through her things.

She takes interest in Coco's weird feathers scarf and tries to take it.

The nurse and Coco fight over it, but Coco is stubborn.

She, rightfully, doesn't want this nurse to take her things,

but the nurse is fed up with her.

Just before things get violent,

the matron of the asylum interrupts them.

And this is a good introduction into the world that we're going to be in for the next hour and 12 minutes.

It's apparent that like most asylums,

this place is run by people looking to take advantage of their patients.

Each patient is supposedly mentally ill,

so the staff has free reign to do as they please with these people.

Now fast forwarding to the next scene,

it seems that most of the patients have gathered on the roof for what looks like art time.

They all sit and draw,

being monitored by this extremely pleasant nurse.

She goes around commenting on all of their drawings,

and the patients seem to be delighted by her company.

That is, except for one boy,

the boy that we're going to be discussing for the rest of this video.

His name is Sumaji, and unlike the other patients,

he sits on this bench reading instead of drawing,

isolating himself from the rest of the group.

The nurse comes and sits down next to him.

She rubs his knee, seemingly trying to start up a conversation,

but Sumoji ignores her.

She takes the hint and walks away from him.

So far, it seems like this movie is setting up for a depressing drama about the mistreatment of mentally ill patients,

sprinkled with some dark comedy and surrealism.

But this is the point where I wasn't fully prepared for just how dark this film was going to get.

For some context, Tsumiji suffers from graphic hallucinations,

and three specific ones are shown to us in this film.

I'm going to break down all of them,

and with that warning and introduction, out of the way.

Night has fallen.

Tsumiji sits on his bed as his cellmate talks to him about Coco.

Now, I can't show any of the cellmate because he is pleasuring himself while he talks about Coco,

but that's not what's disturbing about this scene,

though it fits thematically as you'll find out later.

I told you that Tsumiji suffers from hallucinations,

but I never told you exactly what he sees.

The camera zooms in slowly.

All of the sound is fading away,

and someone speaks to Tsumiji.

He turns to look, and this is what he sees.

When I first saw this, I was shocked.

This grotesque man-puppet fused to the wall of Sumoji's cell.

If there was any time to describe something as uncanny,

I feel like this is the perfect time to do so.

The man, or the puppet,

I don't even know how to describe it,

asks Sumoji, what have you done now?

Followed by asking, what are you hiding from me?

Sumoji ignores the question, but then we start to gain some insight into the situation.

The man accuses Sumuji of being the one who broke his classroom window,

but he denies doing so.

100

The man, who we can now assume was his teacher,

101

then accuses Sumuji of stealing another student's lunch money,

102

and again, Sumuji denies it.

103

This line of questioning is bookended with the teacher asking,

104

why do you always put the blame on others?

105

Now, Sumuji is reverting back to his tactic of ignoring the teacher,

106

waiting for him to go away.

107

But this is where the scene goes from uncanny to downright disturbing.

108

The teacher pesters Sumoji until he finally acknowledges him.

109

That's when the teacher tells him that he needs to quote, take a leak.

110

He asks Sumoji to unzip him and take it out,

111

and Sumoji does just that.

112

He gets on his knees,

113

unzips his teacher's pants, and I'm bracing for the worst.

114

But what I got was much worse than I thought.

115

I obviously can't show it,

116

but what pops out of his teacher's pants is what I can only really describe as a bouquet of lanky penises,

117

something I never thought I would see or ever even wanted to.

118

Tsumiji, shocked like the rest of us,

119

backs away, and his teacher urinates all over the floor,

120

moaning in pleasure as he does so.

121

He even tells Tsumiji how good it feels,

122

and everything about this is disgusting.

123

But he did what the teacher wanted.

124

Now he wants him to go away.

125

But before he can, the teacher wants to know something else.

126

He asks Tsumiji if he forgot June 20th.

127

It was raining that day, wasn't it?

128

He asks, why did you kill me, your teacher?

129

It's hard to find words for this scene,

130

but when I went into this film,

131

I can't say I would have ever expected something like this

132

though it's the exact type of horror integration I was looking for.

133

Now there's a lot to unpack but I want to save it until we have all of the context,

134

so with that I want to move on to the next hallucination.

135

We're fast forwarding about halfway into the film now so I'll give you a little summary of how we got here.

136

Koko and Tsumiji are caught exploring outside of the asylum and walking along the wall.

137

There they ended up at a church where a priest gave them a bible.

138

They arrive back at the asylum and are now being punished for leaving the premises.

139

They give each of them a dose of sedative and smash cut to Coco alone in this dungeon.

140

But she hears something.

141

Tsumiji's muffled voice.

142

She looks over and we all witness Tsumiji strapped to the bed,

143

unable to move, and the nurse from the rooftop laying on top of him,

144

using him for her own pleasure.

145

It's an uncomfortable scene that goes on for far too long,

146

but eventually we smash cut to them being finished.

147

The nurse lying on top of Sumoji and him fast asleep.

148

That is until he's awoken by someone,

149

his teacher, urinating on his face.

150

Now this is a quick hallucination, but an important one.

151

The teacher is now stuck to the ceiling,

152

urinating on Sumoji and telling him once again how good it feels,

153

but something feels more malevolent.

154

This isn't the teacher from earlier that was trying to be gentle with Sumoji.

155

This is a man who has power and he knows it.

156

Sumoji is begging for him to stop,

157

but his teacher tells him to drink it.

158

It's only when Coco calls out for him that this hallucination comes to an end.

159

Coco looks at him, deeply worried,

160

and Sumoji turns away, ashamed.

161

And once he does, the nurse also wakes up.

162

And since she's finished, all she does is get dressed,

163

get up, and get on with the rest of her day.

164

While not lasting all that long,

165

this scene still helps us understand even more the trauma that Tsumiji is currently living with.

166

But before we talk about it more, there's one last hallucination.

167

By the end of the film,

168

Coco is out exploring the wall once again,

169

when out of nowhere it starts to rain.

170

As it does, we jump to Sumoji and see him in a rage walking along the wall as well.

171

The rain has triggered something in him and he starts to stomp on the ground.

172

And as he does, his teacher's head appears, begging him to stop.

173

But Sumoji won't.

174

He just continues to stomp and stomp until the pain is just too much.

175

He collapses in on himself,

176

curling up and just wanting for all of this to stop.

177

Coco walks up to him and is ready to comfort Sumoji.

178

Under her broken umbrella, Coco tells him that she can smell that he's a killer.

179

She asks who he killed,

180

and this is where we get the explanation.

181

Sumuji explains how he took his teacher's life,

182

stabbing him in the back one day.

183

He says his teacher hated him.

184

He used to torment Sumuji.

185

He followed him all the way from grade school to high school,

186

doing god knows what.

187

And the only way to stop him was to do what Sumuji did.

188

But even in death, his teacher won't leave him.

189

So in just a few scenes,

190

we bear witness to an absolutely heartbreaking story of a boy who was taken advantage of.

191

It's never outright said how he was,

192

but we can apply quite a bit from these hallucinations.

193

Our first hallucination is the longest and most revealing in the tactics the teacher used against Sumoji.

194

The teacher berates him with questions and puts all of the blame on Sumoji,

195

attempting to gaslight him and convince Sumoji that he is not a good child.

196

After breaking Sumoji down, he would then uplift him with compliments and praise,

197

but only after his teacher got what he wanted.

198

He asked Sumoji if he would unzip his pants and take it out,

199

and as he does, remember that Sumoji gets on his knees,

200

something he doesn't actually have to do but seems to be an almost learned behavior.

201

If this was what the teacher would have him do all the way back in grade school,

202

when Sumoji would have been extremely naive and malleable,

203

and when the power dynamic between the two of them would have been very one-sided,

204

this ultimately highlights an absolutely terrifying relationship.

205

The abuse probably started in a similar way.

206

The teacher would break down Sumuji,

207

ask him to do a task that he would frame as simple,

208

or something the teacher would be incapable of doing on his own,

209

hence why he's seen trapped in the walls, unable to move.

210

Then reward Sumuji for doing so,

211

a common tactic for abusers and their victims to create isolation and dependency.

212

We see the opposite tactic actually being used by his current abuser,

213

when she seemingly tries to build him up with affection,

214

making him feel wanted, but that ultimately fails as he rejects her,

215

but that doesn't stop her, as we know.

216

Now, in the second hallucination,

217

we get more of an idea of what this eventually became,

218

both through the nurse and the teacher's actions.

219

Both of his abusers in this scene are violently taking advantage of Sumoji,

220

and his teacher says a downright disgusting thing to him.

221

As the water falls on Sumoji,

222

his teacher says that there's nothing like the first piss of the morning.

223

I'm guessing that as he got older,

224

this behavior extended far beyond the school and possibly turned into house calls for the teacher.

225

There's also no more fake pleasantries or compliments,

226

only the action and a crude comment.

227

This hallucination most likely represents the tail end of their relationship,

228

and in the final hallucination,

229

what is being said is simple and bold.

230

It's the day that Sumoji took a stand against his teacher,

231

trying to rid himself of this trauma,

232

but the tragedy of it is that for Tsumiji that wasn't enough

233

and he will have to live with those memories and that man for the rest of his life.

234

Tsumiji's story is just one part of this film but it's one

235

that affected me and felt horrifically real even including the absurd man puppet.

236

In just a few short scenes Picnic paints a picture of

237

a traumatized boy who can't escape his past in the most unforgettable way possible.

238

Like I said I love when movies that aren't considered horror utilize it for their stories.

239

I can't think of a more memorable and disturbing way to portray a character's trauma than Picnic.

240

And truthfully, I wish more films made bold choices like this.

241

Film is a visual medium

242

and there's no way for me to better understand what a character is going through than to show it.

243

And Picnic shows a lot.

244

Remember, this is only one part of a crazy film

245

and I recommend you all give it a watch and let me know your opinions down below.

246

Like I said in my last video I'm branching out into places I typically don't go,

247

and I think I've found another incredibly dark film that hopefully all of you will enjoy.

248

And with all that being said,

249

thanks for watching, don't forget to subscribe if you like these videos,

250

and I'm Nightmare Movies, and I'll see you guys next time.

TRENDING

शैडोइंग तकनीक क्या है?

शैडोइंग (Shadowing) एक विज्ञान-समर्थित भाषा सीखने की तकनीक है जो मूल रूप से पेशेवर दुभाषिया प्रशिक्षण के लिए विकसित की गई थी। विधि सरल लेकिन शक्तिशाली है: आप मूल अंग्रेज़ी ऑडियो सुनते हैं और तुरंत इसे ज़ोर से दोहराते हैं — जैसे वक्ता की छाया 1-2 सेकंड की देरी से। शोध से पता चलता है कि यह उच्चारण सटीकता, स्वर, लय, जुड़ी हुई ध्वनियाँ, सुनने की समझ और बोलने की प्रवाहशीलता में काफ़ी सुधार करता है।

☕ हमें एक कॉफी पिलाएं

आपके समर्थन के कारण ShadowingEnglish 100% मुफ्त है। सर्वर और AI की लागत अधिक है — आपकी कॉफी हमें आगे बढ़ने में मदद करती है! 🙏

PayPal के माध्यम से दान करें

ShadowingEnglish.com – अंग्रेज़ी शैडोइंग अभ्यास

शैडोइंग अभ्यास: When A Movie Hides That It's A Horror Film - YouTube के साथ अंग्रेजी बोलना सीखें

लोकप्रिय

पृष्ठभूमि और संदर्भ

दैनिक संवाद के लिए शीर्ष 5 वाक्यांश

चरण-दर-चरण छाया बोलने का मार्गदर्शक

शैडोइंग तकनीक क्या है?

शैडोइंग अभ्यास: When A Movie Hides That It's A Horror Film - YouTube के साथ अंग्रेजी बोलना सीखें

ऐप डाउनलोड करें

पृष्ठभूमि और संदर्भ

दैनिक संवाद के लिए शीर्ष 5 वाक्यांश

चरण-दर-चरण छाया बोलने का मार्गदर्शक

शैडोइंग तकनीक क्या है?