シャドーイング練習: Anne Hathaway Rewatches The Princess Diaries, The Devil Wears Prada & More | Vanity Fair - YouTubeで英語スピーキングを学ぶ
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Sorry, I just have to pause.
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Sorry, I just have to pause.
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Just so you understand, all of you have seen this movie way more recently than I have.
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It's been, if not over a decade,
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maybe two decades since I've seen this movie.
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So this is like, this is amazing.
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Hello, I'm Anne Hathaway, and today I will be rewatching scenes from throughout my career.
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You're late.
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I know.
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I'm really sorry about it.
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And where is Paolo?
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Send in Paolo.
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Regina mia.
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Buongiorno.
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We're so pleased you could make yourself available to be here.
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I'm sorry.
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I just have to pause there and say,
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how radiant is Julie Andrews?
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I was 17 years old when we made this.
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And so I hadn't met as many people yet in my life.
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And so I knew Gary Marshall was really special.
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And I knew Julie Andrews was really special.
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but now sitting here watching this from this point of view,
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they are two of the most magical people I have ever met.
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This was the film that changed my life.
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Like, it's so weird to watch it.
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I haven't seen this movie in maybe 20 years,
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and I'm a little bit speechless with this one.
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This is, it's actually, it's very emotional to see it.
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Like a wolf.
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He's all right.
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So he really had to break the brush in this.
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They pre-broke the brush and it was supposed to break kind of easily,
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but it didn't quite happen.
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So that's me and Larry kind of improv-ing,
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trying to get it to go.
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And I don't remember if the owl was real or if I was just buying him some time.
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But the brush was being stubborn that day.
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Take this and this and give you a princess.
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I don't know what to say.
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It's like it's almost too big to...
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It just...it felt so big at the time and it wound up being
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so big and it's kind of just gotten bigger as my life has progressed.
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So this is total fusion of life and work
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and all the things and I'm just so proud to be in this movie.
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I'm really glad that I'm that girl right there.
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This is foul.
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Don't let her see it.
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Go!
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Emily is so brilliant in this movie.
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I mean, period, but like also she's just like...
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...consuming.
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Sorry, I just have to pause.
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Just so you understand, all of you have seen this movie way more recently than I have.
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It's been, if not over a decade,
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maybe two decades since I've seen this movie.
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So this is like, this is amazing.
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Yeah, I came to New York to be a journalist
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and sent letters out everywhere and finally got a call from Elias Clark
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and met with Sherry up at Human Resources and basically it's this or Otto universe.
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So you don't read Runway.
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I was there the first time Meryl walked into that set
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and I saw the way she respected the work of our production designer,
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but also like crafted it into something that felt more the way she saw the character and I just,
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I was such a sponge around her.
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I just wanted to absorb everything the way she did it.
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Look at that wig.
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Oh my God, Roy J.
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Helland, who is the next,
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like next level at his craft.
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And you have no style or sense of fashion.
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Wow.
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And just look at my wonderful costume.
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I mean, I know the costumes wind up becoming more glamorous,
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but I have to say that is post-grad frump gorgeousness right there.
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I remember thinking the corduroy,
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the corduroy of the jacket felt like the right choice.
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And I knew that that color sweater,
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that the kind of bruised lilac,
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wasn't the most flattering on me.
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So yeah, sorry, I'm taking up too much time.
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Oh my gosh, reminiscing is fun.
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That wasn't a question.
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I was editor-in-chief of the Daily Northwestern.
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She's being very good right now.
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I also won a national competition for college journalists with my series on the janitor's union,
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which exposed the exploitation of...
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When you were shooting this film,
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did you have any sense for how huge it would become?
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Yeah, I did.
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I did.
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Not as huge as it's become,
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but I just had a magnetic quality to me that I had to be a part of it.
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Not this, though.
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that it's just sort of woven into the culture now and it's become such a touchstone for so many people.
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I didn't realize it was gonna have such a lasting impression,
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so I didn't realize it was gonna be, leave such a legacy.
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Sorry, sorry.
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I remember every second.
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I remember every second of all of this,
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but I remember every second of this.
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It is Mr. Wayne, isn't it?
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I'm so thrilled I'm in this movie.
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You wouldn't beat up a woman any more than I would beat up a cripple.
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Oh, that's such a good edit.
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Sometimes exceptions have to be made.
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Oh my, I worked so hard on this backflip.
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Good night, Mr. Wayne.
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Christopher Nolan came to me at the beginning of production.
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He said, I'd like you to train very hard for this.
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It has nothing to do with anything except that I would like you to do as many of your stunts as possible.
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As much as of the fighting anything that isn't like a ridiculously special skillset,
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like riding the Batpod, I want to be you.
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And I want you to be able to do it every single take,
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which, and sometimes we film these sequences for three days.
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And I said, sign me up, no problem.
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And so I went straight to the gym.
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And up to this point,
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this was the hardest I'd ever trained for a role physically.
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Michelle Pfeiffer's Catwoman was everything to me growing up.
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So when I found out that there was a chance for someone of my generation to play this,
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to play Selina Kyle.
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I was just like, I don't,
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I, I'm with Christopher Nolan in this franchise that was so unlike anything that had ever been.
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I wanted to do her justice.
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And it's kind of cool to see it right after those
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first two roles where I was playing such kind of younger women who were a little insecure and unsure of themselves,
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they're stuttering a little bit more.
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And to see the scene begin that,
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and then that oops happens.
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Oops.
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Nobody told me it was uncrackable.
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I'm kind of amazed that this happened and that that's me.
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That's really cool.
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Exciting.
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I just feel really bad for her.
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So my mother played this part and we were talking about it,
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just the song and the interpretation.
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And I told her that I sort of imagined,
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you know when you're watching a match go out and you just hope it stays alight,
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but it shrinks and you just want it to hold on, but it doesn't.
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That's what this song is for me.
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It's the extinguishing of a flame,
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which is just so sad.
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So when I see that,
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I'm watching someone's life like drain out of them.
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So it's just, it's hard to watch.
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The thing that was so magical about singing live is that you're in some ways the conductor
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the performer at the same time.
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Like right at the end you can see I kind of held some emotion come up
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and I took a few extra breaths.
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If you're on stage or in maybe a larger number or
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if you're doing it to a track you have to decide all of those things in advance
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and so a spontaneous thing occurring like that it might not make it into the movie.
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And so being able to do it live allowed us a certain amount of emotional freedom.
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It also demanded quite a lot of technical I found the process fascinating.
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You know, it was hard,
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but that's the kind of hard that you pray for.
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I had a dream my life would be.
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So different from this how I'm living.
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Russell Crowe was such an important part of the process
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because he would have us over on Friday nights and we would sing in front of each other. And
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And that was such a huge part of breaking down nervousness
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and fear and us getting used to just being this film family,
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this cast, this ensemble, where singing was just as normal as talking.
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I don't know that they've done a live sung musical since.
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It had never been attempted before.
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So I don't know.
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We went through something really beautiful.
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This is a surprise.
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I did some online sleuthing for a salon of Silver Lake
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and well I have this fairly large empty flat in London that desperately needs some artwork.
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So I was thinking maybe you could...
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Okay.
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I'm wearing vintage Chanel in this and
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that purple on the top became such an essential thread to my character
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because she is a gallery owner and
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so she really responds like in an almost psychedelic way to color and that color like led me through finding her.
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So much of this movie is about a woman's bloom at a stage in her life where she's,
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I mean, women are often told that we're going too dull,
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but actually she opens and learns more.
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And so the color palette in this movie was so important.
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And anyway, I'm just really enjoying seeing it.
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So these pieces were thrown by a fantastic pottery work with called Susan Habel.
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She threw them at the wall?
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No, she, that's what they call it when they do the work on the wheel.
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It's called throwing.
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Right.
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Right.
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This was the audition scene.
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We met with amazing, amazing actors for this role.
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And Nick kind of had the part from the second he just walked in,
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he was just it.
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He was everything we needed.
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We needed such a specific talent for this.
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Like the movie needed it.
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He needed to be able to sing, act, dance.
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He needed to be charming.
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You needed to, I mean,
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we're just so lucky that Nick Gallat's scene is here.
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I'm proud.
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I'm not someone who spends a lot of time looking back or reflecting.
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I work really hard to be present and to look at what's coming.
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So this has actually been a joy.
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And I'm really proud to have the filmography that makes me so happy and brings me so much pride.
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That's lovely.
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Thanks for watching.
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このレッスンについて
このレッスンでは、アン・ハサウェイが「プリンセス・ダイアリーズ」や「プラダを着た悪魔」など、彼女のキャリアの中でのシーンを再鑑賞する様子を通して、英語のスピーキング力を向上させる方法を学びます。特に、映画の感情や彼女のセリフのリズムに注目しながら、shadow speechの技術を使って練習します。これにより、リスニング能力や発音を強化できるだけでなく、感情を込めた表現力を養うことができます。
重要な語彙とフレーズ
- sorry - 申し訳ありません
- radiant - 輝いている
- special - 特別な
- emotional - 感情的な
- brilliant - 素晴らしい
- improv-ing - 即興の演技をする
- magical - 魔法のような
- speechless - 何も言えない
練習のヒント
この動画は、アン・ハサウェイの独特のトーンとペースを持っています。彼女のトーンを真似ることで、特に感情を込めてスピーチする能力を高められます。まず、動画を何度か観て、彼女の口調や発音のリズムに慣れてください。次に、shadow speakのテクニックを用いて、彼女の言葉を同時に発声する練習をします。初めはゆっくりとした速度で行い、慣れてきたら元のスピードに近づけていきましょう。この方法は、英語スピーキング練習として非常に効果的であり、特にIELTS スピーキング対策にも役立ちます。自分自身を録音し、後で聞き返すことで、発音やリズムの改善点を見つけることができます。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。