Практика Shadowing: Anne Hathaway Rewatches The Princess Diaries, The Devil Wears Prada & More | Vanity Fair - Изучайте разговорный английский с YouTube
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Sorry, I just have to pause.
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Just so you understand, all of you have seen this movie way more recently than I have.
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It's been, if not over a decade,
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maybe two decades since I've seen this movie.
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So this is like, this is amazing.
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Hello, I'm Anne Hathaway, and today I will be rewatching scenes from throughout my career.
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You're late.
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I know.
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I'm really sorry about it.
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And where is Paolo?
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Send in Paolo.
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Regina mia.
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Buongiorno.
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We're so pleased you could make yourself available to be here.
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I'm sorry.
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I just have to pause there and say,
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how radiant is Julie Andrews?
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I was 17 years old when we made this.
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And so I hadn't met as many people yet in my life.
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And so I knew Gary Marshall was really special.
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And I knew Julie Andrews was really special.
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but now sitting here watching this from this point of view,
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they are two of the most magical people I have ever met.
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This was the film that changed my life.
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Like, it's so weird to watch it.
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I haven't seen this movie in maybe 20 years,
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and I'm a little bit speechless with this one.
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This is, it's actually, it's very emotional to see it.
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Like a wolf.
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He's all right.
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So he really had to break the brush in this.
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They pre-broke the brush and it was supposed to break kind of easily,
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but it didn't quite happen.
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So that's me and Larry kind of improv-ing,
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trying to get it to go.
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And I don't remember if the owl was real or if I was just buying him some time.
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But the brush was being stubborn that day.
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Take this and this and give you a princess.
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I don't know what to say.
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It's like it's almost too big to...
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It just...it felt so big at the time and it wound up being
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so big and it's kind of just gotten bigger as my life has progressed.
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So this is total fusion of life and work
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and all the things and I'm just so proud to be in this movie.
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I'm really glad that I'm that girl right there.
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This is foul.
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Don't let her see it.
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Go!
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Emily is so brilliant in this movie.
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I mean, period, but like also she's just like...
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...consuming.
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Sorry, I just have to pause.
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Just so you understand, all of you have seen this movie way more recently than I have.
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It's been, if not over a decade,
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maybe two decades since I've seen this movie.
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So this is like, this is amazing.
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Yeah, I came to New York to be a journalist
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and sent letters out everywhere and finally got a call from Elias Clark
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and met with Sherry up at Human Resources and basically it's this or Otto universe.
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So you don't read Runway.
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I was there the first time Meryl walked into that set
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and I saw the way she respected the work of our production designer,
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but also like crafted it into something that felt more the way she saw the character and I just,
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I was such a sponge around her.
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I just wanted to absorb everything the way she did it.
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Look at that wig.
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Oh my God, Roy J.
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Helland, who is the next,
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like next level at his craft.
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And you have no style or sense of fashion.
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Wow.
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And just look at my wonderful costume.
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I mean, I know the costumes wind up becoming more glamorous,
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but I have to say that is post-grad frump gorgeousness right there.
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I remember thinking the corduroy,
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the corduroy of the jacket felt like the right choice.
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And I knew that that color sweater,
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that the kind of bruised lilac,
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wasn't the most flattering on me.
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So yeah, sorry, I'm taking up too much time.
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Oh my gosh, reminiscing is fun.
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That wasn't a question.
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I was editor-in-chief of the Daily Northwestern.
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She's being very good right now.
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I also won a national competition for college journalists with my series on the janitor's union,
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which exposed the exploitation of...
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When you were shooting this film,
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did you have any sense for how huge it would become?
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Yeah, I did.
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I did.
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Not as huge as it's become,
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but I just had a magnetic quality to me that I had to be a part of it.
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Not this, though.
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that it's just sort of woven into the culture now and it's become such a touchstone for so many people.
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I didn't realize it was gonna have such a lasting impression,
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so I didn't realize it was gonna be, leave such a legacy.
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Sorry, sorry.
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I remember every second.
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I remember every second of all of this,
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but I remember every second of this.
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It is Mr. Wayne, isn't it?
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I'm so thrilled I'm in this movie.
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You wouldn't beat up a woman any more than I would beat up a cripple.
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Oh, that's such a good edit.
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Sometimes exceptions have to be made.
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Oh my, I worked so hard on this backflip.
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Good night, Mr. Wayne.
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Christopher Nolan came to me at the beginning of production.
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He said, I'd like you to train very hard for this.
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It has nothing to do with anything except that I would like you to do as many of your stunts as possible.
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As much as of the fighting anything that isn't like a ridiculously special skillset,
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like riding the Batpod, I want to be you.
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And I want you to be able to do it every single take,
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which, and sometimes we film these sequences for three days.
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And I said, sign me up, no problem.
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And so I went straight to the gym.
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And up to this point,
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this was the hardest I'd ever trained for a role physically.
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Michelle Pfeiffer's Catwoman was everything to me growing up.
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So when I found out that there was a chance for someone of my generation to play this,
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to play Selina Kyle.
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I was just like, I don't,
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I, I'm with Christopher Nolan in this franchise that was so unlike anything that had ever been.
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I wanted to do her justice.
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And it's kind of cool to see it right after those
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first two roles where I was playing such kind of younger women who were a little insecure and unsure of themselves,
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they're stuttering a little bit more.
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And to see the scene begin that,
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and then that oops happens.
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Oops.
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Nobody told me it was uncrackable.
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I'm kind of amazed that this happened and that that's me.
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That's really cool.
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Exciting.
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I just feel really bad for her.
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So my mother played this part and we were talking about it,
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just the song and the interpretation.
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And I told her that I sort of imagined,
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you know when you're watching a match go out and you just hope it stays alight,
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but it shrinks and you just want it to hold on, but it doesn't.
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That's what this song is for me.
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It's the extinguishing of a flame,
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which is just so sad.
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So when I see that,
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I'm watching someone's life like drain out of them.
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So it's just, it's hard to watch.
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The thing that was so magical about singing live is that you're in some ways the conductor
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the performer at the same time.
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Like right at the end you can see I kind of held some emotion come up
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and I took a few extra breaths.
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If you're on stage or in maybe a larger number or
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if you're doing it to a track you have to decide all of those things in advance
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and so a spontaneous thing occurring like that it might not make it into the movie.
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And so being able to do it live allowed us a certain amount of emotional freedom.
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It also demanded quite a lot of technical I found the process fascinating.
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You know, it was hard,
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but that's the kind of hard that you pray for.
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I had a dream my life would be.
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So different from this how I'm living.
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Russell Crowe was such an important part of the process
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because he would have us over on Friday nights and we would sing in front of each other. And
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And that was such a huge part of breaking down nervousness
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and fear and us getting used to just being this film family,
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this cast, this ensemble, where singing was just as normal as talking.
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I don't know that they've done a live sung musical since.
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It had never been attempted before.
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So I don't know.
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We went through something really beautiful.
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This is a surprise.
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I did some online sleuthing for a salon of Silver Lake
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and well I have this fairly large empty flat in London that desperately needs some artwork.
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So I was thinking maybe you could...
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Okay.
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I'm wearing vintage Chanel in this and
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that purple on the top became such an essential thread to my character
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because she is a gallery owner and
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so she really responds like in an almost psychedelic way to color and that color like led me through finding her.
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So much of this movie is about a woman's bloom at a stage in her life where she's,
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I mean, women are often told that we're going too dull,
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but actually she opens and learns more.
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And so the color palette in this movie was so important.
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And anyway, I'm just really enjoying seeing it.
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So these pieces were thrown by a fantastic pottery work with called Susan Habel.
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She threw them at the wall?
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No, she, that's what they call it when they do the work on the wheel.
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It's called throwing.
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Right.
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Right.
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This was the audition scene.
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We met with amazing, amazing actors for this role.
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And Nick kind of had the part from the second he just walked in,
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he was just it.
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He was everything we needed.
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We needed such a specific talent for this.
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Like the movie needed it.
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He needed to be able to sing, act, dance.
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He needed to be charming.
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You needed to, I mean,
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we're just so lucky that Nick Gallat's scene is here.
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I'm proud.
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I'm not someone who spends a lot of time looking back or reflecting.
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I work really hard to be present and to look at what's coming.
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So this has actually been a joy.
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And I'm really proud to have the filmography that makes me so happy and brings me so much pride.
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That's lovely.
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Thanks for watching.
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На этом уроке мы будем практиковать навыки английского языка, используя видео с Анн Хэтуэй, где она пересматривает свои знаменитые фильмы, такие как "Дневники принцессы" и "Дьявол носит Prada". Вы познакомитесь с богатым лексическим запасом, который полезен для разговорной практики, а также почувствуете эмоциональную окраску речи актрисы. Этот контент поможет вам лучше понимать интонации, акценты и эмоции, которые можно передать через shadow speech, что является важным аспектом учить английский с YouTube.
Ключевая лексика и фразы
- radiant — искрящийся, сияющий
- magical — волшебный
- emotional — эмоциональный
- break the brush — сломать щетку
- improv — импровизация
- special — особенный
- speechless — безмолвный, потерявший дар речи
- proud — гордый
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Чтобы максимально эффективно использовать это видео для улучшения ваших разговорных навыков, особенно через технику shadowspeak, следуйте следующим советам:
- Слушайте каждую реплику Анн Хэтуэй внимательно. Обратите внимание на интонацию, акценты и эмоциональный контекст. Это поможет вам уловить нюансы shadow speech.
- Повторяйте фразы, как только они прозвучат. Начинайте с медленного темпа, а затем постепенно ускоряйте свою речь, чтобы соответствовать темпу актрисы.
- Записывайте себя и сравнивайте с оригиналом, чтобы выявить области для улучшения, такие как произношение и жесты.
- Используйте shadowing английский — повторяйте фразы сразу же после их произнесения, чтобы развивать слуховую память и улучшать акцент.
- Не бойтесь делать ошибки. Они являются частью процесса обучения и помогут вам стать более уверенным в разговорах на английском языке.
Практикуйтесь каждый день с помощью этой техники, и вы заметите, как улучшится ваше понимание языка и уверенность в разговоре!
Что такое техника Shadowing?
Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.
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