シャドーイング練習: Quentin Tarantino on Why He Thinks Movies Are Better Than TV Shows - YouTubeで英語スピーキングを学ぶ
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The Joe Rogan Experience
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The Joe Rogan Experience
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Television at least the television I grew up with was all
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about like the familiarity of returning to the characters you love Yeah,
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but there was plenty of characters Yeah
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And you did get to return to the ones
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that stuck around didn't get their heads locked I just wish they killed other characters No,
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no, no, no, no, no,
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no, I love that Let me give you another example of my
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Everyone talks about how great television is now and it's pretty good.
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I gotta say
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it's pretty good but it's still television to me
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and what's the difference between what's the difference between television
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and a good movie
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because a lot of the TV now it has the patina
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of a movie mm-hmm all right it they're using cinematic language all right to get you caught up in it and I
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know and obviously I'm talking about good shows for time it shows
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that your Ozark shows that you're compelled to watch right all right um and So okay, so okay.
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I'll use an example of a show.
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I'll use a
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Yellowstone I didn't really get around to watching Yellowstone the first three years
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or so and then then I watched like the first season Like wow,
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this is fucking great.
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I'm always been a big Kevin Costner fan He's not going wonderful in this all right
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And I got really caught up in the show and everything
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and all of a sudden I'm having a good time and you know I've got a couple seasons.
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I haven't seen so I'm watching it and and
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and in the first season I'm kind of talking about this
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is like a movie this is like a big movie it's like a big movie
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and the guy the guy who writes says it's a good writer there's good like punchy monologues
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and stuff so then I end up watching like three seasons of it
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and then I even watched
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that by 1883 was oh this is a good Western show I like Western
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but then after I've watched like two or three seasons
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or one season of 1883 look why I'm watching it I am compelled I'm caught up in it
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but at the end of the day it's all just a
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soap opera they've introduced you to a bunch of characters you
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actually kind of know all their backstories you know everybody's connection with everybody else
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and you know they spend some time selling that out
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and then everything else then everything is just the compellingness of the soap opera What's happening to this character?
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What's different between that and a film?
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Well, I'll tell you I'll tell you because the thing is if
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You watch if you watch Edge of Night
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Monday through Friday you get caught up in the dramas of the family
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and everything right
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But you don't remember it five years from now you're caught up into the minutia of it at the moment All right,
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so the difference between is is I'll see a good Western movie
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and I'll remember it for the rest of my life I'll remember the story.
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I'll remember this scene or that scene and it built it built to an emotional climax of some degree
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And you know one the story is good.
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It's not just about the interpersonal relationships The story is good itself,
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but but but there's a payoff to it,
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but there's not a payoff on this stuff It's just more inter-interconnectional drama and while I'm watching it,
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that's good enough.
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But when it's over, I couldn't tell you,
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I can remember who the bad guy was in the first season of Yellowstone because it was Danny Houston.
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I remember him in it,
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but I don't remember any of the
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The details of it and I don't remember any of the bad guys for season two or season three.
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It's out of my head.
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It's just completely out of it.
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And same thing with 1883,
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when I watched the whole thing and that was like a That seemed like a movie except I don't remember
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Sam Elliott's about the only thing I really remember it of it when it was finished,
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but now a Red River I remember for the rest of my life isn't
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that though because it's a different thing Right because
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when you go to a film film is is designed for
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one sitting you sit down in the theater You're gonna get the entire encapsulation what happens to these characters
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and okay I'll give you an example of one
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that is more than a soap opera and you'll and and here's the difference Here's the difference.
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Okay, yeah, you could say that Look they're in the soap opera business,
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but I'll tell you one that's not okay if you watch that first season of
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Here's one that really works like a movie if you watch the first season of Homeland.
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Oh, yeah That first season of Homeland.
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First season is incredible.
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Okay.
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Yeah, very good when it gets to that final
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episode of the first season and he's got the suicide vest on and he's in the room
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He can kill the guys that he's been waiting for to do it for the whole movie.
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And you don't want him to die,
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but you're kind of into him and you kind of want him to pull it off.
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And then his daughter calls him on the phone before he does it.
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She doesn't know what he's gonna do,
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but she gets that little sense from him that something's weird.
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Daddy, you need to tell me that you're gonna come home right now.
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You need to tell me right now that I will see you later tonight.
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And the entire series has been built to this scene.
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And it's one of the most emotional scenes I've ever seen in a movie,
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in a TV show, I've ever seen Dramatized.
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The first season was great.
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I've ever seen Dramatized.
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Now that was a movie.
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That was not a soap opera.
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That built to this moment of him being in that fucking room with the suicide vest on.
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And there was complexity.
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She doesn't know what she's asking.
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But we do.
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Right.
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She's stopping this major thing and she'll never know that.
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But we do.
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Right, right, right.
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And he's still committed.
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That's...
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But he's more committed to her.
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And we know that.
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Mmm.
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That's just great shit.
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That's a movie.
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Right.
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And you can't...
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Can you do that every week?
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No, I didn't say you can do it every week, but I'm saying...
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I mean, you know what I'm saying...
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When the season's over, I need to walk away with more than just the soap opera.
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An impactful moment exactly.
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I don't expect you to do that every week,
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but at the end of the arc
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If you're telling a continuing story right at the end of that fucking season you need to bam drop the mic Yeah,
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you need to tell me a fucking story not just dot dot dot dot dot Seriously and look while I'm watching it.
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I'm not asking for that
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But the fact that it all just goes away years right once it's over and it's just stand on the beach Right.
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It's a different thing though, right?
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I mean, this is what the weirdness- Well,
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well, well, here's where it's not a different thing.
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Okay, here's where it's not a different thing.
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Part of the thing that makes it different is the fact that everyone's watching these continuing stories.
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Continuing stories, continuing stories.
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Okay, if it were Bonanza,
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where it's just a set-up story,
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Charles Bronson shows up, he's a half-breed Indian
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and he's working at the Ponderosa for a while
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And he gets involved in an adventure and then at the end it's it's it's done
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Well on that show you you have the the episodes are maybe not so good or the episodes are there are
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Whatever they're treading water on continual story thing
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But then you'll have this great episode with Charles Bronson or do they have a great episode which with James Well,
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they're almost standalones.
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That could have been a movie.
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Yeah.
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They could have expanded that to a movie.
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Right.
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They're standalones instead of just a long, ongoing story.
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Well, the difference is that that's episodic.
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It's a long, ongoing story that leads to the soap opera aspect.
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Well, it's episodic, and television now has become completely serialized.
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Yeah, yeah.
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And so, you know, somebody's going in and they're pitching their show,
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even a really, really good show like Deadwood.
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Okay, Deadwood, I know what they probably went in they pitched
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and what they knew that they were gonna make was the was it Wild Bill?
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The Wild Bill story and they've got Carradine and like and they know that story and that show is
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Fantastic as long as they're telling that story which is like six to eight episodes Once he's gone.
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I don't think they had a plan
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They that was what they pitched
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and it was like they pitched a movie spread out over a number of episodes
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But it wasn't even the full season yeah,
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but by that point in time they have now they have all the cat town character Well,
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they've got everybody but but I would maintain
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that for the rest of Deadwood after Carradine's gone It's just things are happening stuff is happening
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But I don't remember anything about that show other than the town
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and you know the the various actors that I liked
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and on the show and
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But really all they had was those first six to eight episodes I can't remember what exactly what it was
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and the thing that and the thing about it is I'm not,
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I don't say all this and the sum up of it all is it's useless.
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It is very compelling while I'm watching it.
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But it just doesn't compare to a movie real story that stays with me for the rest of my life.
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このレッスンについて
このレッスンでは、クエンティン・タランティーノが映画とテレビ番組について語る内容を通じて、英語のリスニングとスピーキングスキルを向上させます。特に、タランティーノが映画のストーリーテリングの豊かさとテレビ特有のフォーマットの違いについて述べる部分に焦点を当てます。このプロセスを通して、リスニング力の強化だけでなく、自分の意見を述べる練習や、様々な表現力を養うことができるでしょう。このレッスンは、IELTS スピーキング対策にも役立ちます。
重要な語彙とフレーズ
- キャラクター - 登場人物
- エモーショナル・クライマックス - 感情的なクライマックス
- ソープオペラ - 昼ドラマ
- ストーリー - 物語
- 惹きつけられる - 引き込まれる
- バックストーリー - 背景故事
- 洗練された言語 - シネマティック・ランゲージ
- モノローグ - 独白
練習のヒント
タランティーノのトーンは非常に会話的で、感情豊かです。このビデオのスピードに合わせて、shadowspeakの技術を使いましょう。ビデオを再生し、彼の言葉を繰り返しながらシャドーイングを行うことが非常に効果的です。特に、彼の間の取り方やイントネーションを模倣するよう心掛けましょう。また、shadow speechを実践する時は、彼が感情を込めて話す部分に重点を置くと良いでしょう。具体的には、彼が作品への思いを語るところや、テレビと映画の違いについて情熱的に語るシーンを繰り返します。この結果、自分の言葉で要約することも練習でき、YouTubeで英語学習の一環として非常に効果的です。思い出しやすい物語を作り上げるために、感情やストーリーの要素を生かすことが重要です。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。