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The Joe Rogan Experience
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The Joe Rogan Experience
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Television at least the television I grew up with was all
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about like the familiarity of returning to the characters you love Yeah,
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but there was plenty of characters Yeah
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And you did get to return to the ones
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that stuck around didn't get their heads locked I just wish they killed other characters No,
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no, no, no, no, no,
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no, I love that Let me give you another example of my
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Everyone talks about how great television is now and it's pretty good.
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I gotta say
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it's pretty good but it's still television to me
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and what's the difference between what's the difference between television
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and a good movie
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because a lot of the TV now it has the patina
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of a movie mm-hmm all right it they're using cinematic language all right to get you caught up in it and I
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know and obviously I'm talking about good shows for time it shows
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that your Ozark shows that you're compelled to watch right all right um and So okay, so okay.
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I'll use an example of a show.
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I'll use a
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Yellowstone I didn't really get around to watching Yellowstone the first three years
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or so and then then I watched like the first season Like wow,
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this is fucking great.
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I'm always been a big Kevin Costner fan He's not going wonderful in this all right
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And I got really caught up in the show and everything
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and all of a sudden I'm having a good time and you know I've got a couple seasons.
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I haven't seen so I'm watching it and and
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and in the first season I'm kind of talking about this
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is like a movie this is like a big movie it's like a big movie
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and the guy the guy who writes says it's a good writer there's good like punchy monologues
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and stuff so then I end up watching like three seasons of it
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and then I even watched
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that by 1883 was oh this is a good Western show I like Western
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but then after I've watched like two or three seasons
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or one season of 1883 look why I'm watching it I am compelled I'm caught up in it
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but at the end of the day it's all just a
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soap opera they've introduced you to a bunch of characters you
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actually kind of know all their backstories you know everybody's connection with everybody else
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and you know they spend some time selling that out
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and then everything else then everything is just the compellingness of the soap opera What's happening to this character?
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What's different between that and a film?
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Well, I'll tell you I'll tell you because the thing is if
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You watch if you watch Edge of Night
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Monday through Friday you get caught up in the dramas of the family
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and everything right
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But you don't remember it five years from now you're caught up into the minutia of it at the moment All right,
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so the difference between is is I'll see a good Western movie
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and I'll remember it for the rest of my life I'll remember the story.
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I'll remember this scene or that scene and it built it built to an emotional climax of some degree
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And you know one the story is good.
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It's not just about the interpersonal relationships The story is good itself,
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but but but there's a payoff to it,
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but there's not a payoff on this stuff It's just more inter-interconnectional drama and while I'm watching it,
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that's good enough.
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But when it's over, I couldn't tell you,
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I can remember who the bad guy was in the first season of Yellowstone because it was Danny Houston.
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I remember him in it,
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but I don't remember any of the
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The details of it and I don't remember any of the bad guys for season two or season three.
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It's out of my head.
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It's just completely out of it.
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And same thing with 1883,
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when I watched the whole thing and that was like a That seemed like a movie except I don't remember
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Sam Elliott's about the only thing I really remember it of it when it was finished,
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but now a Red River I remember for the rest of my life isn't
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that though because it's a different thing Right because
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when you go to a film film is is designed for
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one sitting you sit down in the theater You're gonna get the entire encapsulation what happens to these characters
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and okay I'll give you an example of one
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that is more than a soap opera and you'll and and here's the difference Here's the difference.
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Okay, yeah, you could say that Look they're in the soap opera business,
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but I'll tell you one that's not okay if you watch that first season of
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Here's one that really works like a movie if you watch the first season of Homeland.
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Oh, yeah That first season of Homeland.
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First season is incredible.
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Okay.
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Yeah, very good when it gets to that final
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episode of the first season and he's got the suicide vest on and he's in the room
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He can kill the guys that he's been waiting for to do it for the whole movie.
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And you don't want him to die,
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but you're kind of into him and you kind of want him to pull it off.
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And then his daughter calls him on the phone before he does it.
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She doesn't know what he's gonna do,
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but she gets that little sense from him that something's weird.
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Daddy, you need to tell me that you're gonna come home right now.
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You need to tell me right now that I will see you later tonight.
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And the entire series has been built to this scene.
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And it's one of the most emotional scenes I've ever seen in a movie,
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in a TV show, I've ever seen Dramatized.
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The first season was great.
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I've ever seen Dramatized.
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Now that was a movie.
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That was not a soap opera.
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That built to this moment of him being in that fucking room with the suicide vest on.
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And there was complexity.
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She doesn't know what she's asking.
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But we do.
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Right.
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She's stopping this major thing and she'll never know that.
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But we do.
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Right, right, right.
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And he's still committed.
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That's...
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But he's more committed to her.
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And we know that.
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Mmm.
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That's just great shit.
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That's a movie.
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Right.
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And you can't...
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Can you do that every week?
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No, I didn't say you can do it every week, but I'm saying...
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I mean, you know what I'm saying...
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When the season's over, I need to walk away with more than just the soap opera.
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An impactful moment exactly.
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I don't expect you to do that every week,
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but at the end of the arc
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If you're telling a continuing story right at the end of that fucking season you need to bam drop the mic Yeah,
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you need to tell me a fucking story not just dot dot dot dot dot Seriously and look while I'm watching it.
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I'm not asking for that
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But the fact that it all just goes away years right once it's over and it's just stand on the beach Right.
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It's a different thing though, right?
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I mean, this is what the weirdness- Well,
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well, well, here's where it's not a different thing.
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Okay, here's where it's not a different thing.
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Part of the thing that makes it different is the fact that everyone's watching these continuing stories.
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Continuing stories, continuing stories.
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Okay, if it were Bonanza,
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where it's just a set-up story,
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Charles Bronson shows up, he's a half-breed Indian
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and he's working at the Ponderosa for a while
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And he gets involved in an adventure and then at the end it's it's it's done
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Well on that show you you have the the episodes are maybe not so good or the episodes are there are
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Whatever they're treading water on continual story thing
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But then you'll have this great episode with Charles Bronson or do they have a great episode which with James Well,
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they're almost standalones.
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That could have been a movie.
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Yeah.
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They could have expanded that to a movie.
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Right.
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They're standalones instead of just a long, ongoing story.
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Well, the difference is that that's episodic.
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It's a long, ongoing story that leads to the soap opera aspect.
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Well, it's episodic, and television now has become completely serialized.
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Yeah, yeah.
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And so, you know, somebody's going in and they're pitching their show,
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even a really, really good show like Deadwood.
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Okay, Deadwood, I know what they probably went in they pitched
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and what they knew that they were gonna make was the was it Wild Bill?
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The Wild Bill story and they've got Carradine and like and they know that story and that show is
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Fantastic as long as they're telling that story which is like six to eight episodes Once he's gone.
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I don't think they had a plan
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They that was what they pitched
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and it was like they pitched a movie spread out over a number of episodes
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But it wasn't even the full season yeah,
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but by that point in time they have now they have all the cat town character Well,
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they've got everybody but but I would maintain
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that for the rest of Deadwood after Carradine's gone It's just things are happening stuff is happening
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But I don't remember anything about that show other than the town
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and you know the the various actors that I liked
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and on the show and
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But really all they had was those first six to eight episodes I can't remember what exactly what it was
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and the thing that and the thing about it is I'm not,
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I don't say all this and the sum up of it all is it's useless.
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It is very compelling while I'm watching it.
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But it just doesn't compare to a movie real story that stays with me for the rest of my life.
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Phổ biến
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Khi học tiếng Anh, việc thực hành nói là vô cùng quan trọng. Video này giúp bạn nâng cao khả năng nói thông qua shadow speech hoặc shadowing tiếng anh, cho phép bạn bắt chước cách diễn đạt và ngữ điệu của người nói. Quentin Tarantino chia sẻ ý kiến của mình về sự khác biệt giữa phim và truyền hình, mở ra một bối cảnh thú vị để bạn thực hành. Bạn không chỉ lắng nghe mà còn có cơ hội thể hiện quan điểm cá nhân về các vấn đề như kịch bản, nhân vật và cảm xúc trong phim, giúp xây dựng khả năng tư duy phản biện bằng tiếng Anh.
Ngữ pháp & Cụm từ trong ngữ cảnh
- “I didn’t really get around to watching”: Câu này sử dụng cấu trúc ngữ pháp “get around to” để diễn tả việc bắt đầu làm điều gì đó sau một thời gian trì hoãn. Đây là một cách diễn đạt thông dụng trong tiếng Anh.
- “I got really caught up in the show”: Cấu trúc “get caught up” thể hiện cảm xúc tận hưởng và sự hấp dẫn của một bộ phim hoặc chương trình truyền hình, có thể áp dụng trong nhiều tình huống khác.
- “It built to an emotional climax”: Câu này sử dụng động từ “build” để mô tả quá trình phát triển của một câu chuyện đến đỉnh cao cảm xúc, rất quan trọng trong việc kể chuyện.
Khi luyện nghe nói qua video, bạn có thể áp dụng các cấu trúc này để diễn tả quan điểm của mình về phim và truyền hình, từ đó cải thiện khả năng giao tiếp.
Các cạm bẫy phát âm phổ biến
Trong video, một số từ và cụm từ có thể gây khó khăn cho người học trong việc phát âm như “Yellowstone” và “western.” Âm “w” thường gây khó khăn cho nhiều người học tiếng Anh do cách phát âm khác biệt so với tiếng Việt. Bạn nên luyện tập phát âm từ này trong các ngữ cảnh khác nhau để tự nhiên hơn. Bên cạnh đó, giọng điệu của Tarantino cũng ảnh hưởng đến cách phát âm và nhấn mạnh của câu, điều này rất quan trọng trong shadow speak. Hãy cố gắng lắng nghe và bắt chước cách anh ấy nhấn mạnh các từ và cụm từ để cải thiện kỹ năng nói của bạn.
Áp dụng shadowing site, bạn sẽ thấy rằng việc nghe đi nghe lại video và thực hành liên tục sẽ giúp bạn trở nên tự tin hơn khi giao tiếp bằng tiếng Anh trong các tình huống thực tế.
Phương Pháp Shadowing Là Gì?
Shadowing là kỹ thuật học ngôn ngữ có cơ sở khoa học, ban đầu được phát triển cho chương trình đào tạo phiên dịch viên chuyên nghiệp và được phổ biến rộng rãi bởi nhà đa ngôn ngữ học Dr. Alexander Arguelles. Nguyên lý cốt lõi đơn giản nhưng cực kỳ hiệu quả: bạn nghe tiếng Anh của người bản xứ và lặp lại to ngay lập tức — như một "cái bóng" (shadow) đuổi theo người nói với độ trễ chỉ 1–2 giây. Khác với luyện ngữ pháp hay học từ vựng bị động, Shadowing buộc não bộ và cơ miệng phải đồng thời xử lý và tái tạo ngôn ngữ thực tế. Các nghiên cứu khoa học xác nhận phương pháp này cải thiện đáng kể phát âm, ngữ điệu, nhịp điệu, nối âm, kỹ năng nghe và độ lưu loát khi nói — đặc biệt hiệu quả cho người luyện IELTS Speaking và muốn giao tiếp tiếng Anh tự nhiên như người bản ngữ.