Pratica di Shadowing: The Master | Processing Scene [HD] - Impara a parlare inglese con i video

Creazione lezione...
1
How are you feeling, Freddy?
2
Good.
3
Rested?
4
Yes.
5
Excited?
6
Yeah.
7
Have you made some friends?
8
Everyone's very nice.
9
Good, good.
10
How are you feeling?
11
Good.
12
Yeah, good.
13
I gather myself.
14
You'll be my guinea pig and protege, eh?
15
Four more processing.
16
Are you ready?
17
Yes.
18
Say your name.
19
Freddie Quill.
20
Say it again.
21
Freddie Quill.
22
Say it again.
23
Freddie Quill.
24
Say it again.
25
Freddie Quill.
26
Might as well say it one more time just to make sure you know who you are.
27
Pretty cool.
28
Are you thoughtless in your remarks?
29
I usually put some power to it.
30
Do you linger at bus stations for pleasure?
31
No. Do you get muscle spasms for no reason?
32
No. Do your past failures bother you?
33
No. Do your past failures bother you?
34
No. Do your past failures bother you?
35
No. Do your past failures in life bother you?
36
No. Is your life a struggle?
37
No. Do you like to be told what to do?
38
No. Is your behavior erratic?
39
No. Do you find interest in other people?
40
Not really.
41
Do you find it easy to be fair?
42
Yes.
43
Are you often consumed by envy?
44
No. About what?
45
Are you often consumed by envy?
46
Oh, well...
47
I don't know.
48
You mean, like, jealousy?
49
Like jealousy, yeah.
50
Oh, well, yeah, I don't like someone else's hands on my girls.
51
I don't like to think about it.
52
It makes me sick.
53
Are you scientific in your thought?
54
Yes.
55
Are you concerned with the impression you make?
56
Mm...
57
I don't understand.
58
Yes, you do.
59
Well, most people are asses,
60
if that's what you mean.
61
Are you usually truthful to others?
62
No. I don't know.
63
Sometimes.
64
Are you unpredictable?
65
It's not acceptable.
66
Silly.
67
Silly animal.
68
I couldn't help it.
69
Silly animal.
70
I'm sorry.
71
It's good to laugh during processing.
72
Sometimes we forget, even if it is the sound of an animal.
73
Friendly quail, test session, March 5, 1950, 1800 hours.
74
Aboard the sailing vessel Alethea.
75
LD, MOC, MD, logged and approved.
76
Should we sample another sip before we join them upstairs?
77
Wait, that's it?
78
For now.
79
No, no, no, no. You're gonna ask me more.
80
This is fun.
81
Come on, you gotta ask me more.
82
Could you answer the next series of questions without blinking your eyes?
83
Yes.
84
So without fear and hesitation,
85
answer as quickly as you can.
86
Sure.
87
Starting now, you're not to blink.
88
If you blink, we go back to the start.
89
Infringement.
90
You blinked.
91
Starting now, you are not to blink.
92
If you blink, we go back to the start.
93
Do you often think about how inconsequential you are?
94
No. Do you believe that God will save you from your own ridiculousness?
95
No. Have you ever had intercourse with someone inside your family?
96
Yes.
97
Have you ever had intercourse with someone inside your family?
98
Yes.
99
Who?
100
My auntie.
101
Have you killed anyone?
102
No. No. Maybe.
103
Not me.
104
Have you killed anyone?
105
No. How many times did you have intercourse with your aunt?
106
Three times.
107
Where's your aunt now?
108
I don't know.
109
Would you like to have intercourse with her again?
110
No. Do you regret this?
111
No. Where's your mother?
112
I don't know.
113
Maybe.
114
Infringement.
115
Back to the store.
116
OK.
117
Do you often think about how inconsequential you are?
118
Yes.
119
Do you believe that God will save you?
120
No. Have you rated sex with a member of your family?
121
Yes.
122
Are you lying?
123
No. Who?
124
My auntie Bertha.
125
Where's your aunt now?
126
I don't know.
127
Maybe home.
128
Are you lying?
129
No. Are you a liar?
130
Yes.
131
Have you killed anyone?
132
Yes.
133
Who?
134
Japson War.
135
Do you regret this?
136
No. What are you running from?
137
Maybe hurt a man, I think.
138
Maybe he's dead.
139
I don't know.
140
Where?
141
In Salinas.
142
He stole a batch of my booze and he drank it.
143
Does this booze you make poison?
144
Not if you drink it, smart.
145
Are you trying to poison me?
146
No. Where's your father?
147
Dead.
148
How did he die?
149
Drunk.
150
Where's your mother?
151
Where's your mother?
152
Where's your mother?
153
Loneybairn.
154
She's psychotic?
155
Yes.
156
What is the name of your aunt?
157
Bertha.
158
How did you come to have sex with your auntie, Bertha?
159
I was drunk and she looked good.
160
And you did it again and again?
161
Yes.
162
Have you ever had bad thoughts about Master, Peggy?
163
Yes.
164
What did you think?
165
I thought you were fools.
166
Am I a fool to you?
167
No, sir.
168
If you were locked in a room for the rest of your life,
169
who would be in there with you?
170
Doris.
171
Who's Doris?
172
Best girl I'll ever met girl,
173
I'm gonna marry one day.
174
Is she in Lynn?
175
Yes.
176
Lynn, Massachusetts?
177
Yes, sir.
178
Why aren't you with her?
179
I'm an idiot.
180
Why aren't you with that lovely girl?
181
I got no reason.
182
I'm a fool.
183
Do you love Doris?
184
Yes.
185
Is she the love of your life?
186
Yes, sir.
187
Why aren't you with her?
188
I don't know.
189
Yes, you do.
190
Tell me why you're not with her if you love her so much.
191
I told her I'd come back and I never went back.
192
And now I just, I gotta get back to her.
193
Why don't you go back?
194
I don't know.
195
Why don't you go back?
196
I don't know.
197
Close your eyes.

Informazioni su questa lezione

In questa lezione, esploreremo un episodio tratto dal film "The Master", focalizzandoci sulla conversazione tra i personaggi. Attraverso questo esercizio, avrai l'opportunità di migliorare la tua pronuncia inglese e sviluppare le tue competenze di ascolto e parlato. Utilizzando un approccio di shadowing in inglese, sarai in grado di imitare la pronuncia e il ritmo dei dialoghi, migliorando così la tua fluidità nella pratica di conversazione in inglese.

Vocabolario e frasi chiave

  • How are you feeling? - Come ti senti?
  • Good. - Bene.
  • Say your name. - Di' il tuo nome.
  • Are you ready? - Sei pronto?
  • Do your past failures bother you? - I tuoi fallimenti passati ti disturbano?
  • Are you often consumed by envy? - Sei spesso consumato dall'invidia?
  • Do you like to be told what to do? - Ti piace essere detto cosa fare?
  • My name is Freddie Quill. - Mi chiamo Freddie Quill.

Consigli per la pratica

Per sfruttare al meglio questa lezione, prova a seguire alcuni semplici consigli di shadow speak. Inizia ascoltando attentamente il video e poi ripeti le frasi a voce alta, cercando di imitare non solo le parole ma anche l'intonazione e l'emozione dei parlanti. Poiché il ritmo e la velocità del dialogo sono sostenuti, potrebbe essere utile ripetere le frasi più volte, assicurandoti di articolare chiaramente ogni parola. Non preoccuparti se all'inizio trovi difficile mantenere il passo; con la pratica costante e la ripetizione, vedrai miglioramenti significativi nella tua pronuncia e nella tua abilità di conversazione. Ricorda, l'obiettivo è diventare sempre più a tuo agio con l'inglese parlato, quindi sfrutta questi esercizi per migliorare la pronuncia inglese e rendere il tuo parlare in inglese più naturale.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.