Luyện nói tiếng Anh bằng Shadowing qua video: How To: Make Your FIRST Travel Video (3 Easy Steps!)
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- All right, what's up guys?
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This is Thomas, and in this video, I'm gonna show you how to make your first ever travel video in three easy steps.
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Obviously, I'm not traveling right now.
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I'm in the beautiful London, so I'm gonna take you away to some epic locations.
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Let's cut to that. and then get started.
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Step number one is you're going to select your shots around the story.
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The biggest beginner mistake is you shoot everything aimlessly, pointlessly.
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You go around, you see cool thing, you shoot.
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You see cool thing, you shoot.
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You get shaky footage, you get bad angles, you get too many shots.
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You come back with five terabytes of footage
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that you're never going to edit
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and it just sits there whilst you slowly weep the pain away
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that you're never going to see the video that you wanted to make in the first place.
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That's not what we want.
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So instead, you're going to select your shots around the story.
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Think what is the story?
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What is the video you want to make?
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What is the story you want to tell?
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So let's say you're going to Bali.
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Instead of just shooting a load of random shots of Bali, you're thinking, "What is the story?" "Okay, where am I going?" Right now I'm in a hostel and I'm going to go to an epic beach.
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Okay, that's the story how I'm getting there, and then when I arrive, that's probably like the climax, right?
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And then the ending might be a beautiful sunset with the beach, with the mission accomplished.
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That's your basic story.
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So get shots around that story.
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Tastes like charcoal that's been blundered.
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That's actually a good point.
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Tastes of charcoal.
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We're both gonna die, mate.
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Let's try to slide some over here.
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That's a good idea.
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So that's what you'd have in your mind.
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You've got your rough beginning, your rough middle, and your rough end.
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From there, you're going to shoot each part of the story, and also importantly, the transitions between each part of the story, which leads me on to step number two.
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All right, step number two is that you're going to shoot for flow.
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What I mean by this is that you are continuously thinking about where you are now, and how you're going to arrive where you're going to arrive.
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I mean, both literally like obviously you need to be thinking about this if you want to travel, But.. the same way with your video.
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So a typical thing I see from the beginners inside my online courses is that they will create montages, which means it'll be like, Here's a shot of us in the hostel.
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Here's a shot of us on the beach.
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And then here's a shot of us with a drink.
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and I cut them together And then it's, I wonder why I don't have a story.
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And I wonder why I don't have a cool travel video that engages people.
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So you've really got to think about the flow here.
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How do you get from place to place?
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How are you going to take your viewers with you?
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How are you going to create suspense and excitement about where you're going, about where your viewers are going to come with you?
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So, If you're doing this visually without any vlogging or talking to camera, then what you can do is just make sure you get those transition shots.
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You can even think about some cool transition effects, such as whip pans or maybe covering the camera and revealing somewhere else.
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You can only do these things with a little bit of forethought.
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When I was in Bali a couple of years ago, we had to do this exact thing.
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We had to go from a hostel.
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really early to get to a beach to actually catch it for sunrise.
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and I could have very easily
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got a shot of me waking up in the hostel and then a shot of us on the beach, but then I wouldn't have had a video.
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Instead, the whole story and the whole climactic moment was the effort to get to the beach, which actually turned out to be a nightmare.
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Me and George were driving around these motorcycles in the dark, not knowing where we were going.
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having no idea how to get there, asking locals, people who are up at 4 :00 a .m in the dark with their chickens on their farm, asking them where we needed to go in a completely different language.
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And when we actually got there, Oh man, it was such a...
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climactic, incredible moment because we felt like we'd achieved so much and been through all these adventures to get there.
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So really thinking about the flow of the video is what's going to capture your viewers' attention
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and make sure they stick with you whether that's doing visual transitions, showing those journeys, or whether that's telling the story in a more vlog style.
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All right, finally, step number three is to let your tracks, your songs, dictate the structure of your video.
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This is a mistake I always see.
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People just slap on a track and then that's it.
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They don't edit to the track.
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So this step kind of comes in layers.
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The typical advice you hear, which is great advice, is to cut to the beat of the music.
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It's a surefire way to make your more amateur looking video seem more professional.
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However, a step further than this is to let your track dictate the structure of your video.
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So a song, a piece of music, has a beginning, has a middle, has an end.
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It has climactic moments, it has more downbeat, chill moments.
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So ideally, you're going to want to search for a track, that will reflect the rough story that you have in your video.
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This is assuming that your video is shorter, by the way.
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This is assuming that you're working on maybe a three or four minute video.
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It's a whole nother topic if you're making a 20 minute, 30 minute vlog.
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That's for another video, but If we're talking about, okay, we want to make a nice short punchy three or four minute video, then how are we going to pick a track?
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Well, if your video has
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chill morning where you're chilling out getting a coffee
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and then in the middle you know something crazy happens
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or you go on this adventure and it's more kind of epic and and at the end it's chill again, you want to find a track that represents that.
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You want to find a track that has a chill beginning, builds up to a climactic moment and then has a chill end.
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When you have that track, you're then going to edit your video to each section.
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You have to be quite ruthless here.
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So let's say your morning shots, you have like five minutes of footage or like 10 minutes and the chill section of that track is like 45 seconds.
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you're going to have to cram those 10 minutes into 45 seconds and make some ruthless decisions
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taken out a lot of material to get the bare bones, the best stuff that just tells the story that just looks great, to get into those 45 seconds.
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This, by the way, is how professionals make videos.
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Do not think that when I go out and make a travel video, every single shot is great and I just have unlimited options of shots.
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No, it's usually I'll get You know, 20 minutes of footage for one scene, and then I'll use 30 seconds of it, or one minute of it.
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So it's rather than everything I shoot is amazing, it's picking the amazing bits from the footage and only putting them in the video.
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So once you do that to the chill section, and then you use your transition footage to transition as the music transitions, to the more exciting, more adventurous section,
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and then the music might get more emotive, more emotional.
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As you close off the video, maybe give some nice philosophical thoughts.
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on your experience, or maybe let the visuals do the talking of the sunset or the sunrise, whatever it is.
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Your video is going to end along with the track, and that is really how you make an emotive video to a song that just works perfectly together.
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It's getting pretty chilly here in the park now.
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If you would like to get a list of gear that I use for all of my videos, a list of gear, if you're a beginner, what gear to use, if you are intermediate, which gear to use, if you're a professional,
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which gear to use, then just download the gear list, which is in the description of this video.
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By getting that gear list, you'll also get a bunch of tips and tricks that are going to be sent to you in the newsletter, as well as exclusive opportunities to join my online programs.
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All right, guys, until next time, see you in the next video.
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Keep filming.
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Bye -bye.
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Tại sao nên luyện nói với video này?
Video này cung cấp cho bạn một bối cảnh tuyệt vời để luyện nghe nói qua video. Thomas đã chia sẻ kinh nghiệm của mình về cách tạo video du lịch đầu tiên với ba bước đơn giản. Việc lắng nghe và bắt chước cách anh ấy diễn đạt không chỉ giúp cải thiện kỹ năng nói mà còn nâng cao khả năng hiểu biết ngữ cảnh. Thông qua luyện nghe nói qua video, bạn có thể nâng cao phát âm và ngữ điệu của mình, đồng thời học hỏi cách tổ chức ý tưởng một cách logic trong một câu chuyện. Đây là một kỹ thuật cực kỳ hữu ích cho những ai muốn cải thiện kỹ năng nói của mình trong tiếng Anh.
Cấu trúc ngữ pháp & Biểu thức trong ngữ cảnh
- "Select your shots around the story": Câu này nhấn mạnh việc lựa chọn bối cảnh cho video, giúp bạn hiểu cách kết hợp giữa ngữ pháp và ý tưởng.
- "Shoot for flow": Cấu trúc này dùng để chỉ việc tạo ra một dòng chảy mạch lạc giữa các cảnh quay, điều này rất quan trọng trong việc kể chuyện.
- "What is the story?": Câu hỏi này giúp bạn xác định chủ đề và hướng đi cho video, khuyến khích suy nghĩ thú vị và sáng tạo.
Bằng cách lắng nghe và nhắc lại những câu nói này, bạn có thể cải thiện được kỹ năng phát âm tiếng anh chuẩn và tư duy ngôn ngữ của mình.
Các cạm bẫy phát âm phổ biến
Khi xem video, hãy chú ý đến một số từ và cụm từ có thể gây khó khăn trong việc phát âm. Thomas sử dụng nhiều thuật ngữ như “epic locations” và “transitions”, có thể khiến bạn nhầm lẫn nếu không quen với cách phát âm tiếng Anh chuẩn. Hãy luyện tập nhắc lại những từ này, cố gắng bắt chước ngữ điệu và nhịp điệu của anh ấy.
Thêm vào đó, những từ tiếng lóng như “montages” hoặc các cụm từ như “cut them together” cũng cần lưu ý. Bạn có thể tìm kiếm thêm thông tin trên các shadowing site để luyện tập cụ thể hơn nữa. Kỹ thuật shadow speak sẽ giúp bạn cải thiện khả năng nghe và nói thông qua việc lặp lại chính xác những gì bạn nghe được.
Ngữ pháp trong video
Những cấu trúc người nói dùng nhiều nhất, kèm đúng cụm từ trong video:
| Cấu trúc | Trong video |
|---|---|
| Mệnh đề quan hệ who / which + mệnh đề — thêm thông tin về người hoặc vật | montages, which means · people who are · hear, which is |
| Câu bị động be + quá khứ phân từ — nhấn vào việc xảy ra, không phải người làm | been blundered · be sent |
Phương Pháp Shadowing Là Gì?
Shadowing là kỹ thuật học ngôn ngữ có cơ sở khoa học, ban đầu được phát triển cho chương trình đào tạo phiên dịch viên chuyên nghiệp và được phổ biến rộng rãi bởi nhà đa ngôn ngữ học Dr. Alexander Arguelles. Nguyên lý cốt lõi đơn giản nhưng cực kỳ hiệu quả: bạn nghe tiếng Anh của người bản xứ và lặp lại to ngay lập tức — như một "cái bóng" (shadow) đuổi theo người nói với độ trễ chỉ 1–2 giây. Khác với luyện ngữ pháp hay học từ vựng bị động, Shadowing buộc não bộ và cơ miệng phải đồng thời xử lý và tái tạo ngôn ngữ thực tế. Các nghiên cứu khoa học xác nhận phương pháp này cải thiện đáng kể phát âm, ngữ điệu, nhịp điệu, nối âm, kỹ năng nghe và độ lưu loát khi nói — đặc biệt hiệu quả cho người luyện IELTS Speaking và muốn giao tiếp tiếng Anh tự nhiên như người bản ngữ.