シャドーイング練習: How To: Make Your FIRST Travel Video (3 Easy Steps!) - 動画で英語スピーキングを学ぶ
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- All right, what's up guys?
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This is Thomas, and in this video, I'm gonna show you how to make your first ever travel video in three easy steps.
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Obviously, I'm not traveling right now.
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I'm in the beautiful London, so I'm gonna take you away to some epic locations.
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Let's cut to that. and then get started.
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Step number one is you're going to select your shots around the story.
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The biggest beginner mistake is you shoot everything aimlessly, pointlessly.
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You go around, you see cool thing, you shoot.
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You see cool thing, you shoot.
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You get shaky footage, you get bad angles, you get too many shots.
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You come back with five terabytes of footage
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that you're never going to edit
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and it just sits there whilst you slowly weep the pain away
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that you're never going to see the video that you wanted to make in the first place.
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That's not what we want.
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So instead, you're going to select your shots around the story.
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Think what is the story?
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What is the video you want to make?
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What is the story you want to tell?
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So let's say you're going to Bali.
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Instead of just shooting a load of random shots of Bali, you're thinking, "What is the story?" "Okay, where am I going?" Right now I'm in a hostel and I'm going to go to an epic beach.
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Okay, that's the story how I'm getting there, and then when I arrive, that's probably like the climax, right?
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And then the ending might be a beautiful sunset with the beach, with the mission accomplished.
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That's your basic story.
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So get shots around that story.
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Tastes like charcoal that's been blundered.
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That's actually a good point.
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Tastes of charcoal.
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We're both gonna die, mate.
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Let's try to slide some over here.
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That's a good idea.
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So that's what you'd have in your mind.
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You've got your rough beginning, your rough middle, and your rough end.
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From there, you're going to shoot each part of the story, and also importantly, the transitions between each part of the story, which leads me on to step number two.
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All right, step number two is that you're going to shoot for flow.
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What I mean by this is that you are continuously thinking about where you are now, and how you're going to arrive where you're going to arrive.
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I mean, both literally like obviously you need to be thinking about this if you want to travel, But.. the same way with your video.
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So a typical thing I see from the beginners inside my online courses is that they will create montages, which means it'll be like, Here's a shot of us in the hostel.
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Here's a shot of us on the beach.
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And then here's a shot of us with a drink.
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and I cut them together And then it's, I wonder why I don't have a story.
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And I wonder why I don't have a cool travel video that engages people.
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So you've really got to think about the flow here.
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How do you get from place to place?
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How are you going to take your viewers with you?
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How are you going to create suspense and excitement about where you're going, about where your viewers are going to come with you?
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So, If you're doing this visually without any vlogging or talking to camera, then what you can do is just make sure you get those transition shots.
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You can even think about some cool transition effects, such as whip pans or maybe covering the camera and revealing somewhere else.
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You can only do these things with a little bit of forethought.
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When I was in Bali a couple of years ago, we had to do this exact thing.
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We had to go from a hostel.
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really early to get to a beach to actually catch it for sunrise.
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and I could have very easily
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got a shot of me waking up in the hostel and then a shot of us on the beach, but then I wouldn't have had a video.
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Instead, the whole story and the whole climactic moment was the effort to get to the beach, which actually turned out to be a nightmare.
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Me and George were driving around these motorcycles in the dark, not knowing where we were going.
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having no idea how to get there, asking locals, people who are up at 4 :00 a .m in the dark with their chickens on their farm, asking them where we needed to go in a completely different language.
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And when we actually got there, Oh man, it was such a...
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climactic, incredible moment because we felt like we'd achieved so much and been through all these adventures to get there.
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So really thinking about the flow of the video is what's going to capture your viewers' attention
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and make sure they stick with you whether that's doing visual transitions, showing those journeys, or whether that's telling the story in a more vlog style.
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All right, finally, step number three is to let your tracks, your songs, dictate the structure of your video.
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This is a mistake I always see.
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People just slap on a track and then that's it.
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They don't edit to the track.
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So this step kind of comes in layers.
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The typical advice you hear, which is great advice, is to cut to the beat of the music.
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It's a surefire way to make your more amateur looking video seem more professional.
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However, a step further than this is to let your track dictate the structure of your video.
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So a song, a piece of music, has a beginning, has a middle, has an end.
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It has climactic moments, it has more downbeat, chill moments.
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So ideally, you're going to want to search for a track, that will reflect the rough story that you have in your video.
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This is assuming that your video is shorter, by the way.
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This is assuming that you're working on maybe a three or four minute video.
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It's a whole nother topic if you're making a 20 minute, 30 minute vlog.
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That's for another video, but If we're talking about, okay, we want to make a nice short punchy three or four minute video, then how are we going to pick a track?
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Well, if your video has
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chill morning where you're chilling out getting a coffee
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and then in the middle you know something crazy happens
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or you go on this adventure and it's more kind of epic and and at the end it's chill again, you want to find a track that represents that.
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You want to find a track that has a chill beginning, builds up to a climactic moment and then has a chill end.
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When you have that track, you're then going to edit your video to each section.
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You have to be quite ruthless here.
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So let's say your morning shots, you have like five minutes of footage or like 10 minutes and the chill section of that track is like 45 seconds.
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you're going to have to cram those 10 minutes into 45 seconds and make some ruthless decisions
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taken out a lot of material to get the bare bones, the best stuff that just tells the story that just looks great, to get into those 45 seconds.
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This, by the way, is how professionals make videos.
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Do not think that when I go out and make a travel video, every single shot is great and I just have unlimited options of shots.
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No, it's usually I'll get You know, 20 minutes of footage for one scene, and then I'll use 30 seconds of it, or one minute of it.
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So it's rather than everything I shoot is amazing, it's picking the amazing bits from the footage and only putting them in the video.
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So once you do that to the chill section, and then you use your transition footage to transition as the music transitions, to the more exciting, more adventurous section,
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and then the music might get more emotive, more emotional.
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As you close off the video, maybe give some nice philosophical thoughts.
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on your experience, or maybe let the visuals do the talking of the sunset or the sunrise, whatever it is.
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Your video is going to end along with the track, and that is really how you make an emotive video to a song that just works perfectly together.
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It's getting pretty chilly here in the park now.
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If you would like to get a list of gear that I use for all of my videos, a list of gear, if you're a beginner, what gear to use, if you are intermediate, which gear to use, if you're a professional,
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which gear to use, then just download the gear list, which is in the description of this video.
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By getting that gear list, you'll also get a bunch of tips and tricks that are going to be sent to you in the newsletter, as well as exclusive opportunities to join my online programs.
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All right, guys, until next time, see you in the next video.
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Keep filming.
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Bye -bye.
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この動画で話す練習をする理由は？
この旅行動画を作るための方法を学ぶことで、英語のスピーキング能力を向上させることができます。特に、ストーリーの構造や流れを考慮することで、表現力が豊かになり、自然な会話のスキルも向上します。また、特定の語彙や文法の使い方に注意を払うことで、実践的な英語を身につけることができます。英語スピーキング練習を通して、動画の内容を反復練習することで、より自信を持って自分の意見や体験を話せるようになります。
文法と表現の分析
- 質問形式：「What is the story?」や「What is the video you want to make?」といった質問は、相手に具体的な考えを促す効果があります。自分が考えるストーリーを他者に伝える際に役立ちます。
- 接続詞の使い方：「and」や「but」を使って文をつなげることで、話の流れを滑らかにし、情報を整理することができます。
- 進行形の使用：「you're going to select your shots around the story」という表現は、未来の行動を示しています。これにより、計画や意図を伝える際の文法の使い方をマスターできます。
- 比喩表現：「you're going to take your viewers with you」という表現は、映像制作における「共感」を示す重要なフレーズです。視聴者を引き込むためのテクニックとしても使えます。
一般的な発音の問題
この動画では、特に注意が必要な発音がいくつかあります。「宿泊施設」と言う際の「hostel」の発音は、一般的に誤解されやすい言葉の一つです。また、「transition」の発音も注意が必要で、正しく発音することでクリアなコミュニケーションが取れるようになります。英語シャドーイングを使ってこれらの言葉を練習することで、正しい発音を習得しやすくなります。シャドースピーチを通じて、自分の口癖やアクセントを確認し、より自然な発音を目指しましょう。
この動画の文法
話し手がよく使っている文型を、動画の実際の表現とともに紹介します。
| 文型 | 動画での表現 |
|---|---|
| 関係詞節 who / which + 節 — 人や物について情報を加える | montages, which means · people who are · hear, which is |
| 受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる | been blundered · be sent |
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。